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A classic, scathing lampoon of every successful rock band that's ever been guilty of taking themselves too seriously. Rob Reiner directs (and plays an important supporting role) but it seems like all he really needed to do was point a camera in the right direction, then edit several hours' worth of golden improvisational delight into a concise, intelligible ninety-minute package. It's a roaring parade of nonstop laughs, some blunt and easy, others sharp and witty. Famous bits like Christopher Guest's "this one goes to eleven" have been played to death but still elicit smiles, while deeper cuts, such as the band's reaction to contemporary critics or their infamous Stonehenge performance, land as if they were brand new. And the music is great, too, not just as a cutting satire, but as a convincing love letter to the days when power rock was all the rage and flocks of buzzed, well-feathered teens would still pack a stadium to hear the loudest noise on the planet.

By many seen as the favorite cult classic (together with 'The Rocky Horror Picture Show') 'This is Spinal Tap' is truly a comedy masterpiece. The rockumentary about fake band Spinal Tap seems so honest and serious that the slightest joke gets a huge laugh. We follow the band together with a documentary filmmaker, played by director Rob Reiner, on a tour that must make sure they will have a comeback. We see some of their shows where things go wrong, we see how they argue about the cover of their album, and we see how a girlfriend almost destroys the band.

The movie handles all these events as serious as possible, presenting itself as a real documentary about a real band. The fact that the band members are not too bright makes it funny. Especially the scene where the lead singer talks about an amplifier that goes to eleven instead of ten and therefore produces louder sounds is hilarious. The scene where the band plays on a Stonehenge stage is a classic, very memorable.

Writer Christopher Guest recently wrote and starred in 'Best in Show' (2000) and 'A Mighty Wind' (2003), two hilarious and terrific fake documentaries, the so-called mockumentaries, but 'This is Spinal Tap' stays the classic example. He and his co-writers, including director Reiner, have created the ultimate cult classic.

The humor of "This is Spinal Tap" has a special time-release formula. I didn't find myself rolling on the floor laughing the first time I saw this but as the day went on my friends and I couldn't stop recalling the dialogue. This movie is a legend.

"See Spinal Tap" should be written in the dictionary next to satire. Lately satire has come to mean a simple mockery of pop-culture instead of "human vice or folly attacked through irony, derision or wit". Movies like "Scary Movie" claim to be parodies or satire without even trying to be witty. They just imitate something as opposed to commenting on it. True satire takes a bit more work by the writers and will make you laugh much harder.

Spinal Tap gives you the absurdity of the rock and roll world, yet still respects the music. I understood this when I saw a clip of the movie for the first time at the Rock and Roll Hall of Fame. It was the scene with amps that go to "11". I couldn't stop thinking about that scene until I finally saw the movie. Every aspect of the music world is lampooned; arrogance, absurdity, backstage crybabies, has-beenism, volume, even the Beatles. This movie is quoted like the Simpsons, which isn't always good but certainly proof of legendary movie. It's dry, deadpan humor and it may take a day to sink in but this movie is hilarious.

'This Is Spinal Tap' has been part of my life for so many years that it's hard to remember a time when I hadn't seen it. Having recently bought it on DVD and rewatched it for the nth time I was once again struck and just how clever and amusing this movie is. Christopher Guest and friends are not only very talented comedians with an amazing ability to improvise, but they know their music, and this is the real strength of the movie. Even though I have almost memorized every scene and joke it's STILL funny to me no matter how many times I watch it. Not only is the movie itself a classic, but the DVD is one of the best buys around with plenty of extras, deleted scenes, many as good as those chosen, and best of all a hilarious commentary by Tufnel, St Hubbins and Smalls which is even funnier than the movie itself. In fact it's the most entertaining DVD commentary track I've heard to date. This movie is a comedy classic, and easily the sharpest rock'n'roll parody ever made. If you haven't seen it before you're in for a treat! Absolutely essential viewing for all rock'n'roll fans, metal or otherwise!

Spinal Tap has been called one of the funniest movies ever made by many people over the years. I had always been familiar with it. I was very familiar with almost 70% of the scenes: the amplifier that goes to 11, the Stonehenge dance, the inability to find the way onstage in Cleveland. Plus, when it was first released on VHS, I had rented and loved Fear of a Black Hat, a mockumentary about a rap group which more or less rips off every scene of This Is Spinal Tap. After finally sitting down with This Is Spinal Tap, I am still a fan of Fear of a Black Hat (and I recommend it to anyone who hasn't heard of it), but it can not come close to touching the genius of the collective vision of Rob Reiner, Christopher Guest, Micheal McKean and Harry Shearer. I laughed pretty much constantly, and belly laughs, all through the film. It does kind of slow down nearer the end with the bands falling apart (i.e., the plot gets in the way of the documentary), but there was never a scene in the film that didn't have something hilarious. I have to give this film 10/10. This Is Spinal Tarp, er, um, I mean Tap is one of the funniest comedies ever made.

When it comes to the glorious stupidity of rock 'n' roll music, the whip-smart mockumentary gold standard "This Is Spinal Tap" has no peers. Sidesplitting on an epic scale, this is also a shortlist candidate for Greatest Comedy Ever, and can claim parentage of every self-aware music film made since, from the wildly inventive "24 Hour Party People (2002)," to recent Tap-evocative record label satire "Stadium Anthems (2018)."

"Tap" now transcends its early filmic and rock confines: Nigel Tufnel, David St. Hubbins, and Derek Smalls have burrowed deep into the cultural zeitgeist, holding sway in the very words we choose in conversations at the pub and by the water cooler (see: "goes to eleven"). And its commentary on the fleeting absurdities of fame have never been more relevant.

Almost forty years old and still swallowing everything in its path, "This Is Spinal Tap" is as enduring as it is the hilarious, and that's quite a feat. This is one of the most joyously experienced entertainment vehicles ever assembled. - (Was this review of use to you? If so, let me know by clicking "Helpful." Cheers!) - WATCHED IT? THEN WATCHLIST: "Being John Malkovich (1999)," "Stadium Anthems (2018)," "24 Hour Party People (2002)"

Overall, this was a pretty good farce about a washed-up English rock group. It's played as a mockumentary, (a fake documentary) with director Rob Reiner playing the role of the interviewer of the band. If it wasn't a movie in which you can retake scenes, I am sure we would have seen him laugh a number of the "serious" questions he asked this stupid band. I would think it would hard not to laugh in a number of places, because he plays a very serious interviewer. I'm sure he did many times.

There are funny moments in here. The only part I really didn't like was near the end when the bickering of the band got out of control. Their constant arguing gets tough to take after awhile. That's another problem here; there are no appealing characters. This British band is not comprised of nice guys, and I also found their accents tough to understand. If this is out on DVD with English subtitles, it might be worth a second look.

The music was fair, nothing to rave about. Overall, I enjoyed the movie but didn't find it anywhere as great as most critics described it. It's okay, but not that funny.

One of the writers, Christopher Guest, has gone on to make several "mockumentaries." He has done quite well with that genre, better than Reiner. I've seen them all, and Guest's comedies are all entertaining to various degrees.

Not too long ago, my classmates and I were allowed to bring in a DVD of our choice as it was nearing the end of the school term. Knowing that these pop culturists wouldn't be too happy to watch one of my 'arty cult films', I didn't give a shite and brought in 'This is Spinal Tap'. They quite happily agreed to put it on after I told them it was funny and had swearing in it. But soon, boredom started to sink in with the class. "Crap", they labelled it. "Boring", they yelled. After less than ten minutes, my teacher was changing the disk to, wait for it… 'The Others'. One of my chums, being a fan of the film, dismissed them as idiots. However, I told him it was all a matter of taste and that they would be much happier settling down to watch their 40-year-old virgins and American pies than this more subtly-coloured tin of paint. So as I walked over to the front of the classroom, tail between my legs, to pick up my DVD my teacher leaned over and said, "Don't worry, I liked it. You have to be cultured to enjoy this sort of thing." And you know what, she's right.

To be quite frank, 'Spinal Tap' is just like marmite. You'll either love everything about it or hate every frame of it. Some people say it's like watching wet paint dry, others say it was so funny it gave them a hernia. I definitely fall into that latter category. After the umpteenth viewing, I still find it painfully hilarious!

But that's not the only reason for seeing it. It's also a totally accurate, observational and witty deconstruction of rock's strutting pretensions. If you're someone who thinks rock bands take themselves far too seriously, you need this movie. If, on the other hand, you feel like rock stars should forever be treated like gods and worshipped on a regular basis, you might just want to avoid this. After all, when Aerosmith's Steven Tyler had finished watching it he said he just felt like he wanted to throw himself off a cliff! It reveals the utter shallowness of rock 'n' roll without even flinching!

If you're also a lover of in-your-face laugh-out-loud got-it-straight-away humour, just stay away. Far, far away. This is intellectual stuff. You have to possess intelligence to enjoy it. I've never met any stupid people who did enjoy this film.

Director Rob Reiner really shows how broad his range is with this (his best in my opinion!), bringing every authentic detail, no matter how seemingly minor, to the screen effortlessly with a wonderfully sharp cast. Its still a challenge to get my head around the fact that this is from the same tubby Santa Claus look-alike who made 'The Princess Bride' and 'Stand By Me'! Reiner has always been a man with extraordinarily wide horizons and always will be, constantly entertaining cinema-goers with so many different stories!

The film's fly-on-the-wall mockumentary style works wonders, getting some beautiful performances from its actors (namely Michael McKean and Christopher Guest) and adding to its 'natural' feel. Many films, mainly British ones, have imitated this style ever since. Even one of the film's actors and co-writers has stuck to the hip of this film for the most part of his career, coming up with new and even more outlandish 'mockumentaries' to entertain and sate his legion of followers.

On each viewing, you'll erupt into laughter at the discovery of a new joke. Then for weeks on end, you'll be quoting it to your friends and everyone you know. It's like a treasure trove without a bottom!

To finish this not-so-critical analysis, I can never find any fault or flaw even after the innumerable viewings I've had. I never get bored of it either. I think the reason I like this so much is, honestly, because it was made for people like me!

I will never be able to see another rockumentary again without laughing myself sick. This movie hits its target dead on. I don't know how the actors kept a straight face through reciting their lines. The scene where Rob Reiner is discussing the rock critics analysis of their albums is the funniest scene I can remember in any movie. I mean "s*** sandwich" that made me laugh for 10 minutes straight. I wonder how long it will take to get that Hell Hole song out of my brain!

A fantastic mockumentary! I feel quite embarrassed that I hadn't seen it before. Seriously, hilariously excellent. It really could be real.

Michael McKean is unrecognisable and superb. Wow.

If you love music, enjoy a good laugh, you will love this.

As This Is Spinal Tap came out in 1984 I'd like to think that the guys are doing those nostalgia type tours along the lines of Herman's Hermits and Bobby Rydell. They're not quite at the stage of the nostalgia tours, in fact this Mockumentary makes it clear that these guys have not seen that their time has come and gone.

A tiny select few musical performers cross generations with their appeal and these guys aren't it. Rob Reiner directs and plays a documentary film maker who accompanies the band Spinal Tap on its latest American tour where all kinds of things go wrong. Some familiar people make cameo appearances. I kind of like Patrick MacNee as their record label president and Bruno Kirby as a limousine driver who has a more realistic insight than the musicians.

This Is Spinal Tap has a lot of devoted fans. I'm not one of them though I recognize the importance of the film as a prototype of a new genre. Mockumentaries are an acquired taste and if that's the taste you've acquired than this is your film.

This is yet another movie regarded as one of the funniest comedies in the AFI Hall of Fame that doesn't even deserve to be a runner-up. Who are the members of the AFI? I'd like to have a word with them. This pseudo-documentary/pseudo-comedy starts out with a few funny gags, scattered here and there. But in the second and third acts, when the band goes downhill, the comedy becomes as soggy as a wet rag. The gags are so slight and cheap. We're stuck with bland gags, like the one about the tiny sandwiches in the dressing room. Wow, is that a classic moment or what!!! Just one bland gag after another. Even though the running time was a mere 83 minutes, I found it tedious and lagging. This is one of those comedies I have to watch with someone to actually find which moments are supposed to be funny. I probably still won't get a laugh, but at least I'll have more of an understanding. Is this film true to the world of rock and roll, and does it have a satirical bite? I don't know. Maybe. Whatever it was, it sure as hell wasn't interesting. I don't know much about rock and roll, as far the behind-the-scenes stuff goes, but I don't care what happens off-stage if it's going to be this boring. If you want to see a good film about rock and roll, see "Almost Famous." Better yet, if you want to see a much better mockumentary about the music business--see "Fear of a Black Hat." A much more scatological comedy, but a much smarter and entertaining one as well.

THIS IS SPINAL TAP (1984) **** Rob Reiner, Christopher Guest, Michael McKean, Harry Shearer (Cameos: Billy Crystal, Dana Carvey, Fran Drescher, Paul Shaffer, Howard Hesseman, Ed Begley, Jr., Fred Willard, Angelica Huston {note spelling!} ).

Hysterically funny and dead-on "rockumentary" spoof of absurd documentaries and lame so-called rock groups with wicked satirical approach and clever camera shots as well. Directed by Reiner (his debut) with accurate depiction of super-inflated egos, pompous hangers-on and hilarious intimate moments with great dialogue thanks to the improvisations of the trio who reportedly worked from no screenplay. Best moment: Spinal Tap trying to find the stage. And I personally agree with the keyboardist's philosophy of "Have a good time, all the time".

Spinal Tap seemed funny the first time I saw it, but I never got all the jokes. Now though, I saw it through and through and I loved it even more (especially on DVD where the extras are hilarious). Nearly every gag in the movie is dead pan funny, from the cover of "Smell the Glove" (just the description will make you laugh) to all the others including the three piece guitar solo, the animal costumes ("this is what you'll look like as a crab" is the funniest line of the 80's next to "Frank, they're not here for you, Weird Al is on the plane" in Naked Gun), the backstage food, (of course) the amp that goes to 11 and the 18 inch stonehenge. Satire at one of it's best, and it's excellent. Cameos include Bruno Kirby, Billy Crystal, Dana Carvey, Paul Schaffer and Anjelica Houston. Other best line: you can not do free flow jazz odyssey in front of a festival crowd! A+

I absolutely adore this movie, is unbelievably funny and realistic in so many ways in regards to the life of a rock star. I've seen it many times and gets funnier and funnier every time I watch it. One of my favorite scenes is the airport scene with Derek and the metal detectors, It so freakin funny I love it. One of my favorite comedies of all time, it really is a beauty, because it's one louder, definitely a rating of 11/10.

This is FANTASTIC! Writers Christopher Guest, Michael McKean and Harry Shearer in collaboration with director Rob Reiner have created a satire so dead-on its target that it might be scary if it wasn't so hilarious.

Filmmaker Marty DiBergi, taking a break from dog food commercials, is determined to capture the sights, sounds and smells of his favorite rock group, the legendary Spinal Tap, on their latest U.S. tour. They're a 20-year old heavy metal outfit from England centering around lead singer David St. Hubbins (McKean), lead guitarist Nigel Tufnel (Guest) and bass guitarist Derek Smalls (Shearer). The rest of the band is a revolving door of personnel including a series of unlucky drummers who have met with bizarre demises. The new tour is the first the band has made of America in years, and unfortunately the they seem to have lost about as many fans as they've lost brain cells. When asked if the smaller venues that the band is playing on this tour means they are losing popularity, manager Ian Faith (Tony Hendra) quickly dismisses the idea. The band's fans are just becoming more "selective," he says.

Still, the group is received well at their initial shows--that is if the gig hasn't been canceled, if their balky stage props don't malfunction, and if the band can find its way to the stage from their dressing rooms. But the tour is one disaster following another. Fans don't show up for autograph sessions at record stores. Radio stations play their oldies and ask, "where are they now?" To top things off, David's girlfriend Jeanine (June Chadwick), the band's Yoko Ono, arrives. She soon starts contributing her ideas, such as having the band dress in fantasy creature costumes and recording their music "in Dubly."

Even with all this trouble, the band feels things will pick up if they can just get their new album released. But Polymer Records refuses to distribute "Smell the Glove" with its lurid cover art. Eventually it's released with a solid black record sleeve, with nary a word or picture on it. This turns out to be a reverse image of the Beatles' white album in appearance, artistic success and sales. The band sinks so low as to be billed second to a puppet show at a theme park. The pressures are just too much and as the tour limps to a close the long life of Spinal Tap seems at an end. But rock & roll is a funny business...

Throughout we're treated to the band's rock & roll wisdom and philosophy. For instance, Nigel lets Marty in on one of the reasons for their success--loud amplifiers. While the volume settings on other bands' equipment might just go to 10, theirs goes to 11! Asked if there's really a difference, Nigel replies, "Yeah, well it's like... one louder, innit?"

There are tons of cameos by all sorts of people, including some funny portrayals of PR flacks by Fran Drescher and Paul Shaffer. This is a brilliant comedy that, despite all the parody, loves its subject. Treat yourself to it.

Especially with the garbage music these days, Boy Bands, etc, this Movie Just Gets Better and Better.

When it first came out, i was still into Led Zeppelin, Van Halen, Deep Purple, Santana, Ten Years After... and I thought this Movie was kinda stupid...

I've been hearing a lot about this movie for a while, so I was overdue to check it out. I found it amusing at times and mostly harmless but not a comedy classic. I thought a couple scenes were funny: the turn up to 11 scene and the concert when Harry Shearer is stuck in the cocoon. Most of the rest just got chuckles from me. But I also disliked Walk Hard, so maybe the fake music doc genre isn't for me. I do like Christopher Guest and could see some of his Corky character from Waiting for Guffman in here. It's fun to see Billy Crystal and Fran Drescher in small roles. So overall it was just okay.

The more you know about the history of British rock bands - The more you will like this movie. I'm sure I missed some references/jokes, but the performances by Michael McKean and Christopher Guest alone are a reason to watch this movie.

All rock music fans need to watch this. I was laughing so hard, especially at the "Big Bottom" performance scene. I love the flashback scenes to the band's early days too, it reminds me of Led Zeppelin, back when Jimmy Page was in The Yardbirds.

I was expecting this movie to be a bit more humorous than it turned out. I guess there were a few laugh-out-loud moments like the 'stonehenge' bit and the 'bizarre gardening accident' comments, but for the most part I just found the characters to be portrayed as too visibly stupid to be of any enjoyment. Christopher Guest's character making dumb comments isn't that funny to me.

Overall, I just found the nature of the movie to be too obvious of a mockery, if you know what I mean. It's even cut and edited in a way that doesn't feel natural as a documentary would. Maybe my personal enjoyment was affected because I've seen too many rockumentaries already, like 'Hail Hail Rock n Roll', 'Woodstock', 'Gimme Shelter' and 'Stop Making Sense', and most of the jokes and tropes just didn't seem all that witty or fresh when you can see all of the drama/backstage fighting for real by watching an actual doc.

Oh well, maybe this is a reflection on how films with cult followings can be misleading, and the original responses are more accurate.

In 1982 the world's loudest band is about to undertake it's comeback tour of America to coincide with the release of the new album. The group, Spinal Tap, is accompanied by documentary filmmaker Marti DeBergi on what turns out to be a fateful chapter in the band's colourful history.

Despite what anyone else tells you, this is easily one of the most quotable movies made and is just as funny today as it was when it was made, unless you are so out of touch with the world that it affectionately spoofs. The film is almost a tragedy so well does it chronicle the absurd collapse of the band. However, regardless of the hows and whats, the comedy is in the characters and the sharp dialogue. While most of the specific action is really funny, it is best during the backstage arguments and the candid interviews.

The dialogue is fantastic from start to finish and is made better by a superb cast delivering absurd lines with a straight face! McKean, Guest and Shearer are the strongest of the cast have most of the best lines. The support cast is also crammed with cameos from such people as Bruno Kirby, Billy Crystal, Begley Jnr, Macnee, Paul Shaffer, Anjelica Huston and others. Reiner excels as director, writer and documentarian, the film has his hands all over it.

Overall this is a great film, so much has been said about it that I won't go on any longer. While it is not an out and out spoof like Naked Gun, this film is wittier as the comedy comes from the dialogue and the sheer imagination of the writing!

I have seen this movie more times than any other movie ever. When I was 12 or 13, my brother rented it and we watched it 3 times in the same day. At first, I hated it because I didn't know any better, and my brother never "helped" me figure out why it was funny. The second time I watched it, I "got it" and have never been the same person ever since.

First off, the entire film is ad-libbed except for the songs and a few lines; which is the reason that people are talking over each other a lot, requiring repeated viewings to catch everything. It is in documentary format, so it all works for this type of film. The songs are hysterical but catchy at the same time, just like real 80's arena rock and hair metal (well some of it). It certainly helps to be a fan of the rock genre to enjoy the film, or you will miss out on some significant references and the basis for each of the band members.

There are no dull moments in this brisk, 82-minute film, and the sheer number of hysterical cameos (including Fran Drescher, Billy Crystal, Bruno Kirby, Howard Hesseman, Paul Shaffer and Anjelica Huston) kicks the film up to 11 as they all put in stellar performances.

This film should be in the Top 100, no question. On my list, it would be in the Top 10. Of course, American History X is currently rated #41, so that tells you something about the IMDb rating system.