Broke and in debt, an otherwise honest cowboy gets mixed up in some shady dealings with a crooked rancher.Broke and in debt, an otherwise honest cowboy gets mixed up in some shady dealings with a crooked rancher.Broke and in debt, an otherwise honest cowboy gets mixed up in some shady dealings with a crooked rancher.
Gregory Sierra
- Chavarin
- (as Gregg Sierra)
Bruce Davis Bayne
- Bank Customer
- (uncredited)
Poupée Bocar
- Girl in Bar
- (uncredited)
Richard Farnsworth
- Man
- (uncredited)
Ken Freehill
- Bank Customer
- (uncredited)
Terrence Malick
- Worksman
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe movie's publicity still with Paul Newman and Lee Marvin was photographed by British photographer Terry O'Neill and also appears on the jacket of O'Neill's 2003 compilation coffee-table book "Celebrity." In the book, O'Neill recounts how when he arrived on the set to shoot his publicity stills, Lee Marvin was hungover and in a foul mood. Most of the production personnel were steering clear of him. When O'Neill gingerly approached Marvin and introduced himself, Marvin asked, "Are you English?" What O'Neill didn't know at the time was that Marvin was a lifelong Anglophile--he LOVED the British. After that brief encounter, Marvin's mood changed and, according to O'Neill, he couldn't have been more cooperative for the rest of his assignment.
- GoofsJim asks Adelita if she's ever been out of the country, and she says she's only been to a Catholic school in San Antonio. Yet she has a thick, mid-Atlantic, prep-school accent, without a trace of the south or Spanish in it.
- ConnectionsFeatured in Hollywood Remembers Lee Marvin (2000)
- SoundtracksPocket Money
Written and Performed by Carole King
Featured review
Caught this one on American Movie Classics, thinking that a Lee Marvin / Paul Newman pairing couldn't be all bad. Indeed, it wasn't all bad, but it was no great success either. A premise with possibilities for interesting developments never seems to play out in a fruitful manner. The Marvin / Newman interaction is indeed the main redeeming factor of the film, along with evocative cinematography, but ultimately the movie never seems to go anywhere in particular, and indeed it does not end - it just all of a sudden stops. I have rarely seen such an abrupt and unsatisfying conclusion - all of a sudden we are seeing the closing credits and wondering "what happened?" Unfortunately, this can only be recommended to diehard fans of Lee Marvin &/or Paul Newman. (Incidentally, "Maltin's" remark that Marvin's car is "the damnedest thing you'll ever see" indicates he was not alive in 1960, the model year this particular Buick was a common sight on the roads of America)
Details
Box office
- Budget
- $2,700,000 (estimated)
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