Super 8

Look, I'm biased. When I first saw the movie in 2011 while I was still just in middle school, I was enamored. Now, 8 years later, as a film student inspired by this movie, I can honestly say that it still holds up. A lot of the love I have for this movie is purely fueled by nostalgia, but even aside from that, the thrills and heartstring tugs this movie delivers still stand up to the test of time so far. This movie is always going to mean the world to me, and I hope someone out there sees this and gives it a shot. It's so criminally underrated and under-appreciated.

Abrams has proved to be a talented cameraman. I don't mean this in a condescending manner, at least not entirely. But that's all there is with him, shape and contour. He's yet to situate himself within a worldview - so he borrows from where it is convenient to fit into. Here it's Spielberg - his world of wondrous discovery, magical escapade into comfortable menace, but where everything is wistfully made right again.

So you probably know by now how this is a pastiche built from other stuff; Close Encounters, The Host, The Goonies. The point-of-view is from the children (who are, perhaps, the only characters worth watching), the monster stalking the perimeters. The military is the faceless inhuman machine of cruel intentions.

What Abrams does is perfectly in tune with post-modernist ideas. But whereas the Coens appropriate raw essentials and even whole chunks of preconceived world but build from them their own notion of a universe, Abrams is merely an itinerant garbage collector.

It's all so derivative, so uniformly processed, it makes me wonder why anyone would take time out of their lives to make it - assuming one has creative aspirations about the art. Is Close Encounters really that old? So, like the myth of Prometheus; some artists risk to steal the fire that will renew our lives, a dangerous fire, others merely spend their time bound in the confines of earlier discovery.

Steven Spielberg and J.J Abrams working on a project together. That idea alone is great however the finished project is a masterpiece. I was expecting a lot when I walked into the theater, when I walked out, not only were my expectations met but it was much better than i thought it would be. Let's start off with the actors, they all did a great job, but I was really impressed with Elle Fanning's acting, she added lots to the movie. I know it won't happen for this movie but I think she deserves an Oscar for her performance. Next, let's talk about the overall movie, it was great, it had, action, comedy, Mystery, romance, and suspense. The special effects were amazing, best this year. Now, the ending, i'm not going to say what happens, but many people hated it but I thought it was perfect, great way to end the film. Overall, suspense, action packed movie with great special effects and great acting from underrated stars makes the best movie of 2011, and one of the best movies ever. 10/10

I have never seen a movie which could be divided to two parts of "absolutely amazing" and "boring and childish". The first 80 minutes is awesome, I was shocked by how good this movie was as I had seen some bad reviews on IMDb but then the cheesy part kicked in and ruined the whole thing.

First thing that comes in to everybody's mind when they see the first scenes is that this movie is so similar to et! The style is the same, the theme is the same, it even happens in the same era with the same kind of neighborhood which is kinda cool and nostalgic for my generation. Super 8 seems like a fan-made dedication to Spielberg but it just didn't work quite well.

From the actor's performance perspective; Elle Fanning's performance was breath-taking, and she saved some scenes. She's got potential to be a big star in the future. Kyle Chandler on the other hand was just plain and simple awful. He made the whole thing look kinda funny and stupid.

From special effects and sounding perspective, I'd say it was stunning. One of the best I have seen in the genre in years as you would expect when you see Spielberg's name on the screen. There's this big scene at the first half an hour into the movie where you just get nailed to your sit due to the load sound which should have been annoying but it was not. It was awesome. You don't see this in Germany often but after this specific scene, the audience gave Abram an standing ovation!!! It was awesome. Of course at the end, everyone was angry because he ruined the whole thing with a very cheesy "et-like" ending but all in all it was worth the money, better than most of the movies in the last 6 months, I would say.

I'm giving it 6/10 because first of all, I expected so much more from the creator of Lost and second of all, the last 30 minutes is really bad and the ending is just pure garbage. They used some cgi stuff which was very impressive but didn't quite go with the theme of the movie and was really inconsistent. All in all, it doesn't deserve the crap that it's getting in the reviews but it quite doesn't deserve the praises either. It's only OK

It is nostalgia ridden like many other films have been this past decade, the only difference is it's not of the cynical kind.

The film's narrative FELT all over the place (probably more the plot than the narrative) - there was a certain tightness missing from this that was present in J.J. Abrams' previous film but, other than that, everything else did exactly what it's supposed to. The kids are both engaging and entertaining, the monster turns out to be quite frightening, the dialogue's great, the acting's great, visual effects, cinematography- everything's on point.

It felt like I was watching a proper film! I mean it seems too much to ask for from our blockbusters these days.