User reviews

The various adaptations of one particular work invariably invite comparisons. This sort of forces us to bring out our own sense of judgment and to analyze this or that. Some good examples of this phenomenon would be: the various JAMES BOND Films, the multitude of TARZAN Movies and Thorne Smith's TOPPER, which found adaptation on Television as well as the Movies.*

First of all, let's get this point straight; I haven't read any Topper Stories, nor anything else by author, Mr. Smith. Whatever knowledge that has been gained here is from the filmed versions.

As I understand it, though, the Thorne Smith Topper stories were sort of farce, bedroom farce of the first magnitude. The racy, "adult" humor of the times was the order of the day. Even consideration of Sex with a Ghost is considered there. But, not to worry; for it was all in good "clean" fun; in contrast to today's super explicit everything. It's all a matter of contrasting two core values of implication vs. specificity, subtlety or the obvious.

As for the basic premise, the "set-up", if you will; we learn that Mr. And Mrs. Cosmo Topper* are about shopping around for a house to buy to be their new abode. Upon inspecting the house of former owners, George and Marion Kirby. The Kirbys are now deceased, having been killed by either a. an Automobile Accident, or by having been caught in an avalanche in Switzerland, while on a Skiing Vacation trip.

It was the latter "origin" that was the TV version, and it was referenced often during the series run. One reason for constant reminders of the fatal accidental deaths of the Kerbys claimed another life, a native Swiss named Neal. He came with the Spectral Couple to the U.S., staying with them and displaying great loyalty. For, if you already didn't know, Neal an ectoplasmic form of an alcoholic St. Bernard Mountain Rescue Dog.

The use of the only sometimes visible St. Bernard was a great source of laughs, mainly of the Sight-Gag variety. A much used recurring happening had a water bowl sized Dry Martini disappearing before our eyes as it was being lapped-up by the invisible Canine. The unseen dog was amplified by the slurping, slobbering of a doggie drinking, very effective.

The main characters of the show were Cosmo Topper, a stuffy Bank Vice President(Leo G. Carroll), his Wife Henrietta(Lee Patrick,**Effie in Bogey's MALTESE FALCON '41), Bank President Mr. Schuyler (Thurston Hall) and 'Buck' (Neal, St. Bernard). Just about each and every story had complications between the players and some outside influence.

A couple of favourite episodes of this writer are: the one where Cosmo, who is a temporary amnesia victim, is mistaken for an English Pro Wrestler, 'Lord' or 'Sir' Something or Other. Topper winds up in a "Grudge Match" with 'Blackbeard the Gouger'(Henry Kulky). Another involves Henrietta's entering a breakfast jingle contest for a Cereal called "Original Oats".

Possibly the most amazing and unsung elements of the "TOPPER Series" was the high level of versatility displayed by the actor with the title character role. Mr. Leo G. Carroll possessed that sort of chameleon-like ability that was also a gift of fellow Brit, Alec Guinness. And that is he had a uncanny skill in being able to play roles of far-flung types, and to lose themselves, being hard to recognize them. Their characterizations are so thorough and varied that they seem to truly be different persons.

And when you see the physical comedy that Mr. Carroll displays is so natural and matter-of-factly performed that we fail to recognize his mastery in this field. Just watch a show or two and observe any stunt that involves the unseen Ghosts pulling, pushing or otherwise controlling 'Toppy's"* bodily movement. You'll see what I mean.

One point that is so obvious between then(1950's)and today may be summed up with two (2) words. And they would be "Political Correctness". So much of the humor and situations would seem to be dated and jump out at us saying so,tho unnoticed in its day.

The most glaring example of the changes in our society lie in the show's sponsor, Camels Cigarettes. Of course cigarette advertising has been verboten ("forgiven" in German, Schultz!)over the Radio & TV for about the last 40 years. But then the cast regulars often did commercials for their sponsor. And the old TOPPER Show featured program closing spots with Anne Jeffreys & Robert Sterling (Mr. & Mrs. Sterling in real life). And they would be reading from a list of various Veteran's Hospitals that Camels were being sent that week, all while puffing away, filling the set with cigarette smoke.

And it seems like only Yesterday!***

NOTE: * The 3 movies made for theatrical release and exhibition were TOPPER(1937), TOPPER TAKES A TRIP (1938) and TOPPER RETURNS(1941), all from Hal Roach Productions/UNITED ARTISTS Corporation.

NOTE: **For whatever reason, Mrs. Topper's name is 'Clara' in the Feature Films and 'Henrietta' on the TV Series.

NOTE:***A made for TV Movie TOPPER (1979)made and was aired that year, and was a probable "Pilot" for a new series.It starred Kate Jackson & Andrew Stevens(as the Kirbys)and, now get this, JACK WARDEN as Cosmo Topper!!! Well, it's small wonder it failed to materialize as a series!!

This is a must-have for those that lived through the era. However, I was surprised to see so much smoking. Has society changed that much that most of the scenes look like one big cigarette commercial? It is hard to see the ghosts through all the smoke.

Although there is a series of Topper movies, this TV series is the Topper I came to know and love. Once in a while, I see the actors in other movies and it reminds me of the character he/she played in this movie. Anne Jeffreys as Marion Kerby can be seen again in the movie Boys' Night Out (1962). Leo G. Carroll as Cosmo Topper, can be seen again as Rev. Dr. Mosby in The Parent Trap (1961).

The basic story is that a young fairly modern couple, George and Marion Kerby got caught in an avalanche along with their rescue St Bernard, Neil. They refused to give up the ghost and went home to live. Turns out that Cosmo Topper and his wife Henrietta (Lee Patrick) Bought the Kerby house. Yep now Cosmo can see the Kerby's when they wish and Neil turns out to be a lush. The situation now has its plusses and minuses as everyone becomes one happy family.

I remember well watching reruns of this series in the Fifties; incredibly, it still shows up in late-night reruns on broadcast TV even today. The special effects were pretty good for 1953, and now they're merely quaint. But the pleasant and good-natured charm of this story about the stodgy banker and the two friendly ghosts of the young marrieds who used to live in his house and were killed by an avalanche is just wonderful. The ghosts alternately help and drive crazy Topper - but they mean well. The chemistry is excellent, helped by Sterling and Jeffreys being married. Anne Jeffreys turned up in the last few years on some shows. . . and must have been drinking a youth serum! Still lovely.

Well, it might have been that I was so young, but I enjoyed this TV show enormously. My guess is that it was because it was so different from typical TV fare of then and even now.

It relied on word play and clever dialog instead of idiotic situations and slapstick for its kick which is, I suppose, why I enjoyed it as a child. I've grown up to be a writer. For a shock, check out the writing credits for these shows and you'll see a *very* familiar name. I once, a few years ago, caught a re-run as a New Year's Day festival on a local TV channel and can report that it, unlike almost all shows from any era, holds up very well. Highly enjoyable if you can find it.

I bought a DVD collection of 64 Topper episodes from Nostalgia Merchant several years ago and just got around to watching it. I remember watching it as a kid some 50 (!) years ago and I still found it as funny now as I did then. However, I do have some complaints. The laugh track was so awful, more awful than usual fifties laugh tracks. It sounded like it was shown to a third grade class. The high pitched kiddie laughter made me want to scream! Then there was the quality of the videos. Some looked like they had been recorded off TV (I noted the "TV G" in the corner) and the end "throwaway" scenes were missing off of most of the episodes. The episodes were in such sorry shape. Then I wondered what happened to the missing 14 episodes. (There were 78 episodes in total.) Despite all this, it was good to see the episodes again, crappy shape, screaming kids, missing episodes and missing segments aside. I wish that someone would restore these episodes because for it's time, the writing and the situations were hilarious!

I loved this show as a kid. It's fun to watch it again.

As a kid wayyyyyyy back then, this show was both exciting, funny and spellbinding. Great characters, actors, directing and writing for these early days of TV that still hold ip reasonably well today. Especially how much more difficult it was back then for special effects and a half-hour story line.

Parents watching didn't typically agree, but they at least didn't change to another of the three channels in Dallas!

I'm sorry, but even though I've only watched three episodes...I couldn't get through any more...I don't see how any one could realistically rate this series at 8 stars or higher. Whatever the reason for doing so, such an outrageously unrealistic rating is doing a disservice to other viewers who take imdb ratings as a serious barometer of quality.

Thorne Smith wrote a lot of racily humorous books, most of them justly forgotten, but now and then he hit on a worthwhile theme. The Topper books were about how after a short and frivolously wasted life, a young couple returns from the dead to implore a Thurberesque little man to live life to the fullest. Because it's a terribly serious situation that applies to us all, it's a wonderful basis for humor. Oh, and because the young female is safely dead, she can indulge in racier behavior than was often seen on 1950s television.

The TV remake with Jack Warden was less successful, largely because its Topper was at the pinnacle of the business world and thus less obviously in need of any ectoplasmic helpers.

I fondly recall watching this show on our first Raytheon TV. I also recall laughing at the crazy antics of George and Marion. The special effects were what I remember, quite good for that early time. Would love to see an episode once again and hear that catchy theme music. Neil, the St Bernard was a classic, drinking gin and I recall Cosmo's always battling with his boss, the stuffy Mr Schuyler (spelling may be wrong). I was hoping that the last show would result in the ghosts becoming visible to Mrs. Topper also. Oh well, I guess that was the five year old that i was at that time always believing that everything would always have a happy ending.

I came across a DVD of four episodes from this fifties show for $7.95. I had almost forgotten this show and how I enjoyed it as a kid when it was in syndication for a brief time back in the mid to late sixties. Leo G. Carroll in the title roll is a perfect foil for the fun-loving spirits of George and Marion Kirby. And speaking of spirits, I think Neal was the only alcoholic dog in history. He sure did love his booze. I've heard of dogs liking beer, but I've never known them to put away a whole case after drinking half a canteen full of gin. That was a hoot! (Love 'ya, Neal, you big dumb mutt!!!). It was his fondness of the drink that got George and Marion killed in the first place. I guess some dogs just never learn.

This show is a forgotten classic, and well worth its weight in gold. You hardly ever see or hear of it any more, and that's too bad. Wish they would put it on Nick at Night or TVLand. Wouldn't mind a few more DVD's either. Great show.

That phrase was how the introduction described Marion Kirby, wife of George Kirby. The Kirbys', along with the ever faithful alcoholic St. Bernard dog Neil, were killed in an avalanche but returned to their home to playfully haunt the current occupants, Cosmo and Henrietta Topper.

However only Cosmo Topper could see and hear them. The ever formal Cosmo and Henrietta ( Leo G. Carroll and Lee Patrick ). Talk about contrasts.

Born in 1947, I am giving away my age of course; but I never missed an episode. In fact I cherished them. Who could not be drawn to the antics of George and Marion. What 8 year old male couldn't be totally absorbed by Marion Kirby. Knowing they were husband and wife in real life made the attraction to their characters even more pronounced.

Where are these episodes ? Probably the powers that be have long concluded that the show would be boring by today's standards. Not so says I !!

One of my best childhood memories, a worthy TV incarnation of the movie classic. It's also where I first learned of Leo G. Carroll, Mr. Waverly in "The Man from Uncle"

This show remains as one of my fond childhood memories...don't know how it would translate to the 90s but I've always wondered why it's not among the "oldies but goodies" being recycled on TV these days. Anybody got any suggestions?

A terrific series. Leo G. Carroll remains to this day as "Topper" - no one else does him justice. Does anyone recall Neil the vanishing St. Bernard? Not seen in the movie versions but but comically memorable.

Does anybody know if these are broadcast anywhere or available on videotape?

As a kid with our new-fangled tv, I tuned in every week to catch the two charming ghosts and the strait-laced banker. Okay, viewed now, the show's more amusing than a real knee-slapper. But who can resist the ghostly Kerby's brought adorably to life-- I mean see-through life-- by actors Sterling and Jeffreys. Their genuine affection for each other as real life husband and wife shines through the scripted roles. Then there's banker Topper (Caroll), maybe not the most charming older guy but a great straight man, nonetheless.

The material itself is loaded with comedic potential-- friendly ghosts only Topper can see. Others can see the ghostly effects, but not the invisible agents themselves. Thus natural laws, like gravity, appear temporarily suspended. The crusty old banker himself is something of a grouch having no fun. So our playful ectoplasms try to loosen him up. For others in the household, that means floating lamps, disappearing food, and Topper talking to thin air. The humorous possibilities are endless, and brought off in wholesome 1950's style. Of course, viewing to best effect means loosening up logic to let the unreal antics shine through.

Oh sure, some entries are better than others and not all manage to score. Still, it was a funny show then, and for this geezer, still is. And oh yes, despite the sponsor's best efforts, I left those "mild, mild Camels" to cough around in their own tobacco patch, thank goodness.