I.

EVOCATION

The first magical operation is that of evocation. This is the process whereby the magician summons forth a
'spirit' (the nature of such spirits will be discussed more fully under the Fifth Head, with Gods being
discussed under the Sixth Head. For now, the magician should simply accept that it is possible to conjure
forth a spirit and leave speculations as to what such a thing might be until some experience has been gained.)
Some people find evocation very difficult to do. This is primarily because they don't know what to
expect. I have discussed fully the use of the imagination as a magical tool under the Work of the Third Head
in Apophis, however, and this book isn't the place to revisit such basics; I will simply refer the reader back to
the earlier volume. Anyone who has reached the point in the Order curriculum where they are ready to
actually practice this will be in no doubt about its techniques, as they will already have the experience
necessary to inform themselves.
So, if you have reached the stage to be doing this Work, you'll know roughly what to expect even if
you have never evoked a spirit before. If you haven't and are reading ahead, just enjoy reading about it and
the power such magic offers. Know that this power can be yours if you put the Work in. Everything you
need to know is contained in the Order's publications.
The first question to be decided is which spirit to evoke. To make things simple, I am going to use
one from the Goetia, a grimoire I made extensive use of in my younger years and which is probably about
the best known and most coherent of the old grimoires. I am certainly not going to use the methods
contained in the Lesser Key of Solomon, I am simply taking one of the spirits from the 'catalogue'.
The spirit concerned is named Vassago and is one I have had good results with in the past. He excels
in revealing the secrets of past, present and future and knowledge of things which are lost or hidden. He's
one of the best 'private investigators' I have ever employed and no secrets are safe from the person who
employs him with skill.
I will say from the outset that you will in time find it more productive still to use spirits of your own
creation / discovery (so called 'artificial elementals' or 'servitors'). But to begin with, it's very useful to
employ those who have been developed / discovered / created by others, with an existing pedigree, especially
those in a balanced, coherent collection such as the Goetia.
Traditionally, a Working of evocation will involve the magician tracing a circle around himself,
usually fortified with Names of Power which have significance to him. This provides him a place in which
to focus and amplify his Will. The spirit is then conjured into a triangle which has been traced outside the
circle, where the amplified Will is projected into a place where it may take form and appearance. (The
triangle is first and foremost a symbol of manifestation, another secret of the Order Seal.)
You may follow that pattern of Working if you so desire. You should choose Names to fortify the
circles which are meaningful to you (suggestions: Set; Babalon; Apep; Leviathan; Odin; Freyja; Fafnir;
Jormungandr; Midgardsormr; Nidhogg). However, there is an alternative, which is what I use.
I subscribe to Anton LaVey's idea that the Infernal Spirits are our allies and I do not wish to stand
apart from them. If I haven't the stomach to look an evoked spirit in the face, I shouldn't be dealing with it in
the first place, and I should be closely examining my own self-belief. This applies whether the spirit is seen
as an independent entity, or even more so if it is a projection of one's own psyche.
For me, therefore, there is no circle. The chamber in which I stand, or the natural bounds of my
exterior environment if working outdoors, are the limits of my Working space. I do use a triangle for
manifesting the spirit, but it is within my working space, not without. As a matter of fact, it is normally only
a few inches across, with my Void focus object placed within it, as it is out of the Void that the spirit will
manifest. Since I use the triangle purely for manifesting the spirit, not for confining it, the size is not an
issue, as it can pass beyond its limits once evoked.
Most traditional ceremonial magicians of the Golden Dawn or other schools will throw their hands
up in horror now and tell you that the above paragraph is appallingly reckless and dangerous. Tough shit,
that's the way I roll. They should learn a lesson from the practitioners who allow loa to ride their own minds
and bodies. That's real magic.
An evocation is actually a very easy thing to do once you have learned the knack of 'seeing', which
anyone who has Worked through the Third Head should find a piece of cake. I have pared the operation
down to its bare essentials. As with everything, the key to success is the passion with which the operation is
Worked, and passion is something which is easiest to arouse in an ascending, accelerating rush until the peak
is reached. Initiates will learn with practice how to most efficiently reach their peak of magical passion.

1. Outline your working space and the triangle.

 2. Open the ritual by invoking the Draconian Deities.
3. Open the Eye in the Void.
4. Carefully draw the sigil or seal of the spirit and place it before your Void focus object. (Vassago's
sigil is illustrated below.)

5. Begin drawing through the Void energies and infusing them into the sigil (this can be very
effectively done with breathing techniques). Establish a vortex of unshaped Void energy rushing
through into the world and taking on the shape of the sigil until it pulses and throbs with power.
6. Now begin your conjuration while focusing intensely upon the sigil. Put as much passion into it as
you can, don't be afraid to whisper, roar, declaim and wave your arms about. Magicians shouldn't be
shrinking violets and the level of emotion generated is of critical importance. A sample conjuration
of Vassago is below.
7. “Mighty Vassago, Prince among Spirits, you are known to look favourably upon those who would
speak with you. Come to me now, Lord of Secrets, and reveal to me those things which are Hidden
which I wish to know. Discoverer of all that lies concealed, who has considered past, present and
future, reveal to me now those things which it is needful for me to know. Mighty Vassago, I am in
need of answers. Speak freely with me,as to a friend, be the revealer of secrets, make my store of
knowledge full. So shall I honour your good name forever.”
8. Turn your attention to the triangle of manifestation. Let your passion and concentration go, chanting
the spirit's name over and over again until its presence is clearly felt in the chamber and its shape
appears before you.
9. Ask what you will of the spirit, converse with it, give it requests or instructions, once it has stabilised
and you can perceive it clearly.
10. Give the spirit a Licence to Depart: this releases it to accomplish the Work you have asked it to do,
and also ensures the psychic projections you have extended are all fully withdrawn and reintegrated.
“Spirit Vassago, thank you for attending me and being friendly to me. I give honour to you and bid
you farewell. Return to your place and let peace and friendship remain between us.”
11. Perform a banishing ritual to clear the working space of any lingering attachments.
12. Close the ritual in your usual fashion.
13. “So It Is Done!”

Two further comments should be made about evocation magic at this point. The first is that in rituals such as
the one above, where you are seeking information, don't necessarily expect the spirit to 'tell' you what you
want to know during the actual Working. The information tends to come through in all manner of strange
ways and coincidences over the next few days or weeks.
The second comment concerns the appearance of the spirit itself. Some spirits – those of the Goetia
in particular – have a traditional appearance ascribed to them, but even in such cases it will be filtered
through your own consciousness and the shape will be unique to you. The perception of the spirit is, of
course, a clairvoyant phenomenon, although the 'hallucination' can be easily strong enough to provide a
seemingly solid, opaque image (this comes with much practice, needless to say). Some claim that using
copious amounts of incense, or blood, or sexual fluids, can produce a more tangible manifestation. I say that
such things may excite and enhance a magician's clairvoyant abilities to make it seem so, but the
phenomenon remains clairvoyant; we are not dealing with physical entities here.