International Crime

Maybe you can make sense of the murder plot, I couldn't. Instead, it's dense and spread out enough to dumbfound Sherlock. But then the movie's more about radio broadcaster Cranston's rivalries than anything like a coherent mystery. So move over police commissioner Weston and employer Heath because Cranston's going to get the better of you on this investigation. One notable thing- actor La Rocque does little to make the overbearing Shadow likable, unlike most amateur detectives of the time. In fact, he's pretty much colorless even when pushing poor reporter Allwyn around. Good thing actress Allwyn's there to provide spark and spirit among a generally lackluster cast, along with some of her occasional snappy lines. All in all, the hour's a disappointment, especially for us geezer fans of the old 40's radio show. In fact, I still remember that iconic radio intro spoken in sinister tones: "Who knows what evil lurks in the heart of man. The Shadow knows, heh, heh, heh"- an intro usually followed by a spooky half-hour featuring the invasive spirit of the mysterious title character. Well, none of that here, nor much of anything else engaging. Too bad.

This time the Shadow has a radio show. Everyone seems to know he is LaMont Cranston. He is at the behest of radio executives and newspaper men and always seems to have trouble getting to the studio on time. There is so much potential in the Shadow's character to come up with a first rate noir film. What do we get. A poor man's Nick Charles who is glib and silly. A plot that is, at best, confusing. There are characters coming at each other from all directions, but ultimately the Shadow knows. He is unflappable and self centered. The problem is that above all else he is dull and uninteresting. I would bet you that given a 1930's audience and a slight rewrite of the screenplay, no one would even know this movie is based on the wonderful old radio show.

Director Charles Lamont and star Rod LaRocque had both been around for a LONG time in the silents. In this talkie, LaRocque is radio host Lamont Cranston, who thinks he gets a hot tip of a crime about to happen from "citizen" Phoebe Lane (Astrid Allwyn). When things don't turn out right, the cops are upset, so now its up to Cranston to solve the mystery himself. The sound and picture quality are remarkably good, as opposed to some of the other oldies showing on "Moonlight Movies" channel. It's just okay. Sub plot wherePhoebe interferes at first, but then is his ally, and it turns out she is related to the big boss publisher. Mildly entertaining, but very so-so. There are so many better things to watch...

A strange little offshoot of the Shadow mythos. Definitely the better of the two Shadow movies starring Rod La Rocque. This time, Lamont Cranston is a crusading crime journalist who writes a daily column entitled "The Shadow"! He does not wear the famous cloak and slouch hat, has no mind powers and everybody knows that he is the Shadow. His assistant is Phoebe Lane, who is cute and dizzy and not much relation to the superior Margo Lane at all. The film is based on the wise-cracking style of "The Thin Man" and occasionally delivers a genuinely funny moment. But for the most part this is a pretty dull murder mystery involving foreign agents. Completely lacking in the film noir, supernatural atmosphere of the radio series and the magazine. A curiosity but hardly The Shadow we know and love.

The second of the Rod La Rocque Shadow movies is a vast improvement on the first, and bears no relation to that film or anything else about the character.

In this, Lamont Cranston is a newspaper/radio reporter who writes a column on crime, as well as having a radio show. His identity thus is a secret to no one. He is aided by Phoebe Lane, an aspiring reporter, in unraveling a mystery.

The mystery is interesting enough to hold interest and involves a crime that baffles everyone. There is some good scenes, especially with Cranston and Phoebe. But the characters (other than the Shadow) are all over the place. Phoebe is sometimes a smart protofeminist and also a complete ditz -- often in the same scene. Her final scene makes no sense after what we've seen before it.

But the movie does move along fairly well and the mystery is intriguing enough. It's a decent little film if you want something fun to kill an hour.