Directed by
Marina Zenovich |
Writing Credits
Joe Bini | ... | (written by) & |
P.G. Morgan | ... | (written by) & |
Marina Zenovich | ... | (written by) |
Cast (in credits order)
Produced by
Nancy Abraham | ... | senior producer: Home Box Office |
Nick Fraser | ... | executive producer: BBC |
Jeffrey Kusama-Hinte | ... | producer (as Jeffrey Levy-Hinte) |
P.G. Morgan | ... | co-producer |
Sheila Nevins | ... | executive producer |
Steven Soderbergh | ... | executive producer |
Michelle Sullivan | ... | associate producer |
Randy Wooten | ... | executive producer |
Lila Yacoub | ... | producer |
Marina Zenovich | ... | producer |
Music by
Mark De Gli Antoni |
Cinematography by
Tanja Koop |
Editing by
Joe Bini |
Production Management
James Debbs | ... | post-production supervisor |
Sound Department
Tyler Bender | ... | production sound |
Shaun Brennan | ... | foley artist |
Tom Efinger | ... | re-recording mixer / sound supervisor |
Eric Gitelson | ... | foley engineer |
Dan Gleich | ... | production sound |
Will Hansen | ... | production sound |
Kamal John Iskander | ... | sound mixer (as John Iskander) |
Michael Klinger | ... | re-recording mixer |
Antoine Mercier | ... | sound |
John Moros | ... | sound editor |
Robert Purvis | ... | sound mixer |
Adam Rabinowitz | ... | sound mixer |
Jeff Seelye | ... | assistant sound editor |
D.D. Stenehjem | ... | sound editor |
Scott Stolz | ... | production sound |
Gary Tomaro | ... | sound mixer |
Visual Effects by
Deepak Chetty | ... | motion graphics artist |
Keith Eng | ... | visual effects |
Camera and Electrical Department
Tim Clarke | ... | assistant camera |
Scott Sniffen | ... | operator: additional photography |
Editorial Department
Brian G. Addie | ... | assistant editor (as Brian Addie) |
Will Cox | ... | colorist |
Amy M. Fleming | ... | assistant editor |
Jay Freund | ... | editorial consultant |
Mariah Breitel Hembree | ... | post script services (as Mariah Breitel) |
Tyler Hubby | ... | additional editor |
Jennifer Hall Lee | ... | digital intermediate editor (as Jennifer Lee) |
Jonathan Liebert | ... | digital cinema mastering |
Liz Shannon Miller | ... | post-production assistant |
Charlie Rokosny | ... | assistant on-line editor |
Jeremy Talcott | ... | assistant editor |
Lee Wimer | ... | color timer |
Gail Yasunaga | ... | additional editor |
Taylor Zerbey | ... | post-production intern |
Music Department
Mark De Gli Antoni | ... | music arranger |
Christopher Guardino | ... | music consultant |
Anna Lascurain | ... | music coordinator |
Sara Matarazzo | ... | co-music supervisor |
Joe Rudge | ... | music supervisor |
Additional Crew
Geraldine Barón | ... | transcriber (as Géraldine Barón) |
Michael Donaldson | ... | clearance counsel |
Hatami | ... | archive source |
Jonathan Joshua Johnson | ... | archival clearance (as Jonathan J. Johnson) |
Jonathan Kier | ... | International Sales |
Gerry Kim | ... | archival clearance |
Dana O'Keefe | ... | sales agent |
Elaine Raskin | ... | transcriber |
Jon Silver | ... | production intern |
Michelle Sullivan | ... | researcher |
Géraldine Sérafini | ... | production coordinator |
Thanks
Adam Bardach | ... | special thanks |
Elia Bini | ... | thanks |
Donna M. Fields | ... | acknowledgment: archival footage provided by |
Maya Daisy Hawke | ... | thanks (as Maya Hawke) |