Azmi is a lawyer from Istanbul. Drakula of Romania has assumed a new title. Azmi travels to Romania for legal matters. He is warned of Drakula but Azmi is a strong believer of goodness.Azmi is a lawyer from Istanbul. Drakula of Romania has assumed a new title. Azmi travels to Romania for legal matters. He is warned of Drakula but Azmi is a strong believer of goodness.Azmi is a lawyer from Istanbul. Drakula of Romania has assumed a new title. Azmi travels to Romania for legal matters. He is warned of Drakula but Azmi is a strong believer of goodness.
Storyline
Did you know
- TriviaThe Dracula character depicted here is the first to exhibit long canine teeth. No crucifixes are shown, as the movie is set in an Islamic country.
- GoofsWhen Azmi smokes in the library, length of his cigarette changes between shots.
- ConnectionsFeatured in Remake, Remix, Rip-Off: About Copy Culture & Turkish Pop Cinema (2014)
Featured review
Dracula in Istanbul: A Turkish Reimagining of the Gothic Classic
Despite being largely unknown to international audiences, even among Universal Pictures enthusiasts and horror aficionados, "Dracula in Istanbul" (1953) stands as a unique and fascinating adaptation of Bram Stoker's legendary Dracula. Based on Ali Riza Seyfi's 1928 Turkish novel "Kazikli Voyvoda" (Vlad the Impaler), which itself was a localized retelling of Stoker's classic, the film largely follows the same plot, albeit with some notable changes, such as the characters' names and the setting being shifted from London to Istanbul.
Despite its modest budget, "Dracula in Istanbul" showcases a surprising level of craftsmanship. Although the film suffers from excessive darkness (likely due to poor preservation of the original film stock), it effectively creates an atmospheric ambiance, a rare feat for Turkish films of that era.
The film's budgetary and technological constraints necessitated creative solutions, such as the crew smoking cigarettes around the camera to create a fog effect. While the acting is generally unremarkable (with some unintentionally humorous moments, particularly in the scene where Jonathan Harker/Azmi discovers Dracula's vampiric nature), Atif Kaptan's charismatic portrayal of Dracula and the film's technical ingenuity shine through. Despite some misfires, like the bat transformation scene involving a toy bat and a man in a bat costume, "Dracula in Istanbul" remains a well-crafted film by the standards of its time. While it doesn't offer a radically new take on the Dracula mythos, it remains an intriguing historical artifact.
Notably, "Dracula in Istanbul" is believed to be the first Dracula film to depict the Count with pronounced canine teeth, as well as one of the earliest depictions of the wall-climbing scene from Stoker's novel.
The film's obscurity in the wider world, particularly its lack of recognition from Universal Pictures and the horror community, is a regrettable oversight. Perhaps reaching out to Martin Scorsese's The Film Foundation could help bring this unique piece of cinematic history to a broader audience.
"Dracula in Istanbul" is a Turkish adaptation of a Turkish novel based on Stoker's Dracula. The book, initially published without permission from Stoker, was later re-released in 1997 with a foreword by Giovanni Scognamillo and eventually published in English as "Dracula in Istanbul: The Unauthorized Version of the Gothic Classic."
Among its notable firsts, "Dracula in Istanbul" is the first film to explicitly link Dracula to Vlad the Impaler, the first Dracula film made by Muslims, the first to depict Dracula with elongated fangs, the first to show Dracula crawling on walls like a lizard, and the first to incorporate eroticism into the story.
Despite its historical significance and innovative elements, "Dracula in Istanbul" is often overlooked and underappreciated. However, it remains a testament to the creativity and resourcefulness of Turkish filmmakers of the era and a valuable addition to the rich tapestry of Dracula adaptations.
Despite being largely unknown to international audiences, even among Universal Pictures enthusiasts and horror aficionados, "Dracula in Istanbul" (1953) stands as a unique and fascinating adaptation of Bram Stoker's legendary Dracula. Based on Ali Riza Seyfi's 1928 Turkish novel "Kazikli Voyvoda" (Vlad the Impaler), which itself was a localized retelling of Stoker's classic, the film largely follows the same plot, albeit with some notable changes, such as the characters' names and the setting being shifted from London to Istanbul.
Despite its modest budget, "Dracula in Istanbul" showcases a surprising level of craftsmanship. Although the film suffers from excessive darkness (likely due to poor preservation of the original film stock), it effectively creates an atmospheric ambiance, a rare feat for Turkish films of that era.
The film's budgetary and technological constraints necessitated creative solutions, such as the crew smoking cigarettes around the camera to create a fog effect. While the acting is generally unremarkable (with some unintentionally humorous moments, particularly in the scene where Jonathan Harker/Azmi discovers Dracula's vampiric nature), Atif Kaptan's charismatic portrayal of Dracula and the film's technical ingenuity shine through. Despite some misfires, like the bat transformation scene involving a toy bat and a man in a bat costume, "Dracula in Istanbul" remains a well-crafted film by the standards of its time. While it doesn't offer a radically new take on the Dracula mythos, it remains an intriguing historical artifact.
Notably, "Dracula in Istanbul" is believed to be the first Dracula film to depict the Count with pronounced canine teeth, as well as one of the earliest depictions of the wall-climbing scene from Stoker's novel.
The film's obscurity in the wider world, particularly its lack of recognition from Universal Pictures and the horror community, is a regrettable oversight. Perhaps reaching out to Martin Scorsese's The Film Foundation could help bring this unique piece of cinematic history to a broader audience.
"Dracula in Istanbul" is a Turkish adaptation of a Turkish novel based on Stoker's Dracula. The book, initially published without permission from Stoker, was later re-released in 1997 with a foreword by Giovanni Scognamillo and eventually published in English as "Dracula in Istanbul: The Unauthorized Version of the Gothic Classic."
Among its notable firsts, "Dracula in Istanbul" is the first film to explicitly link Dracula to Vlad the Impaler, the first Dracula film made by Muslims, the first to depict Dracula with elongated fangs, the first to show Dracula crawling on walls like a lizard, and the first to incorporate eroticism into the story.
Despite its historical significance and innovative elements, "Dracula in Istanbul" is often overlooked and underappreciated. However, it remains a testament to the creativity and resourcefulness of Turkish filmmakers of the era and a valuable addition to the rich tapestry of Dracula adaptations.
- yusufpiskin
- Jan 3, 2020
- Permalink
Details
- Release date
- Country of origin
- Languages
- Also known as
- Dracula in Istanbul
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 42 minutes
- Color
- Sound mix
- Aspect ratio
- 1.37 : 1
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