User reviews

Mario Lanza's beautiful tenor soars on the soundtrack of this fairytale, loosely based on Sigmund Romberg's beautiful operetta.

In an interview on a Lanza bio program, Music Director George Stoll shared how Lanza came into the recording studio and rendered perfect one-takes on the entire score, within a remarkable single session.

The glorious timbre of his voice is a highlight of this film. A special treat is hearing the pleasant lyric soprano of Ann Blythe, who was a trained, experienced singer even before making her film debut. The two are heard to advantage in the lovely "Deep in My Heart" park scene duet.

Composer Nicholas Brodszky contributed two ravishingly beautiful added songs, "Beloved" and "I'll Walk With God," intoned to perfection by Lanza.

Alas, Director Richard Thorpe lets the production down with very routine and uninspired direction, allowing for often tedious pacing and formatting. Despite having a great cast to work with, his contribution produces a lethargic bent to the proceedings.

In the end, "The Student Prince's" attributes rest primarily on a beautiful soundtrack, rich score, attractive players, and Lanza's thrilling singing.

One of the most beloved of operettas is The Student Prince and for a combination of reasons no sound film was made of it until this one in 1954. I venture to say that somewhere in North America or Europe there is some stock company giving a performance of it right now.

One of those reasons was a little thing called World War II. As Nazi Germany rose in power, stories with a German background weren't a real big sell in Hollywood. MGM which had produced a silent version of The Student Prince in 1927 with Ramon Novarro and Norma Shearer, held on to the property all that time. No doubt Louis B. Mayer thought the story perfect for either Nelson Eddy or Allan Jones. I have a recording of Jones singing Deep in My Heart and he would have been a fabulous Prince.

Edmond Purdom is the heir to the throne at mythical Karlsberg, one of the many minor kingdoms that made up the new Second Reich. It's been pointed out to the King, Louis Calhern,that Purdom lacks certain social graces and charm. The remedy suggested by Purdom's tutor Edmund Gwenn is to go to the University at Heidelberg which by coincidence is the alma mater of Gwenn.

He gets quite an education at Heidelberg including one from the innkeeper's niece played by Ann Blyth.

Of course what makes the Student Prince the classic it is are the words and music by Dorothy Donnelly and Sigmund Romberg. All the main songs of the score are retained with a few new ones added by Nicholas Brodzsky and Sammy Cahn.

Purdom's singing is of course the glorious voice of Mario Lanza who was originally supposed to do this. Lanza at the same time the film came out released an RCA Victor Red Seal album of The Student Prince which was a big hit, movie and album, reinforcing the success of the other.

Lanza was having a lot of trouble controlling his appetites for all the fleshly pleasures and was proving impossible to control. He got out of the film, but he had already taped his soundtrack singing. MGM settled with Mario with them retaining the rights to those recordings for the film. Good thing they did, because it's Lanza's singing voice as the Prince that makes this film.

If you like operetta and Mario Lanza, do not ever miss this one when it is on.

Fans of Mario Lanza and operetta will find The Student Prince a treat to watch and to listen to. The Student Prince is not a faithful treatment of Romberg's operetta('mangled' is pretty apt here), but to me that didn't matter, what was more important was how The Student Prince fared on its own merits as a film and it fares very well.

It has sumptuous production values in costumes, lighting and most sets(apart from a couple of very studio bound-looking outdoor exteriors) and is shot in lavish Technicolour, so it looks pleasing. Romberg's score is stylish and whimsical and his songs wonderful, both in the operetta and in the film. In the film, the standout songs and renditions are Deep in my Heart, Dear, Serenade and the very emotional I'll Walk with God. The Student Prince also boasts some very witty dialogue, an engaging story that still resonates today and is less creaky than the story of the operetta(better than any of the stories from any of the films with Mario Lanza on screen) and the ending is heart-breaking.

Even when Lanza is not on screen(he was meant to originally star in the leading man role) and present in voice only, he still makes a great impression. Lanza had one of the most beautiful and most immediately recognisable voices for any tenor and even singer, and he sounds magnificent here as to be expected, his phrasing, vocal emotion and musicality also top-tier. Edmund Perdum had a truly daunting task replacing Lanza and then having to act to his singing voice, and he does a more than credible job with it, while stiff in demeanour at times(but that worked for the character actually) he plays the role with more likability and and charm than Lanza most likely would have done if he did it. Ann Blyth is radiant and noble as well as playing with natural spunk, her voice blending very nicely with Lanza's. Edmund Gwenn, Louis Calhern, John Williams and SZ Sakall provide seasoned support.

On the other hand, Richard Thorpe's direction is very limp and lacking inspiration in places, some scenes that came over as a little tedious as a result did cry out for a more light-footed and wittier touch, something that Vincente Minnelli would have brought if he'd been chosen. Some of the additional dialogue veers on a bit banal and corny, though most of the dialogue sparkles.

In conclusion, looks and sounds wonderful and an entertaining film. 8/10 Bethany Cox

Edmund Purdom does a fine job of lip-synching to Mario Lanza in this beautiful fairytale of a movie. The combination of Lanza's glorious romanticism and Purdom's very British demeanour is an odd combination, but it works - after a fashion. It helps that Purdom was actually singing along with Lanza's pre-recorded vocals - a daunting task for any singer, let alone a non-professional like Purdom. (The actor spent three months practising with the recordings, and commented 20 years later: "It was enough to make you sweat - just listening to the voice.")

It's to Purdom's credit that he persevered, for Lanza's singing is at the very core of this movie. The Serenade, Drinking Song, Beloved, Golden Days and I'll Walk With God are without peer, and represent the pinnacle of Lanza's achievement in English language song. Lanza's timbre was at its most ravishing by this time (1952) and he imbues these songs with such magic that every word sparkles - a feat not lost on Purdom, who later compared Mario's poetic artistry to that of the great soprano Elizabeth Schwarzkopf.

The Student Prince is loosely based on Sigmund Romberg's operetta, with three new songs (Beloved, I'll Walk With God and Summertime in Heidelberg) by Nicholas Brodszky replacing some of the more dated Romberg numbers. The film is a decided improvement on the creaky original and boasts a witty script, replete with memorable one-liners from the screen-writing duo of Sonya Levien and William Ludwig, scenarists for Lanza's The Great Caruso. As a previous reviewer has noted, the original lyrics have been changed in some instances, but the alterations are tastefully done.

Ann Blyth provides worthy support as Kathy, the barmaid with whom The Student Prince falls in love, and the hilarious supporting cast includes such seasoned pros as Edmund Gwenn, SZ (Cuddles) Sakall and John Williams.

Aside from Lanza's absence, what ultimately makes this merely a good movie rather than a classic is Richard Thorpe's uninspired direction. His stolid by-the-numbers approach (ie long shot, then medium shot, then close-up) is at its most obvious during the musical numbers, where he lacks the magical touch that the story - and the music - demands. Still, he was undoubtedly a better choice than Curtis Bernhardt, the "Prussian pickle" (to paraphrase one of the characters in this movie) originally slated to direct, and the real reason for Lanza walking out on The Student Prince.

But watch this movie for its irresistible fairytale appeal, and the magic of Mario Lanza at his extraordinary best.

This is the only talking film version of Romberg's famous 1924 operetta--unfortunately, and it took MGM thirty years to get around to making it after they did a silent version. Although from all reports the silent version, directed by the great Ernst Lubitsch is excellent (I haven't seen it), in spite of the fact that it IS a "silent operetta", this 1954 sound version is a considerable letdown. Mario Lanza was supposed to have played the Prince, but his temper and weight problems got him fired, so the film was released with Edmund Purdom acting the role and lip-synching to Lanza's singing. Purdom is a considerably better actor than Lanza, but that's really not saying much. Ann Blyth, who does her own singing, is very good. However, the MGM adapters and screenwriters have done their dirty work. New, hopelessly bad dialogue has been added, as in the 50's remakes of "The Desert Song", "Show Boat", and "Rose Marie", but in this case the adapters have gone a few steps further. Only about half the original music (the score alone is ninety minutes long) is used; only Purdom/Lanza, Blyth, and the chorus sing, and they even filch the songs given to other characters in the stage version. Worse yet, new songs (not by Romberg and Dorothy Donnelly) have been added,and in EVERY SINGLE ONE of the original songs, only the first few lines of the lyrics have been retained----the rest have all been changed.

Audiences who are undemanding or completely unfamiliar with even a recording of the songs won't mind, but although the original lyrics weren't on the level of Hammerstein, Porter, Berlin, Ira Gershwin, Larry Hart, or Alan Jay Lerner's efforts, "Student Prince" fans will--and should---be outraged at this musical mangling.

THE STUDENT PRINCE should have been a lot better. After all, it's based on a famous operetta with music by Sigmund Romberg, features the golden voice of Mario Lanza at his singing peak, is cast with competent enough MGM players, and is filmed in glorious Technicolor.

But something happened--the uninspired Richard Thorpe was chosen to direct (Vincente Minnelli, where were you???) and the result is a tedious, slow-paced musical with stagebound sets and much of the Romberg score either missing or drastically altered with the insertion of two new songs (which, by the way, aren't bad at all). One of them, BELOVED, is sung with great feeling and style by Mario.

Lanza was at a difficult stage of his career by the time THE STUDENT PRINCE was set to roll, and his temperament and weight problems made it impossible for the studio to let him play the lead, even after he'd recorded all of the songs. EDMUND PURDOM, a relatively unknown newcomer, was given the chance to step in and, in all fairness to Purdom, it must be said that he does a commendable enough job in the acting department and does the lip-sync thing with professional results (he's right up there with Larry Parks in that department!) ANN BLYTH, never a particular favorite of mine, does her own singing with a pleasant soprano voice but is less than satisfying as the barmaid. She looks much too sophisticated and stylish for her lowly status to be believable and is rather arch and patronizing in her attitudes.

The rest of the cast isn't handed the best of material but they do workmanlike jobs with it: EDMUND GWENN, LOUIS CALHERN, JOHN ERICSON, S.Z. SAKALL and EVELYN ARDEN--but the extensive faults lie with the limp direction unable to give any luster to the proceedings. And the soundstage look for outdoor scenes doesn't help.

Worth hearing (if not watching) for Lanza alone on some delightful Romberg songs. His soundtrack recording of the music was a big seller and it's easy to understand why.

It probably was fortunate that Mario Lanza was overweight and Purdom played the prince. I can't think of anyone who would have done a better job. Great soundtrack, great atmosphere. Makes you feel right there sharing the lovers' dreams. I visited Heidelberg with the express intent of living a bit of the story. I find myself there each time I watch the film again.

Definitely for the romantic at heart, for those capable of enjoying an adult fairy tale without losing touch with reality. I wonder how few of the current generation would appreciate such a charming production.

In an old German kingdom, the arranged marriage between handsome prince Edmund Purdom (as Karl Franz) and a wealthy princess is canceled. He has proved himself amorous enough to produce sons, but Mr. Purdom is found to be lacking in "warmth and charm" by the potential bride. To work on these qualities, Purdon is sent to college and becomes "The Student Prince (in Old Heidelberg)". Unfortunately for his royal subjects, Purdom falls in love with beautiful, but common barmaid Ann Blyth (as Kathie Ruder). When summoned home during a crisis, Purdom must choose between love and duty...

This film was supposed to star operatic superstar Mario Lanza, who made a big screen splash for MGM with "The Great Caruso" (1951). Alas, Mr. Caruso was fired due to problems with both an expanding ego and an expanding waistline. With an appetite for destruction, he died of a heart attack in 1959 (at age 38). Fortunately, Caruso began by recording all the vocals for this production, reportedly in single takes. The studio wisely included them in the soundtrack and Lanza's received a screen credit larger than anyone who actually appeared in the film. His vocals are outstanding and the story remains engaging...

Put in the unenviable role of "lip-synching" Caruso's singing, Purdom handles the assignment well. He obviously doesn't match the excitement in Lanza's voice; nor is he in possession of the inherent charisma brought to the role by the likes of Wallace Reid or Ramon Novarro, who starred in "silent" versions of this story in 1915 and 1927. However, Purdom's good looks kept him before the camera and his acting skills grew. To be painfully honest, Lanza wouldn't have impersonated the prince well. The MGM cast and crew is in fine form, and character actor S.Z. Sakall (as "Uncle" Ruder) delivers a delightful last appearance.

******* The Student Prince (6/15/54) Richard Thorpe ~ Edmund Purdom, Ann Blyth, Mario Lanza, S.Z. Sakall

The older one gets, the more appreciable one feels about old musicals made with songs sung by tenors no longer with us. The Student Prince, a movie made two generations ago, still gives Mario Lanza's songs a warm feeling watching the story and seeing it before your eyes.

This film did not feature Mario Lanza in person, but his songs did. The movie's plot with faults and all, was enjoyable yet not outstanding, but the film lives to this day because of Mario Lanza's famous songs. Sure, one can listen to a record or CD, but the story and songs together only come to life in this film.

This is a sparkling, romantic and heartwarming musical love story. Edmund Purdom makes a very charming, handsome and charismatic prince. Ann Blyth is wonderful and very beautiful as the little barmaid he falls in love with. I don't think it could have been better cast. Purdom perfectly lipsinks Mario Lanza's singing, and you are so consumed by the beautiful love story and the chemistry between Ann Blyth and Edmund Purdom, that you truly believe that it is Purdom singing. Even to this day when I hear the soundtract, I envision Purdom singing. I am a great Lanza fan and I am not one bit disappointed in this film without him. I do not believe that had Lanza done this movie it would have been as good as it is. Purdom, Lanza and Ann Blyth are all at their best in the wonderful musical.

Plus point: When you watch the movie, you will see how beautifull custom design on victoria era,. All actors and actresses on these movie have good fairness, yeah quite handsome and gorgeous. Great setting decor. Minus Point: the storyline was totally cliche, cliche, and cliche. Minimum conflict, heroic and dramatic moment. I think sacrifice of love's plot could make these movie more exciting for audience, maybe rather to backstreet love story. Other that, musical and broadway is already to be a quite common movie genre on golden era. For me, nothing special. Trust me, these movie already fun and recommended for teenager and young adult, but not for drama lover.

You have to pity poor old Edmund Purdom - the Crown Prince of Karslberg - who is about to marry a woman he neither knows nor loves, to ensure the survival of his dynasty. Before he does however, he determines to enjoy something of a normal life by going to study at Heidelberg University. Initially grand and imperious, he meets the niece of his innkeeper - Ann Blyth ("Kathie") and begins to fall in love for real. Neither Purdom nor Blyth were ever much good as actors, but this charming love story has the benefit of a good supporting cast - Louis Calhern as the King; Edmund Gwenn as his shrewd advisor "Prof. Juttner" and a scene stealing John Williams as valet and general factotum - and snob - "Lutz". It also has some cheerfully colourful cinematography to compliment the mellifluous voice of Mario Lanza who sings Purdom's part with some decent numbers in "Drink, Drink, Drink!" and the suitably anthemic "I Walk with God!". Had it been cast with more charismatic leads, it could easily have been more memorable, but as it is, it is nice to watch, but nicer to listen to.

Crown Prince Edmund Purdom is too stiff to appeal to Princess Betta St. John. So grandpa-King Louis Calhern ships him off to Heidelberg where he sings with Mario Lanza's voice and falls in love with bar girl Ann Blyth.

It's pretty late in the cycle of musicals to revive this movie, but producer Joe Pasternak saw it as a chance to hire his wife's brother-in-law, S. Z. Sakall for his last job, and give the estate of fellow Hungarian Sigmund Romberg some money.

All the gloss that MGM could bring to a musical is present, not only with set design and costumes, but in whom to put into those costumes. It's probably worth noting that none of the students looks younger than about 30. About half of Romberg's songs were dropped, and the lyrics to the ones remaining were rewritten.

All of which is not to say the movie doesn't work on its own terms, a revival of an operetta that, given the talent involved, might have worked in the 1930s. But it shows how rapidly MGM had become arthritic in its production choices, even if Purdom's lip-syncing is the best I've ever seen.

When a royal princess is betrothed to a dispassionate prince, she reminds the kingdom that she's far more eligible than he is. To make him a more desirable catch and to ensure that she does decide to marry him, the royal advisors send the prince to a university so he can learn to be more human. Such is the story of The Student Prince, a delightful operetta by Sigmund Romberg and Dorothy Donnelly.

Mario Lanza was originally cast in the title role, but a disagreement led to his being fired from the studio after he'd recorded all the songs. MGM decided to keep their goldmine and use his singing voice in the film anyway, so he gets the "and" in the opening credits. Edmund Purdom says the spoken lines and gives the audience a visual, but every time he sings and Mario's voice comes out, it's a little jarring.

Ann Blyth is the leading lady, a beautiful barmaid at the university who helps Edmund discover his heart. The non-singing supporting cast of Edmund Gwenn, S.Z. Sakall, and Louis Calhern, are equally delightful, with quick banter firing off in every scene, and enough jokes to make audiences alongside their beers as they toast along with the famous "Drinking Song." All in all, this is a very cute musical, so if you like the genre and haven't seen it yet, rent it and make sure you have plenty of alcohol on hand.

This would still have to be one of the greatest MGM musicals of all time. A superb cast, wonderful music of Sigmund Romberg. Some of the most beautiful romantic songs of all time. I finally got this. THE STUDENT PRINCE will always be a 10 for me.

I enjoyed the film. A sentimental operetta with wonderful voices.

This movie was made in 1954. Only 6 years after the end of WWII. I find it odd that this movie appealed to war weary Americans in which German authoritarianism had worn thin. Interestingly, it was produced by Joe Pasternak, who made made German language musicals in Europe before fleeing to the US to flee the Nazis, as he was Jewish. I understand I suppose that he continued doing the same work in a different language, but I don't really get why THIS musical was such a raging success in the US? I suppose Americans could separate the war from the culture? Any insights?

I personally enjoyed this film very much. It is a sweet trip to bygone times when musicals were just good entertainment. The character actors in it, (Cuddles Sakall in particular, and Louis Calhern as the king.) Edumund Purdom does an excellent job in the uneviable position of literally standing in for Mario Lanza.(And he's probably a better all around actor).There is an urban legend that says that Lanza is actually in one sequence in the film, and I think I have found it.

It is the beautiful scene in the cathedral after the old king has dies and Karl is standing in front of the catalfalque. There is a very wide angle shot of him singing 'I'll walk with God' and then a close up of Purdom. I really do think that this is the scene my friend was talking about. Anybody else think so??

This musical is dated but a wonderful love story/operetta that combines the music of Sigmond Romberg with the voice of Mario Lanza and the good looks of two young lovers (Edmond Purdome and ). It should be seen by young lovers who dream of old fashion romance, but find that sometimes the joy of a new love is dashed because of family tradition. In the case of the Student Prince, this is seen when the Crown Prince goes to University and finds himself among students who will someday be his subjects. But, he becomes "one of them, falls in love with the Tavern bar maid (Katie. Sadly, like most old-world love stories, he is called back to be with his sick grandfather, the King, who soon passes. The Prinde is now the King and must marry the lady pre-chosen for him, and, heartbroken, he returns to see Katie, who is now his subject, rather than his one true love. The music is some of the most romantic-Serenade and Beloved- that has been in a movie. Additionally, it may remind one of the camaraderie of fraternity life at University. All in all, a wonderful movie for young adults and senior citizens.