DI
The Thames and Hudson Manual of Direct Metal Sculpture
The Thames and Hudson Manuals
A series of textbooks written by practicing
RE
designer-teachers, whose work is based
on professional and industrial experience.
CT
Thames and Hudson Manual:
Other Manuals Direct Metal Sculpture
Bookbinding by Arthur W. Johnson Direct Metal Sculpture–the art, or skill of
designing printed matter, especially print- Thames and Hudson Manual
M
Direct Metal Sculpture by Trevor Faulkner
ed words–has a history stretching back five
Dyes and Fabrics by Joyce Storey hundred years. Ever since its invention in the Trevor Faulkner
ET
Etching and Engraving by Walter Chamberlain fifteenth century printing has been based on
the use of movable types, and this technology
Professional Photography by John Constantine
has conditioned the design of everything from
and Julia Wallis
pamphlets to newspapers, books and maga-
AL
Rendering with Pen and Ink by Robert W. Gill zines. But in the last quarter of the twentieth
century a revolution has taken place. Printers
Screen Printing by Tim Mara
and designers throughout the world have jetti-
Silversmithing by Frances Loyen soned the old technology in favor of advanced
SC
Stoneware and Porcelain by David Hamilton
filmsetting and desk-top systems, which in-
troduce new problems and open up exciting
Trevor Faulkner
Textile Printing by Joyce Storey possibilities for typographers. This book tack-
les the implications for designers of the type-
UL
Typography by Ruari McLean
setting revolution. Written with an infectious
zest and enthusiasm, it is sure to become the
budding typographer’s basic reference book.
PT
Trevor Faulkner is well known in the world of
books. He succeeded Sir Francis Meynell as
Thames and Hudson
500 fifth avenue, New York,
Typographic Advisor to the Stationery Office
Thames and Hudson
(1960-80) and is himself a freelance typogra-
UR
New York 10110
pher and the author of numerous publications,
$14.95 USA
including Modern Book Design (1958), Maga-
zine Design (1969) and Victorian Book Design
(2nd edition 1972).
E
Thames and Hudson Manual:
Bookbinding
Bookbinding–the art, or skill of designing printed matter, especially printed words–has
a history stretching back five hundred years. Ever since its invention in the fifteenth
The Thames and Hudson Manual of Bookbinding
century printing has been based on the use of movable types, and this technology
has conditioned the design of everything from pamphlets to newspapers, books and
magazines. But in the last quarter of the twentieth century a revolution has taken
G
place. Printers and designers throughout the world have jettisoned the old technology
in favor of advanced filmsetting and desk-top systems, which introduce new problems
IN
and open up exciting possibilities for typographers. This book tackles the implications
for designers of the typesetting revolution. Written with an infectious zest and enthu-
siasm, it is sure to become the budding typographer’s basic reference book. Arthur
W. Johnson is well known in the world of books. He succeeded Sir Francis Meynell
as Typographic Advisor to the Stationery Office (1960-80) and is herself a freelance
ND
typographer and the author of numerous publications, including Modern Book Design
(1958), Magazine Design (1969) and Victorian Book Design (2nd edition 1972).
The Thames and Hudson Manuals
BI
A series of textbooks written by practicing
designer-teachers, whose work is based
on professional and industrial experience.
OK
Arthur W. Johnson
Other Manuals
Bookbinding by Arthur W. Johnson Rendering with Pen and Ink by Robert W. Gill
Direct Metal Sculpture by Trevor Faulkner Screen Printing by Tim Mara
Dyes and Fabrics by Joyce Storey Silversmithing by Frances Loyen
BO
Etching and Engraving by Walter Chamberlain Stoneware and Porcelain by David Hamilton
Professional Photography by John Constantine Textile Printing by Joyce Storey
and Julia Wallis
Typography by Ruari McLean
Thames and Hudson
$14.95 USA
Thames and Hudson
500 fifth avenue, New York,
New York 10110
Thames and Hudson Manual
Arthur W. Johnson
The Thames and Hudson Manual of Professional Photography
PR
The Thames and Hudson Manuals
A series of textbooks written by practicing
Thames and Hudson Manual
OF
designer-teachers, whose work is based
on professional and industrial experience.
John Constantine
ES
Thames and Hudson Manual:
Julia Wallis
Professional Photography Other Manuals
SI
Professional Photography–the art, or skill of Bookbinding by Arthur W. Johnson
designing printed matter, especially print- Direct Metal Sculpture by Trevor Faulkner
ed words–has a history stretching back five
ON
hundred years. Ever since its invention in the Dyes and Fabrics by Joyce Storey
fifteenth century printing has been based on Etching and Engraving by Walter Chamberlain
the use of movable types, and this technology
Professional Photography by John Constantine
has conditioned the design of everything from
AL
and Julia Wallis
pamphlets to newspapers, books and maga-
zines. But in the last quarter of the twentieth Rendering with Pen and Ink by Robert W. Gill
century a revolution has taken place. Printers
Screen Printing by Tim Mara
and designers throughout the world have jetti-
PH
soned the old technology in favor of advanced Silversmithing by Frances Loyen
filmsetting and desk-top systems, which in- Stoneware and Porcelain by David Hamilton
troduce new problems and open up exciting
John Constantine
OT
possibilities for typographers. This book tack- Textile Printing by Joyce Storey
Julia Wallis
les the implications for designers of the type- Typography by Ruari McLean
setting revolution. Written with an infectious
OG
zest and enthusiasm, it is sure to become the
budding typographer’s basic reference book.
John Constantine and Julia Wallis are well
known in the world of books. They succeeded
RA
Thames and Hudson
Sir Francis Meynell as Typographic Advisor to 500 fifth avenue, New York,
the Stationery Office (1960-80) and is himself New York 10110
Thames and Hudson
a freelance typographer and the author of nu-
$14.95 USA
PH
merous publications, including Modern Book
Design (1958), Magazine Design (1969) and
Victorian Book Design (2nd edition 1972).
Y
Thames and Hudson Manual
The Thames and Hudson Manuals
A series of textbooks written by practicing
Joyce Storey
designer-teachers, whose work is based
on professional and industrial experience.
S
The Thames and Hudson Manual of Dyes and Fabrics
Other Manuals
IC
Bookbinding by Arthur W. Johnson Rendering with Pen and Ink by Robert W. Gill
Direct Metal Sculpture by Trevor Faulkner Screen Printing by Tim Mara
BR
Dyes and Fabrics by Joyce Storey Silversmithing by Frances Loyen
Etching and Engraving by Walter Chamberlain Stoneware and Porcelain by David Hamilton
Professional Photography by John Constantine Textile Printing by Joyce Storey
and Julia Wallis
FA
Typography by Ruari McLean
Thames and Hudson Manual:
Dyes and Fabrics
Dyes and Fabrics–the art, or skill of designing printed matter, especially printed
D
words–has a history stretching back five hundred years. Ever since its invention in
the fifteenth century printing has been based on the use of movable types, and this
AN
technology has conditioned the design of everything from pamphlets to newspapers,
books and magazines. But in the last quarter of the twentieth century a revolution
has taken place. Printers and designers throughout the world have jettisoned the old
technology in favor of advanced filmsetting and desk-top systems, which introduce
new problems and open up exciting possibilities for typographers. This book tackles
the implications for designers of the typesetting revolution. Written with an infectious
Joyce Storey
ES
zest and enthusiasm, it is sure to become the budding typographer’s basic reference
book. Joyce Storey is well known in the world of books. She succeeded Sir Francis
Meynell as Typographic Advisor to the Stationery Office (1960-80) and is herself a free-
lance typographer and the author of numerous publications, including Modern Book
DY
Design (1958), Magazine Design (1969) and Victorian Book Design (2nd edition 1972).
Thames and Hudson
$14.95 USA
Thames and Hudson
500 fifth avenue, New York,
New York 10110
ARTHUR W. JOHNSON
The Thames and Hudson Manuals
A series of textbooks written by practicing de-
signer-teachers, whose work is based on pro-
fessional and industrial experience.
Thames and Hudson Manual
Thames and Hudson Manual:
Bookbinding
Bookbinding–the art, or skill of designing print-
ed matter, especially printed words–has a history
Other Manuals
Bookbinding by Arthur W. Johnson
Bookbinding
stretching back five hundred years. Ever since Direct Metal Sculpture by Trevor Faulkner
its invention in the fifteenth century printing has Dyes and Fabrics by Joyce Storey
been based on the use of movable types, and
this technology has conditioned the design of ev- Etching and Engraving by Walter Chamberlain
erything from pamphlets to newspapers, books Professional Photography by John Constantine and
and magazines. But in the last quarter of the Julia Wallis
twentieth century a revolution has taken place.
Rendering with Pen and Ink by Robert W. Gill
Printers and designers throughout the world
have jettisoned the old technology in favor of ad- Screen Printing by Tim Mara
The Thames and Hudson Manual of Bookbinding
vanced filmsetting and desk-top systems, which
Silversmithing by Frances Loyen
introduce new problems and open up exciting
possibilities for typographers. This book tackles Stoneware and Porcelain by David Hamilton
the implications for designers of the typesetting Textile Printing by Joyce Storey
revolution. Written with an infectious zest and en-
thusiasm, it is sure to become the budding typog- Typography by Ruari McLean
rapher’s basic reference book. Arthur W. Johnson
is well known in the world of books. He succeed-
ed Sir Francis Meynell as Typographic Advisor to
the Stationery Office (1960-80) and is himself a
freelance typographer and the author of numer-
ous publications, including Modern Book Design
(1958), Magazine Design (1969) and Victorian
Book Design (2nd edition 1972).
$14.95 USA
Thames and Hudson Arthur W. Johnson
500 fifth avenue, New York,
New York 10110
JOHN CONSTANTINE
JULIA WALLIS
Other Manuals Thames and Hudson Manual:
Bookbinding by Arthur W. Johnson
Professional Photography
Professional Photography–the art, or skill of design-
Thames
Direct Metal Sculpture by Trevor Faulkner ing printed matter, especially printed words–has a
history stretching back five hundred years. Ever
and
Dyes and Fabrics by Joyce Storey
since its invention in the fifteenth century printing Hudson
Manual
Etching and Engraving by Walter Chamberlain has been based on the use of movable types, and
Professional Photography by John Constantine and this technology has conditioned the design of ev-
Julia Wallis erything from pamphlets to newspapers, books and
magazines. But in the last quarter of the twentieth
Rendering with Pen and Ink by Robert W. Gill
century a revolution has taken place. Printers and
Screen Printing by Tim Mara designers throughout the world have jettisoned the
old technology in favor of advanced filmsetting and
Silversmithing by Frances Loyen
desk-top systems, which introduce new problems
The Thames and Hudson Manual of Professional Photography
Stoneware and Porcelain by David Hamilton and open up exciting possibilities for typographers.
Textile Printing by Joyce Storey
This book tackles the implications for designers of
the typesetting revolution. Written with an infectious
Typography by Ruari McLean zest and enthusiasm, it is sure to become the bud-
ding typographer’s basic reference book. John Con-
stantine and Julia Wallis are well known in the world
of books. They succeeded Sir Francis Meynell as
Typographic Advisor to the Stationery Office (1960-
80) and is himself a freelance typographer and the
author of numerous publications, including Modern
Book Design (1958), Magazine Design (1969) and
Victorian Book Design (2nd edition 1972).
The Thames and Hudson Manuals
A series of textbooks written by practicing John Constantine
designer-teachers, whose work is based on
professional and industrial experience.
Julia Wallis
$14.95 USA Professional
Thames and Hudson
500 fifth avenue, New York,
New York 10110 Photography
JOYCE STOREY
Dyes
The Thames and Hudson Manuals
A series of textbooks written by practicing de-
signer-teachers, whose work is based on pro-
fessional and industrial experience.
and
Fabrics
Thames and Hudson Manual:
Dyes and Fabrics Other Manuals
Dyes and Fabrics–the art, or skill of designing
Bookbinding by Arthur W. Johnson
printed matter, especially printed words–has a
history stretching back five hundred years. Ever
since its invention in the fifteenth century printing
Direct Metal Sculpture by Trevor Faulkner
Joyce Storey
Dyes and Fabrics by Joyce Storey
has been based on the use of movable types, and
this technology has conditioned the design of ev- Etching and Engraving by Walter Chamberlain
erything from pamphlets to newspapers, books Professional Photography by John Constantine and
The Thames and Hudson Manual of Dyes and Fabrics
and magazines. But in the last quarter of the Julia Wallis
twentieth century a revolution has taken place.
Rendering with Pen and Ink by Robert W. Gill
Printers and designers throughout the world
have jettisoned the old technology in favor of ad- Screen Printing by Tim Mara
vanced filmsetting and desk-top systems, which
Silversmithing by Frances Loyen
introduce new problems and open up exciting
possibilities for typographers. This book tackles Stoneware and Porcelain by David Hamilton
the implications for designers of the typesetting Textile Printing by Joyce Storey
revolution. Written with an infectious zest and en-
thusiasm, it is sure to become the budding typog- Typography by Ruari McLean
rapher’s basic reference book. Joyce Storey is
well known in the world of books. She succeed-
ed Sir Francis Meynell as Typographic Advisor to
the Stationery Office (1960-80) and is himself a
freelance typographer and the author of numer-
ous publications, including Modern Book Design
(1958), Magazine Design (1969) and Victorian Thames and Hudson
500 fifth avenue, New York,
Book Design (2nd edition 1972). New York 10110
$14.95 USA
Thames and
Hudson Manual
TREVOR FAULKNER
Other Manuals Thames and Hudson Manual:
Direct Metal Sculpture
Thames and Hudson Manual
Direct Metal
Bookbinding by Arthur W. Johnson
Direct Metal Sculpture–the art, or skill of design-
Direct Metal Sculpture by Trevor Faulkner ing printed matter, especially printed words–has
a history stretching back five hundred years. Ever
Sculpture
Dyes and Fabrics by Joyce Storey
since its invention in the fifteenth century printing
Etching and Engraving by Walter Chamberlain has been based on the use of movable types, and
Professional Photography by John Constantine and this technology has conditioned the design of ev-
Julia Wallis erything from pamphlets to newspapers, books and
Rendering with Pen and Ink by Robert W. Gill
magazines. But in the last quarter of the twentieth Trevor Faulkner
century a revolution has taken place. Printers and
Screen Printing by Tim Mara designers throughout the world have jettisoned the
old technology in favor of advanced filmsetting and
Silversmithing by Frances Loyen
desk-top systems, which introduce new problems
Stoneware and Porcelain by David Hamilton and open up exciting possibilities for typographers.
Textile Printing by Joyce Storey
This book tackles the implications for designers of
the typesetting revolution. Written with an infec-
The Thames and Hudson Manual of Direct Metal Sculpture
Typography by Ruari McLean tious zest and enthusiasm, it is sure to become the
budding typographer’s basic reference book. Trevor
Faulkner is well known in the world of books. He
succeeded Sir Francis Meynell as Typographic
Advisor to the Stationery Office (1960-80) and is
himself a freelance typographer and the author of
numerous publications, including Modern Book De-
sign (1958), Magazine Design (1969) and Victorian
Book Design (2nd edition 1972).
The Thames and Hudson Manuals
A series of textbooks written by practicing
designer-teachers, whose work is based on
professional and industrial experience.
$14.95 USA
Thames and Hudson
500 fifth avenue, New York,
New York 10110
