When a former big shot in the Jewish Mafia is released from prison, his ex-wife and family try to set him straight.When a former big shot in the Jewish Mafia is released from prison, his ex-wife and family try to set him straight.When a former big shot in the Jewish Mafia is released from prison, his ex-wife and family try to set him straight.
- Awards
- 1 win & 7 nominations
Margo Ann Berdeshevsky
- Millie
- (as Margo Solin)
Paul E. Guskin
- Stevie
- (as Paul Guskin)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe film was shot in black-and-white in the late 1960s and was not given a proper release. Almost exactly 20 years later, in 1989, it was discovered (director Michael Roemer, transferring the film to VHS as a gift to his family, overheard it make a technician laugh and was boosted enough to submit it to the Toronto and New York film festivals, with it winning six Independent Spirit Awards the following year) and given a proper release for the first time.
- SoundtracksHolding on to a Love
written by Henry Nemo
Featured review
Here's something new: a little B/W film with no stars, about a middle-aged Jewish ex-gangster who wants to go into the catering business --AND it's not "Hollywood sit-com cute"! It's understandable that with all of that going 'against' it, no one wanted to release this film back in 1970. Luckily, director Martin Roemer never underestimated the richness of his film. Twenty years after being turned down by Hollywood, he decided to try the independent festival circuit and there, he found his audience.
The plot against Harry Plotnick is basically his own conscience and paranoia working against him. He'd left a good marriage unaware that his wife was pregnant at the time, not that it probably would have made a big difference to him back then. He was obsessed with the numbers racket, where he made a fair amount of money but ultimately spent a fair amount of time in prison, only to discover upon his release that the rackets had been taken over by various minorities. Now Harry is beginning to see the signs that it's time to make good with his conscience, with his family and with God. Not an easy feat!
This film is a wonderful glimpse into the kind of independent cinema that was around during the early seventies. It's 'early John Cassavetes meets early Woody Allen'. Unlike THE FRENCH CONNECTION or MEAN STREETS, both good films that depicted very specific worlds within Manhattan at that time, this film opens up a whole variety of worlds. Thus it steers free of cliches, no matter how deep it goes into the ethnic backgrounds of its characters. People are just people. Not all good or all bad. This film is like a breath of fresh air compared to the ultra-hip indie films of today. It's effortless, humorous, poignant, and an extremely enjoyable time capsule of the recent past.
The plot against Harry Plotnick is basically his own conscience and paranoia working against him. He'd left a good marriage unaware that his wife was pregnant at the time, not that it probably would have made a big difference to him back then. He was obsessed with the numbers racket, where he made a fair amount of money but ultimately spent a fair amount of time in prison, only to discover upon his release that the rackets had been taken over by various minorities. Now Harry is beginning to see the signs that it's time to make good with his conscience, with his family and with God. Not an easy feat!
This film is a wonderful glimpse into the kind of independent cinema that was around during the early seventies. It's 'early John Cassavetes meets early Woody Allen'. Unlike THE FRENCH CONNECTION or MEAN STREETS, both good films that depicted very specific worlds within Manhattan at that time, this film opens up a whole variety of worlds. Thus it steers free of cliches, no matter how deep it goes into the ethnic backgrounds of its characters. People are just people. Not all good or all bad. This film is like a breath of fresh air compared to the ultra-hip indie films of today. It's effortless, humorous, poignant, and an extremely enjoyable time capsule of the recent past.
- How long is The Plot Against Harry?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Das Komplott gegen Harry
- Production company
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $274,182
- Runtime1 hour 21 minutes
- Color
- Aspect ratio
- 1.85 : 1
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Top Gap
By what name was The Plot Against Harry (1971) officially released in India in English?
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