An Ice Palace Romance

Yes folks another Hallmark plot to save something, in the past they've saved a wine business, a farm, a restaurant, a micro brewery, and even Christmas! This time the story involves SAVING AN ICE PALACE, (which is actually a skating rink and center of the small town festivities, "palace" makes it sound more important) Journalist, Lori, played by Celeste Desjardins faces her fears regarding a skating incident that happened from her past, and returns to her hometown to do a story. She meets the ice rink owner, Mark, played by Marcus Rosner, who is attempting to save the rink from greedy developers. All the while this is going on, there's a subplot where Lori also helps Mark's young daughter,Zoe, to try to realize her skating dreams, as Lori reflects on her own life. The movie is very predictable but the chemistry between Mark and Lori captures your attention. And Marc Rosner is one of my favorite actors and he's hot, hot, hot! It's just another pleasant "guilty pleasure" movie from Hallmark.

Celeste Desjardins ruins this entire movie with the constant fake smiling and botox face all the way through the film accompanied by the fake voice. She can barely move any of her face.......

At 27 why does she need botox or is she really 37 or 47 and faking her age too? Just don't get it...... such a pretty talented girl does not need all this fakery.........

Shannon McDonough was fun and real as the local photographer sussing out all the false motives for a new money-making plan.

Julia Dyan as the sister had potential. The stereotypical gay best-friend was just plain annoying.

Please just bring us some lovely skating instead of this fiasco!

This movie is an excellent remedy for insomnia. Based on the setting in an ice rink and the typical Hallmark plot of a young woman going back to her hometown, I wasn't expecting much from this movie. It was really boring for the first 30 minutes. Hardly anything happens other than the lead female heading to her hometown and finding out the local town single dad is into her. But the lead actors have about as much chemistry as wallpaper paste. The lead actor looks bored. The workaholic boss is loud and demanding. So many cliches. The acting is stiff and the lead actress recites her lines like she's reading from a teleprompter. The hilarious part is how the townspeople are supposed to be impressed by her figure skating skills. The lead actress (if it's even really her) can barely twirl in a circle on skates and the audience is supposed to believe she won skating awards as a teenager? The reality is that figure skating is a time-consuming and expensive sport. The casting directors could have cast some real skaters as body doubles or extras to make the skating scenes more believable. And of course, the premise of the single dad falling for the single woman from the city is so overplayed. Hallmark isn't exactly known for being original but these same plots are so trite. Save your sanity and watch something else.

Another "big city girl returns home" story from Hallmark - only to find it is where she belongs. I sure wish they would come up with different storylines. This one has been done to death. The leads are OK. There was some compatibility between the two. The skating daughter was cute. Lori decides to help coach her - even though she gave up skating long ago. Although, I have never heard of an up-and-coming skate champion giving it up because she fell. Ummmm ... I've watched the Olympics ... many skaters fall on the world stage and pick themselves up and continue. They don't just quit. Seemed pretty unrealistic to me. AND PLEASE! Stop with the flamboyant gay men! I know a lot of gay men - the majority do not behave like this. HALLMARK - in your quest to be "all-inclusive" you are defining this ALL WRONG. I'm certainly OK with gays being included in your stories - I am over you depicting them ALL as flamboyant. It's ridiculous. You should know this - you cast a lot of gay men in straight, romantic roles (Jonathan Bennett, Luke McFarlane, Peter Porte - to name three). Give it a rest!

This movie wasn't exactly a cinematic masterpiece, but oh, the model of the new ultra-modern building at the architectural firm truly stole the show. The quaint town, in a desperate bid to revamp their cozy downtown, decided to go full dystopian. They commissioned a high-rise that was the epitome of bleak - a gray, windowless monolith that could easily be mistaken for a gigantic parking garage.

The town planners, in their infinite wisdom, decided that the roof of this dreary edifice would be the town's new social hotspot. Because obviously, when you think of lively gatherings, a parking garage rooftop springs to mind.

And then, as if this architectural wonder wasn't already a marvel, the planners added another 10 stories of 'residential space' above. These living quarters were so laughably small, residents could barely fit inside. One might stand there, sandwiched between the walls, staring out into the void, thinking, "Why do I live here? My 'apartment' can't even fit a bed, and I have to limbo dance just to get through the door."

In this movie, the building model wasn't just a structure; it was a bold statement on the absurdity of modern urban planning, a tongue-in-cheek nod to the lengths we go to in the name of progress.