A police detective in a South American country is dedicated to hunting down a revolutionary guerilla leader.A police detective in a South American country is dedicated to hunting down a revolutionary guerilla leader.A police detective in a South American country is dedicated to hunting down a revolutionary guerilla leader.
- Awards
- 1 win & 3 nominations
Storyline
Did you know
- TriviaThe story is inspired by the Maoist insurgency in Peru known as the Shining Path. Its leader Abimael Guzmán, who was known by the nom de guerre President Gonzalo, was captured in an apartment above a ballet studio in the capital city of Lima in 1992. The ballet teacher Yolanda was based on Maritza Garrido Lecca, the woman in whose apartment Guzmán was found. Bardem's character was inspired by Benedicto Jimenez and Gen. Antonio Ketin Vidal, the leading figures responsible for Guzmán's capture.
- GoofsWhen Sucre & Llosa arrest the young woman in orange, she has been handcuffed to the ceiling of the car. But then en route, soldiers simply drag her out of the backseat. No handcuff keys. No bolt cutters.
- Quotes
Agustín Rejas: I'd like to have a list of staff with access to the President's chambers.
Calderón: Luckily there are only two of them. The first is named 'Fuck', the second is named 'Off'.
- Crazy creditsThe producers would like to thank ... the residents of Narcisos Street ...
- ConnectionsFeatured in Revealing 'the Dancer Upstairs' (2003)
- SoundtracksViagens Interditas
(1995)
Written by Pedro Malgheas (as Pedro Ayres) and Rodrigo Leão
Performed by Madredeus
Licensed by Dpte. de Productos Especiales de
(p) EMI Odean, S.A., Madrid, Spain, 2001 exclusive rights holder
Featured review
A curious but not entirely unexpected idiossyncratic choice from John Malkovich for his directing debut, this adaptation of Nicholas Shakespeare's novel fictionalising the capture of the leader of the Peruvian Shining Path revolutionary movement is a more pensive, less political throwback to the European "political thrillers" of the 1970s made popular by directors such as Costa-Gavras. Malkovich, however, dislocates the film's centre from politics into personal mores, following the story of Javier Bardem, as the police detective assigned to discover the whereabouts of the mysterious terrorist leader "Ezequiel". In a superbly controlled performance, Bardem emphasizes the vulnerability of this disenchanted, seen-it-all cop thrown against his will into the frying-pan and the way he attempts to maintain his dignity and uphold the law he no longer believes in. Malkovich proves an engaging director - despite its lengthy running time (and although it could use a slight trim), the film is neither predictable nor overstays its welcome, and the actors deliver consistently good performances. One wishes Malkovich had looked for a better story to tell, but as debuts go this is a promising one.
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Details
Box office
- Gross US & Canada
- $2,377,348
- Opening weekend US & Canada
- $106,142
- May 4, 2003
- Gross worldwide
- $5,227,348
- Runtime2 hours 12 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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