Salmonberries

This movie takes place in a remote Alaskan village, in a landscape that is bleak and stunning at the same time. Two lonely souls-both outsiders, in a sense-meet here and slowly fall in love. One is a native of East Germany who works as the village librarian. The other is a young transgender man, abandoned at birth, obsessed with finding his biological parents. There is also an excellent supporting cast portraying the people who live in this small town, fighting the rough environment and finding happiness and fun where they can. The plot is filled with twists, sadness, and even comedy-and the Alaskan scenery is breathtaking.

I'll watch anything with k.d. lang in it, but this movie is remarkable for much more than its star. Every part of the movie is exquisite -- the cinematography is incredible, the acting is intense, the music is powerful, and so on. Each character is beautifully developed as far as necessary for the story. I can't even find further words for this movie. I have seen a lot of movies, and to date there are only two I really believe in. This is one of them.

Kd lang. In alaska. She's kotz, trying to find out who her family was, and where they came from. She works in the mine, passing as a man. And lacks some basic skills in dealing with society. But she makes friends with switha, the town librarian, who also wants to know what became of her own family. So off they go, on their journey. Do they love each other? Can they find the physical side of their love and friendship? And will everyone find their past? A smaller role for chuck connors. Good stuff. Lots of long pauses. Sweeping scenes of alaska. Some songs sung by lang herself. Directed by percy adlon, who had directed one of lang's music videos. And wrote this film specifically for lang. At the very end, the producers thank the people of kotzebue and the elders of kikiktagruk.

A sort of mix of 'Bagdad Café' and 'Three Women' set in Alaska. k.d. lang plays an androgynous miner who falls in love with a straight, private, local German librarian. They both have muddy, tragic pasts that slowly emerge.

There are some deeply moving moments, and some wonderful slightly magical realist touches. The cinematography is very good. But while lang does a decent job, I can't help thinking a stronger, more experienced actress could have brought out even more in this amazing role.

That said, I did enjoy this much more on a second viewing. While it bothered me that it felt at times like Adlon was trying to re-create the magic of 'Bagdad Café' (odd, surreal setting, quirky out of place characters, cinematography that uses color in exaggerated ways for effect, etc.) overall I found myself more able to just let go and accept this tale on its own merits. And doing that, it made me smile.

Salmonberries is a beautiful film that is set in one of the harshest environments on Earth, in Kotzebue, Alaska. The story reveals many deep layers that overlap and entwine, and discovering those layers is powerfully insightful. I know I will never forget the characters of this film: Butch, Roswitha and Kotz. Getting by in such an environment would be incredibly difficult – the wind and the cold being the main factors. People are forced to live closely side-by-side simply for survival. Bingo Chuck represents all that could be wrong or unpleasant in such an environment. Butch represents that all obstacles and unpleasantness can be risen above to find one's own Nirvana, and he does so stunningly. One of the most beautiful films I have ever seen and I am so thankful to the Adlon family for their touching and honest perceptions, their tender ability to see the beautiful and the destructive and to offer it as Salmonberries. And many thanks to Conrad Gonzales.