User reviews

I'm always amazed at how emotion some people get. This movie (which few if any people have heard of) is a neat little slice of life thing. Once again Patricia Neal is paired up with an alien who looks more Aryan than Venutian. Once again, he holds the power to do great harm to the earth unless the military posturing stops. I guess this town is too big for the both of them. This is a gently done offering with few sparks or special effects. The point is that despite all he proves to them and the kindness of his actions, the people decide he needs to be destroyed. I don't put it quite in the same cinematic league with "Citizen Kane" and "Lawrence of Arabia" but it's no worse than hundreds of other films of the early 1950's. For those that consider it boring, I never lost interest in some rather neat characters who interact throughout. Please relax.

Stranger From Venus is a nice little film, but really has not much to recommend it. Obviously it is adapted/stolen from the Robert Wise classic, The Day The Earth Stood Still and even has Patricia Neal as well as the female star. But even for a fifties science fiction film, there is a serious lack of special effects...especially in comparison with the other movie. The few shots of the Venusian spacecrafts look to be very childishly done and do not mesh well at all with the other footage.

This film is one of the precursors of the wave of excellent British science fiction that was heralded in by Terrence Fisher, Val Guest and the rise of Hammer Films. The script for Stranger From Venus does have some of eloquence of the films to come, but the ideas just don't gel properly.

...as the British attempt to duplicate The Day The Earth Stood Still.

Patricia Neal plays the lead, but mostly appears as window-dressing. The alien looks like Helmut Dantine. In fact, he is Helmut Dantine. For the first fifteen minutes, we only get to see the back of his head. Unfortunately, at some point he turns around. He wears the same expression on his face throughout the entire film. I couldn't tell if it was boredom or disdain, both of which I felt watching his performance. It's hard to believe that men from Venus speak with Austrian accents - then again, it was hard to believe Arnold Schwarzenegger playing Hercules.

Dantine lands in the British countryside, although we don't get to see his ship. Neal has an accident and he miraculously heals her. He also heals a guy with a limp. Dantine strolls into the first bar/inn he sees and orders something to drink. We discover he does not like beer, but he loves water. He wears what look like jogging pants and some kind of pullover jacket. Fortunately, he is not wearing a spacesuit. I shudder to think of Helmut in a helmet.

Dantine is here to confer with our world leaders about, you guessed it, atomic energy. Of course, that's why he picked a farmhouse in which to stay. Meanwhile, two more ships are on the way to pick him up.

Neal's fiance, played by Derek Bond, is a bit of a pain, kind of like the Hugh Marlowe character in Day, just not as good-looking and not as obnoxious. The rest of the cast just go through the motions. Look for Nigel Green in one of his earliest screen roles.

An alien craft is spotted, barnstorming the countryside. While traveling home, Susan North (Patricia Neal) encounters a strange phenomenon. Soon, a mysterious man (Helmut Dantine) shows up at a rural pub, seeming to have odd ideas and prescient knowledge, some of which is about Susan, who has gone missing.

He also has no pulse!

When the authorities attempt to make him talk, they find it... difficult. Things only get weirder when Susan reappears. Of course, the government / military gets involved, and nearly makes a pig's breakfast of it all.

STRANGER FROM VENUS, like its -very similarly themed- cousin, THE DAY THE EARTH STOOD STILL, is a more cerebral bit of cautionary sci-fi. No laser battles, monsters, or spaceship chases here. Dantine downplays his role, making the "miracles" he performs, and the words he speaks seem all the more believable. Ms. Neal is just as good in this as in that other, better-known film. Due to its budgetary constraints, most scenes are rather small in scope, making the dialogue quite important. This movie delivers excellent discourse and actually makes one think. Imagine that...

Patricia Neal had recently turned her back on Hollywood for the New York stage and married Roald Dahl (with whom she settled in Buckinghamshire to raise a family) when she was offered this cheap, cheeky and stultifyingly humourless British rehash of 'The Day the Earth Stood'.

Helmut Dantine - like Michael Rennie in the original - performs Christ-like miracles like healing the sick and speaking in tongues; but like this film lacks a pulse. Instead of Bernard Herrmann's eerie theremin we occasionally get twee musical contributions from Eric Spear (later immortalised by the theme for 'Coronation Street'). The agreeable Hertfordshire exteriors compensate for director Burt Balaban's stilted interiors, and since it's only 76 minutes long you keep watching.

It's obvious that the people making this film were trying to do a remake of the classic sci-fi film THE DAY THE EARTH STOOD STILL only three years later. Not only is the plot very similar but it also stars Patricia Neal--the same lady who starred in the original film! Like THE DAY THE EARTH STOOD STILL, this film is about an alien coming to our planet to deliver an ultimatum concerning our ill-advised use of nuclear weapons. Oddly, however, he lands in the middle of no where in England--probably because it's obviously they have no budget and couldn't set the film in London or any other big city. You hear about the military, but you only see a few assorted guys in rather generic uniforms with no fancy equipment.

Despite the many limitations due to budget, however, the film is still very entertaining--even if you've seen the superior prior film. I think part of it is because the alien, played by Helmut Dantine, seemed a lot more like an alien than Michael Rennie from THE DAY THE EARTH STOOD STILL. This isn't saying Rennie was bad--just that Dantine offered a unique interpretation. The other thing I liked is that instead of the humans attacking by mistake, in this film the leaders from the UK are real jerks. Despite the Venusians coming with openness and peace, the officials responded with lies and a foolish attempt to steal their space ship!! As a result, this film takes an even more cynical view of human nature. In the original, humans were scared and a bit dumb. Here, they're just jerks! The final thing I loved about the film is that they didn't try too hard with the special effects. Other than a model of a space ship, the film has no bug-eyed alien or silly ray gun--just a dandy story.

So, despite being extremely derivative, the film still is entertaining thanks to good acting and a few interesting twists.

By the way, in a silly little scene, one "expert" said that Venus is "many light-years away from the Earth". No, dude, it isn't. A single light year is about 6 trillion miles. Venus is actually about 25 million miles. So, a light year is 240,000 times greater than the distance to Venus AND they said "many light-years"! I am surprised the writers didn't notice this discrepancy. Wow. I now feel like Mr. Wizard!

Which B&W sci-fi film of the 1950s features an alien from outer space who comes to Earth to warn mankind of its warmongering ways and becomes involved with a character portrayed by Patricia Neal? Now, before you smugly respond "The Day the Earth Stood Still," the Hollywood sci-fi classic of 1951, let me add that the film in question is a British production and was made in 1954. That film is "Stranger From Venus," a very subpar knockoff of a great classic, and, what's more, even inferior to another British copy of "TDTESS" that also came out in 1954, the camp classic "Devil Girl From Mars." In "Stranger," the alien from Venus (which is said to be "millions of light-years" away from Earth...patent BS!) is played by Austrian actor Helmut Dantine, who gives a very UNsympathetic performance. The "action," for the most part, is confined to a drab-looking inn somewhere in the English countryside, and the movie is very static and never seems to move at all. Whereas "DGFM" features a Martian dominatrix, a ridiculous-looking and lumbering robot, and a very impressive space explosion to cap things off, "SFV" features virtually no FX at all and little in the way of suspense. The only real "effect" to speak of is a "mother ship" disgorging a space flier, accomplished with what looks like a lamp hood and a wooden disc. I am not hyperbolizing when I say that the FX in Ed Wood's "Plan 9 From Outer Space" come off looking like those in "The Matrix" by comparison. Furthermore, director Burt Balaban's work is extremely lackadaisical here, and composer Eric Spear contributes a sappy score that is repeated to distraction. Though competently acted, and presented here in a nice, crisp-looking DVD, this film really is for 1950s sci-fi completists only, and even they will be bored and restless. Anyone out there know how to say "snoozer" in Venusian?

When first considering to watch this film I expected it to be very bad. The title seemed cheesy, it was made 40 years ago. Also I had viewed other online reviews and on average it didnt seem favorable.

This being said I am a fan of older sci fi and horror films. I found the acting, rather subtle compared to the cheesy performances I was imagining. I found that the film displayed the best traits of the 40 year old sci fi movies I had seen in the past. Such traits like the fun playful whimsy while still gladly lacking exaggerated attempts to shock or scare unnecessarily. The thing I like about these old movies is that they are fun, light and at the best of time thoughtful without being preachy.

I would agree that this film may lose points for lack of originality in parts. This being said the critics scored this film a lot poorer than it deserved. Part of the problem is that we just dont have a large number of people who have seen the film to give an accurate depiction of what the average person who likes old movies would feel about it.

I must finally say that it is not an all time classic must see film. This being said, if you like older sci fi and are looking for some light fun with the subject matter, "stranger from venus" is a decent watch for you. I feel it deserves at least 7 stars and I found it a relaxing and enjoyable sci fi story.

I found this slightly creaky old film engaging throughout. I really enjoyed the kind and gentle stranger and the genuine un-hysterical fascination for him by the locals. You must remember that this was set just after WWII when people in the British Isles were traumatised but jaded by all the things they had seen and been through.

I'm a huge fan of the brilliant 'The Day the Earth Stood Still' but I found a lot to like about this 'Alien-warning' short. No time is wasted and the story flows well to its tragic conclusion: Mankind can't be trusted to do the right thing!

Well, imagine if "The Day the Earth Stood Still" was made with no special effects, no Gort, bad sound, and lots of actors with weird accents, and you'd have "Stranger from Venus".

Yes, borrowing the leading lady (who looks like she's phoning it in) and the basics of the plot (benign Christ-like alien comes to Earth and tells human race to knock it off) from the American version, this film blunders on for an hour and a half or so with no point, really.

I'm not sure what inspired the producers to make this film. It wasn't like all copies of "Earth" had vanished or something. I am less sure why Patricia Neal decided to lend her talents to this, unless someone just promised her a vacation in the British countryside.

Keep in mind, this was the 1950's, where people really believed benign aliens were visiting Earth with messages of peace, an offshoot of our own fears of nuclear war, and Charlatons like George Adamski made a lot of money doing it. So I guess people thought there was a market for this sort of thing.

Interesting to watch for buffs of 1950's Science Fiction, not much else to recommend it.

20 January 2012. This movie is amazingly hard to rate because while it is hokey on one level, it is also surprisingly subtle and sophisticated on another level. Like "Forbidden Planet" (1956) which is considered among the best 1950s sci fi movies, "Stranger from Venus" has the period staged acting of its time, yet in some ways "Stranger" is even more adept at avoiding the most overly stylized acting than "Forbidden Planet." And instead of the popularized, highly action-oriented, thriller sci fi classic "The Day the Earth Stood Still" (1951) from which strong parallels were apparently taken to make "Stranger," "Stranger" is even more remarkable its deliberate attempt to reveal both an infusion of conceptual sci fi imagination more than almost any sci fi movie and also introduce an alien character is among the most intriguing, even suggestive of Brad Pitt's performance in "Meet Joe Black" (1998). Overall the storyline and details of the acting are fascinating in its underplayed manner and even the almost successful attempt which is rarely accomplished in most movies, a balanced perspective of ideas and motivations. The romantic angle even echoes "The Bridges of Madison County" (1995), a more highly received romantic drama years later. Perhaps the closest accompanying period sci fi classic movie that is comparable to "Stranger" would be "This Island Earth" that come out a year later. Nevertheless, taken in the context of the 1950s, "Stranger" could be considered among the best, if not the best, sci fi movie from that era.

The supremely talented Patricia Neal is quite wonderful in this humane, surprisingly intelligent, yet criminally underappreciated British 50s Sci-fi thriller that excitingly finds our exotically handsome 'Stranger from Venus' (Helmut Dantine) on an earnest philanthropic mission to warn his primitive Milky Way neighbours about the inevitably apocalyptic dangers inherent in man's vainglorious meddling with nuclear fission, but his cool, pragmatic warnings fall on predicable deaf, bureaucratically belligerent ears!

While Derek Bond is suitably starchy as the mannered civil servant, it's Patricia Neal whose star shines brightest, giving a winningly heartfelt performance as the kindly, sensitive Susan North who becomes so enamoured of this dashing Venusian Cunning linguist. Writer Hans Jacoby's non-schlocky, adult text is mighty fine, with composer Eric Spear's lush score providing some effectively dramatic themes. Relatively light on pulpy action, Burt Balaban's 'Stranger from Venus' is undeniably thoughtful and, perhaps, a little too talky for some, but, happily, it's jolly good talk and the worthy thoughts remain no less pertinent today. An entirely welcome 50s Sci-fi discovery, and one I shall most definitely return to!

If you sucked all the grandeur and excitement and great acting out of "The Day The Earth Stood Still", you'd essentially end up with "Devil Girl From Mars", are you with me? (Or just take out the big budget and you'd have the "Quatermass" serials...still really good.)

Now, take "Devil Girl" (or Quatermass) and remove the special effects, the cool costumes, the sense of menace, and the action scenes. Throw in Patricia O'Neal, but make sure she sleepwalks though her part. Potentially fairly awful, but someone like Theodore Sturgeon could still do something very interesting with it.

Now carefully stage each and every scene and exchange of dialog so that it drags on endlessly. Dose the results with Dramamine, and you've got something like this movie, a talky, static, dull little set piece that thinks it's being classy and cerebral, but really just marches in place without doing anything of interest.

I realize that even in British cinema, they can't all be gems...but it always surprises me when a Brit film studio releases something like this.

Basically British variation on The Day Earth Stood Still, which Neal also starred in. It tries to overcome it's low budget limitations but just falls short of the mark. A for effort; C for execution. British sci-fi would take off the following year with the arrival of Professor Bernard Quatermass.

Slow-paced if not tedious, and inexpertly written. Worth one viewing for fans of British sci-fi or 1950s sci-fi. I believe this is an American/British co-production but it has the distinct feel and atmosphere of a Brit SF flick from that era even though it is not on par with movies like Quatermass 2, X the Unknown, or Devil Girl from Mars.

This is Britain's answer to The Day the Earth Stood Still. To that end, this one is about a smart-arsed alien who comes to Earth to patronise humankind and tell us we are effectively all a bunch of idiots. Seeing as this is U. K. sci-fi, the budget is lessened accordingly, and so we have an alien from Venus who looks exactly human, which was no doubt a bonus for the make-up department. If you think this all sounds like good fun then you'd be dead wrong, as a better title would have been 'Stranger from Yawnsville'. Its tedious melodrama we get here more than sci-fi schlock but I made it to the end. It did have one good bit though, when an official says about the stranger from Venus - with no irony - 'I usually hate people who know all the answers, but I like him. He makes you feel like a moron, but I like him.'

A visitor from Venus arrives to warn Earth of the dangers of its nuclear experiments. Is anyone else as tired as I am of aliens judging Earthings for their violent tendencies? (Remember Q in Star Trek the Next Generation?) it is a well constructed British version of TDTESS but without the spectacular robot Gort or any other of the great special effects, for that matter. It also stars Patricia Neal who turned in a fine performance here. It has a good plot but lacks the mystery of the other film.

STRANGER FROM VENUS is Britain's answer to THE DAY THE EARTH STOOD STILL, and it isn't very good. This is a film which has dated very badly since first release, considering that 95% of its running time consists of middle-aged blokes sitting around in pubs and having philosophical debates.

It's all very highbrow and intellectual, of course, but this also has the side effect of making it completely non-cinematic. There's very little incident in this film and no action, danger, or real excitement. All the good bits were done better in the Michael Rennie film, and really, things only pick up in the last ten minutes and then bang, it's suddenly all over. The low budget is always more than obvious.

The concept of the film - an alien visits earth to condemn mankind for what they're doing to the planet - is overtly familiar and the script can add nothing new to the debate. Patricia Neal does well in a leading role and there are bit parts for John Le Mesurier and Nigel Green, but the leading cast is for the most part lacklustre, and there's very little to interest even the viewer with an interest in British science fiction of the 1950s.

Those reviewers who rated this movie poorly cannot see the forest for the trees. I had never seen nor heard of this movie until a few years ago. When I watched it, I was expecting a terrible movie, however to my surprise, it was a very good message. Similar to the Day the Earth Stood Still and the Cosmic Man but different. Very good movie.

A no-name stranger (Helmut Dantine) comes from Venus with a message. Naturally the message is too important to trust to any one country. So he arranges to meet with all the representatives of the world in two days. While waiting for this meeting He interacts with a handful of people at a local English inn. There they get to know each other personally. Such as Susan north (Patricia Neal) very personally. Will they make the meeting or will greed raise its ugly head and try to use this no names stranger for nefarious purposes?

Of course, we know what sort of people attract Susan because when Patricia Neal made the same choice in the The Day the Earth Stood Still (1951). Nowadays most people equate Patricia Neal with the Anacin commercials she did before her demise in (2010.)

Helmut is no slacker. He has been in several TV programs and who can forget the movie Guerrilla Girl (1953).

The music was a well-done mix of spooky and sci-fi sounds composed by Eric Spear. Eric composed original music for more than 40 movies and programs.