Directed by
| Roger Ross Williams | ||
Writing Credits (in alphabetical order)
| Ibram X. Kendi | ... | (based on the book Stamped from the Beginning: The Definitive History of Racist Ideas in America) |
| David Teague | ||
Cast
Produced by
| Mara Brock Akil | ... | executive producer |
| Susie Fitzgerald | ... | executive producer |
| Ibram X. Kendi | ... | executive producer |
| Rebecca Kent | ... | Archival Producer |
| Geoff Martz | ... | executive producer |
| Jamin Mendelsohn | ... | production executive |
| Alisa Payne | ... | producer |
| Butch Robinson | ... | line producer |
| Naomi Spiro | ... | associate producer |
| David Teague | ... | producer |
| Valencia Whaley | ... | Archival Producer |
| Roger Ross Williams | ... | executive producer / producer |
Editing by
| John S. Fisher | ... | (as John Steven Fisher) |
| Maya Mumma | ... | (additional editing) |
| Francesca Sharper | ||
Casting By
| Kim Coleman | ||
Costume Design by
| Myah Pediford | ||
Makeup Department
| Andrea Fairweather | ... | key makeup artist |
| David Stella | ... | hair department head |
Production Management
| Stephen Johns | ... | post-production executive |
| A. Ty Risby | ... | unit production manager |
| Kara Rozansky | ... | production executive |
| Naomi Spiro | ... | post-production supervisor |
Art Department
| Dan Barone | ... | leadman |
| Brian McKissick | ... | storyboard artist |
| Mengqing Yuan | ... | Set Designer |
Sound Department
| Andrew Berger | ... | sound editor |
| Mike Frank | ... | re-recording mixer / sound designer |
| Annie Medlin | ... | supervising sound editor |
| Matt Perry Thomas | ... | sound mixer |
Visual Effects by
| Anthony Rhoads | ... | motion graphics |
| Esme Rogers Smith | ... | Flame Artist |
Camera and Electrical Department
| Seth A. Crosby | ... | grip |
| Will Fortune | ... | digital imaging technician |
| Chris Frey | ... | gaffer (location segments) |
| Wolfgang Held | ... | Director of Photography |
| Andrew Landreville | ... | best boy grip |
| Keith McNicholas | ... | gaffer |
| Simon Rubenstein | ... | best boy electric |
| Rehema Imani Trimiew | ... | video assist |
Animation Department
| Xilia Faye | ... | animator |
| Ben Luce | ... | animator |
| Emily Wolver | ... | animator |
Costume and Wardrobe Department
| Pamela Shepard | ... | assistant costume designer |
| Alia Ssemakula | ... | key costumer |
Editorial Department
| Aja Bernard | ... | assistant editor |
| Kevin Allen Caby | ... | additional online editor |
| Ian Dwy | ... | assistant editor |
| Jessica Hinds | ... | Digital Intermediate Executive Producer |
| Ben Kiviat | ... | digital intermediate manager / on-line editor |
| Andrea Ortega-Williams | ... | field producer |
| Amanda Rae Rosado | ... | assistant editor |
Music Department
| Phil McGowan | ... | score mixer |
| Caleb J. Middlebrooks | ... | music producer |
| Rashad Richardson | ... | Music Coordinator |
| Amani K. Smith | ... | music supervisor |
Additional Crew
| Aliyah DeVane | ... | Production Intern |
| Abigail Jarvis | ... | Production Intern |
| Gabrielle Koehler | ... | Archival Researcher |
| Shana Mahoney | ... | Intimacy Coordinator |
| Angela Plazas-Rodriguez | ... | Archival Researcher |
| LeLoni Smith | ... | Network Executive Producer |
| Judson Wells | ... | rights and clearances |
| Lauren Wimbush | ... | Archival Research |
Thanks
| Amit Dey | ... | special thanks |
| Luca Piccin | ... | special thanks (as Lucca Piccin) |
| Andrew Roberts | ... | special thanks: ILM |