IMDb RATING
7.9/10
32K
YOUR RATING
A bourgeois life in France at the onset of World War II, as the rich and their poor servants meet up at a French chateau.A bourgeois life in France at the onset of World War II, as the rich and their poor servants meet up at a French chateau.A bourgeois life in France at the onset of World War II, as the rich and their poor servants meet up at a French chateau.
- Awards
- 2 wins & 1 nomination total
Nora Gregor
- Christine de la Cheyniest
- (as Nora Grégor)
Lise Elina
- Radio-Reporter
- (as Lise Élina)
Julien Carette
- Marceau, le braconnier
- (as Carette)
Richard Francoeur
- La Bruyère
- (as Francoeur)
Nicolas Amato
- L'invité sud-américain
- (uncredited)
Storyline
Did you know
- TriviaAfter the success of The Grand Illusion (1937) and The Human Beast (1938), Jean Renoir and his nephew Claude Renoir set up their own production company, Les Nouvelles Editions Françaises (NEF). This was their first and last production, as the company went into bankruptcy and was dissolved due to the ban of their movie after just three weeks of shows.
- GoofsWhen the hunting party starts, the animals (notably the rabbits) barely move. Even when the beaters are close to them, they move at the last moment. This because the animals were not wild as the plot required, but actually bred in captivity and hence used to human presence. For information, the killing is real: many animals died during the movie.
- Alternate versionsPrologue to 1959 reconstructed version: "Jean Gaborit and Jacques Durand reconstructed this film with the approval and advice of Jean Renoir, who dedicates this resurrection to the memory of André Bazin."
- ConnectionsEdited into Histoire(s) du cinéma: Seul le cinéma (1994)
Featured review
Jean Renoir said that this was not intended to be a social commentary, and whether he truly intended it to be (he referred to it as, "An exact description of the bourgeoisie of our time.") or not, it is hard to dismiss that it hit close to home. So offended were the masses that the picture was banned. It is said that behind every joke there is truth, and whether this was intended to be a joke or not, Renoir still found truth. One could argue the director's intentions all day, but one matter that cannot be disputed is that this film is extraordinary! As a handful of French men and women converge on a château for a hunting expedition, their love affairs clash with their obligations to society's game. For instance, one cannot leave one's lover to be with another until he has confessed his adultery to her. Attempts to leave with another man's wife are particularly difficult, as well, unless the other man has a mistress of his own. These are but a few rules of the game. The old are for the old, the young are for the young. Members of one social order are forbidden to see members from another, and so on. Combine these rules with a tangled web of countless love affairs between a handful of people, and you can see the madness that erupts during the course of this movie. The parts are all played well, but it is the writing and directing of Renoir that makes the film the masterpiece that it is. Keeping all of these sordid affairs in order is an achievement in its own right, but Renoir moves his pieces all over the board like a skilled chess player, achieving his goal while never forgetting the rules of the game!
- ACitizenCalledKane
- Jan 18, 2005
- Permalink
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Details
Box office
- Budget
- FRF 5,500,500 (estimated)
- Gross US & Canada
- $273,641
- Gross worldwide
- $273,641
- Runtime1 hour 50 minutes
- Color
- Aspect ratio
- 1.37 : 1
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