The Spy with My Face

From what I understand, 'The Spy With My Face (1965)' is essentially an extended version of an episode of 'The Man From U. N. C. L. E (1964 - 1968)' that already aired on television in 1964. It seems to be a single episode padded with extra scenes, which thankfully only stretch the runtime to a merciful eighty-six minutes. Its roots in television are incredibly evident right from the outset, with cheap sets and flat cinematography perforating pretty much every scene. Its structure also mimics a typical tv episode, lacking the sense of escalation typically found in big-screen efforts and culminating in a bit of a low-budget whimper. The plot is really weak, consisting primarily of stuffy spies spelling out their surprisingly mundane plans before going about them uninterrupted. It has very little tension or suspense; as such, it's just really dull. It isn't intriguing in the slightest and it's too vague for its own good. Ultimately, the entire affair barely feels like anything at all. It isn't achingly boring, but it gives you very little reason to care or, even, keep watching. I don't hate it, don't get me wrong. It's inoffensive, fairly snappy for what it is and features a couple of serviceably suave performances. I'm very apathetic towards it, though. It's the sort of thing I'll forget about as soon as I submit this review. It's as dull as dishwater, if I'm honest. Maybe fans of the series (which I've never seen) will find more fun here, but they'll probably have also seen the original episode that this is extended from and that's likely the superior version. 4/10.

The very first big screen mission for sickeningly suave TV spy icons, Napoleon Solo & Illya Kuryakin in 'Spy With My Face' (1965) is given some considerable pep by the luminous addition of zesty, Euro-cult screen goddess, the sensationally sultry, sweetly sinister, serially spy duping, Senta Berger! Right on!!!!!! And if I'm being honest, I was genuinely surprised at how well this glossy, high-voltage hokum stands up today; hella' stoopid, super-slinky, face-swapping, super-spy-hi-jinks, slap n' tickle, super-weapon stealing, fluff n' stuff that ALMOST moves fast enough to forget the cheap-jack dumb stuff! (and, for me at least, remote controlled, poison-gas delivering robots will ALWAYS be righteously rad prospect!) 😍

At 71, I frequently turn on TCM overnight, as the audio from old movies helps me sleep. However, this one woke me up. I saw McCallum and Vaughn and Carroll, and thought, "Oh, UNCLE." But the more I watched, the more it looked like a poor imitation of the original TV show.

As a kid with a motorcycle growing up in SoCal, the location and effect flaws were obvious. I know the Swiss mountains don't look like the barren California coast range. The likelihood of a Corvair convertible being a common Swiss vehicle is nil. And the blowing up effect of the Griffith Observatory is laughable. There's so much more to critique, as it appears that the budget was largely invested in talent, leaving nothing for anything else.

Those die-hard UNCLE fans will probably enjoy this one. It's not terrible, I've seen worse, but it's not so bad that it's good. I had no previous expectations since it snuck up on me while asleep, but I know seeing it once is enough.

I gotta quit leaving TCM on at night!

U. N. C. L. E. Agents Solo and Kuryakin fly to Switzerland guarding the combination to a vault containing the world's most deadly nuclear weapon. In a desperate plot to use the weapon for their own evil purposes, T. H. R. U. S. H. has turned a man into Solo's exact double by means of plastic surgery. The counterfeit Solo is so convincing that even Illya is taken in ...

You get two Napoleon Solos for the price of one - one of them is an imposter, and does a good job fooling the UNCLE agents. And you wonder when he's going to get caught out. This forms part of the interesting plot, and it's not just enjoyable, but has some good suspense. There's a good motorbike chase sequence which leads up to the confrontation between Solo and his doppelgänger. Santa Berger and Sharon Farrell sizzle. Used to watch this a lot as a kid on BBC2 in the 80's, and I just wanted to be Napoleon Solo!!

The second big screen outing for "The Man from UNCLE" is a notch down from the first. It is made up primarily of the first season episode "The Double Affair" and contains additional footage from "The Four Steps Affair". The doppelganger plot is never fully exploited and there is an excessive amount of padding centred around Vaughn's romantic dalliances. Sharon Farrell delivers a feisty turn as Vaughn's put-upon air hostess girlfriend and McCallum has a bigger role than in the first film (TO TRAP A SPY), but overall this is a routine mission.