Inspector Fernack is framed by a cartel of five gangsters and Simon does his best to prove it before all the conspirators are murdered by a mysterious killer.Inspector Fernack is framed by a cartel of five gangsters and Simon does his best to prove it before all the conspirators are murdered by a mysterious killer.Inspector Fernack is framed by a cartel of five gangsters and Simon does his best to prove it before all the conspirators are murdered by a mysterious killer.
Cy Kendall
- Max Bremer
- (as Cyrus W. Kendall)
William Bakewell
- Shipboard Card Player
- (uncredited)
Joseph E. Bernard
- Customs Inspector
- (uncredited)
Ralph Brooks
- Nightclub Patron
- (uncredited)
Charles Dorety
- Ship Steward
- (uncredited)
Lester Dorr
- Welcoming Committee Man
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThis is the first Saint movie to use the ubiquitous Saint caricature during the main titles.
- GoofsNella Walker reprises her role from The Saint Strikes Back (1939) as John Henry Fernack's wife. In that film her forename is Betty, whilst here it is Lucy.
- Quotes
Clarence 'Pearly' Gates: I just wish I knew your angle, Saint. Whose side are you on.
Simon Templar: I'm on my own side.
Clarence 'Pearly' Gates: Where does that put me?
Simon Templar: That depends. If you were cleverer than you look, you'll be on my side.
- ConnectionsFollowed by The Saint in Palm Springs (1940)
Featured review
By all means, all of them are worth watching. They're not great films, or masterpieces, but they are good fun that give you the right amount of entertainment for just over an hour running time.
'The Saint Strikes Back' was a decent debut film for George Sanders in the role, though there was a finding-its-feet feel to it with the supporting cast and some of the storytelling being patchy. 'The Saint in London' is an improvement, with things feeling more settled and with a much better supporting cast, though production values weren't as good and the story could have been tighter and had more mystery.
Conversely, the third Saint film with Sanders 'The Saint Takes Over' is the best of the three and among the best of the series. There is not much actually to complain about, although the sets are still atmospheric the film does look at times like it was made quickly on a tight budget and the ending just felt too conveniently and easily wrapped up.
On the whole though, while things felt more settled in the previous film it was with 'The Saint Takes Over' where the series hit its stride. The story is by far the best executed of the Sanders-Saint films so far, it's breezy and tight and light-hearted and always easy to follow without being simplistic. At the same time, there is much more mystery here, and it's a compelling one, and it is the film in the series up to this point to feel closest to the tougher edge in the Louis Hayward Saint film that preceded the series.
Scripting is smart and with the right balance of fun and mystery, while the music is jaunty but also atmospheric. The direction is suitably brisk, and there are some good scenes such as the scaring to confessing scene.
As said with the previous films, Sanders himself is super-suave, sophisticated and wonderfully caddish, while also giving a charming and humorous edge and delivering some cutting lines with aplomb. Jonathan Hale is fine support, while Wendy Barrie is leagues better than she was in 'The Saint Strikes Back' (there she was a draw-back, here she blends right in tone with the story and has a much warmer character). Paul Guilfoyle is very amusing too.
On the whole, the best of the Saint series starring Sanders up to this point and among the best of the series too. 8/10 Bethany Cox
'The Saint Strikes Back' was a decent debut film for George Sanders in the role, though there was a finding-its-feet feel to it with the supporting cast and some of the storytelling being patchy. 'The Saint in London' is an improvement, with things feeling more settled and with a much better supporting cast, though production values weren't as good and the story could have been tighter and had more mystery.
Conversely, the third Saint film with Sanders 'The Saint Takes Over' is the best of the three and among the best of the series. There is not much actually to complain about, although the sets are still atmospheric the film does look at times like it was made quickly on a tight budget and the ending just felt too conveniently and easily wrapped up.
On the whole though, while things felt more settled in the previous film it was with 'The Saint Takes Over' where the series hit its stride. The story is by far the best executed of the Sanders-Saint films so far, it's breezy and tight and light-hearted and always easy to follow without being simplistic. At the same time, there is much more mystery here, and it's a compelling one, and it is the film in the series up to this point to feel closest to the tougher edge in the Louis Hayward Saint film that preceded the series.
Scripting is smart and with the right balance of fun and mystery, while the music is jaunty but also atmospheric. The direction is suitably brisk, and there are some good scenes such as the scaring to confessing scene.
As said with the previous films, Sanders himself is super-suave, sophisticated and wonderfully caddish, while also giving a charming and humorous edge and delivering some cutting lines with aplomb. Jonathan Hale is fine support, while Wendy Barrie is leagues better than she was in 'The Saint Strikes Back' (there she was a draw-back, here she blends right in tone with the story and has a much warmer character). Paul Guilfoyle is very amusing too.
On the whole, the best of the Saint series starring Sanders up to this point and among the best of the series too. 8/10 Bethany Cox
- TheLittleSongbird
- Nov 2, 2016
- Permalink
Details
- Release date
- Country of origin
- Language
- Also known as
- Helgonet reser till New York
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 9 minutes
- Color
- Aspect ratio
- 1.37 : 1
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