IMDb RATING
6.1/10
2.4K
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In 1970s Arizona, a young married man becomes an independent long-haul driver and he risks his life fighting the corruption in the local long-haul trucking industry.In 1970s Arizona, a young married man becomes an independent long-haul driver and he risks his life fighting the corruption in the local long-haul trucking industry.In 1970s Arizona, a young married man becomes an independent long-haul driver and he risks his life fighting the corruption in the local long-haul trucking industry.
David Garfield
- Witness Miller
- (as John David Garfield)
Marvin 'Swede' Johnson
- Hy
- (as Swede Johnson)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaIn a telephone conversation, one character says, "Go get Joe Dante". Director Joe Dante is an old friend of the film's director, Jonathan Kaplan, and, like Kaplan, is one of the legion of directors given his start by producer Roger Corman.
- GoofsThe scene where Carrol Jo is charging toward the Glass House they used 2 different Ford W 9000 tractors. Throughout the movie Carrol Jo's truck had polished 10 hole aluminum wheels and in this scene, the truck had 5 hole steel wheels
- Quotes
Duane Haller: [answering the knock on his closed office door] This ain't the ladies room. Come on in.
- ConnectionsFeatured in Reflections of Evil (2002)
- SoundtracksDrifting and Dreaming of You
Written by David Nichtern (uncredited)
Sung by Valerie Carter
[Played during opening title and credits]
Featured review
Carrol Jo Hummer (Jan-Michael Vincent) returns home from the Air Force to marry Jerri (Kay Lenz). He borrows money to buy an used truck to be an independent trucker. He seeks work from his late father's partner Duane Haller (Slim Pickens) but he finds the business corrupt. Carrol Jo is unwilling to haul contrabands and gets beaten up by thugs. He is blackballed and decides to fight back.
It's a little ridiculous that he gets a load from Buck. It would be easy for them to call the corrupt cop and plant something on him. This gets geared up quickly. The danger starts high and has trouble going higher. They can't start with violence, corrupt cop, and a powerful cabal, then scheme a setup. The setup could have been great but they let him off too easily. Carrol Jo is not particularly smart. Once the killings start, it's time to go Rambo. There is a potential for this to be Rambo but the movie can't let him kill. It's a little infuriating. This should be about a lone driver being driven to take revenge on his tormentors. Instead, this insists on a man of the people movie. There is an obvious edit decision. When he's the lone Rambo at the end, Pops is riding shotgun in one of the action scenes. That's obviously from the earlier ride. His final rampage is not nearly enough and again he's not allowed to kill. This story is begging for revenge but it insists on justice.
It's a little ridiculous that he gets a load from Buck. It would be easy for them to call the corrupt cop and plant something on him. This gets geared up quickly. The danger starts high and has trouble going higher. They can't start with violence, corrupt cop, and a powerful cabal, then scheme a setup. The setup could have been great but they let him off too easily. Carrol Jo is not particularly smart. Once the killings start, it's time to go Rambo. There is a potential for this to be Rambo but the movie can't let him kill. It's a little infuriating. This should be about a lone driver being driven to take revenge on his tormentors. Instead, this insists on a man of the people movie. There is an obvious edit decision. When he's the lone Rambo at the end, Pops is riding shotgun in one of the action scenes. That's obviously from the earlier ride. His final rampage is not nearly enough and again he's not allowed to kill. This story is begging for revenge but it insists on justice.
- SnoopyStyle
- Jul 27, 2018
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Details
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- Also known as
- Straße der Gewalt
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- See more company credits at IMDbPro
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- Budget
- CA$1,400,000 (estimated)
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