IMDb RATING
7.3/10
635
YOUR RATING
Comic-book artist Jung returns to Seoul for the first time since he was abandoned at the age of 5.Comic-book artist Jung returns to Seoul for the first time since he was abandoned at the age of 5.Comic-book artist Jung returns to Seoul for the first time since he was abandoned at the age of 5.
- Awards
- 3 wins & 5 nominations total
Maxym Anciaux
- Cédric à 8 ans
- (voice)
Mahé Collet
- Valérie à 3 ans
- (voice)
William Coryn
- Jung adulte
- (voice)
Aaricia Dubois
- Coralie à 8 ans
- (voice)
- …
Alayin Dubois
- Coralie à 5 ans
- (voice)
- …
Arthur Dubois
- Jung à 8 ans
- (voice)
Jung Henin
- Self
- (as Jung)
Nathalie Homs
- Bonne Maman
- (voice)
David Macaluso
- Jung à 17 ans
- (voice)
Jazz Marlier
- Catherine à 7 ans
- (voice)
- …
Cathy Min Jung
- Gaëlle à 14 ans
- (voice)
- (as Cathy Boquet)
David Murgia
- Cédric à 17 ans
- (voice)
Pauline Souren
- Carole à 12 ans
- (voice)
- …
Leo Van Bever
- Jacques
- (voice)
- Directors
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaFrench visa # 126155.
- SoundtracksDanse des cygnes (Swan Dance)
extrait de l'acte II du ballet "Le Lac des cygnes" (Swan Lake)
Composed by Pyotr Ilyich Tchaikovsky
(1975-1976)
Featured review
A heartfelt, unique, mostly animated film, this off-beat documentary is the autobiographic tale of co-director Jung's adoption in Korea by a Belgian family when he was a young orphan. It gives a good sense of the strangeness of leaving your homeland and culture at age 5, and the difficulties of growing up in with a family where you don't look like everyone else.
It's particularly effective at capturing the lingering paranoia that you're not always loved as deeply as the 'real' kids, and suggests there may even be some hints of truth in that fear re Jung's adoptive parents, at least from a child's perception. And yet the film is ultimately embracing of his adoption, without denying its challenges.
Jung himself has grown-up to be a successful illustrator, and his drawings form the basis of the animation that make up about 80% of the film (the rest are old home movies and stills, along with shots of the adult Jung pondering, and visiting Korea).
So why don't I love the film more? It's brave, honest, and different. But it sometimes feels both emotionally muted and repetitive. As personal as the story is, the stylistic choices, while interesting, make it feel like a fable more than a person's real experience. This is fed by the adult Jung's narration being read by an actor, not the man himself. And there is something artificial in the performance.
I watched the film twice, and appreciated it both times, but was never quite as swept up in it as I longed to be. That may be my loss, my limitation. I can imagine someone else being deeply moved. One to see for yourself.
It's particularly effective at capturing the lingering paranoia that you're not always loved as deeply as the 'real' kids, and suggests there may even be some hints of truth in that fear re Jung's adoptive parents, at least from a child's perception. And yet the film is ultimately embracing of his adoption, without denying its challenges.
Jung himself has grown-up to be a successful illustrator, and his drawings form the basis of the animation that make up about 80% of the film (the rest are old home movies and stills, along with shots of the adult Jung pondering, and visiting Korea).
So why don't I love the film more? It's brave, honest, and different. But it sometimes feels both emotionally muted and repetitive. As personal as the story is, the stylistic choices, while interesting, make it feel like a fable more than a person's real experience. This is fed by the adult Jung's narration being read by an actor, not the man himself. And there is something artificial in the performance.
I watched the film twice, and appreciated it both times, but was never quite as swept up in it as I longed to be. That may be my loss, my limitation. I can imagine someone else being deeply moved. One to see for yourself.
- runamokprods
- Dec 29, 2014
- Permalink
Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- 蜜色肌膚
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- €3,700,000 (estimated)
- Gross US & Canada
- $4,015
- Opening weekend US & Canada
- $4,015
- Nov 10, 2013
- Gross worldwide
- $89,801
- Runtime1 hour 10 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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