IMDb RATING
7.4/10
3.8K
YOUR RATING
Despite her mother's objections, the naive young daughter of a show boat captain is thrust into the limelight as the company's new leading lady.Despite her mother's objections, the naive young daughter of a show boat captain is thrust into the limelight as the company's new leading lady.Despite her mother's objections, the naive young daughter of a show boat captain is thrust into the limelight as the company's new leading lady.
- Awards
- 1 win & 1 nomination
Maude Allen
- Fat Woman
- (uncredited)
Storyline
Did you know
- TriviaSpecial permission had to be granted from the Hays Office in order to retain the famous miscegenation (interracial marriage) sequence in the movie. Miscegenation was banned as a film subject, and had been excluded from Show Boat (1929).
- GoofsWhen Joe begins to sing "Ol' Man River", he picks up a board and begins to whittle it. He slices off two pieces, and then the camera switches to an oblique shot, but now the board is whittled to a slender rod.
- Crazy creditsIn the opening credits, there is a cardboard cutout display of a show boat parade, with cutout paper townspeople watching it, on a moving turntable. The parade revolves past the camera carrying cardboard banners on which are printed the title and other credits. Most of the parade figures are simply figures, but among them cutouts of Paul Robeson and Helen Morgan can be seen. (The appearance of these figures does not coincide with the appearance of their names onscreen.) In the background shadows of a paddlewheel and a riverboat can be seen.
- ConnectionsFeatured in The All Talking, All Singing, All Dancing Show (1973)
- SoundtracksCotton Blossom
(1927) (uncredited)
Music by Jerome Kern
Lyrics by Oscar Hammerstein II
Sung by offscreen mixed chorus (during opening credits) and in opening scene by mixed chorus of dock workers
Featured review
The BEST version ever of the musical. It follows a show boat and the family that runs it through three generations concentrating on Magnolia (Irene Dunne) and her husband Ravenel (Allen Jones).
Some people have complained that Dunne's high-pitched singing voice is TOO high-pitched...they're not completely wrong. Still she sings in tune and her "Make Believe" duet with Jones is just great. Actually all the songs are great and belted out by the cast--highlights are "Can't Help Lovin' That Man", "Bill" and the great Paul Robeson doing "Old Man River". The movie also is very faithful to the stage play--it has almost all the songs and manages to fit a 3 hour play into a 2 hour film. The last section with Kim seems rushed but that's understandable.
Dunne is just great as Magnolia--very sweet and lovable. The only strange point is her dancing to "Can't Help..."--the dress is way too constricting and she has a strange look on her face. Jones is wooden but but has a wonderful singing voice. Helen Morgan was taken from the stage show to recreate Julie. She stops the movie TWICE with "Can't Help..." and "Bill". She has a beautiful voice and is a superb actress. Her character disappears completely halfway through...but it's the same in the stage play. In the book her character ends up working in a house of prostitution--there was NO way they could have gotten that on the screen back in 1936! Everybody else is great and the movie moves very quickly.
It's much better than the 1950s version. The 50s version IS in color and opens with a great number...but most of the singing is overdubbed, the story is brutally cut down and "Can't Help..." is thrown away!
This has it all over that one. Also director James Whale reportedly liked this one above all his other films--he did a few other little films like "Frankenstein" and "Bride of Frankenstein"! Beautiful songs, some truly lovely photography (the moonlight scenes on top of the showboat are dreamlike) and a quick story. Just simply one of the great Hollywood musicals. A must see!
Some people have complained that Dunne's high-pitched singing voice is TOO high-pitched...they're not completely wrong. Still she sings in tune and her "Make Believe" duet with Jones is just great. Actually all the songs are great and belted out by the cast--highlights are "Can't Help Lovin' That Man", "Bill" and the great Paul Robeson doing "Old Man River". The movie also is very faithful to the stage play--it has almost all the songs and manages to fit a 3 hour play into a 2 hour film. The last section with Kim seems rushed but that's understandable.
Dunne is just great as Magnolia--very sweet and lovable. The only strange point is her dancing to "Can't Help..."--the dress is way too constricting and she has a strange look on her face. Jones is wooden but but has a wonderful singing voice. Helen Morgan was taken from the stage show to recreate Julie. She stops the movie TWICE with "Can't Help..." and "Bill". She has a beautiful voice and is a superb actress. Her character disappears completely halfway through...but it's the same in the stage play. In the book her character ends up working in a house of prostitution--there was NO way they could have gotten that on the screen back in 1936! Everybody else is great and the movie moves very quickly.
It's much better than the 1950s version. The 50s version IS in color and opens with a great number...but most of the singing is overdubbed, the story is brutally cut down and "Can't Help..." is thrown away!
This has it all over that one. Also director James Whale reportedly liked this one above all his other films--he did a few other little films like "Frankenstein" and "Bride of Frankenstein"! Beautiful songs, some truly lovely photography (the moonlight scenes on top of the showboat are dreamlike) and a quick story. Just simply one of the great Hollywood musicals. A must see!
Details
- Release date
- Country of origin
- Language
- Also known as
- Edna Ferber's Show Boat
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 53 minutes
- Color
- Aspect ratio
- 1.37 : 1
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