IMDb RATING
6.4/10
3.1K
YOUR RATING
Two widowed people fall in love and marry, unprepared for the hostile reactions of their children.Two widowed people fall in love and marry, unprepared for the hostile reactions of their children.Two widowed people fall in love and marry, unprepared for the hostile reactions of their children.
- Awards
- 1 nomination
Herb Voland
- Harry Scott
- (as Herbert Voland)
Vic Tayback
- Truck Driver
- (as Victor Tayback)
Storyline
Did you know
- TriviaThe final scenes of this film feature Doris Day teary-eyed, wearing a housecoat and slippers. When her husband of 17 years Martin Melcher died suddenly just after production was completed, gossip magazines at the time used stills of Day from this movie, looking distraught and out-of-sorts, to accompany their articles about Melcher's death.
- GoofsThe nightclub scene has a mismatched cut of Doris: in a three-shot, her chin is in her hand; cut immediately to a close-up, her hands are clasped together in front of her.
- Quotes
Molly the Maid: [in front of Jake, Abby's date for the evening] Mrs. McClure! Now I need to put the meat on broil but your hair is on bake. Which should I do first?
Abby McClure: [humiliated] I think the *hair*, Molly.
Molly the Maid: False hair, false eyelashes, false bosoms. In my day women were flesh and blood, now they're 70% nylon and 30% foam rubber.
- Crazy creditsThe opening credits are animated in the style of a series of children's crayon drawings. The Art Director credit is misspelled, comically and deliberately as "ART DER," scratched out, misspelled again as "ART DUR," scratched out again, the entire page is crumpled, and the credit finally appears, correct and not animated, on the following screen.
- ConnectionsFeatured in Biography: Doris Day: It's Magic (1998)
Featured review
When I saw "With Six You Get Eggroll" in a plush New York theatre, I had no idea that it would be Doris Day's last film appearance. This one was an old idea with a modern look: a widow with three boys marries a widower with a teenaged daughter (Barbara Hershey)and all hell breaks loose.
Even though I am not partial to films with children in them or "family pictures", I enjoyed Miss Day's performance in this film as well as her supporting players. As was always the case, she was surrounded by the best supporting people available. Pat Carroll, as her sister was a lot of fun as was Alice Ghostley, her harried maid. There were many familiar faces darting in and out. People like Jaime Farr, Vic Taback, Jackie Joseph and George Carlin.
Brian Keith was a "comfortable", but gruff leading man for Doris. They had many nice scenes together, although he did not measure up to the usual caliber star with whom Miss Day was usually paired.
As usual, Doris Day worked well with children. She was one of the few major stars that could. Many female stars avoided kids like the plague, but not Doris. She could handle the situation.
Even though this is a comedy, there were a couple of very dramatic scenes in which Doris shows what a marvelously serious actress she can be. This came when she and Keith had a blowout about his daughter cleaning the house without any help from Doris' older son. Day was so into the scene, you could see her actually shaking with anger.
The film became a tearjerker at the end when everybody "saw the light" and came together after a big car chase, an accident and a fist fight. The picture is more enjoyable than the Henry Fonda/Lucille Ball film with approximately the same theme. Their's was called "Yours, Mine and Ours", also in 1968.
Even though I am not partial to films with children in them or "family pictures", I enjoyed Miss Day's performance in this film as well as her supporting players. As was always the case, she was surrounded by the best supporting people available. Pat Carroll, as her sister was a lot of fun as was Alice Ghostley, her harried maid. There were many familiar faces darting in and out. People like Jaime Farr, Vic Taback, Jackie Joseph and George Carlin.
Brian Keith was a "comfortable", but gruff leading man for Doris. They had many nice scenes together, although he did not measure up to the usual caliber star with whom Miss Day was usually paired.
As usual, Doris Day worked well with children. She was one of the few major stars that could. Many female stars avoided kids like the plague, but not Doris. She could handle the situation.
Even though this is a comedy, there were a couple of very dramatic scenes in which Doris shows what a marvelously serious actress she can be. This came when she and Keith had a blowout about his daughter cleaning the house without any help from Doris' older son. Day was so into the scene, you could see her actually shaking with anger.
The film became a tearjerker at the end when everybody "saw the light" and came together after a big car chase, an accident and a fist fight. The picture is more enjoyable than the Henry Fonda/Lucille Ball film with approximately the same theme. Their's was called "Yours, Mine and Ours", also in 1968.
- Ralph McKnight
- Mar 6, 2000
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Details
- Release date
- Country of origin
- Language
- Also known as
- Der Mann in Mammis Bett
- Filming locations
- Toluca Lake, Los Angeles, California, USA(street scenes)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $2,727,000 (estimated)
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Top Gap
By what name was With Six You Get Eggroll (1968) officially released in India in English?
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