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Where's My Money

Where's My Money By John Patrick Shanley

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Afnan V. Omar
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3K views28 pages

Where's My Money

Where's My Money By John Patrick Shanley

Uploaded by

Afnan V. Omar
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF or read online on Scribd
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DUPER E EERE EERE LRRURRRRURLUURRURR RRR R RR RERS WHERE’S MY MONEY? by John Patrick Shanley WHERE’S MY MONEY? BY JOHN —— Ss waceh of 2-4 ved A ‘ey march 251% * DRAMATISTS PLAY SERVICE INC. DRAMATISTS PLAY SERVICE, INC J PRESS SREP PEPPY WHERE'S MY MONEY? wat originally produced by the LAByrinth Theater Company’ inn S. Kim snd David Zayas, Producer) in New York City on July 18,2001, Ie wat directed by ohn Paik Shanley the at design wat by Michelle Malaet the lighting dsign was by Surah Sdvan he sound design was by Eric DeArmon: the costume design was by Mimi O'Donnell ad the stage manager was Dawn Wagner. The cast as follows MARCIA MARIE SIDNEY David Debinger CELESTE. ets Ann Gottesman TOMMY HENRY. Jolin Ori in original production) rik Laray Harvey Gi subsequene production) NATALIE MARCIA MARIE lorenca Lozano TOMMY. Chris MeGacty ser NATALIE Paula Pas “Two doos, one tll, one short. Furniture as needed. WHERE'S MY MONEY? was subsequently produced by the Manhacan Theatre Club t City Center Stage (Lynne Meadow, Antsic Director Bary Grove, Executive Produce) in New Yorke Gry on November 7, 2001, with the ove crew and ease SARA RRA A Aaa aaa aaa ade aaah bad WHERE’S MY MONEY? ‘hong fighening before he igh ca Ligh wp om Natali in bed, ales. She ners anche A ighomare Ligh bump ens on ber. Ligh wp on Sidney. sis ‘hair mading a book. He later the Bok, asa 6 ight faomesing Ligh out on Side. Now we se as lite sith «broom. She ta aro ‘hing auf Ligh on Ma i. The shadow Hey is disowned, flstened again the Bands of wmconappraching H Blachous, Fad of vignres Scene 1 Ligh pom a French coffe cafe in Soo, Were nti. ts late morning. Wie Cit darky ative woman with «light bohemian fe. talking on cll phone. Shei aa lide be table, with abt drink andthe remains of ae fim Theresa notebook and pape onthe tbl a well She bas ‘lw oie She sited and alarmed by the al CELESTE. Wait Sh tied know in isi, she shoved the tie up his shie and then a he key moment, shipped the te out ee she was starting 2 lawn mower Pup pup pup pup PWONK! The lee lnot war age, But here's the visted part Th ext dy he goes to the ofice — hes wearing the ie: Othe than that it wana ery good movie, What’ Whats that I cant. ean Fm in a public place Turquoise You are? Right now? You mean for rea Fi ike to See that. (Neale appear Shes abou he same age ln atacve, Tine harder maybe, mor prosperous. Sh copia Caleta pos ‘and wanes, Clewe mime shock and happines a eng Natalie. The lowing bit of diategue i everapped tn.) Natale! (She gesture he reeds rite moreon the plone. and then ay nt the mciver) (Gan you hold a second? Shut up! (Cour ae eto) Natalie How ae you? Oh my God! NATALIE. Tm geting coffe. Should [join you? You have a CELESTE. Yes 1 finch up while you'e NATALIE. Great! (Nusa gos im. Celte remeber cll) CELESTE, I gotta go. What about «(The aller ents her off) ‘Whats Friday ike fr vou, Friday night? Kenny’ got gig. Ok. Tbe there Thats jst my number Okay See ya then (he ps ‘er cel aay. Natalie rear with cf) NATALIE. Hey Celeste, whadaya kom? If 0 get toe you! CELESTE. You toot NATALIE, Where did you go? CELESTE. Where did YOU go? You dropped out of the word! You look great, Natalie, You Tonk really put topes NATALIE. Tontve am together, CELESTE. Did hear you gor married? NATALIE, Two year, CELESTE. Congratulations! NATALIE. Thank you. You lok 10 hoe soki! CELESTE. Whar doce thie mean? NATALIE, Sex bomb CELESTE, Til acepe hat NATALIE. Are you sill with chat guy? CELESTE, Kenny. Yea, NATALIE. Inthe same place? CELESTE. Yeah, same place. THE ROOM. Where ae you? NATALIE. Uppee WestSide. Two rooms, Ie was Henry’ auné’s when she (CELESTE What ae we doing? Ler siz Yim set up over her. NATALIE. Good idea (They) Wel Here we ave The accoune ing department CELESTE. Twas secretarial, NATALIE. I thar a ring on your finger? CELESTE, I gues. NATALIE. 1 mean it looks lke an engagement rng CELESTE, Gimaltanous) An engagement ing NATALIE” Wall if CELESTE. Thats what Kenny called ie NATALIE. Well jn that what its then? (CELESTE. Hedda encase. He jus sid shat’ whaciewas NATALIE. A guy ays "Heres an engagement ring” ict big Tp CELESTE. Yeah, bur he put it on MY Vie cad NATALIE, Oh, Well hat CELESTE, Questionable, Yih, NATALIE. Are ou sil axing? CCELESTE. 1 eae clases, but T havent gocen much work. I hive a en cnach, but ny agent i. Ten not even sur I ave an agen Fave wo get inc that Thats the ner hing Ther aways a nen hing NATALIE. Bue mean. did you. ? 9 CELESTE. Did wha NATALIE. You know: Get an operon? CELESTE. No, Ince dd | decided axis it NATALIE, So yu sl ve dhe inp. CELESTE. Yh, ba is noe very noiceable NATALIE. teas the fist hing egitered bout you. Here was {hissy young she wants 0 beam ces but she hip. Cn they Fc CELESTE. Theres noting ely wrong oi show tm made. {is ja sgh dapoporsonbeewecn my Te and ight hip. fc as cern point daided oacrpe mcf as am. RIATALIES So f pute nor making money ating, how do you by EELESTE. temp, tm sce tmp Js ie Taye was NATALIE, Did Thue your feng? CELESTE. NATALIE. Ti CELESTE. NATALIE: Think»? CELESTE, Ar lent you sll the rth NATALIE, That who shin, but may mj an ashole ‘CELESTE, Even fou ar an mole which youre not — a les you dot compound it by preening robe nse NATALIE” Ti re your lings CELESTE. Wel what do you dink? NATALIE. Sol dit shou dd CELESTE. You jut abu sid LT nee gea job cso Fm 2 pple NATALIE. An acing job CELESTE. Wal Tan cecal NATALIE. Bur you dont work CELESTE, Low of acess dont work NATALIE. And maybe thos gid should be ewes CELESTE, You gos mou om you you know toga this Saracen The ttle, [NATALIE Wall 1m an accountant Bortom ine CELESTE, When isis you NATALIE, Whats ha mean? 10 BURR R RAR A AAA AAAAAARAAHASAAAATAHAAATETAS Sart Hee ee ue ei ee CELESTE Gln mcg ee, al hy te Staats Secie ti eaten hy Ay lay ae, foal ayer nae ee are acca m= So a ee A Ta lig ein mame ceeraetess ane ten CELESTE. No. bead ee aie eee euro cust Toray i TE Aha she barn ed ter on bb ae ry Retna a ert re be ren. You ca jut wall aay. undentand NATALIE. Listen. Les just sy wee even, okay? So you took some gay bee cat dst belong to ou, Rog ourclE Weve Sl done woe CELESTE. Thank you. NATALIE. No bg des CELESTE, Im sch cae NATALIE” Forge CELESTE. Nor Youtes nicer peton han me. NATALIE, Novi noe CELESTE, Ye, you a wanna learn from yu. I wanna ern {0 dea, Maybe I soul look a my fe withous make. My Tie {Pbad. Wallis no hat bad bur enjoy ead I doit wanna Felony for mpl bat NATALIE” ie Kenny? CELESTE, Hes not helping. But its him to, Tim noe geting trot and Fn tus thy id ju gout huge bl the NATALIE. 1 wouldve cought you aleay cane hey? GELESE.ATERIGHT he TURNED ty orm [NATALIE I mean, acu ou mus be shirgrone CELESTE, "Yes Al aght {fxg You ARE an accountant “Tiny-one Tm glad we got that sighted out So how's your tran Good Bere Bad? NATALIE. Is good CELESTE. Nix for you. fm glad And you havea job you ke? NATALIE. Kl CELESTE. So you ce wha youre saying? Lok a the picture. uve go aie [NATALIE Wl, made choices CELESTE, (Si ns Noes kar. T ry to make chokes, but rehing scl, T jut Roa. NATALIE” How's Kenny doing? CELESTE, Ui Renny hates NATALIE’ He docs noe CELESTE. Weve been together foro long and hi if 0 not ‘ppeing and he smoking so much dope 2 NATALIE. How's he band? CELESTE. The hand broke up. Kenny docs weddings now asa chip del Bat mostly bent he parent ad Yok te ke in The Thing Thc Ae Le NATALIE” she depresed? CELESTE. Het slay sed drummer ina cheap Homan hi. Heb ie a depresing pie offre What out Maan dot NATALIE! Hes lier CELESTE. A ewyer What happened otha ther guy? NATALIE, Who? CELESTE. You kaow who NATALIE, Tommy el knw sh wa ong 6 wok ut CELESTE. You were nts about him NATALIE” He was pore tant ging to matry poster CELESTE. Did he ak you? NATALIE, Nov CELESTE. That wat ho. Tht ching you had with him NATALIE, You ner ts CELESTE. I remember th way you look. He wa al over he ‘ay you looked. NATALIE. Yeoh, wel was bor CELESTE. Ife like eunning something by you NATALIE” Whee! CELESTE. Maybe not NATALIE. Al'ighe CELESTE, Ti ving an fie. NATALIE. Oh wow Who? CELESTE. Si mons nw NATALIE. Docs Kenny know? CELESTE. He scat he ovat but, I mean. These evidence. NATALIE. Phone ale CELESTE, No Buses NATALIE. So thie guy viene CELESTE. WE'RE lent, Weboth hve alot of anger. Is sortie to, NATALIE. Hes Late? CELESTE, No NATALIE, Uh-huh. So you hit him, 00? CELESTE. No. But wet in it cogether. Ie must sound bad. Is Peli iy NATALIE. Why you tll me? (CELESTE. I haves old anybody. NATALIE, Then why me? ‘CELESTE. He slaps me. He spanks me. He makes me crawl round the for like a dog. Helle me names. And then I go hhome wo Kenay and at like nothing happened NATALIE. So Kenny knows CELESTE. Tonle know. Kenay Blows so much weed he may think Tm something on TV. NATALIE. He muse know. CELESTE, Who knows what Kenny knows? He Engi NATALIE. And cis guy youre having this CELESTE. He has read the book that God wroteon my lsh. [ve always been afta say what want He knows what {wat anid he makes me do i Get thi. He pave me gun NATALIE. He what CELESTE, Sometimes I be headed home lee He wat wot ahout me, So he gave mele gun. How sex thar Uow. Sick NATALIE. Not necessarily. But whats the del exact? (CELESTE. There is no deal. se him about once every wee and shall He alls me, show up somewhere, and he Burne down my Fucking house NATALIE. Hes matted. CELESTE. Yeah don cae NATALIE. You care (CELESTE, You know what I mean, NATALIE. And you know what I mean CELESTE, Lec me concol the wy [tll this story, okay? NATALIE, Olay. CELESTE. There an atmosphere with his guy. of murder He ‘wouldet murder me thats ne what Tm tying — burt hee Tike an aroma could smell chi thing on him when we met He ves intodacin’hirsl sayin! hello, Bei nice, We'e in a public place. [remember thinkin he's ging eo eape me. And secing ks, police phocograph in my head OF me. And righ ike tha ight “ rr Se ti ener ert rem ter ay oar ee eer que gee oft Hedge dor CAE Ass re sams and oh tase aC eam ee indonesia ae em ad |) h hLrrrCLC Sente cine mages ect ies at (Pies ede cine tore Tres sores Albee chee ba ae ‘yong snes babs Ta uae pe fe ror eee epiterstre ‘puhind on che neon die tocpege seep ge ee een ieee ees pata eee re honor awe eee en oe Se Se een ie eer ease omen oe eee ee eee aera ence Toul meting se He hada ato Saoeand ined cor pin ete Coe ek ee Flere ey eee dere Intenalefteds Derckaee anteater peti wae ee Chste wer NATALIE! Toe ihe hs wok esking ing! Wha you oe ikere. ti NATALIE. ort yo fr ee eee eee Se 5 aaa haven cold anyone. I thoughe you NATALIE. You were mistaken (CELESTE. | gust we never knew eachother very wal NATALIE, No. CELESTE. Bus you were more lke me... before NATALIE. Maybe: Maybe I was tuned on by dangerous. eid shit when I wat younger, CELESTE. “Okey Td appreciate ic if you didee . epeat this NATALIE. { wont. CELESTE. Batam litle bummed ov that we cant tll, I need ‘o ello somebody lean be prey hard on mysel NATALIE, I think you're inviting a conversation you dont wanna have CELESTE. But Ido want to have i, Look, Im in rouble NATALIE. Youte in some underworld CELESTE. Ye, Tam. Thats ere. NATALIE. But you wanna se it as positive and I cave help you with that. noe positive Youve got rong. CELESTE, ‘Then ssighten me out NATALIE. Are you sure? CELESTE, Yeah, Tm inviting it.I wane reaction NATALIE. All sight las lay tou for you. Youre a whore CELESTE. What! NATALIE. Dont. Pls, W's hard enough without you playing surprised. Don tell me you havent thought about the fe that youre a whore. A STUPID whore LESTE. Natali NATALIE. ll beak dows for you. Fits hing, The count Lets dbo the coune. Youte thiey-one. Nex yea, youll e gues whae? “Tweaty-theee No. Thny-two, Andi gor on fom there, Olde, older oer. fight of sats ging down, daw, dawn You ike 2 quae of mill reaching its expiration date. Have you eve tied «> Sella pumpkin the day after Halloween? Thats whet you are fc ing. Are you ready? I doi hin so Tee ust? Who cares. Pik 3 Fighe with God. Se where your ger es the rath of what isto be CELESTE. Not in France. UFR R RRR aA ASST NATALIE. France! Then goto France! Climb the Eiffel Tower: Feed the pigeons. Maybe tel be glad o see you. Please! Youre in Amerien Do the math, Next. Youve gra face the ft, Youve oc birth defect You've got limp, Flow many parte then for Frmping gic? CELESTE. Laura in The Gla Menage: NATALIE. (Simculianeons) Laura in The Glas Menagerie: And ‘hati lave here Been any productions of tha play? CELESTE. Ye. NATALIE. And di you get that pare CELESTE. No. NATALIE. Then is time for you to stop offce-temping and doing Romeo's pend acting clas and ee bon fe ack ing). Is ew pls two. You have odio the loli snd pick tp thecar keys! Neen. Kenny. This may sound tagh bu toy anyway. Kenny your ba ke Scitsre nowt NATALIE. Ye he a le Bat whac are yout this pin? Maybe together you can pll yur cir out the dc an ake Some rls down the road. {know where you a, Celte Then + millon women like you. You dont want co fook at jour ony “ase you don like your story you jue ose our ees a al sel a fucking fy tale. And you know wha that aes you? tina world of men? Toy exporable "Cause you man the le You gor no interes in the eth, What whe sath eee done for you! The rah of our Hi ike a bad again. Tor sory fons pices. Which rings me to your mystery extn, cheat. Who sch you arn bene he aa of as wile: Do Heven have to elk about hit rodent A mated vent Scumbug who slips you a Saturday Nie Spec for whe ‘Valetnes Da? You ct ok tbat his uy persed he mite hesmele hat shifshopexcnel you sc be prfume,Yote 2 putionr ei your nocbook? CELESTE: You don ke my oi? NATALIE. What have ou Bon weiing? CELESTE. Pocey, NATALIE. Peery: Yue going down in fame. Uns you get together they ate ing pat yo stand chicken wang CELESTE. I cant believe you called mea whore, NATALIE. Hasrithe called you a whore Haven you call your selfa whore? (CELESTE. Nevermind what cll mal? Were talking about you, NATALIE. No, were eaking about you. Im not the one in Won ble, Whats you definition of whore anyway? CELESTE. don't know. NATALIE. A romantic woman. Romance is for men. Women wo sete for somance ge ute, CELESTE. Where do Jou get of Whats this conversation? NATALIE. This ie che convertion you waned CELESTE, Well im stopping NATALIE” Sue ourele CELESTE. You have no sight to cll me what you elle me NATALIE. Ihave che right CELESTE. How do you figure chat? NATALIE. Because Iwas whore, 100, A sloppy, stupid whore Bur shen I made a choice. CELESTE. "To what) NATALIE. Not be. There are rwo groups of women inthe world You've gor a choice 1 make CELESTE. Whar abou flowing your sul? NATALIE. Wha if you havea damaed soul? Are you goa fl low ie down tothe burning shitheap of hell CELESTE” Maybe, NATALIE. You at tn years ol. You dont git; do you? How ahout his T wouldnt even introduce you to my husband. How shou ha? CELESTE, Why noe NATALIE. What if your soul ol you to fack im? CELESTE, Thats sidiclous NATALIE. es nor ridiculous. You probably would fick him, CELESTE. 1 would not! Whae do you think am? NATALIE. 1 already told you whae I think you are. And what ‘every woman like methinks every worst like you would do she {ot the chance. CELESTE. Bat off what basis do you sy such aching? NATALIE. You lik tobe wrong Tobe sere. A martied man 8 Fett ttt kata KARA eased S ESAS i the perfec ching CELESTE” You hive no romancing! NATALIE. Whae have and hac do Seow spare hing CELESTE. You sid you were» whore NATALIE. And wa CELESTE. So were you with 2 marie man? NATALIE. No. But i was bad anyway CELESTE, How? NATALIE. He was avout contant. He was unlucate, he fad deadend jb, hath probleme, He was rough wth me Ni feng about him wer chap, ee CELESTE. Romane NATALIE” Sime hig CELESTE. Maye yore the one who needs tobe srighened NATALIE. 1 dost think vo CELESTE. Allight Look Tn you hae point but he aly ‘hing that makes me ge up in the moming the oy Eveyhing she's lou Ihave have something wok fora to. NATALIE” Give him up. Mary Kenny CELESTE, ‘Arent you sido ge ch big ave? 1 mean, what if you wrong NATALIE” Tim not wrong CELESTE Wharf what was ight for you in sgh fr me? Were very liferen people NATALIE. Were diferent becuse Igo on with my if and you dune CELESTE. Wha ifwe'e mow diferent han the NATALIE. Everybodys basally the tne, Twas Jou CELESTE. {dot ble hat NATALIE. Thats because yout romantic Theres no on ight tenon for you. Clete Thin ou dein. Te sbowe mabing ‘clone with your head intend af our CELESTE. But what show my ee NATALIE. You need sro eve our hea. You need an ono alle sugzon CELESTE. Ted ote hinge mre han hat. Andi don get thoze things {dong being av, 19 BORGES vwed yom Wart eo abet Yost fied basecess Vs Thee NATALIE. Enough. Bie the bullet, make dhe changes. CELESTE. Youre eougher than me NATALIE. Thats am alibi, But even if i tough. CELESTE, I'm fightened 1 do tha. NATALIE. 1 though you led being fightened? CELESTE. [dont wanna lian iden instead ofa ile NATALIE. Are you saying thats wh CELESTE. You tll me NATALIE, All righ, tha excly whar I doing Fm control- Ting what happens in xy if Tm looking down on my day and moving sulfaround sil right Tm in conta. CELESTE, Twent toa sel actslzing Kinesiologist yesterday. NATALIE. What i that CELESTE. Sor ofa psychic NATALIE. Oh God, Thais perfec. CELESTE. She oll me I wa going sce my fucure today. NATALIE, Maybe I'm the future you CELESTE. I dont want vo be you NATALIE, Cale, Youte pated: Wakeup! Would you? 1s ad to watch somebody jut fuck everything up. chink you need co fp ome, take good hard look in the miro, get rele make Ehoices. You asd ta take ane day and get brutally else about the facts of your life. And DO something about i CELESTE. You don’ know the things | chink about. When Tm tone. Is okay Low what wo do. A men, Tommy. appears and ipproaches thei dle Cele stb int) Hl! FOMMY. Hello, (Neale urs ander the man. She alma ints Cele dace kw what ging om) CELESTE. le here. ? Nace? Nae? (Bur Natali only starer ihe man) TOMMY. Where’ my money? Whetes my money, Natali? (CELESTE, Ishe by, .? (Tobe man) Excuse me. Excuse me? Shoo tue, you can get Come ont Back to weird wold! Schmuck (The man ast ls off slows) Who was that (No anwer) Are you okay? Should 1. Ti fre you some water. (Natale grabs Clot as she gs up. stoping Pie os Nae on” Pre fe —checkivract 1 \pravie bea @7 fe Ww age seoart gael ge wake otis NS 4 Conds Feeecgean t al (i danger) o eelet H. (A working clas bedsom onthe Upper Ws Side vorking Lam the Upper Wet Side. Masi shee | playing am a boom box. The music omehing ie Howlin | wile singing “7 Atked For Water" ith prety loud” Dicoered: Henry and Natalie. Hes about Roentpscen ‘elf educated et gy reading a book in his bathrobe Leen Herc natin righ cold Tin and a mani beers She wal fe ‘regard hi a moment. Then he tart dancing 0 the atie, ‘educise. No rome from Henry Helos at ber and go, NATALIE, Henry! Tm inthe room. Can you deal with che matic HENRY. (He isthe bun om the pyr to yp the musi) Ys Se pen Sol Rag on pn by ile inti i tet FET OND ny precious lind co-habiarr? NAPALI. How ean you ed and inn HENRY. i like ro do oro things a¢ once NATALIE. Whats the bool? HENRY. Crime and Punishment NATALIE. Why do ou like dhe? HENRY. Who std {like i NATALIE. Why would you rad something you don ike? HENRY. Who std I dont like NATALIE. Your nich + Fak lwye HENRY, Tim reading about uit. Nor guilt in cour, Guile inside “Most things never eto cour Most eri go om in the heare This isthe minute of sal conducted in the ear Sidney wa reading St He let itto me NATALIE. You wanna be ik Sidney ¥™ il oo ney HENRY, No, I do not. I wanas BE Sidney He’ partner And fhe didt pase the bar the fre ime NATALIE. Nether did you HENRY. Thats my point. Ie shows that ic doert mean sic bout ‘limarely achieving my desi. Sdney dit ldo Simpleas hat. NATALIE. You wil THIENRY. ‘Thats right {will Because I never give up. Bren if should NATALIE. 1 count on ha. that voodoo music? ike you that way. HENRY Yoh ni eon rennin" EEVOVYS HENRY, And when I went to play my msi here was musics there Ive never heard. You have sere musi? NATALIE. Listen, why dont we get joint checking account HENRY. Weve been through that NATALIE. I know. Your first wife fucked you over so now you | Iandle che money HENRY. Lee me nochin' but a King Tut medal | NATALIE. Bur you wea it HENRY. What, are you jealous of King Tat? NATALIE, Ie bie of her HENRY, That bug you? NATALIE. Yeh n Y )____ NATALIE: That was handmade, slid silver HENRY. You neve sid NATALIE, I sid i now HENRY. Fair enough, Point taken. (He moves the medal rom bis neck and gsi ber) Het. NATALIE. Just like hae HENRY, just ike that. Problem solved. Life a it should be NATALIE. Allright Hara Inve golden boy. Back to Cac. (She ose the medal te Henry) You the man HENRY, Jose steppin’ up. Give you role model NATALIE, I dont needs role model, HENRY, You kiddin® Have | ve sti no (0 you? NATALIE, No. HENRY, You need money? NATALIE, No HENRY, Those my boxer? NATALIE. Ya, HENRY. Fuckin’ chic Why done they loo like that on me? NATALIE, Thats where I come in, HENRY. (Reva pin onthe bar short.) Whats that [NATALIE, Jus pinto hold them up. HENRY. lie alga He tp ens cssmining her Tthat yon? NATALIE, Very nice. What soo NATALIE. Tn rns HENRI igor sy thers Thew ile mae of ew onde! dar ke - a webivs, a6t HENRY, Silver costs something lke six dollars an ounce. The fark weighed sbour ewo ouncen, Tha bring us up co twelve dol lars. The other hundred and eighy-cight we for wha? NATALIE. ‘Workmanship, HENRY, "Workmanship my longslfring as. How about the ‘ne hundred and ten dalla candle? NATALIE. That was avery beau hing! HENRY. Teas but then you lite And ie mee ike candle do, You are nor going to ext tough ou savings buying the eraxy vaok + He ——— Hee, “auc Scie Tea figure fr Sidney His wif, mutant I should be the one doing the 2 Me udebe: agin things you ke o bay. Now, 1 ike cus this ok The ie Ith sory shew long can shi gity moteracker ve with ‘Thai the qusion Everything ee known. The crime and who {i kis kaon, Ererhingecepe the nace mcg of hypo 2 ian ea sry A sn un wie man mem he “Who mocks though that wae such an interesting quesion {Dine Lifes ike thai NATALIE. Like whae ENR. Life dont have tha naratve dive, Life dos hook pa. NATALIE. Sometimes i does. HENRY, No, ifr boring. People are boring, Books and movies tne fake because fake i beter. In books and movies the sory sy pats I finishes witha bung, Life isa siege. Lifes an ay out Sides city hat never fal, I have clients come in and ell me shir Story and ite away the same fuckin’ chock, They blame some- ‘body, Eerybody comes in and blames the other one. He did his, the di that Plain the blame game, People are predicable as ‘Monday afer Sunday and boring 83 bag lunch NATALIE” Am I boring? HENRY. Absolutly NATALIE. Bite me HENRY. Ava story What's dhe big revelation with you? Nothing. You an ordinary person, NATALIE. Maybe youre jus Bling tose how interesting Lm? HENRY, No, fm noe NATALIE. Maybe Im boring to you HENRY, Ava STORY. NATALIE... cause youre Boring and your understanding o&——— ‘peoples boring FIENRY. If something inereing were co manifest, trust me ful I woul be pos Time siglo sh UGPRITE No. Yu keep things boing becuse has how you HENRY, Olay. And how dtd hae CZ HENRY Oty And ow do do dae NATALIE. Like wil te checking sccoote Youle aa be sud by wha Td rt nt soe HENRY. Youmendot wane Semen ing pf? 4 NATALIE. I woulda sip you of HENRY. Of ere you mould ‘cane ou cant NATALIE. Goddammit, im no ome hue ying 0 ge over ‘on you, Henn your fcking wie HENRY. Oy you's fash’ the eden The wile NATALIE. am encdy serious, ve been serious. HENRY. ‘Thats gm NATALIE. Were married mared mated, when docs the tse Kickin? When ate you gonna rl with me and tke che ae HENRY. Why do you wane joie checking ccoune NATALIE. So lean wee checks HENRY. You el me the check write (NATALIE. I wanna wrt the check HENRY. Whacchede NATALIE. No heck in pasar. you dit ge the money! HENRY. So youtefnesaing my deat NATALIE. Ifwe divorce, Im ended HENRY. Oh, you wanes divorce, ll sight 70/30 and yo ou NATALIE. You are so ico intimidation, HENRY. tm 4 marion lawyer Tha the jo NATALIE. You're my husband, dha the jo HENRY. Ido shin tars supposed to bob NATALIE. With me? Are you irius? Tm teengyfvehouts 2 da gh dg awe Im he ade ob ia ve fr HENRY. Thats my jo, NATALIE Ido wand ——__ {ENRY. Why no = NATALIE. Too expensive Emiss YOU HENRY. Sport of king. NATALIE. Divore. HENRY. You were the fret one ruse the word NATALIE. Takei back, HENRY, Is hat allowed? NATALIE, ‘Mak it upto you HENRY. How 25 FFF FF tk FTF k kk ttt eee k kk k8s NATALIE, Whatever you HENRY. How "bout bv TATALIE. Thats what a mye HENRY. Me niher NATALIE. T know. HENRY. Buc how do gt you? NATALIE. Tm right here. HENRY. Mero. NATALIE. Whats inthe way? HENRY, Us NATALIE, Henry lets do ie Tell me what do, HENRY, Tell me what you wane NATALIE, {need you tell me what vo do, HENRY. Whar de you wane de? NATALIE, Jut elle and I'l do it Anything HENRY. Whae (NATALIE, Jue You're killing the whole hing! HENRY. Why didait you tll me NATALIE. Why done yo know? HENRY. Dont bother with me thea! Twas rein’ my book, lszenin co my music! NATALIE. Sucking you fucking chumb. HENRY, ‘Thar sitar aesiade (NATALIE, Ws just che eh, HENRY, ‘Then I dont wane the trath NATALIE. Then talk to somebody es, HENRY. "No! You! Tim elk to you. You think youre smarter than me, NATALIE, No, I dose, Henry HENRY, Well youte not “I can do the checkin’ accoune™” If youre so smart, why dont you haves checkin accoune | wanna be Joint with? Huh? ell you why. ‘Cause in he ting that makes this marriage work: Nor you! DATALIE. Olay THIENRY, Ue always been the thing! Tha why you marsed me. Because [could make happen fr you. You wouldve ust. hod ro fe without me, No sabi. | give you the check when you 100, { don wane ro be marie by 26 sed the check You can depend on that. boring how you can depend I be there everyday. Not walkout Show up ith te mone. Yue right Tm the one males hit marrage Boing Bos yore the one who needs fort be boring Bene yours yo tere lefto your wid you would desoy the world. Thats oho ou a NATALIE, The worl? Would that inclde ke, Aural? HENRY. You know wha in aking abou NATALIE. Whar do you ant fomtine 3S eee ee ; HENRY, cant wae anything from you. And why ne You got romom leg fom goupegte 7 oe NATALIE” Ti sl caching up the erica HENRY. Good luc Now why JoJo want one checking NATALIE. 1 ju hough woud show repece HENRY. Dott wae hy fig tine WH ds you want jit checking acoun? (he areas i NEN The NAY, The aie NATALIE nse HENRY. Why noo NATALIE. Yo judge me ENR Fuck heh jes That noc what do. in an dren man. ve pots po vw andl che sds Now ny Seyon meet NATALIE Tsu something hat coud be HENRY. Good fr ou NATALIE. You dos derand HEN pe lon me IATALIE, I swan Olay | a ghost ENR. Whe pee Whos fee NATALIE. Tomy HENRY. pe) Where NATALIE” Aor pr Mile hey. 1a with end. HENRY A gow » obs INATALIE. Ye. HENRY, Well how tutta. ‘NATALIE, Tknow. HENRY, Thats some fs-class samp. That i aleve of aid tion I didoe think T would ever ge. (NATALIE. T pues i's HENRY, Say something co me NATALIE. Tim sey. HENRY. For what NATALIE. For nor believing you when you told me you sw a HIENev, You bughlin my Bee NATALIE. Wall fcoune did seme 0 NEN Cay fhnow Whe marti orl ari, When the rt bck tt When | ees ghost or when you oe? RATALIE, Al phe Youre gos oie TENT My mother cme bck NATALIE. Aligh [blee you : ENR wath igen momencin my i. the eon Tn toc sj tay And you loghed in my fice RATALTE: Wal Tim omy HENRY. She came fi hough he wal bated my sero allo {hie sh bad mame che fying pon inher ge hand She TEL Newtek ar nein yours agin. sony bo and FI Sit your head the pol Tsien he eta love Sore mac her comebacks ve me, Wht made Tomy Come tack Wari NATALIE, Mone NENRY. (sur aging) Mone? Whats Tommy gonna do wihimongy Hee de NATALIE ove bim owners handed dlls HENRI, Thaves ery specie amount NATALIE, I borowed om him ENR Whe Wha oe NATALIE. Tnught my wedding res with HEN. (tps Tea) Loughe your er bough you {BaP Nahas er oe) Ys we 0 Tom? Why woul Jou gow Tommy? Why dd yon come 0 me? 8 NATALIE. Oh Henny you wore inthe mide of sgging HENRY, You wet though with Tommy! You broke his ha ‘Why would you sk Kim for money? NATALIE. Hebd ic HENRY, Hedidnt hive i anymore than did, He wa anit, He dda even have ean clothes Why him and ot me NATALIE. Tea pice ogee now It made nso che ime HENRY. i knew de war omethng. NATALIE. I'd eve know mas gona do js ie HENRY. There alway been something A missing pce NATALIE. This far oching odo ih HENRY, This hr everything wo do with st NATALIE. No sh was fre This wat Tommy, {ust wanted HENRY. Revenge for wha You ef him! NATALIE. Thought | was going to ell co him, bu then got ‘iid at him and Tased him for money took good fr you ‘Fwengy-acven hunded dll le wall the money he ha, And she poet me I thought he woul. Ther why ke for Thought thar mould be the bak Ba then he pve me HERI Dd you fk hi NATALIE. Yer Ie was before we wore mid HENRY. (Heras is tie. Tin no slepng hee tonight NATALIE. Don lene me doe HENRY. Why not NATALIE. Tm sus, HENRY. You know why yout scared? NATALIE! He dd love me HENRY. Did you ove bint NATALIE. Na HENRY. Tht fcked up NATALIE, He ested me ke an anal He led me a whore ‘Everytime! Like Twas nothing? HENRY Then why you kop going back? NATALIE. He ha old on me HENRY. Heal doce NATALIE. Hes ded 2» HENRY, So what! You sil want someting om im. NATALIE. He deeded meant wanted back hint HENRY, To an enw pine NATALIE, Tote fucking ve HENRY. Looks like youn op thee Loks lke you dog im NATALIE. where you gonna sep? HENRY. Who sid im goon slop? NATALIE, Look’ There no ned oo, Tithing . 1 he pat HENRY The pr el NATALIE. Where you going? HENRY Ouro ie word ny love NATALIE. What ihe comes again? dost wane to be alone (ew ded) HENRY. Fy, yu'te never alone. We jus found dha out. You sie tere you wate Maybe Til be bad Now her stor ome alive, "hoa gonn happen nove vs er he page ie xt ‘ecien She op Sherine the ed rb mall bakes serena nd lig Se tok cape i She goer Be CB pln pil op a ne CD, ad ps inom te boom bo Tm of te ibe. Sigh lds he oom. Ma sar py, smote Marcia Bll singing Anoher Man Woman.” She taker ‘Derber bron seen Te man, the hot Tommy see bac ‘te daeay Sve hi Stink pried Soy eg up oot hi He mos hr bly Thy bg 0 dee. remy rump, Then be gin orange er She so soem, can He mera be TOMMY. ” hers ‘my money, Natalie” Where is it?! Where?! (Blackout. Smulencrs ms nt. She aeums. Lg up. Dyin ‘Nak n bed, uening fom snighonare Setar sobbing) NATALIE. “Oh Tom! Tommyt (The lh fade Mui “Seige rma Toma gig Time on My Sebi pln" Th ii fe ever oe) cid Ne gd aaa er 30 Scene 3 Asef tal dee diy sensin binds a compe of hai A midged ayn hep Suey eb (he aig tok ceig ft A oo SIDNEY, Come in. (Henry comer im. His clothes ae srinkld. He ‘hasnt barbed.) Henry HENRY. Sidney Bus? SIDNEY. Asis you, no. (He ears somthing) Did you hear that HENRY. Whar SIDNEY. Nothing. The goddamn hot water in this builing, es a presence. Come on, st dow, HENRY. Thanks Always with he book, What ae you rai! nom? SIDNEY. Casenon, HENRY. The lover SIDNEY. That right. How ate you doing with the Crime and Paniihment? HENRY. Tim mazching dough it. Sometimes is good. SIDNEY. Ie fills par atthe end. He poce to jt his bran col lapses. and he ads God. Youre a ite disheveled HENRY. A bic (Indicating the book) So yout interested in love? SIDNEY. Oh yesh HENRY. What do you think ofa guy like tha? So many women? SIDNEY. Good for him. He was a true believer And when he Finally became cynical, which took im slong ine to do he die rit become cynical about the women. He becime cynical about himself. (He hears something apcin) What 1S cat sound? HENRY. I dont hear anything SIDNEY. You're lucky: fe circ to be sensitive HENRY. How do you know i youve become cynical about yoursl? SIDNEY. ink ie tars when you begin t notice your own HENRY, Have you had that xpetience? SIDNEY. Never HENRY, You's ot roueh SIDNEY, Mes youre {ove being underestimated HENRY, Are you spent SIDNEY, Two walk under adder but ha about the extent HENRY, [ay no beable oll you this ory hen. SIDNEY, Youre no ung me, you? HENRY. No, no. Teva oe SIDNEY. Maca wouble HENRY. Howl you knoe? BIDNEY, Tra divorce ames (The phone rng, Sidney pcs it spo Wee Hold ny cals wih» poten chen. (He agp Fe poe) Talo me HENRI Wie ince SIDNEY. Wha he do? HENRY. Tin aor ping divorced . SIDNEY. Vout ng et stay ay fom de rl Lets ok 2 the case of your angus HENRY “I pew dae the important ching, The core sue. Una, Soy, She was unl ome SIDNEY. Can you prove HENRY. Udo noed 0 SIDNEY, Tos ate you do. : HENRY, Look This or acon. jus ling 0 you. SIDNEY, Forgive me. Oi is diehard Had you seta precede HENRY, Fora SIDNEY, Weve you unio he HENRY. No. Neve SIDNEY. Wall shes your problem HENRY. Whe SIDNEY Soma Hs wy ma tc sian sence. Th ab wil be led, he ols willbe ed, ears omehing) here again, but you dest hea i The Foret Take my wile Ti nor gonna make the joke Nacia Mares tally one shosand psent thu tome HENRY, So dol extapalae font thar ou ick round? SIDNEY. To my i ania, nevee! Nee I wat 4 paragon. 2 And my firs wife flew on planes o fuck men. She woul go vast distances and ass meals bang 2 Busby in. Counell Bf I. ‘eat my Bult, That was my job And Tdi do eT indulged in ‘moral usury. [asa willy husband, And that an hej HENRY, What job? SIDNEY. Manhood HENRY, I done think of manhood a jb, SIDNEY, Itsajob. Done ight ie ring job, And women have 2 lo to do with what that jo ental Srey women creat, The ‘womb We all acknowledge dhe womb. But theres another side [And is not pete Theresa Hinds deity in Ina asd Kal The tod of destruction, Its a woman. Shes got a bloody sword and ppc fr decapitation ln he Wess, we cll her=*The Devouring “Mashee” Creston, destruction, Every woman has thse ta sides to hen and every man must deal with thes ono sides. Creation, Aetrvtion. You gotta orient a woman in sich way 20a woe Facing her restive part, You want the creative pars The dest: tive parts You want those to he icing away, Toward wall ran ‘enemy or something, Women consume, and they must be dct What to consume, or they may identi yu as ach. Youve ota point them, Like you woulda bazooka, Like you woul hain ou dont hold a chainsaw by the cain. Let me pll i tog another way: Monogamy Hike a for watt ull works bt i tot enough, Women uss ro come with goats and tenes, When they ot upset they worked on theres and thy yell dit sts Now they lak around, no guts, no textile. Al there iis tome chuck yng eo read hie newspaper Al ight al sighs, here icisbold down to douhng. Dont be the lam, Henry. Thats hat Tr eying to my. Cause if woman smelt you betting the farm on her, you gona lve the frm. HENRY. Maybe youve been a hit jab to ong SIDNEY. I dial learn thisom the ob. This come eh, HENRY. [cant ge divored gain. SIDNEY. You dont have to get dvowsd, You know my wif Marcia Mare ght? HENRY. Yoh SIDNEY. What do you think of her! HENRY, she’ lovely, She very nce a SIDINEY. She's bag of shi and T have to hold my nose ofc hee HENRY, Sidney, wee ealking about your wie! SIDNEY. And the mother of my children, HENRY, You dost have children, SIDNEY, Figure of speech HENRY. Look, I know youte .. I admire you, Sidney, how Youve succeeded at work, the Books. Bue T guess everybody falls down SIDNEY. Fortunately { dont lok to Marcia Marie to pit my peach FIENRY, How did this become about your marriage? SIDNEY. I've go another woman for that and shes hecter than + {ure of blood HENRY, So you do cheat SIDNEY. I how I paste the ba. HENRY, There's no ay c cheat on the ba. SIDNEY, Til choose no 9 correct you. HENRY, Even if thee i, wouldnt wancit Ie would be ight. SIDNEY. igh? You poor bastard, they've got you by the balls Right and wrong hats dhe coral they use co keep the cows ou of {he hou. Aman like you should know bet A man who came From dhe depts. Henry, were lawyers. We do not traffic in right nd wrong, Come on, Thats fr chumps Thats Fr cin. HENRY, think ice exis IDNEY, Good for you. Met me on Moune Sina... wel do lance. Answer ane di, Moses. What i moral? HENRY. Is. T know i when [se it SIDNEY. Very goo. So do 1s fanchise. Moric sa chain restaurant You go there hese you know what yout gonna gt ‘One burger. You don have ro think. You dont have ro invent 2 ferpone tothe unknown, Heal like being dead except yout ene had x vision sbour si months ago. Techanged mye. Td fove hne ses, Ayoman with thee kids One aus. ler hus fhind stole everything and I coulda stop him beciuse she was trl sa he wasnt got me down. wen walking on Jay Sec Tonka atthe malloel people who ssl inhabi his world. Usnd there among ther Isa broken lady det saving, ‘Mind. enor a8 0 Je siewalk, And the PECTS STSSTSSCSSSCSSSSSSSSTSSESEE SESE EEssssssegT awful, 1 reaned 1 knew het. Henn, her name was Juice Frerfody just walled sound her petal she dd ox, Bat [awher. And eoed ght hve on ha ses ooking that lose woman, chat war ne ging be hee Iwas going to get what Teed to survive nespcine sf anybody ccs set of od ot right Two days later I was down at Borough Hal fora recon fence. This lek was busting my chop and I went ot fora byexther tothe me’ oom. When ots the ies om came ths il And though [didn know her ecognized hee Ue she wan Senge ening hc Sh ad rp she seat thing be er sn HENRY. Look, Sidney waging oak you for advice, but Jou faker ou on the pene than mes SIDNEY. You think you cn ge everthing you nee fom one HENRY, 1 dont know, What i everything? SIDNEY. Good quraon! Whats inside ou? Whats the scope of ene? Whar do you nclde? Think abou i HENRY. Fam thinking but what are you doings man? I sounds {0 mele you gor burned by your Bar ils hen you jut chose tebeactown or something SIDNEY. Tam ors clown HENRY. [jr mean isc ke youe making fam your own hare Our of th pin Like sing dept or wows ike tae SIDNEY. Tim notin despieIm at ging soll mys So what leis no hie preying Ll want Tvanwlive. Younes wha pases trop thi office You know nha eof love when We done with Boe Wed hn w or he wid lene ARE the whivind Now you can po nth nyo you «an scum Ive made my choice Pie Ise. chet. Tse cho Senile And Tam having very good tine: Marca Mari and me Tewas us, We er living FV show A pl sh wasnt gonna ee iad a ling a al fbr Ss joa mate not there me aa HENRY. Bucthen whaesteyou doing? Why areyou sill maid? SIDNEY. I eal you why! Revenge! HENRY. For what SIDNEY, All dha some inthe ln! Reibution equites a repent. ned Maca Mate te vo, tel fom, cheat on! A ‘Bit poun, hors what Marcia Mave For She eke t wrong ‘And wrong righ HENRY Wrong igh : SIDNEY, Dont repest me to me. Maybe once in your life youre Sppsed od someching hard. Some fork in the road. Your sul ‘Sify conurbation. But the est ofthe tine tocalladcka dock, leis ver dry pay. HENRY, Yote alking too much to be igh. SIDNEY, Ti talking shoot the thing al pope that you may ‘Stes tat has ats noch ight to expreson asanthing be i foul Tin ang about not beng on your deathbed choking on ‘Gretna ps Seas you didnt once speak. Ar ling abot SID Who cares) Why did T ge you Crime and Pansbmen, enc? What conscence’ I tink ts Loncies. He urpried fy tea Gen she unde sonia) Sociesy anes the at who Tey i ow gh and wong. Maybe do wane tbe under sind” Maybe bese youre smb on some ind of iypocey a jour manage, ou maybe open fo understanding. [Reis hang of mine thi gi Ts gi al dhe Back su Shay lg eagced hears she ete Lean you wha ve sid CDhex doe to he The irly mos hore shings coud think Gf Ash come bac for more Sh grat God les ie. es, Tiacnron God Because ke a mia, We found each othe. She ss e+ Sh a abe hein os gic er anthrone When gv io he wl make er dy (Sid hs akon ou alga on. Shou ie Hew) HENRY tothacan algae? (Sty dns i de) SIDNEY. Some fuckin rep, Doyo know why T went into mation aw? HENRY The money? SIDNEY, Dont bea is neve about money YOU MEAN YOU REALLY DON'T HEAR THAT SOUND! T went ino Irma ie todo for ener whe st ave the courage Totormall: Sos the conventional bord. we the most une inthe woud, awe new here as no love co be fh Al the biter dsapmintment of my marge bs {ned tithe unser oly cee Phar bth! Tha asta And she Beka Raa a aaa aaa dads HENRY, Bur your wife sno. pee race ee a FERRE dw we yi SS So ae a ere ee ees et oe ween ee ee re oe cies Soe ee esse St Santa a Sf etree eigen mite long moment, petal. Then be teas the phone af bis dak and Bs eT anak et We Bee oa ea ct re seas aes oes Se eae ee a ete a oe eis ee aaron aoe tae sur tone a oe inde entrada cn a CELESTE, tin me SR np ter Pe tens er yee sr ata we ean Eee tna tb le SN ee fa dre at Eas oi ie Oly Sere eee ete bape Lae Scene 4 “A iechen tabl, um coming in ries ie Sidney siting at ‘pe table Marca Mare who wear sees, neat ote is hing cafe na Mr. Coffe machine. She har bern sappy rk lng sie: A lence bang ve them. MARCIA MARIE. I havea confsion. Tm dsappoined youre home like chi ime for mysl SIDNEY. Ana There was am incident a work, ‘MARCIA MARIE. What? SIDNEY. I don' know MARCIA MARIE. Did you get fred? : SIDNEY. No. Nobodys gonna Bre me, Marcia Marie, im ery saccefl man. MARCIA MARIE. Did I sy diferent SIDNEY. Something. MARCIA MARIE. [aw a prof pans day that wer ery You Tita you whete they ate You should go and look a them. SIDNEY. Tean dress myzlf MARCIA MARIE. Did I say differen? SIDNEY. There was phone call There was a phone cllat work sep en og eg gi 38 BUH SHU CHH HUSA I IE MARCIA MARIE. 1 dda call ou SIDNEY. I did sy you did MARCIA MARIE, You can accuse me of hounding you. SIDNEY. Tn nor, MARCIA MARIE. I nosr cll ecepe when I have ao choice és fot like the old days when Tusa co'make what you elle pont Fes ell Distating you From the gree work SIDNEY, Look, This ta eough day for me, Could you lay of? MARCIA MARIE, Wall thsi ugh dy forme, too. Maye you want go our awk tl its the ume you usaly come home SIDNEN” No, Ifyou want somebody eo go out, why don you MARCIA MARIE, Me? in not going anywhere. wi SIDNEY. Wiped fom what? - MARCIA MARIE. Its ting for me when youre hee SIDNEY. Tin ere every morning and everynight. MARCIA MARIE, Not everynight SIDNEY. Mose nigh. (MARCIA MARIE. So you ca imagine how sired Tam SIDNEY. Well, his sy home. This is where lean go MARCIA MARI. You have the office SIDNEY. Yes, hive an office and then I come home. Thos re the nwo poles of mp universe. MARCIA MARIE. Wall, only hive one pole, tis isi, and deserve time alone. You make me nervous SIDNEY. You mean jus by being ave? MARCIA MARIE. Daring the day. In my kitchen, Yes. Som making coffee. Do you want some or not! SIDNEY. Wont colfee make you mote nervous MARCIA MARIE. Av his pont, don think 5. Um roo wiped. SIDNEY, Buc fom whae! MARCIA MARIE” You Your aur. There’ only so much of your aura Lean cake. SIDNEY. Well, back arya MARCIA MARIE. Buc didi come ro your fe. You cme ny kitchen SIDNEY, And did whae MARCIA MARIE. Dont I desrve anything? » SIDNEY. You brow | hater sack our pia bu hi ny cheno, pd fr this chen MARCIA MARIE. Tp for hs kitchen SIDNEY. Wah win MARCIA MARIE. My SIDNEY. tour apermene MARCIA MARIE dose on SIDNEY. You hve your own bathroom MARCIA MARIE, Ave Jou eying die ment the bathroom tore SIDNEY. tm gor ying waive you anywhere. Yue ein 0 dhe me out of my owm opener MARCIA MARIE Dai SIDNEY. Di nighe whats the dierence? SIRRGIA MARIE dnt nw the direnceBeoween dey tod ight SIDNEY. eu yar iar MARCIA MARIE, (lo aden member) Tim sry MONEY. (1 enter sno emer) Pardon me MARCIA MARIE. Prenre SIDNEY. Gas Bog MARCIA MARIE, ve mae peace wih chee fpr of ou rtof he me SIDNEY. fe made conceion to MARCIA MARIE” Ac you lokng fe arte conesins fom BRD 1 comer eon he ned frome fom of en Stpouand being of she ing SERRCIA MARIE” Why wo ou give me what wane? SIDNEY. And wha hat MARCIA MARIE” Space MONEY. Arete dic ins he smoune of pac You need? MARCIA MARIE. have none STONEY, Whee ing sm watt MAGE, "Tne othing Tin iorone And you aoa ne Aa art be eninge lhe me, nel be SIDNEY ‘fo do hae MARCIA MARIE” Dadam 0 TTF FTF FFU ROM RMR R RAIS SIDNEY, About wha? MARCIA MARIE. Big pictute? Goode and services, SIDNEY. You know, you could lang and ache and pine for other ‘things besides goods and services MARCIA MARIE. Oh bur no. You have limited me to dreaming about goods and services, God help me SIDNEY. You dont need God. You ned «concese MARCIA MARIE. Teed my sul SIDNEY. Dont look st me MARCIA MARIE. Tam looking at you. Un lke + check you neve endored SIDNEY. Why should it be upto me wo cath you? “MARCIA MARIE. An undeposited check t certain point, the brank does honor it anymore And when the bank doc hone you, honey, and youte a check, wll hats bles. SIDNEY. Look: You might at well know Tve had a big shock. [Never mind about what But Tim noe doing roo terrific im hay ing some suicidal ides. MARCIA MARIE. Thave suicidal ides, SIDNEY. Are you gonna vie with me now forthe right ro be sical? MARCIA MARIE. I'm going to defend myself SIDNEY. Agrnse what? MARCIA MARIE. Your feclings. Your emotional supremacy. SIDNEY. That’ jst me aking. I dont wanna cule over you. 1 ‘want it noe to mater what I do, MARCIA MARIE. Well ¢ doce mate. (A releming. He rus sy thinks abou and nally ges hr the sal fbx with ‘ligaor pin) SIDNEY. Look, Here MARCIA MARIE. ‘Whats this? SIDNEY. A present. MARCIA MARIE. A pia, SIDNEY. It nothing san lligator. (MARCIA MARIE. White enama Ie goes with everything have SIDNEY. Donit make 3 big thing, put tay MARCIA MARIE. Its equine SIDNEY, I just comme jewelry A litle doo dad. a MARCIA MARIE. You thought of me SIDNEY. {don' know what | was thinking abou. MARCIA MARIE. You were out SIDNEY. (Overlaps) Pu it aay? MARCIA MARIE. You thought of me SIDNEY. (Overlape) Puc ie aay! MARCIA MARIE. You wene ito a store — SIDNEY. (Cuning ho Foss MARCIA MARIE. Thank you SIDNEY. Tes nothing Forge, (Touched by ber pereption of « tender gre she href at Sidney He iit et aay.) MARCIA MARIE, Lets goon arp. Lets go ona tp SIDNEY. (Overlap) Get your hands off me MARCIA MARIE. Please! Please! Pleas! SIDNEY. Get your hands of met Dorit make» big thing sd (sede sexual moment. He gab her Isl Violet grinding Shea: Bu be pac, tose) This why wanna kl mys Yeates tpt eel 2 move of my band ould topple your word MARCIA MARIE, Thats right. And chats respasibilit. STONEY. Well I sje that rerponsbilgt In order for mero sve sou, L have eo kill met And T wana live! f wanna lve, All ight. Frn'gonma tke the sepe necessary co top having these dark ides ane dvoree MARCIA MARIE, And cat's nor going to happen. Do you want alee SIDNEY. Can Task you? What i this T mean, over ime? What se we doing? MARCIA MARIE. Big picure? Weve been king ech othe. SIDNEY. But why? Why would we do the? MARCIA MARIE. No gus I es SIDNEY. For what? MARCIA MARIE. Fredom SIDNEY. What would you know about freadom? MARCIA MARIE. (She eign lito make he point) Oh boy Ive in ee shackles knows about freedom! SIDNEY. Dorie do that. Dont do that MARCIA MARIE. Why noe SIDNEY, Ate you superstitious? 2 MARCIA MARIE. Vr. SIDNEY, tid koow hat MARCIA MARIE. How te an I explain my Bie exe Ginlnget ee wniscacunecfyeremy. SIDNEN. Bur wy me? Whar did o MARCIA MARIE” You dey mage fr ivi SIDNEY. Whetes you dot gratin. Youre the inspiaion fermy work Maris Mare Tice myself a saving people Tice tpl a aan Robin Fld MARCIAMARIE” Robin Hoc wae apr shog Asareyou SIDNEY, Iprform service MARCIA MARIE” so dot SIDNEY. What MARCIA MARIE, kes you off the mae. SIDNEY. So youre comsining me MARCIA MARIE” Yes SIDNEY. And Tin conning you MARCIA MARIE. "Conating and invading. Yue in my chen now nthe dayne SIDNEY Each fun acl and smaller bot MARCIA MARIE. No, you're fee SIDNEY, Bur dat nor wot you sid before, That contain [MARCIA MARIE. Whar ayo eying cach me pt SIDNEY, Tin tying undead MARCIA MARIE” No SIDNEY, You wor et me undertand ARCA MARIE snr Bn ot igo el you SIDNEY. Why oe (She gc forte ofc n oe pty) MARCIA MARIE. awe Sercowons fn tise ein hes SIDNEY. Name one MARCIA MARIE” You know SIDNEY. Not do ot know MARCIA MARIE” You ave ben having a fi SIDNEY. Now! hive MARCIA MARIE. Cs pour ht cof hae ey and emp ory) SIONEY. aot wanna do ti MARCIA MARIE” Wo? bis nd) And you've “8 pRRSSSALAARALALAL, SIDNEY. Acwaly lk ou MARCIA MARIE. No, jou don. SIDNEY. Ori do wane to allthis nthe opie. Or een i {ets the wp, Len ex you pon the ast well have co dink From: Im gona sve msl MARCIA MARIE. Ad ys think i SIDNEY. What are you talking aout? Youre skinny! MARCIA MARIE. What are YOU talking abou” Ti ft Tn Shaking ih ft SIDNEY Vote yout ck yout pial punt MARCIA MARIE. But you tink of me asf, dont you! SIDNEY. Who sid tha? No! MARCIA MARIE, Then why dos you ic, me SIDNEY. What ae you aking about ¥ do fack you MARCIA MARIE. No, you don. SIDNEY, This i sre MARCIA MARIE. Youve changed the onder of things. Thats frat endo, They erage the uth, SIDNEY. Wher you dnt ven bother with MARCIA MARIE. Tam all abou the ruth BONE. No You ae al abou cul. Esery piece of css in our breads is burered wih rely MARCIA MARIE. You wane sme was I could make sme SIDNEY. Are you serous MARCIA MARIE, Yeah. SIDNEY, Jer Domest MARCIA MARUE. You wane ome wus or no? SIDNEY. No.t dnt wane sy icing out! And you wea those am way clothe! EUARCEA MARIE Whar he mace wth ny oe? SIDNEY, They sy youre maried MARCIA MARIE! Tam mari SIDNEY Those other ny you fck by the numbers MARCIA MARIE. But | done Fick bythe numbers “aus you don fick me SIDNEY: What are you lk abou We fack ewopoine

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