Directed by
Uberto Pasolini |
Writing Credits (in alphabetical order)
Uberto Pasolini |
Cast (in credits order)
Produced by
Michael S. Constable | ... | line producer |
Ceri Hughes | ... | co-producer |
Uberto Pasolini | ... | producer |
Marco Valerio Pugini | ... | associate producer |
Christopher Simon | ... | producer |
Barnaby Southcombe | ... | executive producer |
Felix Vossen | ... | producer |
Music by
Rachel Portman |
Cinematography by
Stefano Falivene |
Editing by
Gavin Buckley | ||
Tracy Granger |
Casting By
Susie Figgis |
Production Design by
Lisa Marie Hall |
Set Decoration by
Dalia Gellert | ... | (props buyer) |
Marzia Pellissier | ... | (assistant prop master) |
Costume Design by
Pam Downe |
Makeup Department
Karen Finch | ... | makeup artist |
Sophie Rowatt | ... | makeup artist |
Emma J. Slater | ... | hair designer (as Emma Slater) / makeup designer (as Emma Slater) |
Production Management
Louis Cooper Robinson | ... | unit manager |
Second Unit Director or Assistant Director
Albert Grégoire | ... | third assistant director |
Joe Hornsey | ... | second assistant director |
Matthew Jones | ... | third assistant director |
Alex Mercer | ... | first assistant director |
Rachel Stacey | ... | floor runner |
Art Department
Jamie Bishop | ... | props |
Stéphane Daoust | ... | set dresser |
Martyn Doust | ... | property master |
Maxwell Fine | ... | art department trainee |
Elizabeth Garton | ... | art department trainee |
Louis Grant | ... | art department trainee |
Dec Hardy | ... | art department daily |
Lily McLean | ... | art department trainee |
Celina Norris | ... | petty cash buyer |
Oliver Reynolds | ... | art department trainee |
Lisa Rust | ... | props |
Alexandra Slade | ... | stand-by props |
Carole Theriault | ... | art department coordinator |
Caitlin Thompson | ... | production buyer |
Dave Tincombe | ... | set dresser |
Andy Young | ... | art department trainee |
Sound Department
Frank Barlow | ... | boom operator |
Sandy Buchanan | ... | foley editor |
Simon Bysshe | ... | additional sound mixer |
Paul Cotterell | ... | dialogue editor |
Robert Farr | ... | re-recording mixer |
Allan Fung | ... | supervising sound editor |
Greg Hagen | ... | boom operator |
Kieron Wolfson | ... | sound recordist (as Kieron Teather) |
Robert Karlsson | ... | dolby sound consultant (uncredited) |
Visual Effects by
Daniele Aliberti | ... | visual effects artist |
Stefano Camberini | ... | digital artist |
Stefan Drury | ... | head of visual effects |
James Elster | ... | digital compositor |
Martin Furman | ... | visual effects: Jellyfish Pictures |
Simone Nobili | ... | digital post-production producer |
Jessica Norton | ... | visual effects producer |
Katie Roehrick | ... | visual effects producer |
Sheila Wickens | ... | visual effects supervisor |
Camera and Electrical Department
Javier Santos Audera | ... | camera trainee dailies |
Adrian Barry | ... | key grip |
Kerry Brown | ... | still photographer |
Matthew J. Hicks | ... | digital image technician: dailies |
Tim Jordan | ... | gaffer |
Chris Kane | ... | first assistant camera |
Alanna Miejluk | ... | digital imaging technician |
Ed Miller | ... | additional stills photographer |
Daniel Evans | ... | camera trainee (uncredited) |
Casting Department
Jamie Edgerton | ... | extras casting assistant |
Johnny Lynch | ... | additional casting / casting assistant |
Lucy Rands | ... | casting assistant |
Costume and Wardrobe Department
Daisy Babbington | ... | set costumer |
Emma Rees | ... | costume supervisor |
Editorial Department
Fabio Crisante | ... | on-line editor |
Guerrino Di Benedetto | ... | colorist |
John Dwelly | ... | first assistant editor |
Location Management
Louis Cooper Robinson | ... | location scout |
Christopher Hutchins | ... | assistant location manager |
Philip King | ... | location assistant |
Joe Kotroczo | ... | location manager |
Graeme Mackenzie | ... | location scout |
Alexandre Piuze-Gualmini | ... | key assistant location manager |
Tim Preston | ... | location assistant |
Music Department
Jeff Atmajian | ... | orchestrator |
Nicholas Bucknall | ... | musician: clarinet |
Paul Clarvis | ... | musician: caixa |
Nick Cooper | ... | musician: cello |
Chris Cozens | ... | auricle control systems |
Helen Crayford | ... | musician: piano |
Chris Dibble | ... | scoring engineer |
Tracey Goldsmith | ... | musician: accordion / musician: concertina |
Janice Graham | ... | musician: violin |
George Hamer | ... | orchestra contractor |
Andrea Hess | ... | musician: cello |
Ian Humphries | ... | musician: violin |
Greg Knowles | ... | musician: cimbalom / musician: dulcimer / musician: marimba |
John Lenehan | ... | musician: piano |
Jeremy Murphy | ... | recordist |
Andy Parker | ... | musician: viola |
John Parricelli | ... | musician: guitar |
Colin Rae | ... | music preparation |
Frank Ricotti | ... | musician: percussion |
David Snell | ... | conductor |
Vicci Wardman | ... | musician: viola |
Hugh Webb | ... | musician: harp |
Karen Westropp | ... | assistant: Rachel Portman |
Robert Ziegler | ... | conductor |
Script and Continuity Department
Rebecca Sheridan | ... | script supervisor |
Lucy Ward | ... | script supervisor: additional |
Transportation Department
Ted Leaning | ... | driver |
Additional Crew
Carles Berot | ... | trailer and versions producer: advertising and promotions |
Federica De Sanctis | ... | press: BIM |
Filiz-Theres Erel | ... | production assistant |
Kasia Malipan | ... | production coordinator |
Jan Pearson | ... | head of development for embargo films |
Viviana Ronzitti | ... | press: Italy |
Dorothee Stoewahse | ... | press: international |
Lucy Ward | ... | script supervisor: dailies |
Thanks
Giuseppe Basso | ... | thanks |