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Vitruvius and Architectural Theory

The document discusses architectural theory from antiquity to the present. It begins by covering Marcus Vitruvius Pollio, a 1st century BCE Roman architect and writer who authored the seminal text De Architectura. Vitruvius established key principles of architecture including firmness, commodity, and delight. His work influenced Renaissance architects. The document also briefly mentions the Mayamata, an ancient Indian treatise on housing architecture and vastu, which explains the ideal use of natural forces and elements in design.

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Shivram VJ
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0% found this document useful (0 votes)
142 views23 pages

Vitruvius and Architectural Theory

The document discusses architectural theory from antiquity to the present. It begins by covering Marcus Vitruvius Pollio, a 1st century BCE Roman architect and writer who authored the seminal text De Architectura. Vitruvius established key principles of architecture including firmness, commodity, and delight. His work influenced Renaissance architects. The document also briefly mentions the Mayamata, an ancient Indian treatise on housing architecture and vastu, which explains the ideal use of natural forces and elements in design.

Uploaded by

Shivram VJ
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Theor y of Design -II

Importance of Architecture theory

What is the architecture theory?

How it is useful?

What excites you about the theory ?

What scares you about the theory?


Introduction :
o Broad overview of the evolution of thoughts and trends in architecture practice across time
line.
o Understand architectural theory from Antiquity to Post Modern Movement.
o Explore the trends and practice followed in architecture design across the timeline.
o Reinforce the conceptual and critical thinking ability.
• Emphasize on understanding of contribution of various Architects to theory, their ideologies
and influences in development of architecture style across the time line.

Architecture Timeline
Europe Map
Theory in Antiquity

Marcus Vitruvius Pollio


Theory in Antiquity
The first formal evidence about major architectural theory in antiquity,

until the 1st century BCE, is Vitruvius.

This does not mean, that such works did not exist. Many works never survived antiquity.
Marcus Vitruvius Pollio
He was famous Roman architect, writer in the 1st century BC.

Vitruvius - Architectural theorist Known for having written multivolume work- De architectura
(known as The Ten Books of Architecture)

This book covers almost every aspect of Roman architecture, from town planning, materials, decorations,
temples, water supplies, etc.

It rigorously defines the classical Order of Architecture.

It also proposes the three fundamental laws that Architecture must obey :

Firmitas (structural Stability),


Utilitas (functional adequacy),
Venustas (Beauty).

The rediscovery of Vitruvius' work had a profound influence on architects of the Renaissance such as Niccoli,
Brunelleschi and Leon Battista Alberti.
Theory in Antiquity
Architecture theory began with Marcus Vitruvius polio
He was famous Roman architect, writer in the 1st century BC.

Vitruvius - Aarchitectural theorist Known for having written multivolume work-

De architectura (known as The Ten Books of Architecture)


This does not mean, that such works did not exist. Many works never survived antiquity.

The book was practical guide to the design and construction of town, infrastructure, public building and

private residences during Roman architecture.

This book also included discussions of material properties and usage, proportions and geometry, site
orientations and water supplies, etc. all of which are issues still relevant to architecture today.

He proposed in his work the three fundamental laws that Architecture must obey :

Firmitas (structural Stability),


Utilitas (functional adequacy),
Venustas (Beauty).

The rediscovery of Vitruvius' work had a profound influence on architects of the Renaissance such as Niccoli,
Brunelleschi and Leon Battista Alberti
De architectura – Ten Books on Architecture

1. Town planning, architecture or civil engineering in general, and the qualifications required

of an architect or the civil engineer

2. Building materials

3. Temples and the orders of architecture

4. Continuation of book III (temples, the different types of columns, theory of

proportions)

5. Civil buildings (baths , theatres)

6. Domestic buildings

7. Pavements and decorative plasterwork

8. Water supplies and aqueducts

9. Sciences influencing architecture-geometry, measurement,

astronomy, sundial

10.Use and construction of machines - Roman siege engines, water mills, drainage

machines, Roman technology, pneumatics


VITRUVIAN TRIAD:
De Architectura, asserted that there were three principles of good architecture:

Firmatis (Durability) - It should stand up robustly and remain in good condition.

Utilitas (Utility) - It should be useful and function well for the people using it.

Venustatis (Beauty) - It should delight people and raise their spirits.

Firmness (structural stability)

FIRMITAS

UTILITAS VENUSTAS

Commodity (function) Venustas (Aesthetics/Beauty)


Durability will be assured when foundations are carried down to
F I R M I TA S : the solid ground and materials wisely and liberally selected.

Durability & structural stability

Pantheon, Rome
Utilitas refers to the issues that are of importance to the
U T I L I TA S : functionality of architecture.

appropriate spatial accommodation

When the arrangement of the apartments is faultless and presents no hindrance to use.

Markets of Trajan · Rome, Italy


is about architectural beauty, which in Vitruvius' classical universe
V E N U STA S : meant the building's ability to mimic natural cosmic order.

Aesthetics / attractive appearance

when the appearance of the work is pleasing and in good taste, and when its members are
in due proportion according to correct principles of symmetry.

Mausoleum of Augustus · Rome, Italy


Leonardo da Vinci’s , illustration of Vitruvian Man, 1492
VITRUVIUS’ IDEA OF BEAUTY & PROPORTION:
The Vitruvian Man which is translated to
"The proportions of the human body according to Vitruvius described the human figure as
Vitruvius"), is a drawing by the Italian polymath Leonardo being the principal source of proportion.
da Vinci around 1490.

The drawing is based on the correlations of ideal human


proportions with geometry described by the ancient Roman
architect Vitruvius in Book III of his treatise De architectura.

He states that these buildings should be based on the


proportions of man, because the human body is the model
of perfection. He justifies this by stating that the human
body with arms and legs extended fits into the perfect
geometric forms, the circle, and the square.

The drawing and text are sometimes called the Canon of


Proportions or, less often, Proportions of Man. It is kept in
the Gabinetto dei disegni e stampe of the Gallerie
dell'Accademia, in Venice, Italy, under reference 228.

Vitruvius described the human figure as being the principal


source of proportion among the classical orders of
architecture. Vitruvius determined that the ideal body
should be eight heads high. Leonardo's drawing is Leonardo da Vinci, Vitruvian Man, 1492
traditionally named in honor of the architect.
VITRUVIUS’ IDEA OF BEAUTY & PROPORTION:
Vitruvius described the human figure as
Vitruvius also studied human proportions (Book III) and being the principal source of proportion.
his canons were later encoded in a very famous drawing
by Leonardo da Vinci ("Vitruvian Man").

The navel is naturally placed in the centre of the human


body, and, if in a man lying with his face upward, and his
hands and feet extended, from his navel as the centre, a
circle be described, it will touch his fingers and toes. It is
not alone by a circle, that the human body is thus
circumscribed, as may be seen by placing it within a
square.

For measuring from the feet to the crown of the head,


and then across the arms fully extended, we find the
latter measure equal to the former; so that lines at right
angles to each other, enclosing the figure, will form a
square.

Leonardo da Vinci, Vitruvian Man, 1492


De architectura. Vitruvius described the human figure as being the principal source
of proportion among the classical orders of architecture

For Vitruvius, the lower


diameter of the column is
the base module that
regulates the dimension
and proportions of the
According to Vitruvius, all plans
columns. The height of the entablature, its
of temples are completely
developed by geometric decoration and the tapering of
partitions and relations. the shafts are based on the
columns dimensions.
Vitruvius believed the workings of the human body to be an analogy for
the workings of the universe.

The architecture that Vitruvius prescripts is highly dependent on the nature


from its site to proper proportion of the 4 elements in material to the
relation of the human proportion in aesthetics and use.

"Vitruvian Man", illustration in the edition of De architectura by


Vitruvius; illustrated edition by Cesare Cesariano
Mayamata

An Indian Treatise on Housing Architecture


• The Mayamata is a Vastusastra, i.e. a treatise on
dwellings.

• It contains numerous and precise descriptions of


villages and towns as well as of the temples, houses,
mansions and palaces.

• It gives indications for the selection of a proper


orientation, right dimensions, and of appropriate
materials.

• It intends to be a manual for the architect and a


guidebook for the layman.

• Its application in all fields, are being scrutinized for


their possible modern application.
Vastu explains the ideal
use of the magnetic, solar
and spiritual force and the
five basic elements-Earth,
Fire, Water, Air and Space.
Reference video: https://www.youtube.com/watch?v=uMgtEL_9lkA

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