User reviews

This is a silly, tear-jerker of a story, but interesting in spite of itself, the kind to help you pass a rainy day when you're feeling kind of blue.

However . . . . if anyone wants to know who was one of America's greatest actresses, they have only to watch Shirley Booth in this film. She was a very low-key, actually kind of dumpy-looking woman, with a not very pretty speaking voice, but she will keep your attention, amaze you, and break your heart. Even though she looks sort of like she could be Robert Ryan's mother, or at least his older sister, you don't have a moment's doubt that this tall, handsome leading man could fall for her and maintain a long-term relationship with her. She is luminous in her quiet way.

Booth did many stage plays, and to give you an idea of the heft of her acting abilities, several of the parts she played on the stage were subsequently played on screen by Katharine Hepburn. Booth unfortunately lacked what Hollywood considered glamor, but she was chock full of talent and charisma. If you know her only from re-runs of the sitcom "Hazel," you are in for a big surprise if you see her in this film, or in the even better "Come Back Little Sheba."

If people did not accept back street arrangements like Shirley Booth did in About Mrs. Leslie a whole lot of romance novels and soap operas would never be written. In one of her few film appearances Shirley Booth plays Mrs. Leslie who owns a boardinghouse in Los Angeles and deals with the problems of her tenants while thinking back on her wartime romance with what was called then, a dollar a year man.

Her dollar a year man is Robert Ryan whom she met back east when she was singing in some second rate supper club. They more than hit it off and she accepts his proposition for a six week vacation on the southern California coast though her breaking her contract puts her career such as it is in jeopardy.

She only finds out about who this man really is when she sees a newsreel in the theater and finds out that 46 weeks a year he's a business executive and former World War I ace who married a Senator's daughter to advance his career. Ryan regrets this and Booth regrets having to settle for back street status though in the end financially she comes out well.

Combining elements of both Back Street and Maytime, About Mrs. Leslie is a fine film, one which we used to call a woman's picture. Booth made too few feature films for the big screen, but when she got there everyone was a gem.

About Mrs. Leslie is an uncut diamond. It should be broadcast more often.

One of Shirley Booth's true acting performances. For audiences who thought she could only play burned out losers like the plodding,dull houswife in "Come Back,Little Sheba," this film shows she definitely had leading lady status. The story of a boarding house owner recalling her one great love in conjunction with the woes of her boarders is very good. The entire cast shines in support. The carping of Robert Ryan is a strange one.He is entirely believable as her lover. Miss Booth's appearance was almost a shock,she wears nice dresses and tailored suits with ease.Not every woman back then looked like Lana Turner!Surely show business had singers who were slightly dumpy and past their prime. Miss Booth duly projects the longing and lonliness all people feel at one time.The final scene where the last of the boarders leave is sadly sweet,as she sighs and puts out her rooms for rent sign again

It amazes me how this movie is so seldom shown is not available on DVD. It's one of the most original love stories ever made, the leads are superb, overcoming the initial impression they are miscast. That proves what gifted actors Booth and Ryan were. This bittersweet love story between a less than glamorous piano girl in a shabby bar and a handsome businessman covers several years of their annual clandestine meeting until their romance is interrupted by World War II. All along the way you have a foreboding of doom for these two unlikely secret lovers, but you root for them anyway. I've written to TCM begging them to show this film, I hope they do so soon.

I'd seen this years ago on AMC and remembered little about it, but a revisiting on TCM reveals it to be a surprisingly solid, moving, adult romance. Sure, it's soap opera, and disconcertingly close to "Back Street" (or Capra's "Back Street" ripoff, "Forbidden"), and it's not helped by unexciting cinematography or a soupy, repetitive Victor Young score, like he's trying to be Max Steiner. What lifts it well out of the ordinary are the screenplay and the leads. Ketti Frings was a frequent adapter of literary works (she did the stage drama of "Look Homeward, Angel") who could plumb expertly beneath the surface; her co-screenwriter, Hal Kanter, was more of a sitcom specialist. Together, they probe with remarkable depth this illicit affair between a married industrialist and an unmarried chanteuse. These two behave like grownups, have real conversations on a variety of topics, with a surprising amount of Civil War history, of all things, mixed in, and say unexpected, witty things to each other. Shirley, who's superb, may not be a glamour gal, but it's entirely credible that the handsome Ryan, who underplays effectively, would fall for this intelligent, generous, questioning woman. There's a second couple, Marjie Millar and a not-very-good Alex Nicol, and you may wonder why so much time is being spent on them, but their narrative does complement the first couple nicely, and the other residents of Mrs. Leslie's boarding house provide color and contrast. Soap opera, yes, but I was moved, and ready for a second viewing not long after the first. Too bad Hollywood couldn't find more for the prodigiously gifted Ms. Booth to do, but this is one of her best roles, and you'll long remember her reactions, her delivery, and the way Daniel Mann lovingly lingers on her face.

What a movie. I don't know how or where to start to rave and praise it. The acting, the story. So very believable, and for a woman to live with a man outside of wedlock in the 1930's...well, unheard of then...or maybe not so. This is the story of a woman who accepts a man who can only offer her a six week a year commitment. But, oh, it is so worth it. You have to see this movie to fully understand it. The casting of both Shirley and Robert were perfection. So realistic. A very, very poignant and touching piece. Youth vs. age, many subplots, but done in a superior way of flashbacks. The character of Mrs. Leslie is one who has learned all about life's foibles and disappointments. She has her memories of her "Mr. Leslie, honey," to sustain her. I cannot praise this movie enough. I have it on VHS, recorded from TV. I cannot locate it on DVD. See this if and when it replays on television. It is amazing.

Daniel Mann, a master director of dramas, reunites with leading lady Shirley Booth after their successful collaboration in Come Back, Little Sheba to create the wonderfully romantic drama About Mrs. Leslie. If you like these two of their films, be sure to check out their third film together, Hot Spell!

Told in flashbacks, Shirley starts the film off as the owner of a boarding house. Her tenants and neighbors often come to her with their problems, since she's such a sympathetic mother type, and while she deals with their trifles, she remembers her earlier years, before she was Mrs. Leslie. Back then, she was a nightclub singer who fell in love with the handsome, charming, enigmatic Robert Ryan. Their slow-burning love affair is fascinating to watch, and while both actors are naturally likable anyway, they'll instantly win a place in your heart.

As you might expect, since this is a Shirley Booth movie-her movies are much different than Hazel-you might want to keep your Kleenexes handy. Her darling wobbly voice and her terribly sad face makes me cry every time.

First, it must be mentioned that Shirley Booth was a fantastic actress in both film and stage, the latter being her forte. Here was an actress who, despite the fact that she was not Hollywood model material by any means, could run rings around scores of her drop-dead gorgeous contemporaries in the acting department! It's really a pity that she became typecast as "Hazel" in her popular television series, because she could, and did, offer so much more.

That said, now comes the plot of this particular film. A fairly good looking, well to do up and comer in politics, albeit married to someone else, falls in love with Ms. Booth's somewhat frumpy character. Highly unlikely, some people would say, but it happens in this film, and it happens in real life, no matter what the media would have you believe. Robert Ryan rendered a fine performance, and both of them generated the right chemistry. This is where it gets really good. The love that's shared between these two comes across as quite genuine. In fact, it blossoms throughout the film by way of a good plot! No spoiler here! You must see the film in its entirety to understand this.

Yes, the film plays out like a soap opera for the most part, but the idea behind it, the love between these two people, no matter the odds, is very real. There are lots of sub-plots going on throughout, but they all seem to come together perfectly and sensibly in the end. Many facets and foibles of human nature are addressed quite well in the process.

This is a must see, as are all of Shirley Booth's movies, at least in my opinion. It's too bad she didn't make more of them.

A strange little romantic drama that many people have never seen or even heard of. "About Mrs Leslie" is the story of an over-the-hill New York chanteuse who accepts an invitation from a stranger, (Robert Ryan), to spend six weeks with him as his companion in California. It was based on a Vina Delmar novel, was directed by Daniel Mann and it gave Shirley Booth another plum part after her Oscar-winning turn in "Come Back, Little Sheba". Perhaps sexless, middle-aged romances weren't quite what the public was after at the time and the film all but disappeared and Booth, who came to movies late in life, never became a film-star, (she only made four feature films in her career). However, she did make it big on television in the long-running series "Hazel". She was a highly gifted actress and here she found the perfect partner in Ryan, surely among the most underrated of all great actors. There isn't a great deal in the way of plot but it does have a lot of charm and Booth looks like she could make reading the phone book sound interesting. One to seek out.

Though she was known for her many roles on Broadway and an even more famous part on television, Shirley Booth did not seem to build much of a career as a movie star. Maybe this is because she was rather unlike other actresses that were headlining motion pictures in the 1950s. And that's a good thing, really, because for every Marilyn Monroe, it's kind of nice to have a Shirley Booth, who stands out and gives us something decidedly different and special.

In this film, ABOUT MRS. LESLIE, she is paired with Robert Ryan who plays against type as a mysterious magnate. It's fun to watch him make romantic gestures towards Miss Booth's character. Of course, his idea of companionship differs significantly from hers, yet a bond is forged and it is a lasting connection. Booth displays a range of emotions in this film, and she gets the chance to sing. The story of the couple's unusual courtship is told mostly in flashback, with several subplots in the present to balance out the narrative.

In this romantic melodrama from Paramount Pictures and director Daniel Mann, boardinghouse proprietor Vivien Leslie (Shirley Booth) flashes back on her romance years earlier with George Leslie (Robert Ryan), an aircraft manufacturer and wartime (WWII) military adviser struggling with personal demons. Mrs. Leslie also tries to help out the various tenants at her residence whose dilemmas include a good cross section of middle class angst 50s style.

In the flashback, Vivien meets George Leslie at a nightspot where she is an entertainer. The two hit it off and he asks her to come to California with him for a six week vacation that he needs to treat the strain he is under and his resulting nerves. What starts out as friendship quickly turns to love and a "same time next year" arrangement with the two having six weeks together in the same beach house every January. Leslie is a bit of a Civil War buff, and Vivien starts to read about the Civil War too, because it makes her feel close to him when they are apart. And this brings me to the most shocking part of the film when it comes to modern sensibilities - A bookstore owner actually says something positive about Robert E. Lee! Oh the humanity!

Booth's nightclub act at the beginning is really quite bad. In spite of that and the fact that Booth and Ryan look every bit of their eleven year age difference, I was moved by Booth's various plights. Her great acting talent managed to transcend her age and even her singing. I also liked Harry Morgan in a small role as a sleazy talent manager with a pencil mustache. In his youth, Harry Morgan could always be counted on to be whatever kind of slimy little weasel the production required, and be memorable in the process.

The film also has a great score, and it turned out to be one of those films that is better than it ought to be.

The story is very believable and likely raised a lot of eyebrows back when it was released. I love older movies because they do not show all the gratuitous sex scenes but rather, hint at the possibility. I also appreciate Shirley Booth and Bob Ryan as actors. However, now here is the part that is going to rebut the previous reviews, I personally feel both of these actors are miscast in this movie. Neither seem to deliver heartfelt lines. It really feels like they are just reading the script. Robert Ryan is exquisite in film noir and this is movie is not his forte. And I don't know why Shirley Booth doesn't put any more feeling into delivering her lines because I know she is capable of doing so. So while I think the movie is a very good story line, I wish they would have cast other actors. Just stating my opinion is all and I do appreciate and respect the previous reviewers felt both were absolutely stunning in their parts.

Beautiful film where a single lounge singer sparks a friendship and eventually a relationship with a successful businessman. They meet once a year in California by the sea. Every year, the man and his girlfriend meet and enjoy fishing, running in the surf, and intimate dinners at a local seafood restaurant. She doesn't ask questions, but simply enjoys his company. He appreciates their time together without any prying into his life. Mrs. Leslie's advice to a young couple embarking on marriage: "Be honest with each other. Give everything you've got. Don't settle for half. You gotta have it all: marriage, kids, the works. It cost me a life to find that out."

Lovely little drama about a hopeless love affair told in remembrance. Shirley Booth is incredibly moving in a beautifully simple performance and Robert Ryan a fine match in a understated part very different from his usual gruff often cruel characters. If you are only familiar with Shirley Booth from her years as "Hazel" she will be a revelation here. She and Ryan are pretty much the whole show with the other actors unmemorable excepting the neighbor's daughter and only because she is such an odious little brat. For discriminating audiences who enjoy superior acting and don't mind that the actors look and behave like real people.

I could not believe the scene where Shirley Booth plays a night club singer! Absolutely absurd to even imagine her in such a role. Her voice is horrendous. I see many positive reviews which I think are based more on her stellar reputation having recently won the Academy Award. Reviewers seem afraid to tell the truth about her performance here. I don't care how accomplished any director, producer, cinematographer, or actor is. What counts is only what is on the screen. Someone said its a shame Booth is typecast in our minds today because of her starring role in the TV series Hazel. Yet, I see little difference between this turkey and that television program. Different name, but she's still a domestic servant catering to household customers.

This movie was ahead of it's time, but still posturing to the "Code" and Hayes Office. "Mrs. Leslie" knew she was a once a year Date for a married man, in a "Open Marriage". The movie treated her with respect, as a woman, and not a cheap whatever, going to a Motel with a married man. It didn't matter to her the "reasons" that this man craved her companionship once a year. He never gave her the trite, "I'm getting a divorce", or "She doesn't understand me" spiel when he arranged their vacations. He didn't say anything about his wife, i.e. put-downs, horror stories, when he was Mrs. Leslie, either. The only people in the film that treated her like scum were the Lawyer for the Estate, and the neighbor she babysat.