Three bad girls travel to a remote desert hideaway to steal $200 million in diamonds from a ruthless underworld kingpin.Three bad girls travel to a remote desert hideaway to steal $200 million in diamonds from a ruthless underworld kingpin.Three bad girls travel to a remote desert hideaway to steal $200 million in diamonds from a ruthless underworld kingpin.
America Olivo
- Camero
- (as Ameríca Olivo)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe desert scenes where the majority of the locations were shot appear to be hot and arid, when in fact filming was done in mid and late March when it was still winter and the temperate during the day seldom rose above 60 F degrees in the sun, with wind chills making the outdoor temperature even lower. The cast, including the three female leads, spent most of the time between takes literally shivering under heavy winter coats that the wardrobe department brought along for just that.
- GoofsCamero has dark blond hair throughout the film except for one brief shot when her hair is dark black when she is about to drop a cigarette lighter to set Trixie on fire. It was an insert shot filmed months after production ended when America Olivio dyed her hair for a different film role that she took immediately after filming on this picture ended.
- Crazy credits"The characters displayed in this photoplay are fictitious. No really... It's all just make believe! Any similarity between our story and the classic and timeless works of William Shakespeare is purely coincidental."
- SoundtracksBitch Slap (Take the Ride)
Written by Daniel Cieplinski and Leonardo Varela Rañon
Performed by Rebel Vengeance
Featured review
if it wasn't for face paint and implants, the three leads would be pumping mocha mixer into Java at an L.A. convenience store for tips.
and the screen writer should be making change for the same franchise.
unfortunately; pulp fiction, spawned a legion of foul-mouthed wannabee scribblers, and this script is a glowing, specious example of that diseased, copy-cat genre.
the one redeeming thing in this film is the cinematography. it is very well shot. the format is well used, and the d.p. understands that the secret to good visuals is good lighting--something often overlooked by d.p.'s who jumped rungs on the ladder and skipped the lighting department. because of this, i actually watched most of this feature, even beyond the five minutes it took me to become bored with having that much silicone rubbed in my face.
a modern Thelma and Louise it ain't.
and the screen writer should be making change for the same franchise.
unfortunately; pulp fiction, spawned a legion of foul-mouthed wannabee scribblers, and this script is a glowing, specious example of that diseased, copy-cat genre.
the one redeeming thing in this film is the cinematography. it is very well shot. the format is well used, and the d.p. understands that the secret to good visuals is good lighting--something often overlooked by d.p.'s who jumped rungs on the ladder and skipped the lighting department. because of this, i actually watched most of this feature, even beyond the five minutes it took me to become bored with having that much silicone rubbed in my face.
a modern Thelma and Louise it ain't.
- edumacated
- Dec 8, 2009
- Permalink
Details
Box office
- Gross US & Canada
- $17,365
- Opening weekend US & Canada
- $12,254
- Jan 10, 2010
- Gross worldwide
- $439,587
- Runtime1 hour 49 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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