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Women of Manhattan

The document is a script from a play titled 'Women of Manhattan,' focusing on the interactions and relationships among three women, Rhonda, Billie, and Judy, as they discuss their lives, love, and societal expectations. The dialogue explores themes of friendship, self-identity, and the complexities of romantic relationships. The characters express their struggles with personal fulfillment and the search for connection amidst their experiences in Manhattan.

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gracie.musquez
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1K views23 pages

Women of Manhattan

The document is a script from a play titled 'Women of Manhattan,' focusing on the interactions and relationships among three women, Rhonda, Billie, and Judy, as they discuss their lives, love, and societal expectations. The dialogue explores themes of friendship, self-identity, and the complexities of romantic relationships. The characters express their struggles with personal fulfillment and the search for connection amidst their experiences in Manhattan.

Uploaded by

gracie.musquez
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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Download as PDF or read online on Scribd
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This plays dedicated o women, women, women, women, ‘women, women, omen, women, women, ome, women, wom, ‘women, women, omen, women, women, women AND. guy named Larry Sigman 20, isan independent Connecticut Yankee who has boen overtaken by her own cyicisn. Those three women love eachother WOMEN OF MANHATTAN Up Cemer i ohite pn bench ith polyurethane fish, On one end ofthe bonch i single Back pillow. To the beh’ front {sa cf ible with ress lps and glass tp. On the abe is Rhonda: I wouldn't say Fmrich. "None of us are rich yet. WOMEN OF MANHATTAN Rhonda: Like the oysters. i ‘The thre of us would ast deck out and look great for nd fck the men, illie:_Tknow, I know, but don't you feel we're wasting our {gorgeousness on each other? Billie: Tunderstand why you're saying that but come on. Rhonda: Wait. know what you're hinting at That aint whats ‘oingon. Anyway, you're mamied. re here without a man cause your husband's ing buildings somewhere ‘re wearin bal. These clothes are just like worms only there’sno fish fo bit, ‘ille: “Worms! 136 John Patrick Shenley ts weird to think of my clothes asa worm, ls_And you yourself as a hook. Especially when I've already landed my fish, Bob. Bob ig-mout cause you gotta hep in shape ‘What do you mes Do you honesly think leaves me? ‘Yes! Hominess! Definitely! And [think you do ittooas a sorta check you run fo make ure you sl est Thats the mest exis son. [fir therefore lam. And WOMEN OF MANHATTAN Billie: He forgot Rhonda: He what? Billie: Oh, it was swcet,reslly, Wehad this dinnerand some champagne and he'd brought me these pink pink 1 the moment was justo. He got cared away and propo Rhonda: But thats just so dent precious, it really really was, Bit itv s about my mariage that drives mie talking bout? my existence was more. pica; WOMEN OF MANHATTAN Don't be smart Wouldnt know how. He left uo se timesit does me good fo look and see these sneakers there sitting onthe floor Fis sneakers. He was he T would've doubted that I existed. think | would've been glad ‘Rhonda: How do you come to that? Judy: At least something would've happened for me to brood Rhonda: You wanna brood? enjoy brooding sbout something new. 40 you brood about now? not doing me now, we're doing Rhonda Louise. Forget that. With me you're done, What do you brood ‘m sure. But what I mean i, since you're married, rm wrong, you have sex, ye do, f_Wel, don’t Or anyway I haven the way Tbrood about sex Is differen rc ‘verse, Scandinavian kind of deep deep festering stew. Billie: Basic ‘Rhonda: agree Infact really agree, ‘wit straight guys. You Took them over like you wanna give them Judy: How can you talk to me this way? I'm nota stone! Ihave feelings! Tuy eres. ‘ile: Te sory. forgot. But you see? That's how itis You get tweatod like you ask tobe treated. And you ask tobe treated lik T ‘cause they think you're one of ther, Jokn Patrick Shantey Rhonda: Maybe that’s why you should. Judy. Ob. rm so lone Judy:_Then somebody who was screwed up in a way that com- emened Twanna be an aetive hetero- volcanoes. “Watch out, Judy's active. Judy: Can say something? Rhonda: Sure, us WOMEN OF MANHATTAN, Judy, Alright. I feel 0 strong and everything's out of my reach ‘which maker me fel deluded about my strength, which makes bout my ability to divine what the fuck is being good do? ke me #9 help you, Judy? I can help you i sting to you. 'm your tre friend Hove you. anything rom you except your flendship. Do you Tudy. Sure Bille: “Bebre I can sy the thing have o say to you, you have 0 ip You think you can help sop ing pond ofheigan au Ang team oudo hat ding? iy. Lean only hap youl you “Maybe you thought I didn’t know tha, krew that. And ings abovt you that you don’t know, sSopped me from being your fiend. Do yor know why? ‘You know things about me that don't know. right tow tons about you that you don’t know. my point, rally. Because I'm not to another Jadye Wel ofcourse. please accept my help? WOMEN OF MANHATTAN right now? thing todo with it. trophe! le was a Mormon ‘ve laken a fistful of LSD. what could be more of Rhonda: In my lie, this may be my favorite insane moment. Seriousy, judy, Judy: "No, Yeu ust incredibly Judy: Okay, Billle: Okay. Rhonda: ‘Then it's pact. Judy: Now that 'm com ies wearing a peach silk bluse, sneakers oth sels, exactly comprehend your die feeling hippy. How ‘bout you? Me WOMEN OF MANHATTAN Billie: How long tl the hamburgers are ready? Bat About thirty-five minutes. inown pace and when I put the ‘em to cook, the burgers have a fat fo drip down and upset the ecology. The heat is what ts, the burgers are what they ae. The meat cooks, the coals smolder and die thet steady death, At the moment thatthe cols are throegh with the subject of fire, the meat is cooked. That's what I'm after. And it should wi I'm playing basketball. He thought he was playing basketball He's standing thore in is pajamas and he thinks he's playing bask Jot I tink 'm playing basketball te: ream with your ams out so yeu don’t bur ike Frankenstein's poor dumb monst you doing, Marty? And he sid, Jokn Patrick Shanley meen, Billi, YOU ever had this experince some other ime in your fe Wat you're asloop or Of Don't you some by. This is really about cooking the know. |know you were. We were good reason to be worried | was reach inkydink and ifs enough, butts not, tomy mind, a house ke my father’ house was a house, * pace did 'mecone bit a ‘of mysel What kind of stock am I going to buy into? Think I and look. But [never play around, I've thought about it,but I ‘would never dat. Billie: Yeo. Of, sweetheart, what would Ido veithout you? I John Shanley ont fel courage. fee courage in you, but not in me. This may think Teould even be pretty without you Sound eazy, Even if died, you'd be pretty. ik so. Why do you keep talking about ink you're going to die or something? gonna die. That's given. ike that. I'm going to die before you and i bury me. 1s WOMEN OF MANHATTAN itt ae pt en poner eeeee iracyeameenes Ino Cl ely eypy t tmnd inte. Bob? ? Boing to try to let go. I'm going to try to show you ng ‘That's good enough for me. 7 don't know. 1 know I've been selfish. Wanting to do everything. Like my Dad. Be the her of he mariage Maybe you should get a pb? Or have a baby? important to you. And I hesitate to even say, } Billie: “Ym not ready to have a baby. ‘But it must be time tat lest turn over these Billie and then lots down ‘pprtse them. The lights fade Finished understanding myself Enough. Ahm, ‘even want ask that some things you don’t know about me. You

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