Keeping Company

Mr and Mrs Thomas (Frank Morgan and Irene Rich) have three daughters. The youngest, Harriet (Virginia Weidler), is always getting into trouble, snooping around or trying to connive some pistachio ice cream. Her older sister, Evelyn (Gloria De Haven), seems to spend much time in the kitchen. The story focuses on the romance of the oldest girl, Mary (Ann Rutherford), with Ted Foster (John Shelton), who is an automobile salesman at a dealership owned by Mr Hellman (Gene Lockhart). Ted and Mary soon get married and confidently expect a life of undisturbed bliss, since they are so much in love that no quarrel could ever separate them. But when Ted has some quite innocent dealings with Anastasia Atherton, a pretty model, misunderstandings and complications ensue, which require the wise intervention of Mr and Mrs Thomas. A nice little old-fashioned family picture.

The film begins in the Thomas household. Mr. and Mrs. Thomas (Frank Morgan and Irene Rich) have three daughters...Mary (Ann Rutherford), Evelyn (Gloria DeHaven) and Harriet (Virginia Weidler). Most of the film is about Mary and her relationship with Ted (John Shelton)--a young who she marries about midway through the picture. However, things are not perfect between Ted and Mary, as they are overly idealistic about how easy life will be...and when they end up having a misunderstanding it turns into a huge fight that might just destroy the marriage. In the midst of this is befuddled Mr. Thomas...who just wants everything to be quiet!

The acting is nice in this one and it's nice to see Morgan playing someone who is less stupid than his usual characters. The script is enjoyable and breezy but nothing extraordinary. All in all, worth seeing and fun.

Frank Morgan day on Turner Classics! in this one, his daughters are Mary (Ann Rutherford), Harriet (Virginia Weidler, the precocious child from The Women) and Evelyn (Gloria DeHaven). one daughter is thinking about getting married. and one is sticking her nose into everyone else's business. and when one of the daughters DOES get married, mom and dad give the bride and groom advice. the newlyweds both insist nothing could make them mad at each other. foreshadowing, for sure! now we know there will be some little misunderstanding that will snowball into something much bigger than it needs to be! an updated version of much ado about nothing. kind of. this was one of the SEVEN films Morgan made in 1940... just after the Wizard of Oz! directed by Sylvan Simon. Simon died so young at 41 of a heart attack. opening credits say story by Herman Mankiewicz. he also died so young at 55, but just look at the list of things he wrote in his short life! this is a fun one. takes a while to get going, but the second half moves right along. Morgan can jazz up any film, and this one might have been a snoozer without him.

If you ever hankered for the endless sanctimonious pablum which fills the Andy Hardy films, but preferred that the all-American wit and wisdom to be delivered by an all-wise Frank Morgan (aka the Wizard) rather than an all-wise Judge Hardy, this is your movie. The subject matter -- newlyweds, a "streamlined redhead" who hankers after the hero, jealousy and misunderstandings, and a near business catastrophe -- could make for a pretty good movie, or even a pretty fun trash wallow. But we're in Lake Woebegone territory here -- where nobody except a very minor character is ever really bad, young people are prone to harmless mistakes and all the children are annoyingly above average (if a touch too obsessed about ice cream).

One note -- Frank Morgan shows a different side of his acting skill and is quite good. But other his other pictures of this period -- The Last Virginian, Wild Man of Borneo, show this off as well, and are just as perfectly wholesome, but far less icky about it.

Frank Morgan is a little less of a bumbler, but still as lovable as he usually is in this MGM family comedy where the studio got to use a lot of its B list players.

Keeping Company has Morgan and Irene Rich as the parents of three daughters, Ann Rutherford, Gloria DeHaven, and Virginia Weidler in descending order. Weidler is horning in on the little Miss Fixit roles that Deanna Durbin had a Universal. Only she doesn't sing.

Rutherford the oldest has a couple of car salesmen who work for Gene Lockhart panting hot and heavy after her. Rutherford chooses and marries John Shelton instead of Dan Dailey, but Shelton has the older and more experienced Virginia Grey looking to come between them.

Keeping Company is the studio system at its best. None of MGM's name contract players head the cast to guarantee box office. This one played at the bottom of double features. But the people I've listed in this film are what made a lot of MGM's features so popular and if the audience didn't know their names their faces were indelibly imprinted on their minds. When a Frank Morgan came on the scene you could almost guarantee what was to come and you eagerly expected it.

An enjoyable family comedy that holds up well today.