The Hunt: The Rajiv Gandhi Assassination Case
- TV Series
- 2025–
- 50m
In 1991, Rajiv Gandhi was killed by a suicide bomber at a campaign rally. A 90-day investigation revealed LTTE involvement, leading to arrests and convictions of conspirators.In 1991, Rajiv Gandhi was killed by a suicide bomber at a campaign rally. A 90-day investigation revealed LTTE involvement, leading to arrests and convictions of conspirators.In 1991, Rajiv Gandhi was killed by a suicide bomber at a campaign rally. A 90-day investigation revealed LTTE involvement, leading to arrests and convictions of conspirators.
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I haven't read the book 80 Days, but after watching The Hunt, I'm convinced this will stand out as one of the most perfect series in the history of Indian OTT. It's not just a retelling - it's a visceral, intelligent, and deeply human portrayal of one of India's darkest chapters.
I still vividly remember the disturbing magazine covers following Rajiv Gandhi's assassination. The traumatic visuals from that day were so intense, I doubt today's media could ever publish such images. Watching this series brought those memories flooding back. The recreation is so detailed that it blurs the line between fiction and documentary.
One particular moment that blew my mind was the poster showing Dhanu and Sivasasan standing just moments before the blast. I couldn't believe it wasn't a real photograph - it was recreated with such eerie perfection, it'll give you chills. That level of precision and storytelling is rare.
I was optimistic before starting the series, and hats off to Nagesh Kukunoor for justifying every bit of that hope. He's crafted something that's not only informative but also emotionally gripping.
The sequence of the shootout between Sivasasan and the NSG commandos instantly took me back to the Doordarshan clips we saw back then - raw, chaotic, and unforgettable. The series handles it with both realism and intensity.
The ending left a lump in my throat. Watching our brave officers and soldiers go through so much, only to face endless delays and bureaucratic hurdles, was disheartening. It's a stark reminder of how often heroes are let down by the very system they serve.
Performance-wise, Amit Sial is terrific as the senior officer - calm, composed, and commanding. But honestly, Sahil Vaid outshone everyone in my view. His portrayal had layers, energy, and raw emotion that stayed with me even after the credits rolled.
SonyLIV and the entire team behind The Hunt deserve every bit of praise. This isn't just a series - it's a benchmark for how true events should be told on screen.
I still vividly remember the disturbing magazine covers following Rajiv Gandhi's assassination. The traumatic visuals from that day were so intense, I doubt today's media could ever publish such images. Watching this series brought those memories flooding back. The recreation is so detailed that it blurs the line between fiction and documentary.
One particular moment that blew my mind was the poster showing Dhanu and Sivasasan standing just moments before the blast. I couldn't believe it wasn't a real photograph - it was recreated with such eerie perfection, it'll give you chills. That level of precision and storytelling is rare.
I was optimistic before starting the series, and hats off to Nagesh Kukunoor for justifying every bit of that hope. He's crafted something that's not only informative but also emotionally gripping.
The sequence of the shootout between Sivasasan and the NSG commandos instantly took me back to the Doordarshan clips we saw back then - raw, chaotic, and unforgettable. The series handles it with both realism and intensity.
The ending left a lump in my throat. Watching our brave officers and soldiers go through so much, only to face endless delays and bureaucratic hurdles, was disheartening. It's a stark reminder of how often heroes are let down by the very system they serve.
Performance-wise, Amit Sial is terrific as the senior officer - calm, composed, and commanding. But honestly, Sahil Vaid outshone everyone in my view. His portrayal had layers, energy, and raw emotion that stayed with me even after the credits rolled.
SonyLIV and the entire team behind The Hunt deserve every bit of praise. This isn't just a series - it's a benchmark for how true events should be told on screen.
It was too interesting and engage that I binge-watched the whole series in one sitting. All the actors have done their jobs excellently. No over-acting or extra drama. The no-makeup look of the female actors who communicated with their eyes more than with their dialogues was amazing. The costumes were perfect. Although there was violence here and there, there was zero vulgarity. The dramatised version of one of the most sensational assassination cases of India brought before my eyes the real events that happened in 1991 when I was a schoolgirl. If you are a fan of crime thrillers, please go for it without any second thoughts!
As a teenager in 1991, I followed the Rajiv Gandhi assassination using newspaper cuttings - so I was already invested (read this review with that bias)
The Hunt is the television equivalent of a promising student who aces the midterm but bombs the final. It's a series that knows exactly what it wants to be, until it doesn't.
The Good News First: E 1 & 6 are genuinely excellent television. Kukunoor's direction in these episodes shows what happens when authentic procedural storytelling meets cinematic craftsmanship. Amit Sial's performance as Kaarthikeyan is consistently strong throughout, anchoring even the weaker episodes with his committed portrayal.
The Pacing Problem: Here's where things get messy. The Hunt suffers from classic limited series syndrome... too much story for too few episodes, yet somehow still managing to feel padded. Ep 1 hooks you brilliantly, Ep 2 stumbles slightly, Ep 3 recovers nicely, Ep 4 hits cruise control, Ep 5 finds its groove again, Ep 6 delivers a masterclass, and Episode 7... well, let's just say it exists.
This isn't random: it's a series that never quite figured out its rhythm. The investigation's natural pace doesn't align with television's need for consistent dramatic beats, creating a frustrating stop-start momentum that undermines the overall experience.
What Works: The authenticity feels genuine without being dry. The supporting cast, particularly in Tamil Nadu sequences, creates believable chemistry. Production values remain solid throughout, and the historical respectfulness never feels like a burden.
What Doesn't: The dialogue switching between languages remains jarring across all episodes. More critically, the series peaks too early... Ep 6's excellence makes the finale feel even more disappointing by comparison.
The Verdict: The Hunt is good television that could have been great. It's worth watching for Sial's performance and those standout episodes, but it's also a masterclass in how uneven pacing can derail otherwise solid storytelling.
Bottom Line: A series that proves authenticity and good intentions aren't enough without consistent execution. The Hunt gets more right than wrong, but those wrongs sting more because you can see how great it COULD HAVE been.
The Hunt is the television equivalent of a promising student who aces the midterm but bombs the final. It's a series that knows exactly what it wants to be, until it doesn't.
The Good News First: E 1 & 6 are genuinely excellent television. Kukunoor's direction in these episodes shows what happens when authentic procedural storytelling meets cinematic craftsmanship. Amit Sial's performance as Kaarthikeyan is consistently strong throughout, anchoring even the weaker episodes with his committed portrayal.
The Pacing Problem: Here's where things get messy. The Hunt suffers from classic limited series syndrome... too much story for too few episodes, yet somehow still managing to feel padded. Ep 1 hooks you brilliantly, Ep 2 stumbles slightly, Ep 3 recovers nicely, Ep 4 hits cruise control, Ep 5 finds its groove again, Ep 6 delivers a masterclass, and Episode 7... well, let's just say it exists.
This isn't random: it's a series that never quite figured out its rhythm. The investigation's natural pace doesn't align with television's need for consistent dramatic beats, creating a frustrating stop-start momentum that undermines the overall experience.
What Works: The authenticity feels genuine without being dry. The supporting cast, particularly in Tamil Nadu sequences, creates believable chemistry. Production values remain solid throughout, and the historical respectfulness never feels like a burden.
What Doesn't: The dialogue switching between languages remains jarring across all episodes. More critically, the series peaks too early... Ep 6's excellence makes the finale feel even more disappointing by comparison.
The Verdict: The Hunt is good television that could have been great. It's worth watching for Sial's performance and those standout episodes, but it's also a masterclass in how uneven pacing can derail otherwise solid storytelling.
Bottom Line: A series that proves authenticity and good intentions aren't enough without consistent execution. The Hunt gets more right than wrong, but those wrongs sting more because you can see how great it COULD HAVE been.
Anwar Says: A nostalgic story for the audience of 55 plus , sticking to basics, no non-sense and simultaneously revealing some facts, which at least I didn't know. For instance, the suicide bombers made a dry run on Mr. V P Singh before assassinating Rajiv Gandhi or they had Plan-B ready. Another distinguishing feature is that real names with real identities were used and I am surprised that in 2025 , censorship authorities have passed and this shows the brilliance of Nagesh Kukanoor.
Two more commendable features of this web series are casting and cinematography. Amit Sial as SIT chief is top class, as always but two more actors are worth following are Sahil Vaid as SP Amit and One Eyed Jack ( Marlon Brando fame)-Sivrasan played by Shafeeq Mustafa, the blue eyed boy of LTTE chief Prabhakaran. Shooting in the actual roads and lanes and making a 90 days hunt with landline phones, fax and no internet and latest gadgets look like a dream in the present context.
Nagesh has said in an interview that One thinks that he knows about Rajiv Gandhi assassination but he doesn't. Watch it and then you would know, he is right.
#SonyLIV #anwarsays #rajivgandhi #ltte #Jaffna #NageshKukunoor #AmitSial #mustwatch #thehunt.
Two more commendable features of this web series are casting and cinematography. Amit Sial as SIT chief is top class, as always but two more actors are worth following are Sahil Vaid as SP Amit and One Eyed Jack ( Marlon Brando fame)-Sivrasan played by Shafeeq Mustafa, the blue eyed boy of LTTE chief Prabhakaran. Shooting in the actual roads and lanes and making a 90 days hunt with landline phones, fax and no internet and latest gadgets look like a dream in the present context.
Nagesh has said in an interview that One thinks that he knows about Rajiv Gandhi assassination but he doesn't. Watch it and then you would know, he is right.
#SonyLIV #anwarsays #rajivgandhi #ltte #Jaffna #NageshKukunoor #AmitSial #mustwatch #thehunt.
Excellent presentation
No politics no propaganda. Shot like any other crime thriller .
Best in recent times . Every moment worth watching.
Casting is excellent,the pace of each episode is just right , the research is appropriate for the presentation. The characters are very well presented. It's important for the country to know the character and integrity that existed in that time and in the absence of sophisticated equipment ,it was all left to human coordination and network .the sets are good , the script is well done and has no rhetoric. The music could have been a little subdued and looks a little over but the overall experience more than makes up for it.
Best in recent times . Every moment worth watching.
Casting is excellent,the pace of each episode is just right , the research is appropriate for the presentation. The characters are very well presented. It's important for the country to know the character and integrity that existed in that time and in the absence of sophisticated equipment ,it was all left to human coordination and network .the sets are good , the script is well done and has no rhetoric. The music could have been a little subdued and looks a little over but the overall experience more than makes up for it.
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