Directed by
Tim Burstall |
Writing Credits
Alan Hopgood | ... | (screenplay) |
Cast (in credits order) verified as complete
Produced by
Tim Burstall | ... | producer |
Robin Copping | ... | producer (as Hexagon Productions) |
Alan Finney | ... | associate producer |
Music by
Brian Cadd |
Cinematography by
Robin Copping |
Editing by
Edward McQueen-Mason |
Production Design by
Leslie Binns |
Art Direction by
Neil Angwin |
Makeup Department
Lois Hohenfels | ... | makeup artist |
Production Management
Hal McElroy | ... | production manager |
Pom Oliver | ... | unit manager |
Second Unit Director or Assistant Director
Roy Bissell | ... | second assistant director |
Hal McElroy | ... | first assistant director |
Art Department
Philip Blandford | ... | property master |
Sound Department
Peter Fenton | ... | sound mixer |
Ken Malcolm | ... | dubbing editor |
John Phillips | ... | sound recordist |
Phil Stirling | ... | boom operator |
Visual Effects by
Roger Cowland | ... | optical effects |
Stunts
Sammy Armstrong | ... | stunts |
Tony Holtham | ... | stunts |
Camera and Electrical Department
Peter Bilcock | ... | camera operator: second unit |
Jack Endacott | ... | clapper loader (as John Endacott) |
Lindsay Foote | ... | best boy |
David Lewis | ... | focus puller |
John Seale | ... | camera operator |
Tony Tegg | ... | gaffer |
Joel Witherden | ... | key grip |
Suzy Wood | ... | still photographer (as Suzie Wood) |
Costume and Wardrobe Department
Janet Dimelow | ... | wardrobe |
Jon Finlayson | ... | wardrobe |
Editorial Department
Geoff Portmann | ... | assistant editor (as Geoffrey Portmann) |
Music Department
Peter Jones | ... | orchestrator |
Script and Continuity Department
Gilda Baracchi | ... | continuity |
Alison Loftus-Hills | ... | script assistant |
Additional Crew
Rennie Ellis | ... | publicist |
Ivan Hexter | ... | second unit assistant |
John Hipwell | ... | unit runner |
Christine Suli | ... | production accountant |
Barbi Taylor | ... | production secretary (as Barbara Taylor) |