The Notorious Finster

It's an Indy flick, and it shows. If you like movies with poor acting, poor filming and a predictable storyline, then this one's for you. I only paid for it because of all the great reviews. I wish at least one person had told the truth - well I am. Absolute stinker. This is two hours you'll never get back. Don't say I didn't tell you. The leading lady is a Jennifer Connolly look-alike. Most of the acting is very stiff. The special effects were awful. I have watched all of John Carpenter's debut films, on the low budget that I read he had - he created a masterpiece. This is not a masterpiece, but it is a piece.

I watched "The Notorious Finster" the other night and was blown away by this well-crafted and hair-raising film. It was one of the best offerings of the insane killer genre that I've seen. Finster is a thinking person's horror film, with sharp psychological insights, humor, wry dialogue, and a unique protagonist -- a woman crime journalist who has been on the serial killer's trail for years. Annie Sullivan, a fully-drawn character with demons of her own, is played by Amanda Evans, who is spot on in her portrayal of a boosey and self-deceiving, yet brainy and resolute pursuer of truth. Beautifully filmed and directed, Finster will keep you on the edge of your seat, from its grusome opening scene until it's truly shocking final twist.

Journalist and her husband move to the country to escape city living and temptations of a dangerous lifestyle. Journalist doesn't leave her old world behind her just a new scenery with twists and turns. Usually not into indie thrillers but my friend suggested it and boy was I on the edge of my seat the whole time. Somewhat gory but had that creekety Texas chainsaws old school feeling the whole time. Great cinematography in the scenery. Also noted that for not recognizing any of the cast, I am excited to see them all in other roles- they were all very compelling especially the lead. I also loved the horse scene !

SETTING: Rural and stunning CINEMATOGRAPHY: Boozy, warm, and well thought out. It tells the story beautifully without taking attention away from the scene.

STORY: A dark, patient take on your typical 'whodunnit' serial killer movie. The film has a sense of empathy for the victims and everyone caught in the crosshairs of the killer and their violence. The theme of alcoholism and obsession are very heartfelt. Annie and Reyna are also a ton of fun to watch on screen together as an enabling, chaotic friendship that has an air of something more? Subtextual romance?

SFX: I thought the makeup in this film was very good.

SCOPE: This is definitely an indie film. I give it five stars not because there's no room for polish or improvement, but because I am INCREDIBLY IMPRESSED with the production quality, performances, and overall craft of this film for such an incredibly small team and budget. There are films out there with 10x the budget and about half the value.

This movie is worth a watch. Best paired with a rainy night and a warm blanket.

Set in a rural backdrop, the cinematography is both captivating and well-crafted, seamlessly complementing the narrative without overshadowing the scene. Offering a unique spin on the traditional 'whodunnit' genre, the film delves into the dark psyche of a serial killer with a sense of empathy towards the victims and those ensnared in the killer's web of violence. Themes of alcoholism and obsession are explored with heartfelt depth, while the dynamic between Annie and Reyna adds an intriguing layer of complexity. The makeup work stands out as particularly impressive, adding to the overall immersion of the film. Despite its indie status, this film shines with its impeccable production quality, stellar performances, and masterful storytelling. It earns a well-deserved 10/10, showcasing the remarkable talent of its small team and budget, surpassing many big-budget counterparts in value and impact.