IMDb RATING
7.8/10
8.7K
YOUR RATING
Inventor Tim Jenison seeks to understand the painting techniques used by Dutch Master Johannes Vermeer.Inventor Tim Jenison seeks to understand the painting techniques used by Dutch Master Johannes Vermeer.Inventor Tim Jenison seeks to understand the painting techniques used by Dutch Master Johannes Vermeer.
- Nominated for 1 BAFTA Award
- 1 win & 6 nominations total
Philip Steadman
- Self
- (as Prof. Philip Steadman)
Daniëlle Lokin
- Self
- (as Daniélle Lokin)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaAbout 2400 hours of footage was collected. Director Teller had trouble editing the footage down to feature-film length and considered stopping the editing process all together. He consulted his friend Penn on where to go next, and Penn gave him a one sentence plot summary: "A man discovers how to create art without knowing how." This was all Teller needed to get the film down to feature-film length.
- Quotes
Tim Jenison: There's also this modern idea that art and technology must never meet - you know, you go to school for technology or you go to school for art, but never for both... And in the Golden Age, they were one and the same person.
- ConnectionsReferenced in Film Junk Podcast: Episode 433: TIFF 2013 (2013)
- SoundtracksSmoke On The Water
(uncredited)
Written by Jon Lord, Ian Paice, Ian Gillan, Roger Glover amd Ritchie Blackmore
Performed by Tim Jenison
Featured review
I found the DVD of this documentary sitting on the shelf of my local public library, just gathering dust. The brief description sounded very interesting so I brought it home and watched it. I recall maybe 30+ years ago visiting the New Orleans Museum of Modern Art, and seeing highly detailed old paintings and marveling at the artwork. Some may have been Vermeer, I don't recall.
The subject is the 17th century Dutch painter Vermeer. His works are known for their realistic, almost "photographic" qualities. But photography as we know it had not been invented yet. But the camera obscura was well know.
This caught the attention of inventor and wealthy Tim Jenison who had founded a company dealing in such things as video, broadcast graphics, special effects, and those sorts of things. He became interested in this subject and pursued it for several years. He first tried using a camera obscura directly but it didn't work well.
Not a painter himself, Jenison even went to Holland to see, study, and measure the room Vermeer had used for many of his paintings. Then back in San Antonio carefully built a replica in a warehouse. He devised a way to use optics and mirrors to allow him to see a scene and paint it on canvas.
The documentary is not too long, under 90 minutes, and is pretty fascinating. There will never be any proof, there are no old accounts or letters relating to the technique Vermeer, but they make a very strong case for Vermeer having used some sort of technique like this, with lenses and mirrors, to create his highly accurate paintings with a photographic look, not only the images but also the lighting and shadings.
It seems Vermeer was an early photographer, instead of film or digital imaging he captured detailed images with paint.
The subject is the 17th century Dutch painter Vermeer. His works are known for their realistic, almost "photographic" qualities. But photography as we know it had not been invented yet. But the camera obscura was well know.
This caught the attention of inventor and wealthy Tim Jenison who had founded a company dealing in such things as video, broadcast graphics, special effects, and those sorts of things. He became interested in this subject and pursued it for several years. He first tried using a camera obscura directly but it didn't work well.
Not a painter himself, Jenison even went to Holland to see, study, and measure the room Vermeer had used for many of his paintings. Then back in San Antonio carefully built a replica in a warehouse. He devised a way to use optics and mirrors to allow him to see a scene and paint it on canvas.
The documentary is not too long, under 90 minutes, and is pretty fascinating. There will never be any proof, there are no old accounts or letters relating to the technique Vermeer, but they make a very strong case for Vermeer having used some sort of technique like this, with lenses and mirrors, to create his highly accurate paintings with a photographic look, not only the images but also the lighting and shadings.
It seems Vermeer was an early photographer, instead of film or digital imaging he captured detailed images with paint.
- How long is Tim's Vermeer?Powered by Alexa
Details
- Release date
- Country of origin
- Official sites
- Languages
- Also known as
- Vermeer's Edge
- Filming locations
- Delft, Zuid-Holland, Netherlands(Some exteriors)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $1,671,377
- Opening weekend US & Canada
- $49,777
- Feb 2, 2014
- Gross worldwide
- $1,686,917
- Runtime1 hour 20 minutes
- Color
Contribute to this page
Suggest an edit or add missing content