Case 2:24-cv-01587-HDV-SSC Document 22 Filed 05/03/24 Page 1 of 31 Page ID #:99

1 SHEPPARD, MULLIN, RICHTER & HAMPTON LLP

WOOK HWANG (pro hac vice)
2
whwang@sheppardmullin.com
3 KATHERINE ANNE BOY SKIPSEY (pro hac vice to be submitted)
kboyskipsey@sheppardmullin.com
4 30 Rockefeller Plaza
5 New York, New York 10112-0015
Telephone: 212.653.8700
6 Facsimile: 212.653.8701
7
SHEPPARD MULLIN RICHTER & HAMPTON LLP
8 DYLAN J. PRICE, Cal. Bar No. 258896
dprice@sheppardmullin.com
9 PAUL A. BOST, Cal. Bar No. 261531
10 pbost@sheppardmullin.com
1901 Avenue of the Stars, Suite 1600
11 Los Angeles, California 90067-6017
Telephone: (310) 228-3700
12
Facsimile: (310) 228-3701
13
Attorneys for Defendants
14 METRO-GOLDWYN-MAYER STUDIOS INC.,
AMAZON STUDIOS LLC & UNITED ARTISTS
15
PICTURES INC.
16
UNITED STATES DISTRICT COURT
17
CENTRAL DISTRICT OF CALIFORNIA, WESTERN DIVISION
18
19
R. LANCE HILL, an individual, Case No. 2:24-cv-01587-HDV-SSC
20
Plaintiff, Assigned to: Hon. Hernan D. Vera
21
22 v. ANSWER OF DEFENDANTS
METRO-GOLDWYN-MAYER
23 METRO-GOLDWYN-MAYER STUDIOS INC., AMAZON
STUDIOS INC., a Delaware STUDIOS LLC, AND UNITED
24
corporation; AMAZON STUDIOS ARTISTS PICTURES INC. TO
25 LLC, a California limited liability COMPLAINT; AND
company; UNITED ARTISTS COUNTERCLAIMS
26 PICTURES INC., a Delaware
27 corporation; and DOES 1-10, [Complaint Filed: February 27, 2024]

28 Defendants.

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1 METRO-GOLDWYN-MAYER
STUDIOS INC., a Delaware
2
corporation; AMAZON STUDIOS
3 LLC, a California limited liability
company; UNITED ARTISTS
4 PICTURES INC., a Delaware
5 corporation,
6 Counterclaimants,
7
v.
8
R. LANCE HILL, an individual; and
9 LADY AMOS LITERARY WORKS
10 LTD., a Canadian corporation,
11 Counterclaim Defendant
and Third-Party
12
Counterclaim Defendant.
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28

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1 Defendants Metro-Goldwyn-Mayer Studios Inc. (“MGM”), Amazon Studios

2 LLC (“Amazon Studios”) and United Artists Pictures Inc. (“UA”) (collectively,
3 “Defendants”) hereby answer the Complaint of Plaintiff R. Lance Hill (“Plaintiff” or
4 “Hill”) as follows:1
5 PRELIMINARY STATEMENT
6 Plaintiff’s Complaint ignores the well-established rule of copyright law that the
7 author of a work made for hire is not the individual who created the work. In 1986,
8 Hill personally acknowledged, represented, warranted—and indeed, contractually
9 guaranteed—that the 1986 screenplay entitled Roadhouse was created as a work
10 made for hire for his own company, Lady Amos Literary Works, Ltd. (“Lady Amos”),
11 and that Lady Amos—not Hill—was therefore its author within the meaning of the
12 U.S. Copyright Act. For that same reason, Lady Amos, not Hill, was the grantor of
13 the rights that UA purchased in 1986. Hill cannot rewrite this history now, nearly
14 four decades after the fact. His attempt to terminate that grant is invalid and his
15 copyright infringement claim is doomed to fail.
16 NATURE OF THE ACTION
17 1. Defendants lack knowledge or information sufficient to form a belief as
18 to the truth of the allegations in Paragraph 1 of the Complaint, and, accordingly, deny
19 such allegations.
20 2. Defendants admit upon information and belief that Hill wrote the 1986
21 screenplay entitled Roadhouse (the “1986 Screenplay”). Defendants deny the
22 remaining allegations in Paragraph 2 of the Complaint.
23 3. Defendants admit that UA acquired the rights to the 1986 Screenplay
24 from Lady Amos and thereafter produced the 1989 film entitled Road House (the
25
26
1
For the Court’s convenience, Defendants’ Answer follows the organization of the
27 Complaint and repeats the headings included by Plaintiff therein. Defendants’
28 inclusion of the Complaint’s headings should not be construed as, and is not, an
admission of any facts referred to therein.

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1 “1989 Film”). Defendants deny the remaining allegations in Paragraph 3 of the

2 Complaint, including that Hill ever held any copyright interest in the 1986 Screenplay.
3 4. Defendants deny the allegations in Paragraph 4 of the Complaint, except
4 admit that Hill, through his counsel Marc Toberoff, served a purported notice of
5 termination on UA and MGM on or about November 10, 2021 and appears to have
6 filed this document with the U.S. Copyright Office, along with another document
7 styled as a notice of termination directed to Lady Amos, which was never served on
8 any of Defendants.
9 5. Defendants admit that they do not acknowledge the validity of Hill’s
10 purported termination. The remaining allegations in Paragraph 5 of the Complaint
11 are mere legal argument and conclusions to which no response is required. To the
12 extent that a response is required, Defendants deny the remaining allegations in
13 Paragraph 5 of the Complaint.
14 6. Defendants admit that they produced the 2024 film entitled Road House
15 (the “2024 Film”). Defendants deny the remaining allegations in Paragraph 6 of the
16 Complaint, and further aver that principal photography on the 2024 Film was
17 completed before the purported “effective date” of Plaintiff’s invalid notice of
18 termination.
19 PARTIES
20 7. Defendants admit that Plaintiff is an individual. Defendants lack
21 knowledge or information sufficient to form a belief as to the truth of the remaining
22 allegations in Paragraph 7 of the Complaint and, therefore, deny them.
23 8. Defendants admit the allegations in Paragraph 8 of the Complaint.
24 9. Defendants admit the allegations in Paragraph 9 of the Complaint.
25 10. Defendants admit the allegations in Paragraph 10 of the Complaint.
26 JURISDICTION AND VENUE
27 11. The allegations in Paragraph 11 of the Complaint are mere legal
28 argument and conclusions to which no response is required. To the extent that a

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1 response is required, Defendants deny the allegations in Paragraph 11 of the

2 Complaint.
3 12. The allegations in Paragraph 12 of the Complaint are mere legal
4 argument and conclusions to which no response is required. To the extent that a
5 response is required, Defendants deny the allegations in Paragraph 12 of the
6 Complaint.
7 13. The allegations in Paragraph 13 of the Complaint are mere legal
8 argument and conclusions to which no response is required. To the extent that a
9 response is required, Defendants deny the allegations in Paragraph 13 of the
10 Complaint.
11 14. The allegations in Paragraph 14 of the Complaint are mere legal
12 argument and conclusions to which no response is required. To the extent that a
13 response is required, Defendants deny the allegations in Paragraph 14 of the
14 Complaint.
15 15. The allegations in Paragraph 15 of the Complaint are mere legal
16 argument and conclusions to which no response is required. To the extent that a
17 response is required, Defendants deny the allegations in Paragraph 15 of the
18 Complaint.
19 16. The allegations in Paragraph 16 of the Complaint are mere legal
20 argument and conclusions to which no response is required. To the extent that a
21 response is required, Defendants deny the allegations in Paragraph 16 of the
22 Complaint.
23 17. The allegations in Paragraph 17 of the Complaint are mere legal
24 argument and conclusions to which no response is required. To the extent that a
25 response is required, Defendants deny the allegations in Paragraph 17 of the
26 Complaint.
27 18. The allegations in Paragraph 18 of the Complaint are mere legal
28 argument and conclusions to which no response is required. To the extent that a

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1 response is required, Defendants deny the allegations in Paragraph 18 of the

2 Complaint.
3 STATUTORY BACKGROUND
4 19. The allegations in Paragraph 19 of the Complaint are mere legal
5 argument and conclusions to which no response is required. To the extent that a
6 response is required, Defendants aver that Plaintiff’s characterizations are wrong
7 and/or incomplete.
8 20. The allegations in Paragraph 20 of the Complaint are mere legal
9 argument and conclusions to which no response is required. To the extent that a
10 response is required, Defendants aver that Plaintiff’s characterizations are wrong
11 and/or incomplete.
12 21. The allegations in Paragraph 21 of the Complaint are mere legal
13 argument and conclusions to which no response is required. To the extent that a
14 response is required, Defendants aver that Plaintiff’s characterizations are wrong
15 and/or incomplete.
16 22. The allegations in Paragraph 22 of the Complaint are mere legal
17 argument and conclusions to which no response is required. To the extent that a
18 response is required, Defendants aver that Plaintiff’s characterizations are wrong
19 and/or incomplete.
20 23. The allegations in Paragraph 23 of the Complaint are mere legal
21 argument and conclusions to which no response is required. To the extent that a
22 response is required, Defendants aver that Plaintiff’s characterizations are wrong
23 and/or incomplete.
24 24. The allegations in Paragraph 24 of the Complaint are mere legal
25 argument and conclusions to which no response is required. To the extent that a
26 response is required, Defendants aver that Plaintiff’s characterizations are wrong
27 and/or incomplete.
28

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1 25. The allegations in Paragraph 25 of the Complaint are mere legal

2 argument and conclusions to which no response is required. To the extent that a
3 response is required, Defendants aver that Plaintiff’s characterizations are wrong
4 and/or incomplete.
5 26. Defendants admit that they hold foreign rights to the 1986 Screenplay
6 irrespective of Plaintiff’s purported termination. Defendants deny the remaining
7 allegations in Paragraph 26 of the Complaint, and specifically deny that Hill is an
8 “author” of the 1986 Screenplay under the Copyright Act of 1976.
9 FACTS COMMON TO ALL CLAIMS FOR RELIEF
10 27. Defendants admit on information and belief that Hill wrote the 1986
11 Screenplay, but specifically deny that Hill is the author of the 1986 Screenplay for
12 purposes of the Copyright Act. Defendants lack knowledge or information sufficient
13 to form a belief as to the truth of the remaining allegations in Paragraph 27 of the
14 Complaint and, therefore, deny them.
15 28. Defendants deny the allegations in Paragraph 28 of the Complaint.
16 29. Defendants lack knowledge or information sufficient to form a belief as
17 to the truth of the allegations in Paragraph 29 of the Complaint and, therefore, deny
18 them.
19 30. Defendants admit that UA acquired the rights to the 1986 Screenplay
20 pursuant to a Literary Purchase Agreement (the “1986 LPA”) with Lady Amos, which
21 was executed on or about September 16, 1986; obtained a short-form Assignment
22 pursuant to the 1986 LPA; and, relying on the rights secured pursuant to the LPA,
23 produced and released the 1989 Film starring Patrick Swayze. Defendants deny the
24 remaining allegations in Paragraph 30.
25 31. Defendants admit upon information and belief that UA acquired the
26 rights to the 1986 Screenplay from Lady Amos pursuant to the grant set forth in the
27 1986 LPA after the 1986 Screenplay had been completed. Defendants deny the
28

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1 remaining allegations in Paragraph 31, and refer the Court to the 1986 LPA for its
2 terms.
3 32. Defendants deny the allegations in Paragraph 32 of the Complaint,
4 except admit that Hill, through his counsel Marc Toberoff, served a notice of
5 termination on UA and MGM (the “LPA Termination Notice”) on or about November
6 10, 2021 purporting to terminate the rights Defendants acquired from Lady Amos
7 pursuant to the 1986 LPA, with a putative effective date of November 11, 2023.
8 33. Defendants deny the allegations in Paragraph 33 of the Complaint.
9 34. Defendants deny that Plaintiff served Defendants with an additional
10 notice of termination (the “Lady Amos Termination Notice”) purporting to terminate
11 any alleged grant from Hill to Lady Amos of rights in the 1986 Screenplay.
12 Defendants lack knowledge or information sufficient to form a belief as to the truth
13 of the remaining allegations in Paragraph 34 of the Complaint, including whether
14 Plaintiff served the alleged Lady Amos Termination Notice on Lady Amos, and on
15 that basis deny them.
16 35. Defendants deny the allegations in Paragraph 35 of the Complaint.
17 36. Defendants deny the allegations in Paragraph 36 of the Complaint.
18 37. Defendants admit that, on December 15, 2021, Defendants’ counsel sent
19 a letter to Plaintiff’s counsel explaining that the LPA Termination Notice was invalid
20 because, among other reasons, the 1986 Screenplay had been written as a work made
21 for hire for Lady Amos, a fact that both Hill and Lady Amos—through Hill, its
22 President—acknowledged in the 1986 LPA. Defendants deny the remaining
23 allegations in Paragraph 37 of the Complaint, and refer the Court to the December 15,
24 2021 letter for its contents.
25 38. Defendants deny the allegations in Paragraph 38 of the Complaint,
26 except aver that they lack knowledge or information sufficient to form a belief as to
27 the truth of the allegations about the practices of “other movie studios” in 1986 and,
28

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1 therefore, deny them. Defendants further aver that this allegation is immaterial to the
2 issues in this action.
3 39. Defendants deny the allegations in Paragraph 39 of the Complaint.
4 40. Defendants deny the allegations in Paragraph 40 of the Complaint.
5 41. Defendants lack knowledge or information sufficient to form a belief as
6 to the truth of the allegations in Paragraph 41 of the Complaint and therefore deny
7 them.
8 42. Defendants lack knowledge or information sufficient to form a belief as
9 to the truth of the allegations in Paragraph 42 of the Complaint and therefore deny
10 them.
11 43. Defendants lack knowledge or information sufficient to form a belief as
12 to the truth of the factual allegations in Paragraph 43 of the Complaint and therefore
13 deny them. Defendants deny the legal conclusions set forth in Paragraph 43 of the
14 Complaint, and specifically deny Plaintiff’s self-serving contention that Lady Amos
15 was Hill’s “alter ego for doing business.” Defendants further aver, upon information
16 and belief, that Lady Amos is an Ontario business corporation formed in 1976, more
17 than a decade before it granted rights to UA pursuant to the 1986 LPA.
18 44. Defendants lack knowledge or information sufficient to form a belief as
19 to the truth of the allegations in Paragraph 44 of the Complaint concerning the
20 circumstances of the preparation of the 1986 Screenplay and, therefore, deny them.
21 Defendants further aver that any allegations that Lady Amos lacked involvement in
22 the preparation of the 1986 Screenplay are contradicted by Hill’s own allegation that
23 Lady Amos was his “alter ego.”
24 45. Defendants deny the allegations in Paragraph 45 of the Complaint.
25 Defendants further aver that the 1986 LPA did not “retroactively convert[]” the 1986
26 Screenplay into a work made for hire. Rather, as Lady Amos and Hill themselves
27 attested in the 1986 LPA, the 1986 Screenplay was created as a work made for hire.
28 46. Defendants deny the allegations in Paragraph 46 of the Complaint.

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1 47. The allegations in Paragraph 47 the Complaint are mere legal argument
2 and conclusions to which no response is required. To the extent that a response is
3 required, Defendants deny the allegations in Paragraph 47 of the Complaint.
4 48. Defendants deny the allegations in Paragraph 48 of the Complaint.
5 49. Defendants deny the allegations in Paragraph 49 of the Complaint.
6 50. Defendants deny the allegations in Paragraph 50 of the Complaint,
7 except admit that final post-production work on the 2024 Film unrelated to the 1986
8 Screenplay was completed in or around January 2024. Defendants further aver that
9 principal photography on the 2024 Film was completed before the purported
10 “effective date” of Plaintiff’s invalid notice of termination.
11 51. Defendants deny the allegations in Paragraph 51 of the Complaint, and
12 further aver that Plaintiff’s compilation of purported “similarities” set forth in Exhibit
13 1 of the Complaint carries no evidentiary weight or probative value.
14 52. Defendants deny Plaintiff’s characterizations of the 1986 Screenplay and
15 2024 Film in Paragraph 52 of the Complaint, and refer the Court to the 1986
16 Screenplay and the 2024 Film for their contents.
17 53. Defendants deny Plaintiff’s characterizations of the 1986 Screenplay and
18 2024 Film in Paragraph 53 of the Complaint, and refer the Court to the 1986
19 Screenplay and the 2024 Film for their contents.
20 54. Defendants deny Plaintiff’s characterizations of the 1986 Screenplay and
21 2024 Film in Paragraph 54 of the Complaint, and refer the Court to the 1986
22 Screenplay and the 2024 Film for their contents.
23 55. Defendants deny Plaintiff’s characterizations of the 1986 Screenplay and
24 2024 Film in Paragraph 55 of the Complaint, and refer the Court to the 1986
25 Screenplay and the 2024 Film for their contents.
26 56. Defendants deny Plaintiff’s characterizations of the 1986 Screenplay and
27 2024 Film in Paragraph 56 of the Complaint, and refer the Court to the 1986
28 Screenplay and the 2024 Film for their contents.

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1 57. Defendants deny Plaintiff’s characterizations of the 1986 Screenplay and

2 2024 Film in Paragraph 57 of the Complaint, and refer the Court to the 1986
3 Screenplay and the 2024 Film for their contents.
4 58. Defendants deny Plaintiff’s characterizations of the 1986 Screenplay and
5 2024 Film in Paragraph 58 of the Complaint, and refer the Court to the 1986
6 Screenplay and the 2024 Film for their contents.
7 59. Defendants deny Plaintiff’s characterizations of the 1986 Screenplay and
8 2024 Film in Paragraph 59 of the Complaint, and refer the Court to the 1986
9 Screenplay and the 2024 Film for their contents.
10 60. Defendants deny Plaintiff’s characterizations of the 1986 Screenplay and
11 2024 Film in Paragraph 60 of the Complaint, and refer the Court to the 1986
12 Screenplay and the 2024 Film for their contents.
13 61. Defendants deny Plaintiff’s characterizations of the 1986 Screenplay and
14 2024 Film in Paragraph 61 of the Complaint, and refer the Court to the 1986
15 Screenplay and the 2024 Film for their contents.
16 62. Defendants deny the allegations in Paragraph 62 of the Complaint,
17 except admit that Plaintiff, along with two other individuals, received “Story by”
18 credit on the 2024 Film from the Writers Guild of America, pursuant to a collective
19 bargaining agreement that has no relevance to the issues in this action.
20 63. Defendants deny the allegations in Paragraph 63 of the Complaint,
21 except admit that Defendants did not attempt to secure a “new license” with respect
22 to the 1986 Screenplay in connection with the 2024 Film.
23 64. Defendants deny the allegations in Paragraph 64 of the Complaint.
24 65. Defendants deny the allegations in Paragraph of the Complaint, except
25 admit that some Defendants were involved in the financing, production and/or
26 distribution of the 2024 Film.
27 66. Defendants deny the allegations in Paragraph 66 of the Complaint.
28

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1 67. Defendants deny the allegations in Paragraph 67 of the Complaint,

2 except admit that Hill, through his counsel Marc Toberoff, served the LPA
3 Termination Notice on or about November 10, 2021 purporting to terminate the rights
4 Defendants acquired from Lady Amos pursuant to the 1986 LPA, with a putative
5 effective date of November 11, 2023.
6 68. Defendants deny the allegations in Paragraph 68 of the Complaint,
7 except admit that, on December 15, 2021, Defendants’ counsel sent a letter to
8 Plaintiff’s counsel explaining that the LPA Termination Notice was invalid, and refer
9 the Court to the December 15, 2021 letter for its contents.
10 69. Defendants admit that they continue to distribute and exploit the 2024
11 Film, and aver that they have the right to create other derivative works based on the
12 2024 Remake, the 1989 Film and/or the 1986 Screenplay, pursuant to the 1986 LPA
13 and various other agreements relating to these works. Defendants deny the remaining
14 allegations in Paragraph 69 of the Complaint.
15 70. Defendants deny the allegations in Paragraph 70 of the Complaint.
16 COUNT I: DECLARATORY RELIEF
17 71. Defendants incorporate by this reference their responses to Paragraphs
18 1-70 of the Complaint.
19 72. The allegations in Paragraph 72 of the Complaint are mere legal
20 argument and conclusions to which no response is required. To the extent that a
21 response is required, Defendants deny the allegations in Paragraph 72 of the
22 Complaint.
23 73. The allegations in Paragraph 73 of the Complaint are mere legal
24 argument and conclusions to which no response is required. To the extent that a
25 response is required, Defendants admit the allegations in Paragraph 73 of the
26 Complaint insofar as they merely characterize the parties’ respective positions in this
27 action.
28

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1 74. Defendants deny that Plaintiff is entitled to any of the declaratory relief
2 described in Paragraph 74(a)-(c) of the Complaint, but admit that Plaintiff seeks such
3 relief.
4 75. The allegations in Paragraph 75 of the Complaint are mere legal
5 argument and conclusions to which no response is required. To the extent that a
6 response is required, Defendants deny the allegations in Paragraph 75 of the
7 Complaint.
8 COUNT II: COPYRIGHT INFRINGEMENT
9 76. Defendants incorporate by this reference their responses to Paragraphs
10 1-75 of the Complaint.
11 77. Defendants deny the allegations in Paragraph 77 of the Complaint,
12 except admit that Plaintiff, through his counsel Marc Toberoff, registered his
13 purported copyright in the 1986 Screenplay on or about January 24, 2024, based on
14 false information submitted to the U.S. Copyright Office.
15 78. Defendants deny the allegations in Paragraph 78 of the Complaint.
16 79. Defendants deny the allegations in Paragraph 79 of the Complaint.
17 80. Defendants deny the allegations in Paragraph 80 of the Complaint.
18 81. Defendants deny the allegations in Paragraph 81 of the Complaint.
19 82. Defendants deny the allegations in Paragraph 82 of the Complaint.
20 83. Defendants deny the allegations in Paragraph 83 of the Complaint.
21 84. Defendants deny the allegations in Paragraph 84 of the Complaint.
22 85. Defendants deny the allegations in Paragraph 85 of the Complaint.
23 Defendants deny that Plaintiff is entitled to any relief whatsoever on his claims,
24 including, without limitation, any of the relief requested in Paragraphs 1-12 of the
25 “Prayer for Relief” in the Complaint.
26 SEPARATE AND ADDITIONAL DEFENSES
27 Defendants state the following separate and additional defenses, without
28 assuming the burden of proof on such defenses that would otherwise rest with

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1 Plaintiff, and without prejudice to Defendants’ right to assert any and all other
2 defenses revealed during the course of discovery.
3 FIRST DEFENSE
4 (Failure to State a Claim)
5 1. The Complaint fails to state a claim for which relief can be granted.
6 SECOND DEFENSE
7 (Lack of Copyright Ownership / Invalid Termination)
8 2. Plaintiff’s claims are barred because the 1986 grant of rights is not
9 subject to termination under 17 U.S.C. § 203, such that Plaintiff does not own a valid
10 copyright in the 1986 Screenplay.
11 THIRD DEFENSE
12 (Statute of Limitations)
13 3. Plaintiff’s claims are barred, in whole or in part, because Plaintiff’s claim
14 of authorship with respect to the 1986 Screenplay was expressly repudiated no later
15 than September 16, 1986, such that Plaintiff is time-barred from claiming authorship
16 or ownership pursuant to the three-year statute of limitations set forth in 17 U.S.C. §
17 507(b).
18 FOURTH DEFENSE
19 (Fraud on the Copyright Office / Invalid Copyright Registration)
20 4. Plaintiff’s claims are barred because Plaintiff’s copyright registration to
21 the 1986 Screenplay was secured through fraudulent statements to the Copyright
22 Office concerning Plaintiff’s purported authorship and ownership and, therefore, is
23 invalid.
24 FIFTH DEFENSE
25 (Premature Termination Notices)
26 5. Plaintiff’s claims are barred because the 1986 grant of rights to UA
27 covers the right of publication of the unpublished 1986 Screenplay and, therefore, the
28 statutory termination window, if any, begins on the earlier of the end of thirty-five

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1 years from the date of publication of the 1986 Screenplay, or the end of forty years
2 from the date of execution of the 1986 LPA. See 17 U.S.C. § 203(a)(3). As a result,
3 Plaintiff’s termination notices were premature and invalid.
4 SIXTH DEFENSE
5 (Failure to Serve Lady Amos Termination Notice)
6 6. To the extent any grant was made from Plaintiff to Lady Amos,
7 Plaintiff’s claims are barred because Plaintiff failed to serve any of Defendants with
8 the Lady Amos Termination Notice.
9 SEVENTH DEFENSE
10 (Derivative Works Exception)
11 7. Plaintiff’s claims are barred, in whole or in part, based on the derivative
12 works exception set forth in 17 U.S.C. § 203(b)(1).
13 EIGHTH DEFENSE
14 (License / Authorization)
15 8. Plaintiff’s claims are barred because Defendants have a license and/or
16 authorization to use the 1986 Screenplay.
17 NINTH DEFENSE
18 (Lack of Standing)
19 9. Plaintiff’s claims are barred because Plaintiff lacks standing to pursue
20 them.
21 TENTH DEFENSE
22 (Estoppel)
23 10. Plaintiff’s claims are barred, in whole or in part, by the doctrine of
24 estoppel, including, without limitation, judicial estoppel and equitable estoppel.
25 ELEVENTH DEFENSE
26 (Waiver)
27 11. Plaintiff’s claims are barred, in whole or in part, by the doctrine of
28 waiver.

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1 TWELFTH DEFENSE
2 (Unclean Hands)
3 12. Plaintiff’s claims are barred, in whole or in part, by the doctrine of
4 unclean hands.
5 THIRTEENTH DEFENSE
6 (Lack of Substantial Similarity)
7 13. Plaintiff’s claims are barred, in whole or in part, because the protectable
8 elements of the 1986 Screenplay are not substantially similar to the protectable
9 elements of the 2024 Film.
10 FOURTEENTH DEFENSE
11 (Unprotectable Subject Matter)
12 14. Plaintiff’s claims are barred, in whole or in part, on the basis that the
13 elements of the 1986 Screenplay that were allegedly infringed are not subject to
14 copyright protection.
15 FIFTEENTH DEFENSE
16 (Merger/Scènes-à-Faire)
17 15. Plaintiff’s claims are barred, in whole or in part, by the doctrines of
18 merger and scènes à faire.
19 SIXTEENTH DEFENSE
20 (De Minimis Infringement)
21 16. Plaintiff’s claims are barred, in whole or in part, because any
22 infringement by Defendants was de minimis and not actionable.
23 PRAYER FOR RELIEF
24 WHEREFORE, Defendants pray for judgment as follows on the Complaint:
25 a. Judgment in favor of Defendants on each of Plaintiff’s claims;
26 b. An award of all costs, including reasonable attorney’s fees, pursuant to
27 17 U.S.C. § 505; and
28 c. Such other relief as the Court deems proper.

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1 COUNTERCLAIMS
2 Counterclaimants Metro-Goldwyn-Mayer Studios Inc. (“MGM”), Amazon
3 Studios LLC (“Amazon Studios”) and United Artists Pictures Inc. (“UA”)
4 (collectively, “Counterclaimants”), as and for their counterclaims against R. Lance
5 Hill (“Hill”) and Lady Amos Literary Works, Ltd. (“Lady Amos”), hereby allege as
6 follows:
7 NATURE OF THE ACTION
8 1. Counterclaimants and their affiliated entities are the owners of all rights
9 to the Road House film franchise, including the 2024 film recently released on
10 Amazon Prime Video, along with the original 1989 cult classic film that was
11 developed from the 1986 screenplay Roadhouse that UA acquired from Hill’s
12 company, Lady Amos, in 1986. This countersuit is based on Hill’s fraudulent
13 representation to the U.S. Copyright Office that Hill is the “author” of the 1986
14 screenplay and holds attendant termination rights—the same false representations
15 now made in the Complaint to support Hill’s meritless lawsuit.
16 2. Two axiomatic and uncontested principles of copyright law dispose of
17 Hill’s claim. First, as the Complaint concedes, works made for hire are not subject
18 to termination in the first instance, because the “author” of the work is the party that
19 hired the individual and not the individual who created the work. See Cmplt. ¶ 21
20 (works made for hire are an “exemption from the Copyright Act’s termination
21 provisions”); 17 U.S.C. § 203(a) (termination permitted only in the case of works
22 “other than a work made for hire”). Second, an “author” recognized as such under
23 the Copyright Act—which Hill is not—may terminate a grant only where the “grant
24 was executed by that author.” See 17 U.S.C. § 203(a).
25 3. Hill’s attempt at termination fails on both fronts, either one of which is
26 fatal to his claim. Like many writers who set up “loan-out” companies, Hill
27 established Lady Amos as a separate business entity in 1976 for his own business
28 purposes. Pursuant to a Literary Purchase Agreement entered into with UA more than

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1 a decade later, Lady Amos accepted hundreds of thousands of dollars in consideration

2 for the transfer of all right, title and interest in the 1986 screenplay to UA. Hill himself
3 granted no copyright interest in the 1986 screenplay because he had no such interest
4 to grant.
5 4. That is because Lady Amos was the author and owner of the 1986
6 screenplay. Indeed, in the same Literary Purchase Agreement, both Hill personally
7 and Lady Amos—by its President, Hill—acknowledged, represented and warranted
8 to UA that “[Lady Amos] is the author of the [1986 Screenplay]” and that it
9 “constitutes a work-made-for-hire.” Hill’s lawsuit against Defendants seeks to
10 rewrite this history based on the remarkable premise that, in fact, Hill and Lady Amos
11 lied when attesting to these facts 38 years ago when the 1986 screenplay was actually
12 written.
13 5. Hill’s fundamental theory is that the screenplay could not have been a
14 work made for hire because Hill and Lady Amos are “alter egos,” with Lady Amos
15 serving as nothing more than a fictitious “doing business as” entity that UA forced
16 Hill to use. The public record conclusively refutes this self-serving narrative. Hill
17 formed Lady Amos in 1976—long before either Hill or Lady Amos had any dealings
18 with UA—by filing of Articles of Incorporation in Canada that identified its purpose
19 “[t]o design, create, and produce screenplays, film scripts, and adaptations” and “[t]o
20 buy, sell and deal in same.” In other words, Lady Amos was anything but a fictitious
21 “doing business as” entity lacking corporate form—a fact further underscored by
22 UA’s payment of hundreds of thousands of dollars to Lady Amos to acquire the rights
23 to the screenplay in reliance on the representations made by Hill and Lady Amos.
24 6. The contradictions and falsities set forth in the Complaint are nothing
25 but a fiction drummed up by Hill’s counsel, Marc Toberoff, to enrich them both by
26 fabricating a fraudulent claim of copyright authorship. Upon information and belief,
27 Toberoff (or a company owned and controlled by him) has acquired an interest in the
28 rights to the 1986 Screenplay or an equivalent guarantee from his client in the

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1 expectation of an undeserved windfall settlement—a scheme Toberoff has employed

2 to extract self-serving producer deals and other entitlements in numerous works for
3 which he has served notices of copyright termination, ostensibly on his clients’ behalf.
4 See Marc Toberoff - IMDb.
5 7. In furtherance of this scheme, Toberoff, on Hill’s behalf, filed an
6 application for copyright registration for the 1986 screenplay on January 24, 2024,
7 based on the knowingly false and fraudulent representation to the U.S. Copyright
8 Office that Hill was the screenplay’s “author”—a representation directly refuted by
9 Hill’s own representation made 38 years earlier that “[Lady Amos] is the author of
10 the [1986 Screenplay].”
11 8. This fraud is the predicate for the invalid termination notice Toberoff
12 served and the resulting claim of copyright ownership, which is both an element of
13 Hill’s meritless claim for copyright infringement and necessary to establish standing
14 to assert it. And the U.S. Copyright Office relied on this knowing misrepresentation
15 in issuing the 2024 copyright registration certificate—a related but independent
16 prerequisite for Hill’s Complaint.
17 9. By this countersuit, Counterclaimants seek a declaration invalidating the
18 copyright registration secured by Toberoff as a product of fraud on the U.S. Copyright
19 Office. In the alternative, and in the unlikely event that Hill and Lady Amos
20 misrepresented the facts in 1986 (and are telling the truth now, decades later),
21 Counterclaimants assert a claim for breach of contract based on the representations
22 and warranties made by Hill and Lady Amos in 1986, which Hill and Toberoff now
23 claim were false.
24 PARTIES
25 10. Upon information and belief, Hill is a citizen of Canada.
26 11. Upon information and belief, Lady Amos is a corporation organized and
27 existing under the laws of the province of Ontario, Canada, with its principal place of
28 business in Ontario, Canada.

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1 JURISDICTION AND VENUE

2 12. This action arises under the United States Copyright Act, 17 U.S.C. §§
3 101 et seq. and the Declaratory Judgment Act, 28 U.S.C. § 2201.
4 13. This Court has original subject matter jurisdiction over the counterclaims
5 set forth herein pursuant to the Copyright Act, 17 U.S.C. § 101 et seq., 28 U.S.C. §§
6 1331, 1332, 1338(a), and 2201.
7 14. This Court has supplemental subject matter jurisdiction over UA’s
8 common law claims against Hill and Lady Amos pursuant to 28 U.S.C. §1367.
9 15. This Court has personal jurisdiction over Hill and Lady Amos because,
10 inter alia, a substantial portion of the relevant acts complained of herein occurred in
11 the State of California and in this District.
12 16. Venue is proper in this District under 28 U.S.C. § 1391(b)(2) because a
13 substantial part of the events giving rise to this action occurred in this District.
14 FACTUAL BACKGROUND
15 Lady Amos’s 48-Year Corporate Existence Beginning in 1976
16 17. A true and correct copy of the certified corporate records for Lady Amos
17 is annexed hereto as Exhibit A.
18 18. As reflected therein, Hill formed Lady Amos (then named Lady Amos
19 Productions Ltd.), through counsel at the Law Offices of Leggett & Harley, on or
20 around June 22, 1976 in Ontario, Canada, with the express purposes “[t]o design,
21 create, and produce screenplays, film scripts, and adaptations”; “[t]o buy, sell and deal
22 in same”; and “[t]o act as consultants and advisors in general to the management and
23 executives of enterprises in the film industry and related industries.” See Ex. A at 9.
24 19. Lady Amos obtained its Certificate of Incorporation on June 22, 1976,
25 and a Certificate of Amendment of Articles effective as of June 9, 1978 changing its
26 name to Lady Amos Literary Works Ltd. Id. at 11, 20.
27
28

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1 20. Beginning at least as early as June 1978, both R. Lance Hill and Darlene
2 Hill served as directors and officers of Lady Amos—an arrangement that lasted at
3 least through July 1994.
4 21. Upon information and belief, Lady Amos remains an active Ontario
5 business corporation to this day, as reflected on the Ontario Business Registry website
6 (Ontario Business Registry | ontario.ca):
7
8
9
10
11
12
13
14
15
16 22. Accordingly, Lady Amos has been in existence, as a business
17 corporation distinct from Hill, from 1976 to 2024—a period of approximately 48
18 years.
19 Lady Amos’s Assignment of All Rights
20 in the 1986 Screenplay to UA
21 23. Upon information and belief, Hill wrote a screenplay entitled Roadhouse
22 in or around July 1986 (the “1986 Screenplay”).
23 24. By the Literary Purchase Agreement dated August 7, 1986, and fully
24 executed as of September 16, 1986 (the “1986 LPA”), UA purchased from Lady
25 Amos all rights to the 1986 Screenplay, as follows (¶ 2):
26 Owner [i.e. Lady Amos] hereby grants to UA, exclusively, in perpetuity
27 and throughout the universe, all right, title and interest (including all
28 copyrights, and renewals and extensions thereof) in and to the Property
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1 [i.e., the 1986 Screenplay] (hereinafter collectively, “Rights”).

2 A true and correct copy of the 1986 LPA is annexed hereto as Exhibit B.
3 25. Accordingly, the rights to the 1986 Screenplay that Lady Amos
4 conveyed to UA were complete and total, and included, “by way of illustration, all
5 motion picture rights, all television rights (pay, free, cable, live and otherwise), and
6 all allied, ancillary and subsidiary rights in the [1986 Screenplay], whether now
7 known or unknown (including, without limitation, so-called home video rights,
8 prequel, sequel and remake rights, music and music publishing rights, soundtrack
9 recording and other exploitation rights, commercial tie-up and merchandising rights,
10 publishing rights, radio rights, stage rights, and promotional and advertising rights).”
11 Ex. B ¶ 2.
12 26. As reflected above, these rights were granted by Lady Amos—as
13 “Owner”—not by Hill.
14 27. The only grant of rights made by Hill (referred to as “Writer”) in the
15 1986 LPA was set forth in the following provision (Ex. B ¶ 2) (emphasis added):
16 The Rights herein granted also include, by way of further illustration, all
17 of Owner’s [i.e., Lady Amos] and Writer’s [i.e., Hill] right, title and
18 interest in and to any and all agreements, assignments, releases and other
19 instruments in writing heretofore or hereafter executed in favor of Owner
20 or Writer, or any predecessor of Owner or Writer, insofar as said
21 documents grant or purport to grant to Owner or Writer, or any
22 such predecessor, any of the Rights, together with the full benefit of
23 all representations, warranties and agreements made by any party in
24 favor of Owner or Writer, or any such predecessor, insofar as the same
25 pertain to or affect the Rights.
26 28. Upon information and belief, no such documents exist that “grant or
27 purport to grant to Owner or Writer, or any such predecessor, any of the Rights” in
28 the 1986 Screenplay.

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1 29. Accordingly, Hill did not individually grant any copyright interest in the
2 1986 Screenplay to UA pursuant to the 1986 LPA.
3 The Contemporaneous Representations and Warranties by
4 Lady Amos and Hill that Lady Amos Is the 1986 Screenplay’s Author
5 30. In the 1986 LPA, Lady Amos represented and warranted that the 1986
6 Screenplay “was created and written solely by [Hill] as an employee of [Lady Amos]
7 pursuant to an employment agreement with [Lady Amos], and, accordingly, [Lady
8 Amos] is the author of the [1986 Screenplay] (which constitutes a work-made-for-
9 hire) and the owner thereof and entitled to all copyrights therein …” Ex. B ¶ 4(f)
10 (emphasis added).
11 31. The foregoing representation and warranty was true at the time it was
12 made.
13 32. In the same vein, Lady Amos further represented that “[Lady Amos]
14 owns all of the Rights [to the 1986 Screenplay] free and clear of any liens,
15 encumbrances and other third party interests of any kind, and free of any claims ....”
16 Id. ¶ 4(b).
17 33. The foregoing representation and warranty was true at the time it was
18 made.
19 34. Additionally, Hill executed an addendum to the 1986 LPA in which he,
20 guaranteed the truthfulness of Lady Amos’s representations and warranties (id. at 7;
21 emphases added):
22 As a material inducement to [UA] to execute the above agreement ... , I
23 acknowledge that I have read the Agreement and approve the same and
24 agree to be personally bound by the terms and conditions contained
25 therein. Without in any way limiting the generality of the foregoing, I
26 guarantee the truth, effectiveness and performance of all of the
27 agreements, grant of rights, undertakings, representations, warranties
28 and indemnities made by [Lady Amos] under the Agreement, in every

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1 respect as if I were Lady Amos and agree to be liable directly to UA for

2 any breach thereof as I were a direct party to the Agreement. ... I agree
3 to look solely to [Lady Amos] for any and all compensation that may be
4 due me by virtue of the Agreement, the grant of rights thereunder, or my
5 undertakings and agreements herein contained. My agreements above
6 made me shall inure to the benefit of UA, its successors and assigns.
7 35. In the 1986 LPA, Lady Amos—and, pursuant to the above, Hill—agreed
8 to indemnify UA and, inter alia, its parents, subsidiaries, affiliates, licensees, partners
9 and assigns from “any liability, claim, cost, damage, or expense (including costs and
10 reasonable attorneys’ fees, whether or not in connection with litigation) arising out of
11 or in connection with a breach or alleged breach by [Lady Amos] or [Plaintiff] of any
12 warranties, representations, undertakings, covenants or agreements contained in this
13 Agreement.” Ex. B ¶ 5.
14 36. The 1986 LPA further required that, “[c]oncurrently with the execution
15 of this Agreement, Owner and Writer are executing and delivering the short form
16 Assignment attached hereto.” Id. ¶ 9. Accordingly, along with the 1986 LPA, Lady
17 Amos and Hill executed a short-form assignment confirming UA’s ownership of the
18 1986 Screenplay (the “Assignment”). This Assignment, by its terms, was expressly
19 made “subject to [the] Literary Purchase Agreement (‘Agreement’),” and made
20 reference “to the Agreement [i.e., the 1986 LPA] for further particulars with reference
21 to Purchaser’s rights in, to and with respect to [the 1986 Screenplay].”
22 37. Concurrent with their execution of the 1986 LPA, UA and Lady Amos
23 also entered into a Writer Employment Agreement (the “1986 Writer’s Agreement”)
24 pursuant to which Lady Amos agreed that it would cause Hill, its employee, to deliver
25 a rewrite of the 1986 Screenplay and further revisions thereto. A true and correct
26 copy of the 1986 Writer’s Agreement is annexed hereto as Exhibit C.
27 38. In connection with the 1986 Writer’s Agreement, Hill executed an
28 annexed Certificate of Authorship, signed and notarized on September 16, 1986,

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1 providing as follows (id. at 15; emphasis added), once again attesting that all written
2 materials prepared in connection with the 1986 Screenplay and/or the 1989 Film
3 would be done in his capacity as an employee of Lady Amos, as a work made for hire:
4 I hereby certify that, as an employee of Lady Amos Literary Works,
5 Ltd. (“Lender”), and in the regular course of my duties of employment I
6 am engaged in writing a rewrite to a screenplay currently entitled
7 “Roadhouse” such rewrite and all revisions thereto hereinafter referred
8 to as the “Work”) based upon an original screenplay written by me
9 pursuant to an Agreement (“Agreement”) between Lender and United
10 Artists Pictures, Inc. (“UA”) dated as of August 7, 1986. I further certify
11 that the Work is being written or shall be written as a work-made-for-
12 hire within the meaning of U.S. Copyright laws and that, pursuant to the
13 Agreement, UA as the assignee of Lender, owns all right, title and
14 interest throughout the world in and to said Work and all of the results
15 and proceeds of my writing services in accordance therewith as if I had
16 been an employee of UA.....
17 39. Both the 1986 LPA and the 1986 Writer’s Agreement, along with the
18 representations and warranties contained therein, were executed in September 1986,
19 approximately two months after Hill alleges that he wrote the 1986 Screenplay.
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1 40. Consistent with the 1986 LPA and the 1986 Writer’s Agreement, the
2 payments made by UA thereunder were made to Lady Amos, not to Hill:
3
4
5
6
7
8
9
10
11
12
13
14
15
16 Hill’s False Claim of Purported Authorship 35 Years After the Fact
17 41. On or about November 10, 2021, Toberoff sent UA and MGM a “Notice
18 of Termination”—on Hill’s behalf—purporting to terminate the rights UA acquired
19 from Lady Amos pursuant to the 1986 LPA and the Assignment (the “LPA
20 Termination Notice”), effective as of November 11, 2023. A true and correct copy of
21 this Notice of Termination is annexed hereto as Exhibit D.
22 42. Toberoff and Hill knowingly based the LPA Termination Notice on the
23 false premise that Hill, not Lady Amos, was the “author” of the 1986 Screenplay—
24 attempting to disavow the reality to which Hill and Lady Amos had attested 35 years
25 earlier, and just two months after the 1986 Screenplay was allegedly completed, that
26 “[Lady Amos] is the author of the [1986 Screenplay] (which constitutes a work-made-
27 for-hire).” Ex. B ¶ 4(f).
28

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1 43. The LPA Termination Notice was defective for at least two reasons: (1)
2 because works made for hire are not subject to termination in the first instance (see
3 17 U.S.C. 203(a)); and (2) because Hill did not grant any copyright interest in the
4 1986 Screenplay to UA pursuant to the 1986 LPA or the Assignment. See id. (parties
5 may terminate only a grant that “was executed by that author”).
6 44. As alleged in the Complaint, on November 10, 2021, Hill purports to
7 have sent another termination notice (the “Lady Amos Termination Notice”) to his
8 purported “alter ego,” Lady Amos, terminating an unidentified “express or implied
9 grant by Hill to Lady Amos” of Hill’s non-existent rights to the 1986 Screenplay. The
10 Lady Amos Termination Notice was subsequently recorded with the U.S. Copyright
11 Office. See Cmplt. ¶¶ 34, 35.
12 45. No grant from Hill to Lady Amos has been provided to Counterclaimants
13 because, upon information and belief, no such grant exists. Nor did Hill or Toberoff
14 serve the Lady Amos Termination Notice on UA or MGM, the successor in title to all
15 of Lady Amos’s rights in the 1986 Screenplay.
16 46. On or about January 24, 2024, Toberoff, on Hill’s behalf, filed a
17 copyright application to register the 1986 Screenplay, based again on the knowingly
18 false representation that the “author” of the 1986 Screenplay was Hill, not Lady
19 Amos—a proposition that each of Hill, Lady Amos and UA had expressly repudiated
20 38 years earlier in the plain language of the 1986 LPA.
21 47. On or about February 21, 2024, the U.S. Copyright Office issued a
22 copyright registration certificate to Hill, addressed to Toberoff and his firm, based on
23 the fraudulent representation by Hill and Toberoff that Hill was the purported author,
24 and now owner, of the 1986 Screenplay. A true and correct copy of that copyright
25 registration certificate is annexed hereto as Exhibit E.
26
27
28

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1 FIRST COUNTERCLAIM
2 (Declaratory Relief as to Invalidity of Plaintiff’s Copyright Registration
3 Based on Fraud on the Copyright Office (17 U.S.C. § 411(b))
4 (Against Hill)
5 48. Counterclaimants repeat and reallege each and every allegation of the
6 preceding paragraphs as though fully set forth herein.
7 49. On or about January 24, 2024, Hill, though his counsel Toberoff,
8 submitted a fraudulent application to register the 1986 Screenplay to the U.S.
9 Copyright Office, identifying Hill as the copyright author and copyright claimant in
10 the 1986 Screenplay.
11 50. These representations were inaccurate, and knowingly false when made.
12 As Hill and Lady Amos attested in the 1986 LPA, contemporaneously with the
13 completion of the 1986 Screenplay, Lady Amos is the author of the 1986 Screenplay,
14 a work made for hire.
15 51. Upon information and belief, Hill and Toberoff knew that the application
16 falsely identified the copyright author and copyright claimant of the 1986 Screenplay
17 and, accordingly, that the application failed to comply with the requirements of 17
18 U.S.C. § 409.
19 52. These false representations were material to the Copyright Office’s
20 decision to issue a copyright registration to Hill.
21 53. Accordingly, Hill’s copyright in and registration of the 1986 Screenplay
22 is invalid because Hill, through Toberoff, secured the registration by knowingly
23 providing inaccurate information to the Copyright Office upon which the Copyright
24 Office materially relied in its decision to issue a copyright registration to Hill.
25 54. UA is thus entitled to a declaration, pursuant to the Declaratory
26 Judgment Act, 28 U.S.C. § 2201, that Plaintiff’s copyright in, and registration of, the
27 1986 Screenplay is invalid.
28

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1 SECOND COUNTERCLAIM
2 (Breach of Contract – In the Alternative to First Counterclaim)
3 (Against Hill and Lady Amos)
4 55. Counterclaimants repeat and reallege each and every allegation of the
5 preceding paragraphs as though fully set forth herein.
6 56. UA and Lady Amos are parties to the 1986 LPA.
7 57. UA has at all times performed the terms of the 1986 LPA in the manner
8 specified therein.
9 58. In the 1986 LPA, Lady Amos represented and warranted that the 1986
10 Screenplay “was created and written solely by [Hill] as an employee of [Lady Amos]
11 pursuant to an employment agreement with [Lady Amos], and, accordingly, [Lady
12 Amos] is the author of the [1986 Screenplay] (which constitutes a work-made-for-
13 hire) and the owner thereof and entitled to all copyrights therein …”
14 59. Hill executed an addendum to the 1986 LPA in which he “guarantee[d]
15 the truth, effectiveness and performance of all of the agreements, grant of rights,
16 undertakings, representations, warranties and indemnities made by [Lady Amos]
17 under the Agreement, in every respect as if I were Lady Amos and agree[d] to be
18 liable directly to UA for any breach thereof as I were a direct party to the Agreement.”
19 60. In the 1986 LPA, Lady Amos—and Hill, pursuant to the foregoing
20 guarantee—agreed to indemnify UA and, inter alia, its parents, subsidiaries,
21 affiliates, licensees, and assigns from “any liability, claim, cost, damage, or expense
22 (including costs and reasonable attorneys’ fees, whether or not in connection with
23 litigation) arising out of or in connection with a breach or alleged breach by [Lady
24 Amos] or [Hill] of any warranties, representations, undertakings, covenants or
25 agreements contained in this Agreement.”
26 61. MGM Studios and Amazon Studios are third-party beneficiaries of Lady
27 Amos’s and Hill’s indemnification obligations under the 1986 LPA.
28 62. If the LPA Termination Notice and/or Lady Amos Termination Notice

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1 are deemed effective, and Hill’s claim of authorship and ownership of the 1986
2 Screenplay is deemed valid, Hill and Lady Amos necessarily will have materially
3 breached their representations and warranties in the 1986 LPA.
4 63. If the LPA Termination Notice and/or Lady Amos Termination Notice
5 are deemed effective, and Hill’s claim of authorship and ownership of the 1986
6 Screenplay is deemed valid, then Hill’s and Lady Amos’s breach will have caused,
7 and will continue to cause, damages and expense to Counterclaimants for which Hill
8 and Lady Amos are liable pursuant to the 1986 LPA and the indemnification
9 provisions contained therein, including, without limitation, damages from
10 Counterclaimants’ investment in the Road House franchise and the loss of future
11 revenue from the exploitation of derivative works based on the 1986 Screenplay.
12 PRAYER FOR RELIEF
13 WHEREFORE, Counterclaimants pray for judgment as follows on their
14 counterclaims:
15 a. On the First Counterclaim:
16 i. For a declaration that Hill’s copyright in, and registration of, the
17 1986 Screenplay is invalid;
18 ii. An order directing the Copyright Office to cancel Hill’s
19 registration of the 1986 Screenplay; and
20 iii. An award of all costs, including reasonable attorney’s fees,
21 pursuant to 17 U.S.C. § 505.
22 b. On the Second Counterclaim (in the alternative to the relief prayed for
23 on the First Counterclaim):
24 i. For compensatory damages from Hill and Lady Amos, subject to
25 proof, and for prejudgment interest according to law; and
26 ii. An award of attorney’s fees and costs as damages pursuant to the
27 1986 LPA’s indemnification provision;
28 c. Such other relief as the Court deems proper.

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1 Dated: May 3, 2024

2 SHEPPARD, MULLIN, RICHTER & HAMPTON LLP
3
4
By /s/ Wook Hwang
WOOK HWANG
5 Attorneys for Defendants/Counterclaimants
6 Metro-Goldwyn-Mayer Studios Inc.,
Amazon Studios LLC and
7 United Artists Pictures Inc.
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