Over two "typical" days in the life of The Beatles, the boys struggle to keep themselves and Sir Paul McCartney's mischievous grandfather in check while preparing for a live TV performance.Over two "typical" days in the life of The Beatles, the boys struggle to keep themselves and Sir Paul McCartney's mischievous grandfather in check while preparing for a live TV performance.Over two "typical" days in the life of The Beatles, the boys struggle to keep themselves and Sir Paul McCartney's mischievous grandfather in check while preparing for a live TV performance.
- Nominated for 2 Oscars
- 2 wins & 7 nominations total
Edward Malin
- Hotel Waiter
- (as Eddie Malin)
David Janson
- Young Boy
- (as David Jaxon)
Lewis Alexander
- Casino Patron
- (uncredited)
Tony Allen
- Sound Man
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaDuring the opening sequence of the group running, George stumbles and falls, and Ringo falls over him. This wasn't intended and George ripped the suit he was wearing, but he quickly recovered, laughed, and continued to run. It was decided to retain the shot in the film.
- GoofsThe closing credits say that all the songs were written by Lennon and McCartney--but the soundtrack includes "Don't Bother Me," written by George Harrison.
- Crazy creditsWhen the film premiered on NBC in 1967, the network's "in living color" peacock logo was replaced with a penguin, who was presented in "lively black-and-white."
The penguin pulls out a set of animated Beatles from its chest, who briefly play their music and then run away from a mob of fans.
- Alternate versionsThe 1981 re-release opens with a short prologue set to "I'll Cry Instead", a number originally recorded for the film but not used. The reissue also features a new stereo soundtrack.
- ConnectionsEdited into The Beatles: She Loves You - A Hard Day's Night Version (1964)
- SoundtracksA Hard Day's Night
(uncredited)
Written by John Lennon and Paul McCartney
Performed by The Beatles
Published by Capitol Records
Featured review
The Beatles travel down from Liverpool to record a TV show.
If I was to meet Richard Lester I would shake his hand and thank him for recording the Beatles during the middle part of their career when they could entertain but hadn't yet shot off in to outer space. Without this we would have a piece missing from their history - and lets be frank - our history. They changed the world and all they had to change it with were electric guitars and their personalities!
The script is clever in that it showcases the personalities of the group without asking them to do much acting. Wilfred Brambell tags along to give comedy relief and the whole thing fits in plenty of songs that are good - but not as good as what soon followed. They are still tied to the Northern dance halls.
I have always thought that if they had a died in a car crash at this point they would be a mystery to the modern audience - hugely popular at the time - but not particularly stand-out from the other bands around. Like the way we regard Charlie Chaplin or Mary Pickford - both incredibly famous in their prime - but little regarded today.
Whether you like to admit it or not there are three geniuses at work and Ringo Starr. So I guess that it is fitting that Ringo comes across the best of the group: Down-to-earth, chatty, witty and willing to talk to anyone. Even the kids down by the river. John Lennon had a comic wit that could have given him another career had his music not been up to scratch. Talk about being master of the witty comeback.
Anyone watching this film will see London as it really was at the time. Not the swinging sixties that everyone pretends it was. Grubby shops, unpainted windows that look about to fall out of their frames, empty streets bar a few beat up cars.
I guess you could say this is the perfect record of Beatlemania: The driving beat songs (cranked out even quicker on stage), the backstage sieges, the ping-pong put downs that is the hallmark of English humour, the screaming that overpowered the performance. Enjoyable at the time (as light entertainment) it becomes an important historical document now and every generation should see it. Your pop culture education depends on it.
If I was to meet Richard Lester I would shake his hand and thank him for recording the Beatles during the middle part of their career when they could entertain but hadn't yet shot off in to outer space. Without this we would have a piece missing from their history - and lets be frank - our history. They changed the world and all they had to change it with were electric guitars and their personalities!
The script is clever in that it showcases the personalities of the group without asking them to do much acting. Wilfred Brambell tags along to give comedy relief and the whole thing fits in plenty of songs that are good - but not as good as what soon followed. They are still tied to the Northern dance halls.
I have always thought that if they had a died in a car crash at this point they would be a mystery to the modern audience - hugely popular at the time - but not particularly stand-out from the other bands around. Like the way we regard Charlie Chaplin or Mary Pickford - both incredibly famous in their prime - but little regarded today.
Whether you like to admit it or not there are three geniuses at work and Ringo Starr. So I guess that it is fitting that Ringo comes across the best of the group: Down-to-earth, chatty, witty and willing to talk to anyone. Even the kids down by the river. John Lennon had a comic wit that could have given him another career had his music not been up to scratch. Talk about being master of the witty comeback.
Anyone watching this film will see London as it really was at the time. Not the swinging sixties that everyone pretends it was. Grubby shops, unpainted windows that look about to fall out of their frames, empty streets bar a few beat up cars.
I guess you could say this is the perfect record of Beatlemania: The driving beat songs (cranked out even quicker on stage), the backstage sieges, the ping-pong put downs that is the hallmark of English humour, the screaming that overpowered the performance. Enjoyable at the time (as light entertainment) it becomes an important historical document now and every generation should see it. Your pop culture education depends on it.
Details
- Release date
- Countries of origin
- Languages
- Also known as
- Yeah! Yeah! Yeah!
- Filming locations
- Notting Hill Gate, Notting Hill, London, England, UK(chase scenes)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $560,000 (estimated)
- Gross US & Canada
- $1,480,356
- Opening weekend US & Canada
- $50,445
- Dec 3, 2000
- Gross worldwide
- $2,362,523
- Runtime1 hour 27 minutes
- Color
- Aspect ratio
- 1.66 : 1
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