User reviews

Even though the Indian film Industry releases countless big budget films every year, only once in a while there comes a movie like "Rockstar" which moves away from the usual story and casts an impression on the viewers.

Imtiaz Ali has created such a masterpiece this time. His story is a fresh take on romance and pain and he has shown he is one of the best directors around.

The story revolves around 2 characters Janardhan Jakhar a.k.a Jordan(Ranbir Kapoor) and Heer(Nargis Fakri) and their feelings towards each other. The special thing about this movie is that despite being a love story, the lead characters never act as the clichéd lovers..they never said "I love you" throughout the movie and still their love was so intense and powerful..The self inflicted pain of 'Jordan' is the soul of this movie and moves the audience.

Ranbir has done a remarkable act and has again proved he is an exceptional actor in the film industry. His transition from the innocent and confused 'JJ' to the ruthless, shattered 'Jordan' is flawless. The audience were in awe of him throughout the movie and rightly so.

The music blends with this movie perfectly and most of the time lifts the movie to higher levels. The voice of Mohit Chauhan along with the expertise of AR Rahman is just superb and this duo will be in demand for a long time. The joy, enlightenment, pain and suffering of 'Jordan' is portrayed very well through the songs. And this is one of those movies in which you feel that the songs weren't just forced in the story.

Despite everything being so good there was one shortcoming, Nargis. The model turned actress had weird expressions in few scenes in her debut film. This created some funny moments in the first half but she did a convincing act post interval.

One thing which the director couldn't balance was the pace..The first half was expanded into few years showing the pair's love and relationship but post interval they didn't do that, and stuck to a straight and small period with longer scenes. This gave most of the general audience an idea that it was slow. If the story in between intervals was balanced in terms of the time span, more people would have appreciated the whole movie.

This an emotional, and an intense journey of a simple man who goes on a path of self destruction. A Must Watch, this movie needs deep understanding and appreciation.

JJ aka JORDAN / Ranbir Kapoor Rocks.....Saddaaaaaaaa Haqqqq......Loved Rockstar movie a lotttttttttt......From Screenplay to story or Direction to Music N above all acting from the all the character is like mind-blowing ...........Will be watching it again tomorrow...This is not a feel good movie and I know a lot of people will not like it but yes it will make you think even after the lights are on.....This movie is the best film of 2011....RK is amazing and ARR score rocks....Deserves all major awards....OVERALL AN OUTSTANDING FILM which is connected to most of us...Rating 9/10....oh ya ya ya y...o yaaaaaaa.....

Jordan is sitting among prostitutes and strumming his guitar as they sing together -- when his manager pulls him out onto the street. Soon, a crowd engulfs them and starts chanting Jordan's name, their voices drowning the sound of the manager pleading with the musician to get his act together. "This is what I have always wanted," Jordan says, looking at his screaming fans. "But I am not happy inside."

Imtiaz Ali's Rockstar is a bittersweet journey of a man, an artist, from being an everyman to a superstar. But while Ali uncovers layers off Jordan the iconic musician -- each layer as fascinating as it is intriguing -- he keeps the core of the character, Janardhan Jakkad, alive. He hurts like anybody else, falls in love like anybody else, and also has to deal with moments of sheer frustration.

And all of it finds release in music. Music is Jordan's identity; it's what makes him rich and famous. But to Jordan, that's incidental. In the end, his artistry is what connects him with himself. For a Hindi film viewer, that is a fascinating story to watch unfold.

Then there's the opening shot, a tribute to India's original Rockstar, Shammi Kapoor. From there on, it's a tumultuous ride – one with its highs and lows, one that has anguish as also love, one that has pain, but also a sense of fulfillment. And a brilliant finale -- not a conventional one, but effective nonetheless -- which leaves you feeling like the characters themselves: incomplete but content, like an effective crescendo that leaves you wanting more.

The music itself is a delight. Each AR Rahman number is lilting, and woven beautifully in the story, the high frequency of songs not hindering the storytelling but enhancing the experience. Lyricist Irshad Kamil does an outstanding job, penning words that reflect the lead character's state of mind and complement situations aptly.

Imtiaz Ali, in trademark fashion though, isn't content with Focussing on the complexities of a troubled musician; he gives us a dose of romance too, and a generous one at that. Estrangement from family, lack of fulfillment in life, and self-discovery apart, what really drives Jordan's music is his relationship with Heer (Fakhri, beautiful but awkward). Volatile as the affair is, it's also what keeps Jordan sane, and Heer alive.

For about 15 minutes in Rockstar, the narrative tends to resort to 'Bollywoodism'; true love having the power to cure a terminal illness (almost), for example, doesn't exactly fit with what the rest of the film has to say. The story tends to meander a bit post-interval, but Imtiaz makes it work eventually, interweaving the fantastical romantic part of the film with the more gritty, dark bits deftly. In the end, how much you enjoy Rockstar will largely depend on whether the balance between the tale of a broken, discontented musician and the more conventional love story works for you.

It did for me -- though I would have preferred the former -- but you can't deny Imtiaz credit for his mastery over the romance genre. No contemporary filmmaker has dealt with man-woman relationships with as much dexterity. His films often tread a similar path (the lovers are usually confused, meet at different points in life, and there's always the 'other man'), but his fresh approach to each story is what makes them immensely watchable.

With Rockstar, Imtiaz goes beyond his own tried-and-tested format, his ambition to narrating a more complex story coming through. This is probably his most personal film, and his honesty as filmmaker is hard not to be affected by. Hopefully, he goes the whole hog next, ditching the genre he's adept at to trying his hand at something entirely out of his comfort zone. Rockstar is also Imtiaz's most technically polished film, and he benefits from the association with cinematographer Anil Mehta and editor Aarti Bajaj.

Ranbir Kapoor has been Hindi cinema's Next Big Thing for a while now. With Rockstar, he lives up to the hopes pinned on him to deliver big. Ranbir revels in Jordan's complexities; another actor may have found it to be an obstacle. The character arc undergoes constant transformation and he adapts suitably. It wouldn't be an understatement to say that Ranbir's portrayal of Jordan may go down as one of Hindi cinema's most accomplished performances by a lead actor. Just to see him work his magic on screen, Rockstar is worth a watch.

But while good acting is always an incentive, it's a director's vision that makes a film truly watchable, and Imtiaz makes Rockstar stand out from what the mainstream churns out every week. And brings back the one aspect sorely missing from Hindi films lately -- music.

Rockstar is a film made once in a lifetime. Hats off to Imtiaz Ali for story, Ranbir Kapoor & Nargis Farkhri for scintillating performances, A.R. Rahman & Mohit Chauhan for great soundtrack & background Music.

Rockstar is a must watch film. It'll leave you feel-good hangover of itself. This Movie shows how Love Stories should be made. This movie has something, which is hard to see in other Hindi/Bollywood Films. Something which would make you think about the whole movie even after so many hours of watching it. Watch it deeply and you'll enjoy it.

I loved the movie and enjoyed it thoroughly after so watching so many movies this year, I'd say Watch it Again, if you've seen it once...

Verdict: Don't Miss it!!!

Acting & Performance: 9/10

Story: 8.5/10

Music: 10/10

Overall: 9/10

First of all, Rockstar is not a mere love story, for those people I saw drawing conclusion that this is just an extramarital affair which is justified by Imtiaz Ali, it's much more than that.

When the character of protagonist was getting built, it was told to him that it would be pain that would get the star out of him; movie is journey of making of a Rock star who goes through pain of separation, depravity from society which makes him someone he was never meant to be but finally a Rockstar. A true blue eyed boy who was always away from any sense of pain in his life until he falls in love and tore apart life of his and love of his life Heer.

I am although not a big Rock music fan but got food for thought for those posthumous rock stars that lost their lives to depression and drugs. This film gives gray shades of their tainted life which is always open to so much of public scrutiny which perhaps helped me to recon with their hysterical behavior.

It starts with a young lad trying to make big in music but who doesn't have soul to sell himself as a serious artist. He has shown a way through love and betrayal and he fancies his chances with the most admired girl of the town, little does he know that this would embark an endless journey of pain for both which would see it's penultimate end being both leads battling for their survival literally.

I don't wish to discuss movie dynamics in length as this is not about how the script has been written with/without conviction. The real sense of conviction in this movie comes through Ranbir Kapoor, he lives the character of Jordan and gives performance of his life time. Not in for a second you would think for the entire movie that he is a movie star, you would watch him struggle through his pathos. Kudos to him for pulling this off with such great ease, I couldn't imagine anyone doing this role and leave the same impression. Nargis who is the leading lady in this movie, looks no less than an angel in movie and gives a performance for which any new comer can feel proud about especially against such a strong character played by Ranbir Kapoor.

Of all the loudest praise should go to two people, A.R. Rehman for his genius music and to Mohit Chauhan, this movie is as much a milestone for him as it is for Ranbir Kapoor. Both Mohit and Ranbir jells so well that it's hard to believe that actually Ranbir's voice is backed by a singer, it's a compliment for both of them. Every song stands out and they all are superb.

I thoroughly enjoyed this journey of making of a Rock star. This movie is not about making a right statement to society and not to follow the footsteps of protagonist; it's about how much pain it goes in making a real Rock star that makes everyone feel on the cloud when he couldn't ground his foot correctly. Movie is dark in nature and this is about an anti hero Jordan who don't have sense of righteousness and he vents out his anger in form of music, a picture perfect depiction of a rebel Rock star to the core.

Watch it, if you are in for dark movies. Don't expect any Bollywood masala but an intense tide of emotions throughout.

Not every movie needs to have tadka, it's a movie which is pure from heart and honest. It doesn't speak about anything other than attraction which can't be explained.

Sure it has it's flaws but if you can look over them and watch it with a warm heart, it stays with you well after you have left the theater.

Hats off to Imtiaz Ali for daring to break the shell. Jab we met was fun to watch and a good movie, but Rockstar shows how much depth can be reached in a romantic movie without even saying the L word even once.

Everything said, watch it if you appreciate good cinema and not because you are looking for a stereotypical complete Bollywood package.

Indian cinema has matured and specially Hindi film with new directors pouring in with new ideas. Anurag Kashyap, Dibakar Banerjee, Vishal Bhardwaj should get special mention for their brilliant coming of age films. After Rockstar, Imtiaz Ali should be added to this category of filmmakers. Romantic cinema is immortal perennial but never ever it has been witnessed in such creative, symbolic, real manner as in Rockstar. Rockstar is journey of Janarthan, a regular north Delhi brat who dreams of becoming Jim Morrison. He even tries to match his initials with the famous singer and tries to change his fate. Alas! He couldn't succeed in making a mark when a college canteen owner (who becomes family for Janarthan later on) Khataria tells him that through pain comes music. Janarthan took his word too seriously thus involving in a web of suffering and success all revolving around Heer, a lady who becomes life for Janarthan rather Jordan. The movie is a journey of a young ambitious boy from his being Janarthan to Jordan and in a symbolic manner raises several questions about independence and democracy. Imtiaz Ali is a fabulous story teller and his previous work reflects those but with Rockstar he goes a level higher. The film will bring polarizing reactions from cine goers but they can't ignore it. Probably one of the best romantic cinemas ever made. Ali is almost flawless in his execution. With a semi non-linear narrative Ali goes into the psyche of Jordan merging his scenario pre and post success. The scene where Jordan cries in front of Khataria that he doesn't need all the fame he wants to be Happy – sums up Jordan's strive with his impression. The rebel has been created in a thought provoking manner raising questions to establishment. The rules set in the society, the willingness to live freely, how power has destroyed the regular course of nature – all these ideas have been embedded subtle in a brilliant love story that is natural unlike loud melodramatic blockbusters of regular Hindi cinema. When Jordan is almost losing Heer forever there is a scene which shows Jordan in a bath tub looking at his guitar on fire which reflects the life of present youth who tends to burn (loss) everything one loves in course of success. There are many more such brilliant sequences which show Ali's craftsmanship as a director. With able support from Anil Mehta the camera work is probably the best of this year. Ali didn't compromise for commerce and gave a surreal feel to the real proceedings. Kudos to Aarti Bajaj for her apt editing and making the film a work of art. Coming to the acting department, Ranbir Kapoor rocks. He camouflaged himself as Jordan with élan. Rockstar will prove how fine actor he is. In fact the new brigade of actors should take acting lessons from Ranbir. Watch his transition from Janarthan to Jordan, his success his failures his love his despair – Ranbir's expression deserves awards and accolades. Teaming up with fabulous actors like Piyush Mishra, Kumud Mishra (who was last seen in brilliant "That girl in yellow boots") Ranbir showed extreme maturity. In a sequence where he tore down a contract and made hysteric gestures towards Piyush Mishra deserves standing ovation. Those dialogues showing Ali's angst against consumerism deserves mention. Nargis Fakhri as Heer is serene beauty. Any boy will fall in love with her. As an actress she needs to improve but then she isn't bad either. Piyush Mishra as the opportunist Dhingra simply rocks as usual. Kumud Mishra is surely to catch attention of other directors. The ensemble cast provides ample support in their brief and significant role. Lastly how can one forget the original Rockstar Late Shammi Kapoor in a significant appearance. As a successful classical Sahnai (flute) player he is mind blowing. And how can I forget about Rehman's music in the film. Each of the songs are mark of a genius and brilliant in their own space. With awesome lyrics from Irshad Kamil the musical score elevates the movie to another level. "Nadan parinday" is one of the best written songs of recent times and "Sadda Haq" had all the power to be the youth anthem. Simply brilliant album in every sense. Overall Rockstar is a outstanding work of art that might not appeal to every many but sure to be the next Kagaz ke Phool in the long run; though Rockstar is already a Hit. Thankfully a genuine honest effort deserved its box office report. A classic in the long run…Rockstar Rocks!!

FILM: When you think about a film by Imtiaz Ali, you only see an entertainment tag to a film, and also very good script writing. But seeing the promos of Rockstar made me think what Imtiaz is up to now. After giving a great film like "Jab We Met" and a mediocre film like "Love Aaj Kal", I was expecting a cheesy Love Story with a good entertaining factor. I won't say this movie doesn't have any cheesiness, but yes it's in a very low dosage. People going for just entertainment will actually love half of the movie. People going to see a Romantic flick will love the whole film. There are some very good comic punches in the film, and some very humiliating parts too. I won't use any spoilers, but yes the first half is full of comic scenes.

ACTING: Ranbir kapoor is at his best here. After giving a great performance in Rajneeti, this guy has shown his serious part again, in more of sadder way. Nargis Fakhri is very good to look at, most part of the film you will just look at her and won't even hear what anybody is saying, but when you see her talking, the jaw just falls down, she does not have those acting skills at all, it's like the start of "Katrina Kaif" again. But she has a great future ahead of her for sure. Kumud Mishra and Piyush Mishra never disappointed in their acting, both did a great job, especially Piyush Mishra.

DIRECTION & CINEMATOGRAPHY: Now the direction was really top notch in this movie, it was particularly flawless in every aspect. Imtiaz has a tendency to deepen the character development, and he has done this with great enthusiasm. The character Development of the "Rockstar" is very good and keeps you on your seat. The Cinematography was also great, from the walking sides of Delhi University to the scenarios of Kashmir and Prague was immensely intriguing.

STORY: The Story of the movie had some parts that all Hindi romantic have usually, for a time you would wonder of a "Yash Raj" film being shown. But the turn of events and the whole movement of the story were good. The only problem being that the whole movie was a "drag/stretch". This movie if made shorter, would have gained more audience.

MUSIC: I would say the music (by A.R. Rahman) is damn good. From "Jo Bhi Main" to "Tum Ho", the scores are really beautiful, and stays in your head for a very long time. Sadda Haq already being the favorite among the youth has a good adrenaline rush factor in it. The movie being pretty much mediocre, the music actually makes the movie very good.

VERDICT: I would go for

FILM: 7/10

ACTING: 7/10

DIRECTION & CINEMATOGRAPHY: 6/10

STORY: 6/10

MUSIC: 9/10

OVERALL: 7.5/10

The movie has been given a great artistic touch to it, which is hard to see in a Bollywood film. Such that it makes you think about the whole movie even after 24 hours of watching it. Give it time to indulge in your mind, it will actually get to your soft spot, and you would say, "The movie was really sad"!!

Love stories have always been Bollywood's thing. A trifle here and there might have changed over the years, but the formulaic love story, the one that we've all grown up on and savored, always takes you by the hand, guides you through the film's ups and downs and leaves you at an ending. But when you have a story as new, as fresh and as free-falling as the one in Imtiaz Ali's 'Rockstar', then these are times that herald a new change in today's Bollywood.

The story goes something like this. Janardhan Jakkad(JJ a.k.a Jordan), a Delhi simpleton, has always wanted to be a rockstar. His friend/mentor and college canteen manager, Khatana, gives him a 'get-your-heart-broken-and-you-will-be-a-rockstar' solution. JJ automatically aims for the prettiest chick on campus, Heer, sure to have his heart broken. But what follows is a story that goes from a simple one of fame-mongering to a love story most unusual. The chapter of Jordan and Heer never seems to end and their complexities take them on a path that would ultimately destroy their lives.

It is very difficult to characterize the movie with a single emotion. It is so beautifully layered that it will take repeated viewings to form a consensus within yourself as to WHY you love the film. Just like its soundtrack, 'Rockstar' is a movie you will have to allow to grow on you. The film can best be described as a heady cocktail of love and fame and how each has an effect on the other. It's the free-falling nature of the story that gives it a feeling never before experienced in Indian cinema. The movie borders on self-indulgence every once in a while but wonderfully balances it out with realism.

The music, composed by A.R. Rahman, is in many ways a character in the film. Every phase of Jordan's life is characterized by a song which magically sets the tone for the next few minutes, till the next song or sequence comes along and changes the mood. The music, in many ways, drives the film. Its very obvious now why Imtiaz Ali replaced usual collaborator Pritam with Rahman. Without the type and scale of the music Rahman has given for this film, 'Rockstar' would have been very handicapped. The music truly forms the soul of the film. Also, from the snow covered mountains of Kashmir and Himachal and the dingy discotheques to the old-architecture of Prague and the various concert venues, the film looks beautiful in almost every shot, thanks to ace cinematographer Anil Mehta. The right variations in angle, color and focus gives the film a biographical feel where the scenes portray an emotion as much as the actors in them do.

Which brings me to the performances. The film has few characters and each of them are well-defined. Aditi Rao plays the journalist Sheena, who tracks Jordan's life and though she has precious little to do, she plays her part. Piyush Mishra as the shrewd record company owner Dhingra, is the quintessential greedy man in the film and does well too. Kumud Mishra as Khatana, Jordan's old friend and manager is perfect and brings in a certain sincerity and authenticity to his part. Shammi Kapoor as the shehnai maestro Ustad Jameel Khan is absolutely charming every time he appears on screen. It is hard to miss the glint in his eye and these being his last shots, will always be what 'Rockstar' will be remembered for. Now for the two lead actors. Nargis Fakri is unfortunately, the weakest link in the film. She obviously has a lot to learn in the acting department. She blatantly disappoints in scenes where she is required to do more than just look pretty, and ends up as the cold dish in 'Rockstar'. Nonetheless, she does look good in every frame and with better acting, could go places. With her current form, she will find it tough to make a mark.

However, 'Rockstar' completely belongs to Ranbir Kapoor, who has clearly gives this film his all. He plays his part with utmost perfection and with a depth that is so rare in Bollywood these days. Through the film, it is Jordan, and not Ranbir Kapoor, that we see on screen. He earnestly brings out the character transition from JJ to Jordan with such ease, that this could very well be his career-defining performance. He's clearly left his contemporaries WAY behind. Ranbir Kapoor, as of now, owns Bollywood.

Having dared to make such an experimental film, director Imtiaz Ali is truly the new-age doyen of Indian Cinema. His refreshing take on love stories, from 'Jab We Met' to 'Love Aaj Kal', continues with 'Rockstar' which will be remembered for a long time as the first movie of its kind. Truly original and truly inspired from all the right sources, Imtiaz Ali is the new age phenomenon of modern love in cinema.

Truly magical and spell-binding, 'Rockstar' leaves you with a feel-good hangover of itself, that is hard to digest at first watch. I'd give it a 4/5.

Don't miss.

So,Rockstar is finally out and its with flaws but still its fabulous. Lets talk about flaws first. Imtiaz Ali have written his most innovative script so far but it got few holes like he could have made the storytelling little bit smoother in the first half but its OK we can manage with that. The other thing i complain that why Imtiaz choose Nargis Fakhri to play the lead actress. She is breathtakingly beautiful, no doubt about that but she just don't know how to speak Hindi and how to behave desi. To make it simple, she is the only main drawback of the film.

Now lets talk about what makes Rockstar a memorable movie.I know movie is a result of teamwork but the three man who makes Rockstar a fabulous film is Ranbir kapoor, A.R Rehman and last but not the least Mohit Chauhan for giving his beautiful but rocksolid voice to Jordan the Rockstar. Its all and all Ranbir show throughout the entire movie and Rehman's soulful music to make Ranbir's character express his angst. This movie cannot be done without A.R.Rehman. Its Ranbir's best work so far. Those who have not seen the Rockstar yet, just go and watch it for Ranbir kapoor aka Jordan aka Janardhan Jakkad and believe me you will come out of the theater with Jordan in your mind and heart. "Girlfreind ban ja meri..dono rock kar denge"..hahahaha

I have to say that watching this movie ALONE in an empty movie theatre added several dimensions to the whole experience of watching ROCKSTAR.

My first comment is to Imtiaz Ali-- What were you thinking, bro? To actually have the gumption to create a love story around the idea of ethereal and eternal love as envisioned by the great Sufi Master Rumi in the land of DABANGG and BODYGUARD? Did you really think that audiences (read THE COMMON MAN) would throng cinemas and multiplexes to get a taste of sublime love?

For sublime love is the thread that binds this beautiful bitter sweet tale together. It is a love story written in the idiom of NorthIndian/Kashmiri/Sufi culture, of dargahs, of spirituality, of Delhi University Campus insider jokes, of the topography of North India, especially Kashmir and I fear the film could be condemned with the "E" word--elitism.

The starting point of the story is a young ordinary low middle class callow youth who is a wannabe singer, strumming his guitar to ordinary lyrics hoping to make it big. He is accused of being shallow by his mentor and advised to seek out "PAIN" in order to light the creative spark, that divine glow that accompanies great art. Unbeknownst to him, his casual and frivolous flirtation with this search for angst leads him into the deep end where he has to come face to face first with true love and then with the inevitable pain that comes with it.

The dialogues are fabulous. So is the cinematography. The snow clad mountains of Kashmir and the misty mornings of New Delhi, the green fields full of flowers in Prague place the story in the here and now when in truth the story could belong to any era, any century, any epoch. The universality of love, the self realisation that comes with it, the realisation that this life is but a dream is what the movie is really about. The essence of the story is not in the physicality of love but love beyond the here and now, beyond right and wrong and love for the Creator who was there when there was nothing else.

See what I mean when I ask Imtiaz--what were you thinking, bro?

And now for the piece de resistance-the music, the lyrics, the singer.

If there were any doubts being expressed by the hoi polloi about A R Rehman's diminishing creativity well then, here is his rebuttal.

The music is earthy, rooted in our traditions and culture, and designed to rock. It's astonishing how Rehman is able to dive into the musical traditions of the Punjab to create the "Saada Haq" and "Katiyaan Karoon". Irshad Kamil's lyrics, if you take the time to listen to the songs and understand the words, are beyond compare. Mohit Chauhan's voice is eminently suitable for all the songs. My favorite is "Naadaan parinde, ghar aajaa" Listen to the lyrics and cry.

We have been enjoying a lot of junk food lately. Now it's time for some haute cuisine.

Direction excellent but the story in second half is very slow.

Imtiaz Ali tries a Jim Morrison with an Indian back-up story to add it all up. But when the back-up story takes a free-float equation with horrible acting from the female lead even rock-n-roll, sex, or drugs won't help the story to take a flight. The starting sequence takes a tremendous leap and sets everything on fire. From there the movie leaps to a flashback. The flashback is a sine wave to be precise where crest is when Ranbir fills the screen and trough is when Nargis takes over. Post-interval the director gets a grip on things but still falters here and there but in the end gives up for regular rom-com commercialization. Even the sequences where Ranbir goes all crazy and shouting I just can't understand how he must have reached that point when the relationship that he had with Nargis showcased in a shallow manner. The only factors that makes this movie watchable is Ranbir Kapoor and music By ARR. Ranbir shows great maturity in some of the sequences. But I feel he has more potential.

Pros:

Abrupt start and unfinished end,always catchy!

Love,attraction,passion,pain,loss,destruction-everything in a pack.

Movie includes flashbacks and frames so nicely arranged,that story always remains on track and with ease.

Supporting casts are so in script,no any distraction or out of track leads.

Raw footage beautifies the movie,editing is nicely done and skipped.

Ranbir-Nargis chemistry is uncommonly beautiful.

Songs are sung outstandingly by Mohit Chauhan and performed equally well by Ranbir.Made for each other duo.

Lyrics are inseparable from situation,really well written.

Cons:

Nargis is overwhelmingly beautiful but utterly noob while acting.

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Not many directors could have justified the script like Imtiaz Ali.

Music couldn't have been better than by the Academy award winner A.R.Rehman,it takes you to out of world.

and Ranbir Kapoor,real rockstar from the movie has shown that,he is ready to make the bollywood biggies insecure.

Outstanding movie!!!above the average of bollywood.

I believe good directors are great Narrators. That is what enables them to breathe life into a mere series of scenes. And when the story being told is their own or perhaps very close to them, they break the surly bonds of commercial success themes and formulas. Movie then becomes a ruthless pursuit to expose and convey the most naked emotions buried within the story. Many times such an attempt becomes an awkward experience for us as a viewer. Sometimes it turns into a masterpiece. Rockstar is the latter.

This movie, too, is a signature imtiaz Ali movie where he yet again explores the most famous four lettered invention called "Love". However, this time its portrayed as an unverbalized camaraderie between a Jim Morrison idolizing artist, yearning to be a Rockstar, and a College sweetheart soon to be married off into affluence. Janardhan Jhakar (Ranbir K), is searching for a heartbreak to happen as it will fuel his creativity and hence his dream to be a rockstar. He bumps into Heer (Nargis Fakhri), believing getting dumped by her should seal the deal. But mindless fooling around soon blossoms undetected and before they know has grown into a chronic tumor of love.

By the time they realize this its too late. Though it may seem formulaic, Imtiaz's treatment of the subject is very unique. So much that it transcends from a Raw human emotion to borderline supernatural and yet seems very beautifully plausible. People complain about a slow second half have missed the point. I guess they were waiting for something to happen while missing to savor some of the most beautiful unsaid portrayals of love.

Imtiaz experiments with non-linear editing in this one and has done some really cool stuff. Its like a novel which tells you in the first 5 lines that the protagonists dies in the end and grips the reader wondering how did that come to pass. The Cinematography too is brilliant and has produced one of the most memorable scenes of Bollywood cinema. At least for me. To top it all off is a shell of fresh and innocent humor which helps the movie remain easy going and yet not loose its depth.

Ranbir has arguably done a marvelous job, for his role is that of silent anguish, which can easily become one of a chronic constipation in the hands of a clumsy actor. He has also done one of the most close to reality portrayal of a guitarist within Bollywood and should be given credit for that.(looking at Rampal in rock on). Nargis is a Newcomer and is just that, a novice, however she is as beautiful as she is delicate and portrays her character well enough.

Last but not the Least, A R Rehman, trademarks the soundtrack with Kun Faya and cranks up the distortion with Saada Haq. (it has liberal sprinkling of guitar riffs and some good ones at that). Orianthi lends her gifted talent to this song. The Music is a true soul of the movie.

With a climax which can send jitters into many Bollywood directors this movie is definitely a feather in imtiaz Ali's Cap.

A Must watch by me, but then I am a sucker for Imtiaz Ali movies, hence a Pinch of salt is advised.

First up i want to say as a gleeful child i sat in the theater and wanted to give as much chance as possible to like ROCKSTAR because i was mesmerized by the sheer musical brilliance of ARR. That being said even if i went in with a hate mood its difficult not to like this IMPERFECT MASTERPIECE, imperfect not in the way it was handled but its an Imperfect story about an Imperfect man inside every STAR. First Half: There are three main things for a life to sustain. A creator, a soul and a body to host the soul. And thats where ROCKSTAR is blessed in having a brilliant director in Imtiaz as its creator, a soul in ARR and the surprisingly perfect body to host in Ranbir! People who didn't like Ranbir for the rich spoiled kid he is must realize if he has this much acting talent he can be as much spoiled he can be! :) The story is simple! "Its the life and lies of Janardhan Jakhar" a.k.a JORDAN. Its how a innocent guitarist who wants to make big goes throe PAIN and when he becomes popular that same pain engulfs him so much that he doesn't know how to handle it! Credit has to be given to the director for creating two wonderfully unique halves that are so diff from each other! The first is about the wonderfully tender relationship between Janardhan and Heer. Its so innocent and realistic that the first half flows as faultless as a river! About the heroine Narghis Fakhri i agree she has been the real letdown in this film but her acting was not bad as such she was shown up by the Beast of an Actor opposite to her who was living the "Role of his Life" in Ranbir! Second Half: Now coming to the second half the half which many did not like. It speaks up about the ordinary guy in "Jordan the Star" wanting for thing to be as simple as it was when he wasn't a star! Its complex i agree and it glorifies a lot about Infidelity which is still "The Unspeakable" when it comes to Indian Cinemas! But its brave its new and it definitely touched me! I have seen countless movies brilliant till climax and faltering in it and when dealing with a movie as complex as this i could see Imtiaz coming up with 100s of ending for this but in the end he played to safe made it a musical tribute to that Janardhan Jakhar inside JORDAN. Advantages of having an open ended climax is that it lets us decide what we want and in the end keeps everyone happy but being brought up with Bollywood the Indian inside us wants the director to end it one way or other another reason why open ended climaxes rarely work in Bollywood! Coming to acting of other cast its difficult to single out anyone in particular because every frame was so dominated by Ranbir but Kumud Mishra ( Katana Bhai) pips over Nargis just because of the chemistry he shares with Ranbir! (Odd to say a third person has more of a chemistry with the hero than heroine but thats the sort of unique film this is!) Now i conspicuously avoided mention about the music till now because the sheer f**king brilliance of ARR deserves a separate paragraph. Now titling a movie ROCKSTAR everything could go wrong with the music but ARR showed us how everything can be made right with it! How every gap can be filled how every untold story can be told and how an untold climax can be ended! Now i surprisingly had the privilege of watching this movie is ESCAPE with English subtitles and that for me made all the difference from making this a nice film to a Masterpiece! Starting from the summary of the hero in "Jo Bi Mein" to the mild subtle variations of "Katiya Karun" as the lead pair's relationship to the beautiful parallelism in "Hawa Hawa" to the wonderful connection between coming of age song "Sadda Haq" and the climax song "Naadan Parindey" to the haunting back ground musics of "Tum ho" and "Aur ho" ARR has lived and breathed life in every frame of the movie! I have seen countless Indian movies never have i seen a theater full of audience sing along with every song! Only the brilliance of ARR turned the usually etiquette filled Sathyam audience into a maniacal Rockstar audience! I read in an interview with ARR that he and Imtiaz spent 3 years in conversation about this movie and its music and this kind of movie deserves that depth! As the end credits roll on we see the lead couple romance in all the places they have been since the start of the movie and to have that vision of how to end the movie when beginning to shoot shows Imtiaz's vision! This is that kind of movie which i can type endlessly about the story plot but i cannot do justice to that movie experience you get sitting inside the theater! VERDICT: Another Indian Movie that is too futuristic for its generation, too complex to understand and too Imperfect to be Loved! Another Movie i hate to see get flopped but destined for it anyway! A movie to be watched in a theater worthy of handling its musical nuances and with an open mind. (and with English subtitles for no obs like me!)

For me it was the most awaited movie for this year, especially after listening to the awesome songs. First of all the music, Rehman and Irshad Kamil did fabulously well. The music and songs were totally different from the regular bollywood style.

Ranbir was terrific and this was truly his best performance till date. He looked so natural that sometimes you feel that you are watching a live shot documentary or something.

Imtiaz Ali's direction as always was very good. He has a different style of making movies and this movie is a great example of that. Though my personal favorite from his lot is Love Aaj Kal.

The only loose part in the movie was Nargis. She was not up to the mark and some very good scenes and situations got spoiled because of her poor acting skills. And especially when pitted against the flawless Ranbir she looks pathetic to say the least. So, without disclosing anything from the story I'd say its a great movie and you surely can't afford to miss it.

Ten-on-ten to Ranveer & Mohit. Imtiaz kept things upto expectations and Rehman brilliance can't be doubted. The movie takes off quite well with well organized sequences and keeps its grip as it progresses. Nargis was a sophisticated and high-class version of Jab We Met's Kareena. She kicks off full throttle with Janardan, to create the most entertaining moments in the movie which go quite natural with there character. The second-half of story turns a bit complicated and music again keeps the hold. But, things keep going on weaker and ultimately it somewhat bends on the lines of typical bollywood drama, not deviating from the theme. Heer's details sometimes are unnecessary, and Jordan's character is irritating sometimes.

Had it been made a little shorter, it would have been a perfect work. A good watch. Go for the music which is best in the recent past and Ranveer's performance.

After seeing Trailer Movie looking like as old movies of Ranbir but this movie is surprise package for me. Great acting and great music with nice lyrics...

Story as like old movies of Imtiaz Ali nice and different.....people are telling confusing might they don't have enough understanding.:)

Music is awesome..A.R. Rehman is best...Lyrics is also good.

Best acting of Ranbir with awesome look of ROCKSTAR Nargis is looking good but acting is OK... Shammi have very short role, we can remember as a last movie of him

Already watched 1 time bur wanna going for more times... Must watch Movie go and see...

In his quest to become the icon of a generation, the bold and awkward college student, Janardhan Jakhar embarks on a journey facing resistance, friendship, dejection and love. Such a metamorphosis takes him from the samosa 'hangout' joint on Delhi's streets to the international stage upon which he passionately performs songs of love, independence, defiance and public outcry for his rights as Jordan. As a young, reckless rockstar, he makes foolhardy decisions, behaves erratic and immature. Yet, when he holds the guitar, his music resonates deeper into his heart and this journey through realizing pain is the premise of the movie. Rockstar's length, mostly unnecessary in its numerous songs and scenic escapades is Imtiaz Ali's indulgence in story-telling where he is relentless. Adroitly crafted to capture every aesthetic element, Rockstar has its beautiful face in Nargis Fakhri, soul in Rahman's music and heart in Ranbir Kapoor's mature acting.

Janardhan's early days with a guitar in hand did not start off too well. He needed inspiration and he was advised to find that in love's parting gift of pain. Foolishly, he tried to convince the college sensation Heer (Nargis Fakhri) who wasn't too happy with his approach. However, the two end up being friends as they find a common ground in culture-defying thrills and youthful mischief. After her marriage to a 3rd party in Prague, newly Christened Jordan is left with his goals of becoming a Rockstar. Facing resistance and abandonment from his family, Jordan lives in the confines of the Hazrat Nizammudin Dargah and joins the sufi singers as well as Hindu bhajans till one day, being fed up, he arrives at Khatana bhai's (Kumud Mishra) home. Almost as an agent, Khatana brings Jordan a break-through with Dhingra-owned Platinum Records to sing in an album which launches him to stardom. With a lot of cajoling, Dhingra lets Jordan join the company's tour of Europe in Prague where he meets Heer and they resume their fun-filled adventures based on her hit-list of things-to- do. An intimate moment between the two spurs the tension in Heer and yet, they continue to meet through Jordan's continuing tour till an awkward moment arises when he breaches her home's security to say his good-bye. For his insolence, Heer rants at him and then he is incarcerated upon his arrival in India. Dhingra takes advantage of all the negative publicity that arose upon Jordan's return with a new album and series of concerts. Thus, in the wake of restraint, a rebel is born in the form of a Rockstar.

Even though the film's music failed to generate a buzz, it finds listeners when it blends into the story-line to beautifully crafted moments that express the emotions. This impact is best experienced in Jordan's dejected, angry and commanding Saadda Haq. In what turns out to be the most powerful song that translates a character's emotions into music, Saadda Haq is a rebel's theme. AR Rahman, Mohit Chauhan and lyricist Irshad Kamil produce this foot- tapping, fist clenching rock anthem that would resonate with many of the youth. Naadan Parindey by Rahman has the longing for freedom and sanctuary whereas Aur ho reverberates the pain and helplessness in the end. Jo bhi main brings out Jordan's amateurish sentiments on his path to creativity. While the other songs provide some meaning to each scenario, they add up lengthy minutes to the film's duration, thus subsiding the overall impact. On top of that, Rockstar is a melancholic movie. After his return to India, Jordan finds out about Heer's terminal illness and while he spends quality time with her, improving her condition, the inevitability is always looming. Add to that, Jordan's reckless endeavors that doesn't find favor with anyone. His carelessness and lack of focus dampen his ambitions. It's when he gets on stage that the magic occurs but that's doesn't happen too often.

In the acting department, Ranbir Kapoor has driven the movie. Portraying Jordan's immaturity, naivety and rebellious nature, Kapoor brings sincerity to his performance that was required by Imtiaz Ali's comprehensive characterization. He also pulls off the Rockstar persona very well and his defining moment would be Saadda Haq (Rakh saala!). Nargis Fakhri reminds us of Katrina's early days. Dialogue delivery is amiss but her sheer beauty is appalling in both delicate and intense scenes. Her angelic smile overcomes every sadness and warms every heart. Piyush Mishra as Dhingra is so seriously funny! He is a gifted theater actor of whom we need to see more of. Kumud Mishra plays a strong supporting role, correcting Jordan's foolhardiness and re-aligning him to his career which proves quite challenging but he portrays that with realism. Always a delight to watch the Late Shammi Kapoor even if it is for a total of 2 minutes. His calmness and charm have always been unique in his latter years and he commands the screen when he is present.

Imtiaz Ali has been among the leading directors of contemporary Indian Cinema and with Rockstar, he showcases his talent in detailed writing, characterization and visualization. The finesse in his work is in the details and he takes you through a lot to notice all of it. The length of the film owing to these details is its major folly.

Rockstar may not live up to expectations if there were big ones. Unlike 'Rock On', it won't guide you to living life to the fullest nor will it show you any dark side to the business. All it does is portray the creation of music through the experience of pain. That very journey is what Jordan undertook and rose to unprecedented levels.

Perhaps, even as a film, Rockstar will remain in the field that is beyond the ideas of right and wrong.

• 7.778 on a scale of 1-10.

The movie kicks off with a scene from the life of Jordan the rockstar who manages to escape a brawl and gets on a bus to finally reach the stage show. As he begins to sing the movie plummets through moments of his past and we come to face the simpleton Janardhan Jakhar (Ranbir Kapoor) who wishes to emulate Jim Morrison. But he isn't the ideal material as he has no heartbreaks and thus Janardan begins the search for pain. His unusual journey brings him to Heer (Nargis Fakhri).

All hell befalls on the boy and overnight he is thrown out of his house only to emerge years later as the novel singing sensation. What follows next is the story of love and loss for the protagonists as a Jordan tries to find solace in the hectic and somewhat unforgiving life of a celebrity and a torn man.

The story – 4/10 For most parts Imtiaz tries to tell a story of a love-struck boy who morphs into a singing sensation almost subtly by virtue of his pain. Yet he overlooks a very crucial element while creating the angry rockstar. It is true that pain strengthens the mettle of ordinary men and has the capacity of metamorphosing him into a tough nut but an artist's vessel isn't only composed of pain, it must also have space for the love for his work. Through most parts of the movie we see Jordan in pain and we see him complaining that how much he doesn't want to remain in the hollow tinsel town of fame and yet not once does he praise the power of music that provides him with the opportunity of self-expression. Jordan is thus an incomplete rockstar just like the story itself.

I went to the theatre with the hope of seeing the role of music in the life of an ordinary man. I went with the thought of witnessing a legend in making but all I was offered was a remade dish of Devdas. The movie perhaps would have been more aptly title as a Rockstar's Love Story because it talks more of JJ's love life rather than the experience of rising to a position that bestows a man the power to enthral millions with his voice.

The story is also a tad overdrawn and though there are moments that move you in the end it's not really enough to carry forward the legacy of cinematic expression of rock musicians that Rock On gave us.

The direction and technique – 3/10 Once again the cinematography works wonders for the eye. There are scenes that incite you with nothing but visual brilliance and while some actually mesmerise you to the spot. One scene of a fully clothed Ranvir in the bath tub with a flaming guitar and a water line obstructing that in his line of view will stay with you for many days to come.

Imtiaz's treatment with sequencing is a tad experimental for Bollywood and it often jumps beautifully between spots on the timeline while synchronising the events lucidly. Sometimes however this can become a little confusing to follow and it has created a problem in the overall flow.

On the whole however barring the need for a vehement editing to shorten the excessive length the director has put up a strong front when it comes to visual story telling.

The acting – 6/10 There is one big reason to go watch Rockstar and that reason is living. He is none other than Ranvir Kapoor. It seems that this Kapoor has a bottomless pool of talent from which he keeps on pulling out more and more. For Rockstar, Ranvir is said to have worked very hard but you can't see that on screen. On screen he is not an actor but a man who lives in the celluloid reality. If he shines astutely as the naïve Janardan then he fights, frets and chafes with a genuine misanthropic fury as Jordan. He holds the guitar not as an accessory but with the reverence it deserves and displays the various moods of the character with an effortless grace. Kudos to the actor he has evolved into and I hope he delivers such mindblowing charisma in years to come as well.

Nargis as Heer is pretty and lovely but at times unconvincing on her own. Yet whenever she is coupled with Ranvir she gels with him perfectly (wait till you see them kiss! It's kind of too real to fake).

No complains about the rest of the cast but you will probably not be able to recollect anything about them after the movie as the entire space is taken up by the 'Negative Rockstar' and his muse.

The music – 9/10 You can't put A.R. Rehman with a musical movie and not expect something special. Yes if Ranvir is the crown then Rehman is the gem of Rockstar. He entwines hard melody with sufi undertones to create such convoluted feelings of reverent pathos and powerful joy that you cannot help but be deaf to all else in the world around you.

Ya if Rockstar is worth watching then it is because we have ears to go with the eyes. The tracks have already aroused a lot of buzz and the music that comes with it is an apt garnishing for the entire mellifluous offering.

Thumbs up Mr. Rehman, you rock! So can this Rockstar rock your world? The duo of Ranvir and Rehman sure can and they do so with a lot of attitude (and a certain middle finger showing by Ranvir!).

Directions - 3/10 Acting - 6/10 music - 9/10 story - 4/10 movie = 4.5/10