Neal Oliver, a very confused young artist, takes a journey of a lifetime on a highway that doesn't exist on any map, going to places he's never heard of, searching for an answer and his drea... Read allNeal Oliver, a very confused young artist, takes a journey of a lifetime on a highway that doesn't exist on any map, going to places he's never heard of, searching for an answer and his dream girl.Neal Oliver, a very confused young artist, takes a journey of a lifetime on a highway that doesn't exist on any map, going to places he's never heard of, searching for an answer and his dream girl.
- Awards
- 2 wins & 5 nominations
- Warehouse Worker
- (as John Canavan)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaDespite its all-star cast and Academy Award-nominated writer and director, this went direct-to-video.
- GoofsSeconds after Neal wakes up in the hospital after being knocked cold, clearly disoriented and unsure where he is, his sister comes in. He tells her the doctors want to "keep me overnight, to log some tests in the morning." How does he know this?
- Quotes
Bob Cody: Ever hear of Frederick Turner, Mr. Oliver?
Neal Oliver: No, sir.
Bob Cody: Well, he was an historian. About a hundred years ago he came up with a theory about the frontier. He said the frontier was a safety valve for civilization, a place for people to go to keep from goin' mad. So, whenever there were folks who couldn't fit in with the way things were, nuts, and malcontents, and extremists, they'd pack up and head for the frontier. That's how America got started - all the crackpots and troublemakers in Europe packed up and went to a frontier which became the thirteen colonies. When some people couldn't fit in with that, they moved farther west, which is why all the nuts eventually ended up in California. Turner died in 1932, so he wasn't around long enough to see what would happen to the world when we ran out of frontier. Some people say we have the frontier of the mind, and they go off and explore the wonderful world of alcohol and drugs, but that's no frontier. It's just another way for us to fool ourselves. And we've created this phony frontier with computers, which allows people to, you know, think they've escaped. A frontier with access fees?
Neal Oliver: What about space? You know, the final frontier!
Bob Cody: Ah, Star Trek isn't space. That's television - fine fuckin' frontier that is. Besides, how many folks can just pack up and go to space?
- Crazy creditsThe end credits testify "No computer or miniatures were used to create or enhance the destruction of any vehicles in this movie".
- ConnectionsFeatured in The Making of 'Interstate 60' (2003)
- SoundtracksBroken Heart For Sale
Written and Performed by Heather Myles
Published by Happy Valley Music (BMI)
Courtesy of Rounder Records
By Arrangement with Ocean Park Music Group
I'm a huge fan of the BTTF series, and pretty much appreciate all works done by cast and crew of the series in other titles. Robert Zemeckis, Bob Gale, Christopher Lloyd, and the great MJF to name a few! So how come I'd never heard of this film 'Interstate 60', as it contains 3 of the 4 aforementioned magical ingredients (albeit the 2 actors in secondary roles).
Intrigued, I set about attempting to obtain the movie, which proved more painstaking than trying to remove barbed wire from your rear end.
Nowhere in the UK has it or had even heard of it, there was no cinema release, no straight-to-video, nothing. Not even big Brit name Gary Oldman (who appears for his fair share in the film), or legend Kurt Russell seemed to have secured its distribution.
Anyway, to the film, I think it has to be seen to be appreciated, I rate the plot quite well, with its quirky and surreal sense of humour. The direction and camera work are fantastic (albeit a little rough around the edges) for a low-end budget film, and is something Bob Gale should be proud of for his first outing as a director. The narrative element from BTTF, using the main character as eyes and ears for the audience is again used to good effect, and is once again an engrossing way to tell the story in 'Interstate 60'.
Perhaps big distributors felt that the film was too odd, or strange to merit a push for release, which is a shame, as it's a hidden gem and well worth shipping over international waters anywhere. Strangely enough, it seems as though its one of the only films amazon will ship over to another country (so maybe they know its true value).
If your at all interesting or intrigued as I first was, then you should definitely attempt to get hold of the film while its still about.
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Details
Box office
- Budget
- $7,000,000 (estimated)
- Gross worldwide
- $8,449
- Runtime1 hour 56 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1