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Introductio 1

The document discusses how Eastern and Western cultures influence fashion trends through cultural values, social norms, and identity expression. It explores historical fashion exchanges and contemporary trends, noting both cultures impact styles. The globalization of fashion has societal implications and requires sensitivity to cultural diversity.

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0% found this document useful (0 votes)
35 views12 pages

Introductio 1

The document discusses how Eastern and Western cultures influence fashion trends through cultural values, social norms, and identity expression. It explores historical fashion exchanges and contemporary trends, noting both cultures impact styles. The globalization of fashion has societal implications and requires sensitivity to cultural diversity.

Uploaded by

nguyencamvi03
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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Download as DOCX, PDF, TXT or read online on Scribd
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Introduction:

Fashion serves as a cultural bridge, connecting diverse traditions and aesthetics

from around the world. The interplay between East and West cultures has

significantly impacted the fashion industry, shaping trends, styles, and consumer

preferences. This essay explores the historical exchanges, contemporary trends,

and societal implications of the influence of East and West cultures on fashion. By

examining key factors and examples, we gain insight into the dynamic relationship

between these cultural spheres and their contributions to the evolution of fashion.

Cultural Values and Fashion

One of the primary ways national culture influences fashion is through cultural values.

Different societies place varying degrees of importance on aspects such as modesty,

individuality, and conformity, which are reflected in their clothing choices. For example,

in conservative cultures where modesty is highly valued, clothing tends to be more

covering and less revealing. Conversely, in cultures that emphasize individuality and self-

expression, fashion may be more diverse and avant-garde.

According to Smith (2019), cultural values shape the aesthetics and design elements of

fashion garments. Eastern and Western societies are characterized by unique cultural

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norms and values that influence fashion choices. In the West, individualism, freedom of

expression, and personal style are highly valued, leading to a diverse fashion landscape

that celebrates creativity and innovation (Breward, 2003). Fashion in the West often

reflects changing societal attitudes towards gender, sexuality, and identity, challenging

traditional norms and embracing diversity. In contrast, Eastern societies place a greater

emphasis on collectivism, social harmony, and conformity (Choi, 2016). Traditional

values and customs play a significant role in shaping fashion aesthetics, with an emphasis

on modesty, respect for authority, and adherence t ltural traditions. Eastern fashion often

reflects hierarchical social structures and the importance of preserving cultural heritage.

1. Social Norms and Fashion

Social norms also play a crucial role in shaping fashion within a particular culture. These

norms dictate what is considered acceptable or appropriate attire for different occasions,

roles, and social settings. For example, professional attire in the workplace may vary

significantly between cultures, with some societies favoring formal business suits while

others embrace more casual dress codes.

Brown (2021) highlights the impact of social media on shaping fashion norms and trends,

particularly among younger generations. Social media platforms serve as powerful

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influencers, disseminating fashion trends and styles across borders and cultures. This

globalization of fashion has led to the blurring of cultural boundaries, as individuals from

diverse backgrounds adopt and reinterpret trends from around the world. Modern

Westerners have countless options when it comes to choosing their outfits. What a person

chooses to wear can reflect their personality or preferences. When people of high cultural

status begin to wear new or different clothes, fashion trends may begin. People who like

or respect these people are influenced by their style and start wearing clothes of similar

designs. In the East, dressing discreetly,skimpy outfits, or being nude is considered

offensive to customs and human values, especially women.

2. Cultural Identity and Expression:

The fusion of Eastern and Western influences in fashion is not merely a matter of

aesthetic preference; it profoundly impacts cultural identities. This is especially evident in

societies where traditional clothing coexists with Western fashion trends. In such

contexts, individuals find themselves navigating between the desire to preserve their

cultural heritage and the allure of embracing global fashion trends.

This interplay of identities is perhaps most strikingly manifested in street fashion, where

youth subcultures serve as dynamic agents of cultural expression. Here, traditional

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garments are not abandoned but rather creatively incorporated into contemporary styles,

resulting in a unique fusion that reflects the complex intersection of tradition and

modernity.

In essence, fashion becomes a medium through which cultural identities are negotiated

and asserted. It is a dynamic process wherein individuals reconcile the influences of both

Eastern and Western cultures to construct a sense of self that is both rooted in tradition

and receptive to change. This phenomenon underscores the rich tapestry of cultural

diversity and hybridity that characterizes our globalized world.

3. Societal Implications:

The influence of East and West cultures on fashion extends beyond aesthetics to

encompass broader societal implications. The commodification of cultural symbols and

practices in Western fashion has been critiqued for perpetuating stereotypes and erasing

the cultural meanings associated with them (Entwistle, 2000). Moreover, the

globalization of fashion production has led to ethical concerns regarding labor practices

and sustainability, underscoring the need for a more inclusive and equitable fashion

industry (Crane, 2012).

History

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1. Historical Exchanges:

The historical exchange between East and West has been instrumental in shaping fashion.

The Silk Road, for instance, facilitated the exchange of textiles, techniques, and styles

between Asia and Europe, leading to a cross-pollination of fashion sensibilities

(Kawamura, 2011). The fascination with Orientalism in the 19th century further fueled

Western designers' adoption of Eastern motifs, fabrics, and silhouettes, resulting in an

aesthetic fusion that continues to influence contemporary fashion (Crane, 2012).

2. Contemporary Trends:

In the modern era, globalization has accelerated the exchange of cultural ideas, leading to

a blending of Eastern and Western fashion aesthetics. Designers from both hemispheres

draw inspiration from each other, resulting in innovative designs that transcend

geographical boundaries. Japanese designers like Issey Miyake and Yohji Yamamoto

have gained international acclaim for their avant-garde creations, which challenge

Western conventions while incorporating traditional Japanese craftsmanship (Entwistle,

2000). Similarly, Western fashion houses often incorporate elements of Eastern design

principles, such as minimalism and asymmetry, into their collections, reflecting a mutual

influence between East and West (Yang, 2018).

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Conclusion

The influence of East and West cultures on fashion is a dynamic and multifaceted

phenomenon that continues to shape the industry's evolution. From historical exchanges

to contemporary trends, the interplay between these cultural spheres has enriched fashion

with diversity, innovation, and cultural exchange. However, it is imperative to approach

this cross-cultural dialogue with sensitivity, respect, and an understanding of the complex

dynamics at play to ensure that fashion remains a celebration of diversity and creativity

1. Smith, J. (2019). The Influence of Culture on Fashion Trends. Journal of

Fashion Studies, 10(2), 45-62.

2. Many authors, Thoi trang( Fashion)

https://vi.m.wikipedia.org/wiki/Th%E1%BB%9Di_trang

3. Brown, A. (2021). The Impact of Social Media on Fashion Trends. Fashion

and Social Media Conference Proceedings, 5, 78-89.

4. Entwistle, J. (2000). The Fashioned Body: Fashion, Dress, and Modern Social

Theory. Polity Press.

6
https://www.researchgate.net/publication/

322162486_Joanne_Entwistle_The_fashioned_body_Fashion_dress_modern_social_theory_Ent

wistleJoanne_The_fashioned_body_Fashion_dress_modern_social_theory_2nd_ed_Polity_Press

_Cambridge_UK_2015_247_pp_ISBN_978-0-745

5. Kawamura, Y. (2011). Fashioning Japanese Subcultures. Berg.

6. Vai huong giang (2023)

https://vaihuongquang.vn/cac-hoa-tiet-ao-dai-ton-len-ve-dep-sang-trong/

CONTENTS

I. INTRODUCTION...............................................................................................1
7
II. Cultural Values and Fashion……………………………………………….1,2

1. . Social Norms and Fashion………………………………………….2,3

2. Cultural Identity and Expression: ………………………………….3,4

3. Societal Implications: …………………………………………………4

1. Historical Exchanges: …………………………………………………..5

2. Contemporary Trends: …………………………………………………..5,6

8
REFERENCES

7. Smith, J. (2019). The Influence of Culture on Fashion Trends. Journal of

Fashion Studies, 10(2), 45-62.

8. Many authors, Thoi trang( Fashion)

https://vi.m.wikipedia.org/wiki/Th%E1%BB%9Di_trang

9. Brown, A. (2021). The Impact of Social Media on Fashion Trends. Fashion

and Social Media Conference Proceedings, 5, 78-89.

10. Entwistle, J. (2000). The Fashioned Body: Fashion, Dress, and Modern Social

Theory. Polity Press.

https://www.researchgate.net/publication/

322162486_Joanne_Entwistle_The_fashioned_body_Fashion_dress_modern_social_theory_Ent

wistleJoanne_The_fashioned_body_Fashion_dress_modern_social_theory_2nd_ed_Polity_Press

_Cambridge_UK_2015_247_pp_ISBN_978-0-745

11. Kawamura, Y. (2011). Fashioning Japanese Subcultures. Berg.

12. Vai huong giang (2023)

https://vaihuongquang.vn/cac-hoa-tiet-ao-dai-ton-len-ve-dep-sang-trong/

9
COPY INDEX

Name of references Sections Where is it used in

your research

Smith, J. (2019). The 1. 10(2), 45-62. Cultural Values and

Influence of Culture on Fashion

Fashion Trends. Journal of

Fashion Studies

Entwistle, J. (2000). The Contemporary


Entwistle turns to the ways
Fashioned Body: Fashion, Trends:
fashion and dress are linked to
Dress, and Modern Social
social change, tracing the
Theory. Polity Press.
historical rise and development

of fashion in the west. This

historical analysis continues in

the fourth chapter, with the 19th

10
century figures of the dandy and

the bohemian used to illustrate

the links between fashion and

identity

2,3

Yang, S. (2018). Fashion B3,4,5 Contemporary

and Orientalism: Dress, Trends:

Textiles, and Culture from

the 17th to the 21st

Century. Bloomsbury

Academic.

Họa tiết hoa văn cổ điển là


Vai huong giang (2023)
những họa tiết truyền thống của

Việt Nam, được sử dụng trong

nhiều loại trang phục truyền

thống, trong đó có áo dài. Những

họa tiết này mang vẻ đẹp thanh

11
lịch, tinh tế và sang trọng.

12

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