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While nowadays this may seem quite indistinguishable from the many flagwavers rushed into production in its day, at the time WAKE ISLAND was very well received garnering 4 major Academy Award nominations (Best Film, Best Direction, Best Original Screenplay, Best Supporting Actor - William Bendix); true, the characters and situations are pretty stereotypical but even so, it is certainly well enough made and well-cast (Brian Donlevy, Macdonald Carey, Albert Dekker, Robert Preston, Walter Abel) to be remembered when WWII films are discussed. Once the Pearl Harbor attack gets underway, it becomes an engrossing and poignant depiction of men-in-war facing insurmountable odds; the downbeat ending was quite fresh at the time and seems to have led to a spate of similarly pessimistic WWII movies like BATAAN (1943), SAHARA (1943), THEY WERE EXPENDABLE (1945), etc.

The battle for Wake Island concluded just before Christmas of 1941 and news from the place was pretty sketchy. It would not be known until after the war ended exactly what happened on the place.

In many ways it was worse than what's shown here. With no help coming at all from the mainland USA or from Pearl Harbor which was licking its own wounds, there was an unconditional surrender declared. The construction workers who were building a base on the island when war broke out were all summarily executed as spies. The few Marines who did survive, survived in horrible captivity, probably made worse by the fact that America never tried to take the island back. When they had the overwhelming naval superiority, the Japanese were starved out, but so were the prisoners they had.

So with an incomplete story at best, the writers at Paramount had free reign to do an Alamo like story and proceeded to do just that. Brian Donlevy is a stalwart Marine Colonel who clashes repeatedly with Albert Dekker the head of the construction workers. Comic relief is provided by Robert Preston and William Bendix as a pair of tough marines who joke about Bendix's impending discharge which occurs right on the day of Pearl Harbor.

Bendix was nominated for Best Supporting Actor and while he's pretty funny in the part, when you consider he did a highly effective dramatic role in The Glass Key that same year, I'm wondering if the Academy put him up for the wrong film. He lost that year to Van Heflin for Johnny Eager.

Wake Island is a dated story, dated but entertaining. Maybe someone will do a film of the real story there, the horrible captivity of our prisoners, just like what they endured in the Phillipines.

"Wake Island" is a battle for a small atoll in the Central Pacific Ocean west of Honolulu, which was attacked by the Japanese on December 7, 1941, hours after Pearl Harbor... The small U.S. marine garrison held out until the Japanese overran the island on December 23...

It is a story of sacrifice of the gallant and doomed defenders, movingly portrayed by William Bendix, Robert Preston, Brian Donlevy, MacDonald Carey and others... The battle scenes are chillingly photographed in Black and White, and the movie blows the clarion call for a new heroism... It is the 'Alamo of the Pacific,' the cry of 'Remember Wake Island," with the same stirring effects as 'Remember the Alamo,' one hundred years previously...

Well done within its limits, the film bears the unmistakable stamp of truth, and hails as a realistic portrayal of brave men in war...

Three plots are going on simultaneously in this movie. (1) The conflict between the Marines manning the small garrison at Wake Island and the no-nonsense Pan American construction crew preparing a berth for the Pan Am clipper. (2) The horseplay and bonding between Robert Preston (who must have had one of the longest careers as a supporting actor in Hollywood) and William Bendix as the Marine enlisted man who wants to unenlist so he can marry the delectable Myrtle. (3) Then there are all the Americans fighting against overwhelming Japanese naval and air forces.

This was one of the first war movies ground out after Pearl Harbor but it doesn't look especially hastily done. The Salton Sea location gives a good imitation of a flat, sandy Pacific island, which is pretty much what Wake Island was. The garrison was so tiny that only 47 enlisted men were available. The Marines and the Navy pilots fly F4F Wildcats, and this was crucial to the defense of the island. Most of them were destroyed on the ground or in accidents. But the few fighters available and the handful of relatively small caliber coastal defense guns inflicted serious damage on the first Japanese fleet, mostly by lying low until the invasion force was well within range. A second invasion attempt succeeded, after all the Wildcats were destroyed. The commander surrendered, along with the few survivors; they didn't sacrifice themselves to the last man as shown in the film. (What would that have accomplished?) But the movie was a great morale raiser at a time when the country desperately needed some morale raising.

The conflict in goals and styles between the Marines (all discipline and training) and the construction men (shabby, rough-and-ready improvisers) is, I suppose, designed to teach us that we all have to work together now that war is upon us. It's rather clumsily done. Albert Dekker as the construction boss is unnecessarily nasty and contemptuous, and Brian Donlevy as the commander of the Marine forces is the soul of patience and reason. The subplot gets the job done but it's something like having your kindergarten teacher beat the letters of the alphabet into you.

I rather liked the comedy relief provided by Preston and Bendix. Preston keeps trying to talk Bendix into reenlisting in the Corps but Bendix is determined to become a married civilian. Extolling Marine Corps life, Preston urges Bendix to close his eyes and think of what he REALLY wants. "All I see is Moitle," Bendix says. "No, no, no. Forget Myrtle. Close your eyes and put your hand over them and think -- now what do you really SEE?" Replies Bendix, "Nope. It's still Moitle." This is the kind of friendship you see only in the movies. They fall into fist fights at the drop of an insult, but are willing to sacrifice their lives for one another.

It is a bit tedious in parts. But the end, some hyperdramatic touches aside, sticks pretty close to the historical facts. No, we didn't mount a successful defense of Wake Island. How could we, with so few supplies and men? But, like Pearl Harbor, it was the kind of defeat that could almost be depicted as a victory, both honorable and inevitable.

And check out the cast! So many faces that were later to become so familiar, many of them uncredited. Dane Clark, James Brown.

It's worth watching, though there is little about it that's gripping. The photography is notable -- crisp, clear, sunny black and white, with the sun scintillating on the surface of the sea. And the war scenes are unusually well done for such an early example of the genre.

Whatever its flaws--stereotypes among soldiers, wartime propaganda using the Wake Island battle as symbolic of America's fight for freedom, weak comic relief--WAKE ISLAND is the kind of story Americans needed to hear during the height of WWII. It begins just before the Pearl Harbor attack when the men were losing their morale to fight against the Japs, then changes once American ships and servicemen are attacked in sneaky fashion at Pearl, to become a story of fighting men who want to avenge what F.D.R. called "a day of infamy".

Forcefully directed by John Farrow, it's a gritty, realistic war drama given occasional relief by ROBERT PRESTON and WILLIAM BENDIX as a pair of squabbling soldiers arguing over re-enlistment. BRIAN DONLEVY plays Maj. Caton with steely-eyed determination and a large male cast of upcoming actors and future stars fills the supporting cast: ALBERT DEKKER, MADONALD CAREY, ROD CAMERON, WALTER ABEL, DANE CLARK, PHILIP TERRY and FRANK FAYLEN.

Similar in content to BATAAN, which also told of American losses against overwhelming odds and had a downbeat ending, the true story of Wake Island is even more downbeat than the film hints. Brutal stories of torture at the hands of Japanese military awaited many who survived the assault on the small island in the Pacific. But that's something you can learn about at The History Channel.

Summing up: A reminder of what sort of films Americans were looking at during the height of WWII--you have to view it in that context.

This film begins with a USMC officer by the name of "Major Geoffrey Caton" (Brian Donlevy) arriving on Wake Island to take command of the garrison just weeks before the Japanese entry in World War 2. With him on the flight is a civilian contractor named "Shad McClosky" (Albert Dekker) who develops an immediate dislike for the major due primarily to McClosky's misconception that Major Caton wants to exercise command and control over him and his men. Regardless of that, the first thing Major Caton does is to begin preparing for war by having his men dig trenches and foxholes all around the island. Unfortunately, just hours after the sneak attack on Pearl Harbor, the Japanese bomb the Wake Island airfield and destroy all of the American fighters on the ground with only 4 surviving due to being airborne at the time. From here on out the Marines dig in and wait for the inevitable Japanese invasion. Now rather than reveal any more I will just say that even though this film took certain liberties with the facts, the overall details of the battle remained relatively accurate and played out exceptionally well on the screen which resulted in an Academy Award nomination for Best Picture. Likewise, William Bendix was also nominated for an Academy Award for his performance as "Private Aloysius K. 'Smacksie' Randall". In short, although this film certainly contained its share of creative licensing, it manages to entertain fairly well in its own right and for that reason I have rated it accordingly. Above average.

I have actually been to Wake Island and was able to explore the history that took place there in December, 1941. A sign stating "Where America's Day Really Begins" greets you on the airstrip as you disembark, reflecting the fact that they are on the other side of the date line. Inside the terminal, a small museum containing relics of the war tells the story of the Marines and civilian contractors stationed there.

I began viewing the relics with no knowledge of what had occurred, and was originally only interested in them as an antique novelty. It was after I began reading the stories that accompanied the items, put together by survivor's, as I stood there on no more than a couple hundred yards of sand, that the magnitude of what they must have faced hit me. On each subsequent visit I would try to learn more about the battle, exploring the dunes and eventually reading a few books containing survivor's reports. With that said, the viewing of the film was a bit spoiled.

I have a difficult time seeing the film as little more than propaganda designed to feed an already salivating audience looking for revenge in post-Pearl Harbor America. The true story of Wake Island is not one of a Marine Battalion's last stand, it is one of a reeling Pacific Fleet following the Pearl Harbor attacks that called off a rescue effort. It is a story of civilian contractors that were forced into labor, then executed. It is a story of Marines that would spend years as POWs enduring treatment unimaginable to most people reading these comments. It is the story of the families that would wait with uncertainty about the fate of their loved ones.

Wake Island is a good war drama, but other than location and date it offers little in the way of historical accuracy. To treat it as realistic does an injustice to the brave Americans who fought there.

"Wake Island" is one of those movies that cannot be dismissed as mere World War Two propaganda. The fact is that the battle for Wake Island actually happened, which is what this movie is about. Okay, some of the characterizations are pure Hollywood and the conflict between the military and civilian personnel is contrived, yet what is NOT contrived is the event itself. A small detachment of Marines and civilian contractors did hold the Japanese at bay for about two weeks and did this knowing that they were on their own and that there would be no reinforcements. So let's give credit where credit is due, and take the time to watch this movie. The men on Wake Island were heroes and this movie does them credit.

Calling this movie a propaganda film is no insult--it was released very shortly after the actual fall of Wake Islan and was an effective way to put a face on these doomed defenders and energize the people at home in the war effort. Since it was completed so quickly, the exact details of the final doomed days of the soldiers was a bit murky so the studio filled in the gaps with fictionalized accounts of this struggle.

The film begins just before December 7, 1941 and the island is in the process of being turned into a military base. Civilian engineers and soldiers cover the barren island and they are unaware that they were directly in harm's way. Soon, the troops on the island would face invasion and annihilation.

As I said, the individual accounts of heroism were fictionalized through the creation of some characters such as those played by William Bendix and Robert Preston (who seem like an old married couple with their banter) as well Albert Dekker (who, as usual, plays a loudmouth patriot), Brian Donlevy and Macdonald Carey. The acting was very effective even though by today's standards some of the stories seem a bit clichéd--they were perfect for the time.

While far from one of the very best war films made during WWII, it was better than average and is well worth a look. Excellent quality and a rousing script make for a very good film.

A final note because I am an aviation nut. I hated one part of the film--the aerial scenes were often bad, as monoplanes (with a single wing) often magically became biplanes in mid-air (with two wings). While I could forgive them making Japanese planes that looked nothing like the real thing, having them change so radically in mid-flight was unforgivable. Did they think the audiences wouldn't notice?

This movie came out in the first year of the war, and I remember well seeing it at a Saturday matinée, and playing it out in our back yard, wearing a kid's version of a Marine "tin hat." I've watched it on video many times since. The movie begins well, and has good sub plots, some serious, some humorous. Donlevy is excellent as the Marine CO, and the whole cast -- Robert Preston, William Bendix, Albert Dekker, Macdonald Carey et al. -- turns in convincing performances. Director John Farrow, who saw combat in the Royal Navy at the beginning of WWII and was discharged because of wounds, develops the tension well as overwhelming Japanese forces attack the Island, to be repelled once, and then returning to overrun it in compelling combat sequences. Because it is of the era, it catches the flavor of the era perfectly, and anyone trying to do a movie about the U.S. in WWII should see it. I can only compare it to the wrong in far too many ways 2002 "Pearl Harbor" -- messing up on details such as using the "Alpha/Bravo" phonetic alphabet instead of the "Able/Baker" of WWII, getting manners and haircuts wrong and blowing up nests of more modern destroyers when the Japanese concentrated only on the battleships. Wake Island clearly has no such mistakes.

Wake Island, like most of the WW 2 films made in 1942 and 1943, are corny, overdramatic, and full of stereotypes. They are also highly representative of the atmosphere within the US during those two dark years. Victory in the Pacific was not certain at the time, as the US suffered several defeats in the Pacific early in the war, until US manufacturing and upgraded military organization provided a counterattack offensive after the success of the Battle of Midway on the water.

All of the actors in this portrayal do a fine job of making themselves likable to the audience, and it is with great sadness that the audience realizes that none of them survived. The Alamo had 3000 against 100 or so, but Wake Island held out for three weeks with over 20,000 Japanese troops (with offshore artillery support and constant plane strafing), with only 400 soldiers and some construction civilians. 50 to 1 is even worse than 30 to 1. The film is heroic in every sense, and you must be an adult (not a millennial) to understand the psychology of the time period. Good filmmaking.

It's 1942 and the war in the Pacific is still in doubt. Japan has taken the Philippines and is moving on the rocky atolls of the central Pacific. Wake is smack in the middle and of no real value except militarily as a stepping-stone to bigger prizes.

This Paramount production adds up to an expertly mounted flag waver. Sure, maybe the Japanese have taken the island, but viewers are treated to heroic resistance from the Marine defenders that's bound to rally a grim American home front. The battle scenes--air, water, and ground--are realistic as heck, location shots blending almost seamlessly with occasional sets. Then too, the set-up footage of what purports to be an island Marine base is convincing as heck. Clearly Paramount understood the significance of its production.

For old time movie buffs, it's a treat catching the likes of Bill Bendix, Preston Foster, and Brian Donlevy, the former two providing the flick's macho humor. But don't look for skirts, it's an all male cast, understandably. And except for the tricky Japanese diplomat in the first part, the enemy is not parodied, rather surprising given the circumstances. All in all, the 80+ minutes amounts to a first-rate tribute to American fighting spirit even under impossible odds. However, if you don't like movie bullets or explosions, steer clear.

I liked this a lot more the first viewing. Some half dozen years later, I bought it when the DVD came out and was very disappointed. It just wasn't as good as I had remembered.

The movie has its good points: interesting characters, enough action to satisfy and special effects that were pretty good for its day. A cast that has Brian Donlevy, William Bendix, Robert Preston, MacDonald Carey and Albert Dekker is pretty solid, too.

What kind of grated on me with the second viewing was the dumbness of the two leads, played by Bendix and Preston. These guys, frankly, were just too stupid and annoying. The other characters were more level-headed and fine to watch.

The first half hour drags, but if you can through that, it's pretty good. There are few nice scenes with men praying, too, something you wouldn't see today. In summary, a so-so war flick. One viewing is entertaining but two is too much.

To put the bottom line on top, this WW2 film about a United States defeat in the Pacific Theatre is a poor man's "They Were Expendable". There are well done battle scenes throughout, both aerial and on the ground, a graveside eulogy worthy of Ford and the last fifteen minutes, detailing the Marines stirring last stand on the eponymous island, is worth the price of admission. A bit too hokey at times? Sure, but what do you expect? It's a propaganda film meant to boost American morale in 1942 when US victory was far from in the bag. My main problem with it is not the patriotism or the sentimentality but the pacing, almost always an issue in a John Farrow film. Way too much lame comic relief from Bendix and Preston to slow the film down and the potentially interesting conflict between civilian versus military, embodied in the scenes with Albert Dekker's hardnosed private contractor and Brian Donlevy's harder nosed general, is way too quickly resolved, as if Farrow and his scenarists W. R. Burnettt and Frank Butler suddenly realized, "Uh oh. We're being too cynical here. Wrong war for that." B minus.

PS...Want a crash course on American racial attitudes toward the Germans as opposed to the Japanese? Watch how the US soldier with the last name "Goebbles" is made an object of more or less good natured raillery. Don't think that'd fly if he'd been called Tojo.

Wake Island is located between Midway and Guam in the middle of the Pacific Ocean. Various American soldiers defend this remote flat outpost before WWII and then Pearl Harbor is attacked.

This is war propaganda. The real battle and the movie battle do differ in many ways. These are fictional characters in a fictional story. The real battle did include America's first publicized victory as they repel the initial Japanese landings. The movie shows that although it probably exaggerated the success. I doubt that one plane took out a Japanese cruiser. At least, he didn't kamikaze it. Most importantly, this is a timely piece of well-made propaganda when the country needed it badly.

In December 1941, after bombing Pearl Harbor, the Japanese Navy attacks an American Marine Base in the Wake Island in the Pacific. A small troop fights to defend the island aware that it is impossible to keep the position.

"Wake Island" is a dated movie of war propaganda with a corny story of heroism and patriotism. It is easy to understand the need of using the cinema industry to elevate the morale of the population, but presently "Wake Island" is a forgettable war movie. My vote is six.

Title (Brazil): "Nossos Mortos Serão Vingados" ("Our Dead Will Be Revenged")

This isn't too bad if you don't mind war time propaganda and like some of the other war movies like Bataan and Guadalcanal Diary. This one was directed by John Farrow and doesn't have any really big stars like Brian Donlevy and William Bendix. The movie starts out right before pearl harbor in which a new captain shows up, played by Donlevy, and some of the men are bored. Some of them want to leave but after Pearl Harbor they all want to stay. Then the Japanese come and start bombing 'em and they are running out of supplies fast. This movie is just like Bataan but it's hard to tell which one is better. It's a decent movie and it's great that they don't make any more wartime propaganda pictures any more.

This film was commenced before the battle finished. It tells how that small force of marines and civilian workers defended remote Wake Island for two weeks against the Japanese blitzkrieg early in the Pacific War.

Fictional names were used for characters, many of whom had real life counterparts especially Brian Donlevy as Major Caton (in reality, Major James Devereux). Other characters were inventions such as the bickering buddies played by Robert Preston and William Bendix.

Of course the filmmakers didn't know how the battle really ended because communication was cut, and the Japanese weren't working as technical advisors.

The scenes of the battle on the island were well staged although the film is a mixture of bathtub model effects, documentary footage of varying quality and every cliché Hollywood ever invented for military life.

Director John Farrow, Mia's father, was an Australian who joined the Royal Canadian Navy in 1939 on the outbreak of the war in Europe. He actually directed "Wake Island" while convalescing from illness. The film was released in August 1942 when he must have known that the fate of Australia hung in the balance.

The film exudes an iron-jawed heroic tone that 80 years later seems like typical Hollywood exaggeration. However those marines on Wake were as uncomplicatedly brave as the film depicts.

After Pearl Harbour, the Marine Corps expanded with the influx of thousands of highly motivated citizens, but the Wake Island garrison was made up of pre-war marines, professionals; being marines was their stock in trade. The defence of Wake (actually three islands: Wilkes, Peale and Wake) was remarkable, but if anything exemplifies the calibre of those men, it was what happened on Wilkes.

There is a line in 'Full Metal Jacket" when Gunnery Sergeant Hartman tells the recruits "The deadliest weapon in the world is a marine and his rifle".

The one hundred Japanese who landed on Wilkes may have agreed. Attacked by about half that number of marines led by Captain Wesley Platt, all the Japanese were killed through a combination of superb marksmanship and aggressive tactics. When Major Devereaux went around ordering his men to lay down their arms, Platt refused at first, exclaiming, "Marines don't surrender. Let us die right here". But he did obey the order; he was a marine after all.

The defenders didn't all die and most faced long years of harsh captivity. A brilliant documentary, "Wake Island: Alamo of the Pacific", told the true story through the eyes of veterans who returned to the island, a remarkable group of elderly men revealing the qualities of the marines who defended Wake.

In 1942 the film served a purpose. Today its importance could be that it will inspire people to find out what really happened, because history has a disturbing habit of repeating itself.

This is a great WW II film about an Island in the Pacific where the United States lost a great deal of their Marine soldiers. The Japs had attacked Pearl Harbor in December 1941 and their were a few Islands that the United States had bases on in the Pacific. The Japs went to the White House to visit FDR and talked about peace and prosperity, and as soon as they left Washington, D.C. the bombs started attacking and making IT A DAY TO REMEMBER at Pearl Harbor! Brian Donlevy, (Maj.Geoffrey Caton),"Waco",'66, was a commander over the grounds forces and Air Force on Wake Island, Robert Preston,(Pvt. Joe Doyle),"The Music Man",'62 were great supporting actors along with Albert Dekker,(Shad McClosky),"Kiss Me Deadly",55, and William Bendix,(Pvt. Smacksie),"The Life of Riley",'53 TV Series. This film is not a documentary film and has some Hollywood versions, but it still is a great film with fantastic actors. There are also plenty of vintage fighting scenes between the Jap Pilots and the Americans.