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There was a time of confrontations and rivalries, conflicts, insecurities and great
injustices... From there emerged a group of individuals who rebelled against the
prevailing reality. They gave rise to a caste of supreme warriors, skilled, dangerous
and lethal... With a noble code, but not understood or accepted by many... Only the
most helpless, the defenseless and those who suffered oppression from higher
statuses turned to them. These clans fought for their families, their towns and those
most in need... They were few, but powerful as the largest of armies... They were the
warriors of the shadows: they called themselves "ninjas", "shinobis", the masters of
espionage and confrontation in the occult...

INDEX

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CHAPTER 12: HOKEN JU ROPPO (SIXTEEN STRIKE METHODS) –P/30

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PRESENTATION

To learn everything about Shinobi, their origins, training, espionage, combat

techniques and how a class is conducted in the Dojo! The notes written in this book
introduce you to the mysterious world of ninjas! The Shinobi Jutsu... The Way of the
Shadow Warrior!

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 CHAPTER 1

SHINOBIJUTSU

Shinobijutsu is the ancient art of Japanese espionage, practiced by shadow warriors in

feudal Japan. It is also known as stealth art, the way of silence, warriors trained for
superhuman missions, elite commandos of feudal Japan. Millenary culture whose
origins are believed to have been Chinese, a country where they had an advanced
concept of espionage and war (writings of Sun Tzu "The Art of War"). Shinobijutsu is
the Japanese art of combat and espionage, a deadly science that incorporated
sophisticated techniques of guerrilla warfare, espionage and spiritual development.
Today, Shinobijutsu is trained with more peaceful tendencies, focused on self-defense
and martial and spiritual self-improvement. Shinobi preferred darkness, serenity and
boldness over brute force. Suggestion replaced force, deception replaced direct
confrontation, manipulating the adversary without him even realizing it. This type of
psychological warfare was a characteristic of Shinobijutsu, based on missions, with
minimum energy expenditure, maximum effectiveness and running the least possible
risk.

Shinobijutsu is the ancient art of Japanese espionage, which was practiced by groups
of shadow warriors in feudal Japan. An ancient, stealthy art, a true science of war,
infiltration, sabotage, the study of enemy dissent and how to provoke it, the need to
obtain information, espionage, etc. Today, Shinobijutsu is trained with more peaceful
tendencies, focused on personal defense and martial and spiritual self-improvement.
Japanese art of combat and espionage, a deadly science that incorporated
sophisticated techniques of guerrilla warfare, espionage and spiritual development.

CHAPTER 2

MEANING OF THE TERM "NINJUTSU"

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Ninjutsu is often translated as "the art of stealth." "The Japanese character, "nin" (also
translated as "shinobi") has many meanings, such as perseverance, endurance, and
tolerance. The term Ninjutsu is most commonly used to refer to the specific methods
and techniques used by the Ninja. Ninjutsu began over 800 years ago among the ninja
people living in Japan. The warrior class that ruled Japan at the time were called the
Samurai. They controlled the land and the people. His lord, the Shogun, was the only
person to whom the samurai had to answer. The ninja would not serve the Samurai,
and they fled to the arid, cold, mountainous regions of Iga and Koga. There he trained
in the arts of war. It is said that his art is based on a text by a great Chinese military
man, written by a general named Sun Tzu, The Art of War. Throughout the centuries
the ninja was trained from cradle to grave in every known martial art. His forte was
espionage and assassination, by any means possible. However, in their training they
were also taught to reach spiritual heights, training their bodies and minds to reach
limits beyond normal and human endurance. For centuries, ninjutsu was practiced in
secret, no one knew anything about the art except the ninjas themselves. As Japan
emerged into the modern era, and feudalism collapsed, the ninja were absorbed into
Japan's secret services and special service groups. The martial arts boom of the
1970s saw two men looking for something different. Doron Navon and Stephen Hayes
found a ninjutsu Grandmaster in Japan who came from an unbroken line of ninja
masters dating back almost 800 years. Art was brought to the Western world.

"Ninjutsu was developed by groups of people, mainly from the Iga, Koka and Shiga
provinces of Japan. Throughout history ninjas have been seen as assassins, scouts
and spies.

They are characterized mainly by the use of stealth and deception. They have become
associated in the public imagination with activities that are considered criminal by
modern standards. Throughout history many different schools (ryū) have taught their
unique versions of ninjutsu.

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"An example of this is the Togakure-ryū. This ryū was developed after a defeated
samurai warrior named Daisuke Togakure escaped to the Iga region. He later came
into contact with the warrior-monk Kain Doshi, who taught him a new way of looking at
life and the means of survival (ninjutsu).

Ninjutsu was developed as a set of fundamental survival techniques in the warring

state of feudal Japan."

Ninjutsu, like the rest of the traditional martial arts, has had a system of family
transmission, from parents to children, transmitting all the knowledge of both combat
and strategy. In ninjutsu the system of transmission of knowledge is TORIMAKI or
DENSHO. It consisted of a scroll with a series of explanations and drawings, always in
a very concise form, which made oral transmission of the techniques necessary. This
oral transmission was called KUDEN (representation of the word linked to its own
written representation). Perhaps the most important form of transmission was the
transmission of the spirit of each technique, which was different in each ninja school.
This concept in Japanese is called SHINDEN.

CHAPTER 3

NINJUTSU THE ART OF THE OCCULT

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The origins of ninjutsu, which date back approximately to the years 500 and 300 (BC),
are generally linked to Chinese sources. In general, the functions of ninja can be
represented by those of infiltration in hostile environments, carrying out different acts
of sabotage or assassinations and the ability to successfully escape once the mission
has been accomplished. In fact, infiltration of enemy centers and castles gave rise to a
particular sub-specialization of ninjutsu known as toiri-no-jutsu, while infiltrating enemy
lines in times of open warfare or military alert came to be referred to specifically as
chikari-no-jutsu. The various feats that had to be carried out once infiltration had been
successfully carried out were as varied as the strategic circumstances themselves. We
can divide these exploits or acts into three main categories: first, the gathering of
intelligence by means of espionage and all its correlated activities; second,
assassination, subversion and destruction of enemy defences; and third, action on the
battlefield including combat operations of almost all forms, ranging from open
confrontation to ambush (whether against a defenceless victim or against a heavily
protected lord). Ninja were often warriors who were hired out as spies, assassins,
arsonists and terrorists for the great and small lords of the Japanese feudal era. When
certain "embarrassing" tasks had to be performed. The honor-bound warrior was not
normally required to perform them (he was expected to fight openly against his enemy
according to the rules of his profession). The large family organizations of ninja that
specialized in such tasks were usually available to the highest bidder. The ninja's
ability to penetrate strongholds (homes, castles, military camps, private rooms, etc.)
was based on their knowledge of practical psychology as well as their mastery of an
impressive collection of climbing devices (rope hooks, flexible ladders, special shoes,
levers, etc.), which could also be used as weapons. In addition, they often carried

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breathing tubes and inflatable skins so that they could remain underwater for long
periods of time or to cross castle moats, lakes or swamps with relative ease. The
ninja, who were often skilled chemists (yogen), often used poisoned darts, acid-
spewing pipes, flash grenades, smoke bombs, etc., cleverly adapting Chinese
discoveries (chemistry and explosives inventions) to their particular needs. After the
arrival of the Portuguese, they even used firearms; these weapons, along with the
caltrops they left behind when they escaped, contributed to their skill in avoiding
capture by slowing, blinding, killing, paralyzing or simply surprising their pursuers.
Among the unarmed combat methods they mastered, jujutsu predominated, in its most
utilitarian and practical form. However, ninjutsu schools also specialized in certain
systems of violence rarely found elsewhere. The ninja of the Goyokku ryu, for
example, were experts in the deadly use of the thumb and other fingers against the
vital centers of the human body. This particular method was known as yubijutsu. The
students of the Koto ryu were experts above all in breaking bones (koppo). From all
that has been said, it seems obvious that a ninja was a truly dangerous enemy,
specialized and prepared to effectively and relentlessly confront all possible
dimensions of combat with or without weapons. His total body control and variety of
muscular possibilities was often astonishing. In addition to training in the various arts
mentioned above, he was apparently able to climb steep walls and cliffs (with the aid
of certain equipment), control his breathing underwater and his heartbeat under
enemy scrutiny, jump from great heights (walls, etc.), free himself from bonds and
chains, walk or run long distances, remain still for hours (even for days, according to
some authors), blend in with shadows, trees, statues, etc., as well as impersonate
people of any kind, thus being able to move freely even in areas where there was strict
surveillance. In this context, his knowledge and mastery of practical psychology, as
indicated above, appears to have been highly developed and is said to have included
sleight of hand and hypnosis (saiminjutsu), techniques which may have formed the
basis of the astonishing feats of one group of ninja.

(The text has been extracted from the book "Secrets of the Samurai: Martial Arts in
Feudal Japan", by Oscar Ratti and Adele Westbrook).

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 CHAPTER 4
NINJUTSU: STEALTH ART

Set of arts and skills practiced by ninjas, spies, saboteurs and professional assassins
of feudal Japan. Although this art is obviously no longer used for the harmful purposes
it once had, its value as training is very important. The Art of War, a military treatise by
the great Chinese strategist Sun Tzu, addressed, four centuries before our era,
various political and psychological aspects of war: the function of command, strategy,
the study of enemy dissensions and how to provoke them, the need to obtain
information, espionage, etc. It is likely that the foundations of ninjitsu date back to this
period, which made ninjas into the terrible fighters that the samurai considered their
superiors. A legend places the origin of ninjitsu in a small village in Yamato, central
province of Honshu, very close to the path followed by the warlords of the Heian
period. Every time they passed, the town was looted and its inhabitants killed, raped or
wounded. One day they decided to resist, and were initiated into martial arts by the
monks of a nearby monastery. Since they were forbidden to possess weapons, they
based their training on cunning and stealth, and learned to fight hand-to-hand, without
weapons. They also created small, collapsible or detachable weapons, and ended up
forming a sect that provided their services to whoever paid to carry out “special jobs.”
In the 17th century the practice of ninjitsu spread rapidly in schools. During the day,
the ninja tried to go unnoticed, disguising himself as a peasant, monk or traveler, and
speaking in the dialect of the region in which he operated. Under his clothes, he wore
a long sash wrapped around his belly. It could be used as a lasso or as a restraint; it
contained poisons, knives, blowguns, etc. in its pockets. At night, its clothes were
much more functional: a simple black or dark blue kimono fitted to the knees. Her long
sash was wrapped around her head and neck, leaving only her eyes uncovered. His
face and hands were covered with soot. The ninja was a true magician, who mastered

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the most diverse techniques (hypnotism, sleight of hand, acid chemistry). He rode a
horse perfectly, his body obeyed him in an incredible way and silence was his greatest
virtue. His way of walking, with his body turned sideways and his legs very bent,
ensured extreme mobility, without making any noise. To train himself, he would spread
rice paper on the ground and, after wetting it completely, he would walk on it without
breaking it and without making any noise. He increased his endurance in various
ways; he could travel 500 km on horseback in three days or swim for a whole day with
all his equipment. Ninjas were primarily individual combatants, but also fearsome
warriors organized into armies. General Oda Nobunaga used 46,000 men to destroy
Sandayu Momochi's 4,000 ninjas at Higaueno. Tokugawa Ieyasu defeated 40,000
Christian rebels in Kyushu with an army of 3,000 ninja in 1637. Today there are still
some museums in Japan with ninjitsu weapons and texts.

Ninjitsu: “Stealth art” characterized by the integration, in martial arts proper, of the
techniques of hypnosis, chemistry, medicine, pyrotechnics and sleight of hand. It is a
very complete technique, practiced in feudal times by sects of thieves and assassins,
and studied in modern times by initiates for peaceful purposes. Of all the secret arts,
ninjitsu, “the art of the invisible,” is probably the most famous. In Japan, ninjas are now
the heroes of numerous television series, the chambara, the equivalent of westerns. In
fact, during the feudal era they were professional assassins, saboteurs or spies.
Ninjitsu can be translated as stealthy art. Although it probably originated in China, like
most martial arts, it received “nobility” in Japan. The first historical appearance of the
ninja took place under Shotoku Taishim, around the year 595. They ceased to exist in
the Meiji period (1868-1912) with the pacification of the country.

(Source: Salvat Sports Encyclopedia Volume No. 7).

CHAPTER 5

THE NINJAS

Ninja or Shinobi were “special” agents during feudal Japan – undercover soldiers and
mercenaries usually hired by the daimyo.

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Their role was based on unorthodox methods of warfare – espionage, sabotage,
assassinations, escort, and sometimes direct combat.

There is very old information about shinobi but it was not until the 15th century that
they were specially trained for this role. They were usually trained from childhood and
such knowledge was only passed on between clan or family members.

One of the most famous manuals for shinobi was the Bansenshukai written in 1676.

Historically, the word ninja was not in common use, but was preferred by Westerners,
probably because it was easier to pronounce.

The Iga and Kōga clans describe families that lived in Iga Province (present-day Mie
Prefecture) and the adjacent Kōka region (later written as Kōga), named after the town
now located in present-day Shiga Prefecture. In these regions the first villages
dedicated to ninja training appeared. The remoteness and inaccessibility of the region
due to its mountainous nature played an important role in the development of the
mystery surrounding the ninja.

The techniques of a ninja are known as ninjutsu, but it is very likely that they
previously used this name as a single discipline, rather it was to refer to a series of
espionage and survival techniques. In addition to martial arts, a young ninja had to
study survival and exploration techniques, as well as information about poisons and
explosives. Physical training was also very important, including long distance running,
climbing, walking techniques and silent swimming – there is evidence that they also
had medical knowledge.

Hitsuke – The practice of distracting guards by causing a fire far from where the ninja
planned to infiltrate. It falls into the category of “Fire Techniques” (katon-no-jutsu).

Tanuki-gakure – The practice of climbing a tree to hide among the leaves. It falls into
the category of “Wood Techniques” (mokuton-no-jutsu)

Ukigusa-gakure – The practice of throwing duckweed on water to hide the movement

of the water. It falls into the category of “Water Techniques” (suiton-no-jutsu)

Uzura-gakure – The practice of taking a ball stance and staying still to look like a
stone. It falls into the category of “Earth Techniques” (doton-no-jutsu)

Kuji-kiri is an esoteric practice that when performed with a series of “seals” or hand
positions (kuji-in) would give the ninja superhuman powers.

A series of darts, pikes, knives and razors, stars, etc. are collectively known as
shuriken. They also used to use bows and some ninja made their own bows smaller
than the traditional yumi. They also used kusarigama. They used some gardening

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tools like kunai and some rakes as weapons, so if they were discovered with these,
the ninja could say that they were not weapons but work tools, even though they could
be used in combat. Poison, makibishi, shikomizue, personal mines, fukiya, poisoned
darts, acid, etc. They used happō, a small eggshell filled with powder (metsubushi) for
when they had to escape.

Note: The data was extracted from the following website:

http://xcooljapanx.wordpress.com/2012/05/30/ninja-%E5%BF%8D%E8%80%85/

CHAPTER 6
ORIGIN
Shinobijutsu is the art of espionage in feudal Japan. Like most Japanese martial arts,
its origin is Chinese, a country where there was a developed science of espionage:
Sun Tzu, "The Art of War". Shinobijutsu was originally a series of techniques and
resources taken from Okinawa Te and Chinese Kung Fu. Their first appearance may
be as spies in the year 574 – 622 AD under the protection of the regent prince
Shotoku. In Japan, it was around the year 600 and especially at the end of the Heian
period (1185) that the art of Shinobis or Shinobijutsu was developed.
The people who were originally known as Shinobi considered themselves to be mere
practitioners of military and religious strategy, opposing what was socially accepted at
their time. It developed as a counterculture and was banned by the samurai.
Shinobi who practiced Shinobi-jutsu, called "invisible assassins", underwent long and
arduous training to become practically invisible, move without making any noise, and
handle all kinds of weapons hidden in their clothing. They came from the lower castes
of Japanese feudal society and excelled in espionage, assassination, sabotage,
mercenary, elite guerrilla, elimination of high profile individuals, and theft of valuable
documentation.
Shinobijutsu developed in solitary areas of mountains and swamps far from the feudal

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emperor's capital in Kyoto. The shinobi lived in the mountains and were well aware of
how to survive there. They lived in the most rugged areas of Iga and Koga, secluded
there, and easily resisted the various governments that periodically tried to destroy
them.
As the shinobi family of ancient Japan were part of a marginal counterculture, they had
to deal with situations at an overwhelming disadvantage, since their worst enemy was
the better equipped government troops and in the face of the power of the samurai,
self-protection and prevention of danger often required covert actions carried out by a
few individuals acting against large military formations.
In the 16th century under the reign of Oda Nobunaga (1534 – 1582) the shinobi were
persecuted until they practically disappeared.
In 1581 he led a military expedition invading Iga, ending the power of the shinobi. The
surviving ninjas retreated to the mountains and began to regroup.
Nobunaga died betrayed by his samurai. Oda Nobunaga's successor, Tokugawa
Ieyasu, again used the services of ninjas after the Battle of Sekigahara in 1600. He
used them as secret police for the Shogun's personal protection. The shinobi
continued to train in secret and act when they were needed.
With the advent of modern Japan they apparently disappeared, with some dubious
reference being found here and there intermingled with espionage actions. There
seems to be no doubt, although we could not obtain any official confirmation that
shinobi are employed by some private government secret service agencies, especially
in North America and Arab countries. It can be assured that any shinobi employed by
such agencies will be well trained in the most modern weaponry.

Shinobijutsu had its origin 2000 years ago, the art developing in the Heian period
(794-1185), and its golden age in the Kamakura period (1192-1333).

The ninjas formed a well-organized secret society. It was a hereditary art, with
knowledge being passed down from parents to children.

Ninja training began as soon as one was born and efficiency was the main rule of
learning. The future ninja was instilled with loyalty to the clan. His learning began from
his early childhood. All the games were created so that the child could acquire agility,
speed, strength and sharpen his senses, prevent danger, and anticipate the action of
the enemy. From a very young age the art of Taihenjutsu, postures and movements,
were practiced until they were perfectly mastered. Physical training lasted all day, from
dawn to dusk. They acquired skills in overcoming natural obstacles, inclement
weather, cold or heat, austerity in life, discomfort, physical or mental exhaustion. They
developed a sixth sense for sensing traps along the way, camouflage, moving quickly
and agilely along bars and walls, keeping their balance on trunks and ropes, climbing
trees and scaling walls and walls. Dislocate your joints to free yourself and begin your
escape. Moving in silence, swimming and diving while breathing through bamboo
canes. Hunt unseen, leave no clues or traces, constantly prepared for the unexpected.
They used disguise to go unnoticed by others, they mastered psychology and took
advantage of character weaknesses. Camouflage

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(Gotonpo) using nature to hide, sneak, secretly penetrating into any place. Knowledge
of topography, meteorology, and night vision. Experts in creating instability in enemy
ranks and taking advantage of the confusion to act.

They learned to fight without weapons: Koppojutsu (the art of breaking bones),
Yubijutsu (attacks with pinches, clamps and digital pressure). Daikentaijutsu (locks,
kicks and punches), Jutaijutsu (grabs and strangulations).

The ninjas were experts in handling a wide variety of weapons, more than twenty.
Tanbo (short staff), Hanbo (medium staff), Bo (long staff), Ninjato (short sword), Tanto
(knife), Kusarigama (chain attached to a sickle), Fukiya (blowgun), Yumi (bow),
Shuriken (poisoned needles), Shaken (throwing stars), Kusarifundo ("chain of a
thousand powers", with weights at the tips), Yari (spear), Shukos and Ashikos (metal
claws for climbing for both hands and feet, also used to tear the skin or block a
katana), Nawa (ropes for climbing and tying up their victims or strangling them).
Tonkis (three-pointed nails, "miguelitos", which they left on the ground when fleeing),
Yawara (short stick the size of a hand), are some of the many weapons that shinobi
warriors trained.

Other arts practiced by ninjas: Heihojutsu (strategy in combat), Gotonpo (concealment

using nature), Teppojutsu (handling of explosives), Ninkijutsu (drug chemistry), Suiren
(aquatic training), Cho-ho (espionage), etc.

CHAPTER 7
HOW TO BE A SHINOBI

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It takes a lot of training and dedication to achieve it. Here are some tips to get you
started...

The most important thing is not to be seen. That's why shinobi do missions at night
(it's their greatest advantage).

Learn to move silently and hide stealthily.

He studies Japanese martial arts, and learns all aspects of ninjutsu, (it is important to
remember that ninjutsu is not just a martial art, but a skill system that serves to provide
the skills necessary to complete espionage and assassination missions in a feudal
environment).

Learn to use martial arts weapons. This includes sais, shurikens, katanas, knives,
steel fans, etc. It is also important to learn how to use modern and concealed
weapons.

Run a mile or more every day to increase your endurance.

Do exercises like running and crawling, running and hiding, obstacle courses, sit-ups,
push-ups, rope climbing, swimming, and weight lifting.

You must understand that Ninjutsu is not the only martial art that you should master.
No martial art style is perfect and complete. Consider finding places to learn Tae Kwon
Do (has the strongest kicks), Hap Ki Do

(joint manipulation, locks and more deadly throws that include every limb of the body
and even the head), Aikido, Judo and Kung Fu.

Study human anatomy. The best way to defeat someone is to know their weaknesses.

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If you ever have to defend yourself, it is best to know how to incapacitate your enemy
long enough to escape.

Try to learn different combat techniques to progress in fighting.

Don't expect to become a real ninja in a week (shinobi usually started at 5 or 6 years
old until they were twenty and continued to become better. With years of experience
and perseverance, it can be applied to risk situations and/or self-defense.

Remember not to use techniques that involve serious injuries or endanger the lives of
others.

If you want to learn military combat methods adapted to the 21st century, XXI, use
them responsibly and sensibly, and protect those who need it with them. Avoid
confrontation and remember that the best victory is one won without confrontation.

CHAPTER 8
TRAINING IN THE DOJO

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At the dojo, the class begins with an opening ceremony. The practitioners line up in
order of seniority, the instructor invites them to begin the meditation. With eyes closed,
palms facing up, raised above the head, clap three times. Hands come down together,
head raised against a possible attack.

The duration of the training is approximately an hour and a half per day.

The practitioner must breathe, relax and sharpen the senses. The Art of Shinobi is not
a technique to be understood but rather practiced, discovered and felt, because the
movement must not be mechanical, but must arise spontaneously, as if by inspiration.

Meditate for 5 minutes, clear your mind of thoughts; concentrate on inhaling through
your nose and exhaling through your mouth; deep, constant breathing and a clear
mind will prepare you to learn Shinobijutsu. Try to meditate at the beginning of the
exercise, so that your mind is clear when you start to warm up your body.

Run every day, lift weights and exercise regularly as a ninja must be able to run
quickly and jump anywhere.

Warm up for 10 minutes, jogging in place or around the block for about 5 minutes, plus
about 5 minutes (or 20 reps) of push-ups, squats, leg lifts, and reverse push-ups.

Stretch for 15 minutes, stretching the major muscle groups. Stretch your legs and
arms to make yourself more flexible, and over time you'll be able to kick the tops of
door frames, which is a very useful trick against unsuspecting people.

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Junan Taiso are fitness exercises. Taihenjutsu (body movements), Arukis
(movements), Tobis (jumps), Kamaes (positions), Ukemis (falls), Kaiten (rolls).

Daikentaijutsu are unarmed combat techniques: punches and kicks. The blow must be
penetrating as if we were going to pierce the opponent, in order to release all the
energy when hitting. "Gerijutsu" kicks are powerful techniques in fighting. The basic
kicks are: Front, Side, Circular and Back. In the case of hand-to-hand combat, the
elbow (Enpi) and the knee (Hiza) are ideal techniques for combat.

It is preferable to block and attack simultaneously for a better result in the fight, with
devastating and forceful contact against the enemy.

The "Arukis" movements must be done in silence, keeping a personal rhythm, with
flexibility, with natural movements, avoiding mechanical movements, and
concentrating as much as possible on each exercise.

Jutaijutsu comprises gripping and pressure techniques.

Weapons training begins with Tanto (combat knife) and Hanbo (medium staff) and
does not involve improving a brand or using it to perfection, but rather giving the
combat speed and surprise. In Shinobijutsu, the handling of 24 traditional ninja
weapons is trained. Here we mention the weapons that are used when advancing in
the kyu grades: Boken, Shinai, Sasego, Shaken, Tonkins, Ninjato, Gatana, Wakisashi,
Bo, Kusari Fundo, Kusari Gama, Kyudo, Ballesta, Nunchaku, Sai, Fukiya, Tessen ,
Tanbo, Tonfa, Shukos, Ashikos, Yari, Kyoketsu shoge.

As for the art of becoming invisible, two types of techniques are trained:

1)- Hensojutsu: using disguise to carry out espionage. Ancient Ninjas assumed false
identities, transforming into different people, making excellent actors, such as
peasants, samurai, Buddhist monks or merchants.

2)- Oshinjutsu: the warrior blends in with the environment and the nature that
surrounds him. Dressing in clothes and colors suitable for going unnoticed. In the
black night, in a green forest.

Another technique used by ninjas is Nawa Jutsu: climbing and scaling walls with agility
and stealth, training muscles, agility and balance. Using Shukos and Ashikos (steel
claws), Kaginawa (grapples) and (Nawa) ropes to ascend quickly.

Suitonjutsu is combat in water. The Ninja used Shindake (bamboo canes) to be able to
breathe underwater and stay submerged, hiding from their enemies.

In ancient times, Ninja weapons were made by themselves and by hand.

With rapid movements, silent movements and stealth, the Ninjas entered heavily

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guarded areas without being seen. The weapons that the Shinobi carried were
essential to carry out the mission, generally around five, to move quickly and
efficiently, since what mattered most to these warriors was the success of the mission
in order to quickly complete the proposed objectives and obtain the results entrusted
to them, thus avoiding combat and any loss of time.

Other basic training techniques in Shinobijutsu are: Gotompo (the art of carrying out
the mission counting on the union of the five elements), Intonjutsu (camouflage in the
environment), Chikujonojutsu (the art of building fortifications), Heiho (logistics, military
penetration tactics), Hojutsu (the art of using firearms), Kajutsu (use of fire and
explosives), Kuji kiris (ninja meditation based on mantras and mudras), Kintonjutsu
(use of metal), Koppojutsu (bone breaking technique), Koshijutsu (attack on muscles
and internal organs), Katonjutsu (use of fire and smoke), Mokutonjutsu (techniques
and use of woods), Saiminjutsu (the art of hypnotizing), Shivagakurejutsu (the art of
hiding in the environment), Suieijutsu (the art of swimming and fighting in water),
Taihenjutsu (body movements), Taijutsu (unarmed combat), Tanukigakurenojutsu
(climbing trees like animals).

To conclude, ninjas are loyal to the Clan, the Soke (Heir of Ninja Traditions), the
Shidoshis (Masters) and the Sempais (Instructors) and their skills are acquired
through physical and spiritual practice from the beginning of training and perfected
throughout life. Becoming the most effective and powerful elite ninja force worldwide...
"SHINOBIJUTSU".

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 CHAPTER 9

JUNAN TAISO (BODY FLEXIBILITY)

To improve physical condition, agility and speed of the various Ninja exercises that are
little different from today's warm-up.

Endurance and Flexibility Junan Taiso is the condition of ninja training to improve
flexibility, speed and reactions, so one is able to use Taijutsu techniques effectively.
Strength in Ninjutsu is obtained through flexibility. The muscles and ligaments regain
their natural elasticity. Junan Taiso forms - together with a proper diet - a healthy body
in old age.

The muscular system can be divided into two sections:

1)- Weak muscles can be strengthened through rapid repetition exercises. In this type
of training, which is characterized by rapid changes of contraction and relaxation, you
may experience a feeling of physical exhaustion.

2)- The second system allows to improve muscular rigidity and immobility by
stretching. This type of training is also known in Indian yoga. In this type of training,
positions are held for a few seconds, the muscles are relaxed.

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It should always be kept in mind that Junan Taiso is not a simple "warm-up" exercise
before the fight, but offers a vital and healthy foundation. The body remains in
harmony with all the working parts.

Below are some examples of the assigned Junan Taiso, but there are countless other
exercises to improve agility, strength and endurance. Pull-ups, sit-ups, push-ups and
various stretching exercises for all parts of the body...

In Junan Taiso, stretching, relaxation and breathing are worked on, the average time
for each exercise is 5 minutes.

Before starting the practice, each exercise is performed in a shorter time as a warm-up
to avoid joint injuries. To perform this series of exercises, one must be relaxed, which
in this way favors training since in our art we work with fluid and natural movements,
eliminating rigidity. The objective of Junan Ttaiso is to improve our body flexibility,
allowing us to have greater elasticity and range of motion.

These examples are just the basic exercises of Junan Taiso, it can be composed of
any stretching work that helps us stretch and relax our muscles, the important thing is
not to make sudden movements or any type of contraction at the time of stretching.

The most common mistake is to force yourself to reach a certain point. By creating this
rigidity, you are only limiting the muscles, preventing them from becoming as flexible
as they really can.

Breathing should be deep and you should exhale every last drop of air. This will allow
us to stretch more when our lungs are out of air, and when we inflate them again, we
will feel the pain located at the point we are working on.

Stretching should be an important part of your daily training. Being flexible and relaxed
are key components in building good taijutsu.

1 - ICHI

2 - NEITHER

3 - SAN

4 - YON (ION) or SHI

5 - GO 6 - ROKU

7 - SHICHI or NANA

8 - HACHI

9 - KYU or KU

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10 - JYU (YU)

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 CHAPTER 10

TAIJUTSU UNWEAMED COMBAT

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Ninpo is divided into different levels. The most important is the art of unarmed
combat, known as taijutsu.

Dakentaijutsu is a part of taijutsu, the art of punches, blocks and kicks. There aren't
many punches or kicks in ninjutsu. Ninpo is very famous for koppojutsu. Directly
translated it means "The art of breaking bones." It may seem strange, but the art
involves attacking bones and crushing bones. A very important part of
dakentaijutsu is koshijutsu. This art is based mainly on attacks on the muscles, but
also attacks the kyusho or pressure points. Basically, there are 700 kyusho in our
body.

Jutaijutsu - is the art of blocking and holding, takedowns, throws and

strangulations. All throws used in ninjutsu are based on the same principles as in
judo (a Japanese combat sport). The difference is that the throws in the art of
Ninpo are dirtier. This means not letting your opponent roll when you have thrown
him. It is not wrong to say that movement is the most important part of Ninpo. The
movement of the body is known as Taihenjutsu. Like all other arts, there are also
different levels in Taihenjutsu. One of these levels is postures or positions. The
postures do not have to be done in one particular way. The basic stances are just
an aid to better defend yourself.

Unarmed ninja fighting was called Ninpo Taijutsu and was divided into:

TAIHENJUTSU: movements, falls and jumps.

DAKENTAIJUTSU: punches and kicks.

JUTAIJUTSU: grabs and chokes.

KOPPOJUTSU: crushing of bones and joints, attacking the arms, legs, wrists,
elbows, nerves and ankles.

In both hand-to-hand combat and weapon handling, ninjutsu used rapid

movements, circular techniques and simple movements, since the important thing
was not to prove oneself a great master but to get rid of one's adversary in order to
continue with the mission.

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 CHAPTER 11

NINJA COMBAT FEATURES

- Students were formerly trained individually or in small groups.

- They followed the natural inclination of their personality. Without katas, nor a pre-
established technical program.

- The assimilated techniques were explosive like fire, and fluid like water. They
were carried out in combat depending on the circumstances, physical appearance,
mood at the time of the fight and the opponent being faced.

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- Through continuous practice, the ninja student selected those techniques that
were most instinctive and best suited his abilities, always being unpredictable, not
giving the adversary the ability to identify a specific style or choose an opposing
technique.

- They had a natural dynamic, a free mentality, characterized by individuality,

making the system adapt to the individual and not the other way around like the
samurai.

Do you want to fight like a ninja? Follow these steps and you'll soon be a master of
shadows.

Hit and block for 15 minutes. There are a number of essential punches you will
need to learn in order to attack effectively.

Allow the lead fist to come out loose; do not close the fist until the moment of
impact. All strikes should end a few inches behind the target; strike through the
opponent, as if you were going to pierce him.”

Kicking for 15 minutes, ten repetitions of any kick will be enough to strengthen your
legs: mae-geri (front kick), mawashi-geri (round kick). As you practice kicking, you
will get faster and faster until you can do a “no shadow” kick, which is a kick so fast
that your opponent won't be able to see it.

Practice with someone for 15 minutes. Find someone to fight, and use all the
techniques to fight with him for about 15 to 30 minutes. When practicing combat,
when attacked, strike before being hit; this can impede the attack, causing damage
with minimal energy expenditure. If this is not possible, move, change distance
and/or move away from the line of attack, ready to counterattack. Block. It is not
always necessary to block with your hands. It would be very unwise to block
medium and low kicks with your hands, as this will lower your head guard and
leave it vulnerable. The best defense is not to be where you can be hit.

When attacking look for your opponent's weaknesses and strengths. Give him a
false sense of security by faking an attack, which will cause him to use his moment
to block; then take advantage of this to attack with all your strength to knock him
out.

Avoid looking at his feet or hands. The way to read kicks and punches is to look at
the knees and shoulders. If they look at your feet, shake them and punch them in
the head.

Feints are a very useful tool, but they are difficult to use against experienced
opponents.

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Try not to be the first to hit.

Don't hesitate. In other words, if you're going to kick, kick. Otherwise you'll stop and
get kicked, and you'll lose the element of surprise. Never underestimate or
overestimate an opponent.

Practice everything you know to the point that it will come naturally when the time
comes to fight for real. Use a training dummy to fight after warming up.

You have to get in shape before you learn to fight, as a level of strength is required
even for basic Taijutsu movements. Jog and do strength exercises such as squats,
push-ups, sit-ups, etc. Learn basic breathing and meditation techniques.

Combines punches and kicks in self-defense using internal energy to gain strength.

Look for Ninpo Taijutsu tutorials. Do some kind of training in front of the TV or
computer, watch Daikentaijutsu tutorial videos.

Practice your moves with a heavy training bag. Learning Taijutsu can be quick in
the sense of time but you will need to do a lot of repetitions to be able to achieve
anything in your first few days of training.

Stay very focused every day if you want to learn Taijutsu quickly.
Consider having a teacher after a while to see if you are using proper technique.
Learning Taijutsu will stay with you for a long time once you have mastered the art
of Shinobi.

You must know your weapons, practice drawing them. The ninja sword is straight
which makes it slower to unsheathe. Start perfecting the use of the ninjato. It is
designed for quick stabbing and thrusting unlike the samurai sword which was
designed for slashing.

You must be able to move undetected until the right moment. You probably think
that all you have to do is move slowly and wear black, this is a mistake as the eyes
are based on movement, that is, you see an object and you wonder “what was
that?” you see it move and you react, and usually you know what it is. Your brain
will act independently if your eyes are confused, that is, if you look at an object in
the dark at night and you have no idea what it is, but your brain tells you that it is a
person, a silhouette, etc. That makes you afraid. Try not to be heard or seen. Stay
in the shadows and move when no one can hear or see you. Avoid breaking twigs
as these are sound traps that someone could hear up to 300 meters away if it is
quiet enough. Tabi boots are like slippers and you can run very fast in them, and
they are made of rubber and make very little noise when you run. Lean over slightly
so you can run faster with your arms extended back.

Choose your battles. The biggest threat is someone trained in samurai arts, such

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as aikido or kendo. These are very serious martial arts and the fact that they use a
katana means that they have a huge advantage over you. If you invest in a good
sword, you might have a chance. Remember this: speed and nature are the best
allies of ninjas.

Train constantly, it may take months to perfect basic skills but it is worth training for
years.

REMEMBER: This article is not a substitute for a Shinobijutsu teacher.

Note taken from “How to be a real Ninja”: http://es.wikihow.com/ser-un-verdadero-

ninja

CHAPTER 12
HOKEN JU ROPPO (SIXTEEN STRIKE METHODS)

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KIKAKU KEN or ZU TSUKI: "Strike with the devil's horns". Using the bony areas of
the forehead, sides and back of the head at close range.

SHUKI KEN: "Arm strike that awakens." Using the bony points on the elbows at
close range.

FUDO KEN or KONGO KEN: "Immovable fist strike". Using closed fists to hit.

KITEN KEN or SHUTO: "Rolling awakening strike". The hand is opened at the
moment of impact, using the outside of the hand.

SHISHIN KEN: "Needle finger strike". Using any finger as a needle to strike or
apply pressure.

SHITAN KEN: "Fingertip strike". Use three or four fingers (the tips) to penetrate the
soft areas.

SHAKO KEN: "Claws". Using palm and claws to strike or tear.

SHITO KEN or BOSHI KEN: "Sabre finger." Using the tip of the thumb resting on a
closed fist to "prick" the target.

SHIKAN KEN: "Secret spear". The semi-extended middle knuckle bones are used
to strike the target.

OPPO KEN: "Thumb Knuckle Fist". Using the middle knuckle of the thumb to strike
or apply pressure.

HAPPA KEN: "Eight Leaf Strike". Hit with open palms.

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SOKUYAKU KEN: "Strike with the sole of the foot". Using the sole of the foot,
metatarsus or heel to push and propel the target: - Zempo Keri: Front kick - Koho
Keri: Back kick - Sokuho Keri: Side kick - Tobi Keri: Jump kick

SOKKI KEN: "Leg kick that awakens." Using the bony points on the knees at close
range.

SOKUGYAKU KEN: "Toe strike". Using your toes to "poke" the target.

TAI KEN: "The body as a fist". Using any part of the body (hips, shoulders, etc.) to
hit or apply pressure.

SHIZEN KEN: "Natural weapons". Using teeth, nails, etc. to attack the target.

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 CHAPTER 13

KYUSHO

Vital points are applied in combat as in medicine. They are points that can heal or
kill. We should not worry because killing an opponent by hitting one of those nerve
points is not easy. A deep study of human anatomy and physiology is required, as
well as a mental state suitable for emitting the internal ki energy, a percussion and
acupressure technique studied with intensity and angle of attack and other
considerations. The ninjas were

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experts in the hidden anatomy of man and knew perfectly those areas to which they
dedicated intense training, not only for the attack but to protect them from
adversaries who knew the vital points.

Of course, we will not mention how to hit these vital points, because knowing the
technique is the key to the perfect crime, as it leaves no mark or trace for forensic
analysis.

Here are some of those points:

Anterior fontanelle: death

Between the eyebrows: deadly

Under the nose: death or fainting

Chin: Fade

Adam's apple: mortal

Eye: pain and fainting

Above the ear: deadly

Sternum: deadly

Solar Plexus: Fainting

Tanden below the navel: fading

Heart: Mortal

Under the armpit: pain and fainting

Wrists of the hands: temporary paralysis of the hand

Back of the hand: hand paralysis

Upper inner thigh: fainting

Upper outer thigh: leg paralysis

Below the kneecap fading

Tibia: fainting

Inner ankle: fainting

Outside of foot: fainting

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Instep of foot: fainting

Calf: Fading

These vital points are extremely precise and must be hit correctly to have one
hundred percent effect.

CHAPTER 14

DIN MAK: VITAL POINTS (SELF DEFENSE)

Known as Dim Mak (the touch of death) is an ancient martial art that consists of
hitting certain points of the human body, to cause injury, illness or even death.
Named Dim Mak points, but also known as Kyusho (in Japanese), vital points or
pressure points. Many of these points correspond to the same places where we
find acupuncture points. Dim Mak is a very dangerous martial art, which can cause
great harm to the human body. The effects of attacking Dim Mak points include
pain or paralysis of the struck area, loss of consciousness, immediate death or
delayed death.

The word Dim Mak can be translated as "point manipulation" or "artery

manipulation", and it is a very ancient and advanced practice within some Chinese
and Okinawan martial arts where it is known as Kyusho Jitsu, translated as "the art
of pressure points". It is not considered a martial art in itself, but rather a
complement to certain styles, since most martial arts that were conceived for self-
defense have, to a greater or lesser extent, Dim Mak techniques, such as: Karate,
Kenpo, Kung Fu, Muay Thai, Judo, Jiu Jutsu, Aikido, etc., although they have
different interpretations among them. In Dim Mak, the vital points of the human

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body are studied, as well as the ways to attack these points, the effects produced
by these attacks and how to revive the person who receives them. The effects of an
attack on these vital points can range from intense pain in the affected area to lack
of motor skills, dizziness, numbness, paralysis, loss of consciousness and, in the
most extreme cases, can even cause death.

According to traditional Chinese medicine, the human body consists of a series of

specific interconnected channels called meridians, through which an invisible
substance circulates in constant motion throughout the body, constituting its driving
force. This vital energy is known as Qi, which is stored in the Dan Tian and
mobilized through these meridians. As long as Qi circulates freely through the
body, it remains healthy, but if it suffers blockages or alterations, then diseases
appear. These alterations can arise, among other causes, from blows or strong
pressures. The knowledge of Dim Mak, based on these concepts, encompasses
the specific way of hitting and inducing damage by obstructing the good flow of Qi
through light blows or applying pressure on certain points in the meridians.

A person who intends to master Dim Mak, in addition to undergoing specific training
in striking techniques that allow him to have precise and responsible control of his
actions, must have a good knowledge of anatomy, acupuncture points, location of
the meridians and how Qi circulates through them. There are different categories of
attack depending on the type of injury they can cause at different points located
throughout the body: 9 paralyzing, 9 neurological, 9 painful and 9 fatal. The effects
of an attack in a given area will also depend on the strength, depth and precision
with which it is carried out, as well as the musculature and health status of the
person receiving it. Some of the pressure points are located in the following areas.
These are indicative areas since for the technique to be effective, the exact location
of each point will be necessary, as well as knowing what type of blow is most
appropriate:

- On the head and neck: top of the head, temples, eyes, ears and throat.

- On the trunk: solar plexus, chest, armpits, rib area, navel area, testicles, spinal
points, and kidneys.

- On the arms and legs.

There are different forms of attack with the hands, some of the most commonly
used being the following: The phoenix eye; which is performed by projecting the
phalanx of the index finger outwards and closing the fist. The crane beak; which is
performed by joining all the fingers of the hand together to form a beak. The
arrowhead hand is done by putting all the fingers together so that the palm of the
hand looks like an arrowhead. Sword Finger Hand: This type of hand is performed
with the index and middle fingers together and stretched out while the others are

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tightly closed. The leopard fist; made by putting all the fingers together and
extending the second phalanx of them outwards and pressing the thumb against
the index finger so that together they are tightly compressed. Palm strikes;
performed with the base and outer edge of the palm. The claw; which is used in
gripping and attack techniques with claw-shaped fingers. All of these Dim Mak
techniques become more powerful and effective if the internal aspects of the
martial artist are trained and developed. This is achieved through different internal
forms and breathing exercises designed to cultivate Qi and mobilize it through the
body's meridians so that it can be projected to the palms, fingers or fists, directing it
towards the opponent's vital points.

Dim Mak techniques were for a long time hidden by the masters who mastered
them and were only transmitted to fully trusted students who would not misuse
them. The person who knows these techniques must not forget the responsibility
that their knowledge implies and their main objective must not be to inflict the
greatest possible damage, or death taken to an extreme, but rather to seek the
temporary incapacitation of the enemy through a pressure point or to defeat him as
quickly as possible and always in legitimate defense. This can be achieved in most
cases by simply disabling a limb or applying pressure to a point that prevents the
person from continuing to fight.

Note extracted from:

http://www.eltaichixinyi.com/Home/presentation/articles/techniques/dim-mak-vital-
pointshttp://www.eltaichixinyi.com/Home/presentacion/articulos/tecnicas/dim-mak-puntos-
vitales

Although I will try to make this section quite complete, I will not go into too much
depth, limiting myself to what I consider the bare minimum. NEVER TRAIN REAL
TECHNIQUES without the supervision of a qualified teacher. YOU CAN CAUSE
VERY SERIOUS DAMAGE.

Classification of Vital Points

We can divide the vital points into two groups:

ELDERLY: Those who, when attacked, may suffer permanent injuries or death.

MINORS: Those who, when attacked, experience intense pain and temporary
disability, but without risk to life.

1) . Blows that cause Death:

Tento:Anterior fontanelle

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Miken: Between the eyebrows

Anterosuperior point of the auricle, on the concha of the temporal bone

Hichu: Adam's apple

Sonu: Point located at the base of the neck, above the substernal hollow

Point located near the right and left nipple

Point located on the lower end of the sternum, 2 cm from its tip.

Point located at the top of the cranial vault, on the parienta suture

Sacro-coccygeal region

2) . Death or Fainting:

Jinchu: Subnasal enclosure

Middle part of the sternocleidomastoid (carotid artery)

Occipital fossa

3) . Fading:

Tip of chin

Region located under the nipples

Xiphoid process of the sternum

Solar plexus
In the free spaces of the 11th and 12th false ribs

Point 3 cm. below the navel

Testicles

Spermatic cord and ovaries

Point located on the radius (where the pulse is taken)

On the palmar arch of the hand

Point located on the upper and inner side of the thigh

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Point on the patella and anterior tuberosity of the tibia

Point located on the middle part of the tibial crest

Internal malleolus of tibia

Most pronounced point on the top of the foot

Tubercle of the 5th metatarsal, on the outer edge of the foot

Point located under the earlobe, near the jaw

Glenoid fossa

Point located between the 3rd and 4th intercostal space, on the inner edge of the
shoulder blade

On each side and between the transverse processes of the 5th and 6th thoracic
vertebrae

On either side of the transverse processes of the 3rd lumbar vertebra,

approximately 5 cm.

Lower extremity of the spine

The elbow (most prominent point)

Dorsal surface of the hand

Lower calf, beginning of Achilles heel

4) . Great Pain:

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Point at the elbow crease

Zonal Paralysis or Fainting

On the upper outer surface of the forearm

Dorsal center point of the hand

Center point of the mid-inner thigh line

Center of popliteal fossa

Important!!!!

These vital points of the human body are all difficult to learn and equally lethal and
should only be used as a last resort and in situations of extreme danger. This is not
a game. These things are very dangerous. They are only used for self-defense and
not for attack. It is important to learn them for a dangerous case or exhibitions that
show where to hit.

Source: http://taekwondo-itfsalta.jimdo.com/puntos-vitales/
KOKOTSU
I HAVE
NAIJE SOIN KORI UTO
I TEND KAS
KASUMI UMI
SEIDON CHAPTER 15 GAS The
DOKKO JINCHU
GEKON
Traditional Ninja Weapons - Shinobi
MATSUKAZAME No Buki
MURASEME
HINCHU
TANKU KYOSEN GANKU
WANJU DENKO
CHURITSHU
KYOEY /
SUIGETSU
CHURITCHU ( INAZUMA
GAN KU 1
DENKO A MYOJO
YAKO .
KITENKI

INAZUMA

FUKUTO
FUKUTO

The invisible Ninja assassins of ancient Japan. Popularized

KOKOTSU
by Hollywood movies,
the legend of the ninja has grown to encompass mystical NAIJE abilities unknown to
ordinary warriors. Shinobi were trained in assassination,SOIN espionage, and a wide
KORI
variety of martial arts. Ninjutsu is the art of stealth, it has been developed to defeat
well-trained samurai.

Weapons: Shadow Warriors used a wide range of steel items and other devices

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and tools that are required to carry out covert operations.

A ninja was a mercenary warrior in Feudal Japan, specializing in covert operations,

infiltration, sabotage, and often assassinations. Samurai warriors followed a code of
ethics and honor, whereas ninja were not bound by those principles; their main
objective was to accomplish the mission, regardless of the cost.

Ninja warriors wore black uniforms to blend in with their surroundings, as most
operations were conducted at night. The "Shadow Warriors" were experts in stealth
and the art of combat.

They used many weapons. The most famous was the ninja-to, similar to the
katana, but a little shorter, they also used throwing stars (shaken) as short-range
weapons.

The most important weapon of a "Shinobi Warrior" is his body and mind. However,
Ninjas also used many weapons and tools (ningu) to complete their most difficult
tasks. There was no limit of any.These ancients

Warrior spies used many weapons and tools that ranged from very large to small.
Their weapons and tools were easily hidden and used in different ways. Therefore,
some of the tools were weapons in reverse or camouflaged. Many tools were
concealed so that they could not be noticed as weapons. They could be divided
into different categories: projectiles, flexible, hard, incendiary, explosive and
combination weapons. The ninjas were innovators, according to their time, they
invented many weapons and tools of which some are still used today by many
special forces units around the world. These are just some of the elements that
helped Shinobi become the best warriors of their time. They were spies and
mercenaries of feudal Japan who specialized in the unorthodox arts of warfare.
Ninja duties include espionage, sabotage, infiltration and assassination, as well as
open combat in certain situations.

CHAPTER 16

NONE: NINJA WEAPONS

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Shadow warriors used a wide range of weapons and other devices and tools that
were required to carry out covert operations. The ninja was a mercenary warrior of
Feudal Japan, specialized in covert operations, infiltration, sabotage and many
times assassinations. Samurai warriors followed a code of ethics and honor,
whereas ninja were not bound by those principles; their main objective was to
accomplish the mission, regardless of the cost. They used many weapons. The
most famous was the ninja-to, similar to the katana, but a little shorter, they also
used throwing stars (shaken) as short-range weapons. The most important weapon
of a "Shinobi Warrior" is his body and mind. However, Ninjas also used many
weapons and tools (ningu) to complete their most difficult tasks. There was no limit
of any. These ancient warrior-spies used many weapons and tools that varied from
very large to small. Their weapons and tools were easily hidden and used in
different ways. Therefore, some of the tools were weapons in reverse or
camouflaged. Many tools were concealed so that they could not be noticed as
weapons. They could be divided into different categories: projectiles, flexible, hard,
incendiary, explosive and combined weapons.

TANTOJUTSU: the offensive knife technique. The tanto was a weapon used in
surprise attack and not for defense. Using the knife as a defensive weapon was too
risky and was totally powerless against a sabre, halberd, or staff. It was therefore a
weapon of surprise, which was carried hidden.

HAMBOJUTSU or the use of the medium staff had terrible effects, it could break
anything from a wrist to an arm or neck. The bony protrusions and accessible nerve

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centers were attacked. Your grip should not be strong and tense but firm and
relaxed; it should be considered an extension of the arm, body and mind. It could
be wielded with one or two hands, like the ninjato (ninja sword).

3 basic striking methods: 1) Point thrust, 2) Whip movement, 3) Beating.

SHURIKENJUTSU: throwing small sharp objects. The Shaken were small iron
objects of various shapes and extremely sharp, with tips impregnated with poisons
that, when in contact with blood, were activated and caused instant death.

CHAPTER 17

NINJA GROUPS

The ninja were divided into three groups: Jonin, Chunin and Genin.

The JONIN made contact with the client and offered his services, set the price,
chose the jobs and controlled the clan's activities. They were not directly involved in
the mission and it was unknown to the Genin. He was informed in detail of all the
events in the region where his group operated.

The CHUNIN was the Jonin's assistant, he was in charge of the strategy and tactics
of the operation, he worked according to reports from the Jonin. He was also not
known to the Genin, but he selected them for the mission at hand. They did not
intervene in it.

The GENIN was the agent who carried out the missions and who made the ninjas
and their exploits famous. It was the lowest group socially, captured they were
tortured and dismembered. But the Genin were the largest group of the three. They
lived like humble peasants, training secretly in the inhospitable regions where they
lived. The instructors were their own parents, it was a hereditary profession.
The female ninja KUNOICHIS underwent the same training as their male
counterparts, except for their status as such, with emphasis on information,
seduction, espionage, deception, eroticism, as ladies-in-waiting and to enter the
main places of the court, they learned calligraphy, theater, dance, courtly
ceremonies, and the use of easily camouflaged weapons, combs, rings, fans, hair
combs, poisons and healing, agility, speed, unarmed and armed combat, etc. The
Kunoichi's training was intense, similar to that of men, but included deception,

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seduction, and the use of sex as a weapon. His favorite use was to kill poisoning,
and for that he used his extensive knowledge in Yagen (pharmacy). The irresistible
desire that the Kunoichi inspired gave them access to the most hidden
"sanctuaries" of the warlords in feudal Japan and they became spies par
excellence. Thanks to their freedom of action, the Kunoichis were one of the main
sources of information that the Ninjas had at their disposal. The role that the
Kunoichis played within the enemy camp was that of courtesan or concubine of the
feudal lord, a job that was not considered negative by their fellow Ninja, whose lack
of professional morals made them accept it as a task for which they were not
qualified. Kunoichis were considered essential collaborators in Ninja events and
were therefore treated with great respect, while at the same time they were
required to have superior tactical training, even than that of men. The Kunoichi
were also experts in the use of Ninja weaponry, in case their true mission was
discovered. In addition to self-defense, Kunoichi preferred subtle weapons
(poisons, drugs, explosives). In addition, small knives, needles, pins and chains
were hidden in the folds of her clothing.

Kunoichi use their charm like Concubines and Geishas to gain information, and if
necessary, kill their target. There was a saying in feudal Japan that no castle was
protected enough that a Kunoichi could not enter. Kunoichi have played an
important role in the history of Ninjutsu, being used as spies, messengers or
observers. In the 16th century Chiyome Mochizuki of the Koga Ninja family, wife of
Shogun Moritoki Mochizuki, created one of the largest networks of Kunoichi ever
known. During the wars in the provinces of Japan, she created a secret Kunoichi
school for young girls, who had been orphaned or destitute in the constant civil
wars around the country. Chiyome organized her Kunoichi, called Mikko, to be
guardians of temples, altars, and shrines. They could move freely around the
country, having access to many places thanks to the respect of the community.
They formed a great and efficient information network for that time, sealing a place
in history for the Kunoichi. The Kunoichi is one of the main sources of information
for the Ninja due to the enormous desire they inspire and their freedom of action,
allowing them to have access to the most hidden secrets. They possess the
delicacy of a Geisha and the cruel skills of Ninjutsu.

CHAPTER 18

KUNOICHI: THE WOMAN NINJA

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“Sharper than the deadliest weapon, more dazzling in beauty than a light, and able
to penetrate the heart of the enemy more deeply than a dagger, the Ninja woman
was at the same time the most seductive and treacherous weapon. With a look that
could excite and seduce the crudest enemy and a mixed training that included the
delicacy of a geisha and the cruel skills of the Ninja, a single Kunoichi could cause
more damage than a band of cunning Ninja.
The Ninja quickly realized how easily women and children could go unnoticed, as
no one considered them dangerous, and they were quick to take advantage of that
fact. Once a young girl from a Ninja clan was designated to be a Kunoichi, her
training began along with that of her peers. Unlike other women, Kunoichi did not
have to blindly obey men, and were considered Ninjas, even competing with men in
training. This training was intense, similar to that of men, but included deception,
seduction, and the use of sex as a weapon. The female Ninja had the advantage of
being able to seduce the enemy, so, turned into spies, they made love to him to
extract information from him or to eliminate him when he was more enthusiastic
about her. So the more seductive, the more effective. They used aphrodisiacs and
kisha (sexual desire) strategies, undermining the will of any man, provoking
jealousy and confrontations between members of the enemy clan. To kill they
preferred poison and used their knowledge of yagen (pharmacology) to achieve the
best results. The infected person died or at least was put out of action for days.
Other elements used were anesthetic gases or poisonous spicy powder which,
when poured over the neck, caused an impressive itch, a moment that the Kunoichi
took advantage of to complete her action.

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As for weapons, they preferred the Ninjato, which was very suitable for movement
and concealment and, thanks to its light weight, could be easily handled. Like men,
they used tonki, a series of small metal weapons where we find daggers, darts and
other sharp weapons, such as shuriken (ninja stars). The Kunoichi used the
kanzashi, a sharp rod, sometimes double, that held the hair and had a channel at
the ends to carry the poison that was inoculated when it was stuck into the enemy.
They also used the kaiken, a small dagger that could be used as a knife or as a
throwing weapon, so much so that experts believe it is the ancestor of the shuriken.
They used small needles and darts (fukumi-bari) that they hid in their mouths in
small reeds that acted as blowguns (fuki-bari) and could throw at an unexpected
moment or stick them in during a love encounter.

The Kunoichi were good archers. The bows (yumi) were made of bamboo, small
and light. They used arrows of all kinds, incendiary, explosive or poisoned. The
tessen (fan) was also used, but unlike the samurai's fan, which was made of iron,
this fan was made of wood and fabric, except for the central ribs, which were made
of sharpened steel and were soaked in poison. It was a very effective weapon and
was in plain sight without anyone suspecting its deadly utility. The irresistible desire
that the Kunoichi inspired turned them into spies par excellence and they were the
main sources of information for the Ninja. The role that the Kunoichi played in the
enemy camp was that of courtesan or concubine of the feudal lord, a job
considered positive by her fellow Ninja since it was a task for which, evidently, they
were not qualified. Kunoichi were essential and therefore treated with great respect,
while at the same time requiring superior tactical training than men.

The aspects of his physical training were speed, balance, strength, agility and
endurance. Cunning, a variety of resources, resolution and discipline were part of
the mental regime. They were instructed in depth in methods of seduction and a
large part of their training consisted of developing their innate ability to determine a
person's weak points so they could manipulate them at will. As we see, the
Kunoichi was an expert in the use of subtle weapons whose use was directed at a
specific target. Less subtle was their collection of kakushijutsu weapons, small
knives, needles, pins and chains hidden in the folds of their clothing or
camouflaged in combs, hairpins and other feminine utensils that they carried with
them for protection, unlike their victim, who was rarely on guard when the Kunoichi
let down her hair or hugged her.

“There are times when docility is power, laughter is strength, and a caress is a blow
that nullifies the murderer. These are lessons that even the most powerful warrior
must learn.”

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 CHAPTER 19
SHOZOKU SHINOBI: THE NINJA UNIFORM

The ninja's uniform is called shozoku shinobi. There were a few different colors,
depending on what was needed. Black or dark blue is used for night missions.
White was used for winter missions so it could easily blend in with the snow
covered area. The other color used was a sort of camouflage green so they could
blend in with the forest surroundings.

In addition to the typical ninja uniform, he wore some type of clothing that would
take them closer to the mission's goal. Sometimes they disguised themselves as
priests, peasants or even samurai, depending on the mission they had to carry out.

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Fully clad in shozoku, the ninja is completely concealed, all but the eyes and
hands. The boots (Tabi) had an opening between the toes. The reason was to be
able to climb with ropes and scale walls.

The ninja shozoku had many pockets, inside and out. This was to store the small
tools and weapons he needed, such as poisons, shuriken, knives, etc. The ninja
also carried a small first aid kit, filled with potions and solutions.

CHAPTER 20
CHO-HO NINJA SPY

Every extraordinary conquest is based on preliminary information before the

conflict. This information must be obtained from men trained in espionage who
know the adversary's situation and provide reliable, comprehensive and concrete
information on the power and/or shortcomings of the opposing forces.

In ancient times, five types of secret agents (called Gokan in China) were used in
both China and Japan (by ninjas); these spies were native, internal, double,
liquidable and living agents. When these five types of agents worked
simultaneously (and no one knows how they did it), then it was called “the divine
fabric” and they are the strong point of a government.

1)- Native agents (Inko no kan), were local spies, they are people from the enemy
country that we employ, they were people from the region, capable of speaking the
adversary's language, they gather information by listening carefully to
conversations. They are the Japanese Dakkonin.

2)- The internal agents (Nairyo no kan), are infiltrated officials, employees of the
enemy and won over to our cause, used in our service. Recruitment and use of
false spies is important.

3)- Double agents (Hantoku no kan), are true spies of the enemy but used in our
favor. These enemy spies were used as their own, sympathizing with them and
rewarding their actions with extreme generosity. A highly infiltrated person was
given false information and he would spread it where he was recruited,

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disseminating the information into the enemy camp. The transmission of
information was Okuden (orally).

4)- Liquidable agents (Shicho no kan), are own spies to whom false reports are
given.

5)- Living agents (Tensei no kan), are people who can enter enemy territory without
problems and secretly and who always return with information.

The ruler must have absolute knowledge of the activities of the five classes of
agents. Therefore, the wise leader and the brave general use the most intelligent
as agents to achieve great things. Secret operations are essential in war; the army
relies on them to carry out all its movements (The Art of War – Sun Tzu).

NINJAS IN WORLD WAR II? SECRET SPY SCHOOL TAUGHT NINJUTSU

SKILLS TO SOLDIERS.
A newly discovered cache of documents from World War II has revealed that a
military school taught Ninjutsu, martial arts techniques used by ninjas, as part of its
curriculum. The Rikugun Nakano Gakko was run by the Imperial Japanese Army
and was used to secretly train military intelligence agents. It is believed that almost
all documents relating to the school were destroyed before the end of World War II,
so this is the first real information of any official documents confirming the existence
of the school.
The reports that were found had been sent to the Minister of War at the time,
concerning the training provided by the initial graduating class. While the student
was taught how to move in the shadows in their black uniform with a katana and
throwing stars (unfortunately), they also learned more practical methods of
intelligence gathering and sabotage, including bomb making and photography. It is
believed that the school was intended to train soldiers who would serve behind
enemy lines. A total of approximately 2,300 soldiers are believed to have graduated
from the training facility before it was completed in 1945.
After reviewing the documents, it was learned that the graduates earned about
1,290 credits and were required to take subjects such as military science, which
included the study of foreign armies, topography and weapons, as well as learning
three languages (English, Chinese and Russian). While reports do not specify
exactly what ninjutsu techniques were taught, students learned fencing and judo.
The news documents were discovered by Taketoshi Yamamoto, an expert in
information history and professor emeritus at Waseda University. It is said that so
far, there are only sketches about the existence of the school, but these new
reports help shed light on its establishment.
Source: http://japandailypress.com/wwii-ninjas-secret-spy-school-taught-nin...
CHAPTER 21
NINJA SPY SCHOOLS / NINJA SECRET SOCIETIES

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With the end of the Tokugawa Shogunate and the restoration of the authority of the
imperial family in 1867, the need for the samurai and ninja came to an end.
The practice of the art of shinobi became illegal and prohibited.
Some ronin and ninja were employed as gardeners or bodyguards for wealthy
families. Others became researchers or detectives.
Many samurai became political activists calling for military rule. Ninjas became
professional criminals, applying their knowledge to espionage, theft and extortion.
Later samurai and ninja joined together in secret societies using their military
knowledge to serve Japan.

GENYOSHA

It was a secret society called "The Dark Ocean Society", founded in 1881 by a
ronin Kotaro Hiraoka. A deeply nationalistic society and its goals were: to honor the
imperial family, respect the empire, and protect the rights of the nation and the
people.
It was an espionage and terrorist agency. One of the leaders of the Genyosha
society was the ninja Mitsuri Toyama of the Kuro Yama Ryu, known as the Mystic
Ninja. He always had access to the highest political and military figures of his time.
In 1892 he deployed 100 of his agents to Shanghai. In that place with the ninja
doctrine of "operation in the heart of enemy territory", its agents

Genin founded the Tang Wen school where they trained in advanced espionage
and study of the Chinese language. Tung Wen Japanese spy school, at the
beginning of the 20th century had about 300 secret agents including samurai,
ninjas and kunoichis, collecting and sending information from China and led by
Toyama.
Each Chunin spy had at least three Genin messengers to send the information.
This allowed each message to be verified multiple times. This spy system

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uncovered Russian plans to plant electronically controlled mines along the route of
advance of troops and in ports on the coast of Port Arthur. The genyosha agents
infiltrated the work teams, placing the mines in such a way that they could
deactivate them again at nightfall.
Another method Genyosha used to obtain information was the establishment of
brothels that supplied Russian and Chinese political figures. They were made up of
ninja personnel and kunoichis specially trained for the mission. Skilled kunoichis
gathered information for the spy network.

KURO RYU

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The Black Dragon Society was founded in February 1901 by Ryohei Uchida with
the support of Toyama and was affiliated with Genyosha.
The Toyama ninja of both secret societies, Genyosha and Kuro Ryu, operated from
the Hombu of the Kuro Yama Ryu. Obviously he did it secretly, not officially.
Toyama basically trained genin agents (Japanese spies) within the facilities of his
dojo. But the different information and espionage activities, languages and
customs, were developed within secret societies.
Kuro Ryu's activity was focused exclusively in Russia.
The Russians, when building the Trans-Siberian Railway, were interested in
colonizing parts of East Asia. Ninja reports alerted Japan to Russian designs, which
were contrary to Japanese interests and threatened its national security.
Ninja spy Akashi was set as a military attaché in Russia. Akashi was a master in
the ninja art of Chitsumishi (native collaborators in enemy camp). The Black
Dragons instructed Akashi to provide financial aid for the information he provided
about Russian forces and intelligence. He had a gift for recognizing an agent who
could be switched sides. He got none other than Russian "spy ace" Rosenblum to
work for Japan.
When the Russo-Japanese War began on February 8, 1904, Japan had an
intelligence system consisting of military intelligence agents, ninjas, and
messengers. It should be added that Japan, in addition to maintaining its
observation in secret, circulated false information on Russian territory. All this
meant that the Japanese had extensive knowledge of enemy activities while
keeping the Russians ignorant of Japanese intentions.
Akashi became the top Japanese intelligence officer in the campaign against
Russia in 1904–1905.
By mid-1905 Akashi had seven jonin-grade ninja and five chunin-grade ninja
working for him on a regular basis. His spy network extended to Paris, Zurich,
Genoa, Copenhagen, Rome, Lisbon and Warsaw. The success of his Kuroi Ryu
agents was that none of them were discovered.
When the Japanese fleet made a naval attack on Port Arthur, it had been supplied
with detailed reports of Russian ships and searchlights in the harbour. In a typically
ninja action, all spotlights were efficiently put out of action. In 25 hours the

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Japanese sank battleships, coast guard ships, cruisers and destroyers. It was a
total naval victory, from which the Russians had no chance of recovering. A result
that demonstrated the importance of intelligence services and knowledge of
ninjutsu.
In 1944 Uchida assumed the rank of 16th Soke of the Kuro Yama Ryu, being an
advisor during World War II. From that year on, espionage focused on industry and
Japan became the world's number one electronics producer.

CHAPTER 22

NINJUTSU IN CHINA: LIN KUEI

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The roots of the Japanese Ninja lie in the fertile ground of Chinese history. They
belong to the Lin Kuei. Lin Kuei (or Gui Lin - in Mandarin) is a Mandarin Chinese
term meaning forest ghosts. Martial arts historians and other researchers have
postulated the Lin Kuei as a group existing in the forests of China many years ago.
This would have been long before the ninja emerged in Japan (Ninja martial arts of
Japan from Wikipedia).

Tales of the Lin Kuei have haunted travelers and peasants for centuries. It was
rumored that at night the inhabitants possessed mystical powers. This mythical
cloak of true identity precisely paralleled the methods of the Japanese Ninja. The
Ninja of Japan used secrecy, rumor, demon masks, and to light fireworks they used
men lit with fuel in order to provoke innate fear in unknown adversaries, first of all
overcoming them psychologically. As a result of the Lin Kuei's strict secrecy, very
little is known beyond ancient stories and rumors that exists today to shed light on
their society.

Around the time of the Tang Dynasty of China, some of the Lin Kuei members
traveled to Japan and spread the secret martial arts and forms to the locals. These
methods were eventually incorporated into the art of ninjutsu. Some Lin Kuei are
believed to have lived in Japan and made their living as mountain hermits or
priests, known as Yamabushis (those who hide in the mountains). The term refers
to isolated groups (or individuals) of mountain hermits, ascetics, and "holy men,"
who seek spiritual, mystical, or supernatural powers acquired through asceticism.
Other Lin Kuei traveled to Korea and continued his teachings.

The Lin Kuei lived in the forests for centuries. After the fall of the clan, the last
SHR-lin (Grand Master of the Lin Kuei) moved to the United States to reform the
clan. The last SHR-lin died during the 1970s, and since then, a clan member known

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as Li Hsing, who claims to have been a friend of the last SHR-lin has come forward.
Li Hsing is the author of two books on the Chinese ninja: "China Ninja Connection"
and "The Combat of the Lin Kuei: Ninja Heritage."

MOSHUA NANREN

A book named "Knights of Darkness" written by Dr. Haha which discussed about
the deadly night fighters and commandos of the world, mentions the term Lin Kuei
under the category Moshuh Nanren.

Moshuh Nanren were Lin Kuei who worked as expert assassins and bodyguards
for the Chinese royal family. Any danger to the royal family would be eliminated by
any means necessary, such is the way of ninja martial arts. Moshuh Nanren have
been called precursors of the Japanese ninjas. They served in the services of
Chinese emperors during the Warring States Period of China (453 to 221 BC). C.).

SNOW TIGER/SNOW TIGER

The most prolific martial arts discipline that has a boar system is known as "Lin
Kuei". It has a combat system called "Snow Tiger Combat System", and one of the
nine animal systems in the style is the boar. It's very aggressive, very violent and
literally invincible once it gets going. He uses an arsenal of elbows, knees and
shins in a fast explosive movement that is quite daunting to confront.

The boar never backs down, it wears down the opponent directly and moves in with
a violent attack of forceful combinations that do not stop until the opponent is
defeated. If the angle is opposite, quickly change direction and continue the attack.
It is relentless.

LIN KUEI
The term means “Spirits of the Forest.” The Lin Kuei were a group of Taoist artists,
boxers, sages and philosophers who were against the corruption of the ruling
authorities of their time. They lived in the solitude of the forests and developed their
knowledge in the arts of fighting, survival in nature, hunting, weapons handling,
medicine, philosophy and meditation. Despite their great success in fighting
corruption among the imperial troops and despite the support of the population for
distributing the stolen loot among the poorest (money, food, clothing, tools, etc.),
having looted the money transports of the imperial armies and going so far as to
become protective deities for the most oppressed, the headquarters of the Lin Kuei
was finally discovered. The Lin Kuei fled, settling in various parts of China or in
neighboring countries. Many fugitive Lin Kuei formed secret societies and gathered

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numerous followers. As times were difficult, these societies dedicated themselves
to training and development in the arts of fighting by imitating animals, specializing
in the movements of the tiger, eagle, snake, bear, crane, monkey, leopard and
dragon.

The martial arts of the Lin Kiei were divided into armed and unarmed combat
techniques, correct behavior in a natural environment, adaptation to local
circumstances (disguises, camouflage), knowledge of nerve centers and energy
channels of the body, general anatomy and survival.

Originally the Lin Kuei only used weapons from their natural environment, easy to
obtain, such as sticks of different lengths that were used single or double, stones
as throwing weapons, ropes, arrows, iron balls, as well as swords, spears, sabres,
daggers, etc. Among the camouflaged weapons were fans, hats, flutes, throwing
coins, pins, etc.

The Lin Kiei continued to practice their arts and secrets, forming the basis for a
variety of important secret societies, warrior sects and elite troops.

Some Lin Kuei fled to Korea, giving rise to the Sulsa (Hwarang do), while others,
passing through Okinawa to Japan, influenced the art of ninjutsu (Ninpo).

In China itself, the Chinese ninjas (Lin Kuei) formed the basis for the creation of
resistance groups and secret organizations. These secret societies still exist in part
and have enormous political and economic influence, throughout the Far East, but
also in Western countries where there are colonies of Chinese emigrants.

CHAPTER 23
NINJUTSU IN KOREA: THE SULSA

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The Sulsa were the special forces of the Hwarangdo warriors, specialists in
infiltration, intelligence, assassination and survival.
Its origin comes from the mythical King Silla who had a dream in which he glimpsed
what would become the largest war machine in the feudal history of the world: the
Hwarang warriors. These warriors were trained in all aspects of combat, strategy
and fighting. Yoo Shin Kim, a famous hwarang jang gun, comparable to the
shogun, selected the best hwarang with the idea of establishing an elite: the Sulsa.
These select few possessed the characteristics of patience, loyalty, courage, trust,
intelligence and ingenuity. They were created to introduce you into the country of
Koguryo and Paekche (enemy borders of Silla) and obtain information. They were
introduced into those countries, adapting to the enemy way of life. They then
returned to Silla with valuable information, thanks to which Korea was unified from
Silla, Paekche and Koguryo. But the nascent union marked the decline of the
Sulsa. Then they were sent to carry out missions in China and Japan.
The Sulsa specialized in Un Shin Bup, a subdivision of the Hwarang-do, the war
techniques of the Hwarang. These consisted of four levels: -wae-gong (external
power) -nae-gong (internal power) -shin-gong (mental power) -moo-gi-gong (power
as a weapon). Ninety percent of sulsa training was in shin-gong. A sulsa had to
learn to control and understand human psychology in order to manipulate it; Un-shi-
bup, a subdivision of shi-gong; to delve into the art of concealment or invisibility,
and to use stealth, distraction and camouflage as weapons. The Sulsa followed two
strategic guidelines: chong do (way of the true sword) - am ja (study of traps,
diversionary maneuvers, camouflage and stratagems).
Conventional fighting or chong do was about offensive and defensive tactics used
on the battlefield. Unconventional warfare, or am ja, was about guerrilla warfare
and espionage.
Other aspects of sulsa training covered topics such as jham-ip-sul, basic
knowledge of infiltration, exfiltration and information; jham-bok-sul, ambushes,

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eavesdropping, decryption and survival; bo-bop, stealth approach, stealth and rapid
travel. These tactics and their applications in some 4,000 combat techniques made
the Sulsa an invincible war machine. Another aspect of the Sulsa's greatness was
moo-gi-gong (weapons): there were nearly a hundred different types. The Sulsa
had no rival in their category because they were feared everywhere.

CHAPTER 24
SHO KOSUGI

Shô Kosugi is a legendary martial arts specialist who reached the height of his
career in the 1980s and 1990s with a series of successful ninja films. The actor,
son of a Tokyo fisherman, began his martial arts training at the age of five.
Originally, Kosugi had a very weak body, but his parents forced their whiny son to
take karate classes at a dojo to make him a strong man. He expanded his studies
in martial arts by learning judo, kendo, aikido, iaidō, ninjutsu and taekwondo. At the
age of 18, he achieved the status of All-Japan Karate Champion.

With his training in ninjutsu he achieved great popularity as an actor during the
eighties, usually playing ninjas. He is the father of Kane Kosugi and Shane Kosugi.
After a break from films, he started a Taiko group in California. In Japan, he is
recognized as a promoter of martial arts acting schools through the Sho Kosugi

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Institute.

This Japanese martial arts specialist took part in hundreds of competitions and
exhibitions during the 1970s and later achieved notable relevance as an actor
during the 1980s, during which he appeared in numerous martial arts films,
although in previous years he had already had supporting roles in several films. His
first major film was Enter The Ninja in 1981, after which he continued acting until he
left the cinema in 1993 to teach at a martial arts exhibition school. He later returned
to the big screen with Ninja Assassin in 2009.

CHAPTER 25
PHILOSOPHY
Our philosophy is simple: Protect Life. Living in accordance with nature and natural
laws.

"The secret principle of Shinobijutsu is to know the origins of peace. "Studying is

the secret of the unchanging heart (fudoshin)."

Having as a virtue respect for God (for religion or philosophy of life) and for the
family to which one belongs, it being a great honor not to betray one's group. Being
honest and open, accepting the diverse points of view of others, having a high
sense of justice, without fearing its defense; caring about acquiring culture; love for
family and dedication to training in Shinobijutsu.

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 CHAPTER 26
NINJUTSU TODAY
In the evolution of the Ninja through history after having actively participated in the
restoration of Peace and unification of Japan, the Government dismissed the
services of these agents because it considered that they were not necessary, thus
suffering the decline and oblivion many of these Warriors were employed in the
Japanese police, as well as personal guard of the government in the palace others
returned to peasant work; It is also known that some Ninjas were hired by the Army
for the training of its soldiers bequeathing to our days part of their knowledge, in
espionage tactics and combat of which many elite security and combat groups
have perfected their modus operandi based on this ancient art, which have been
necessary to respond to risk situations quickly and forcefully, due to incidents of
great violence in the world with armed civilians, kidnappings, attacks, etc.
The current Ninja is not only inserted in men dedicated to the security of their
nation but also in people who watch over the Peace and integrity of their fellow
men, in this context he undoubtedly executes the same philosophy and vision of
the legendary Ninja of ancient Japan; the one who at that time was already
recognized as the full-time force for all situations or cases of life or death, acting
under pressure and having as its objective to preserve the lives of the civilians
involved.
Ninjas served their purpose in the past and that's where they stayed. Today the
spirit of the ninja is enrolled in the special corps of the armies, in the body guards,
and in a few adventurers who keep the flame of the historical past alive. 20th
century ninjas are enrolled in elite forces (American Green Berets, the English
SAS, the Marine Seals and many other groups around the world). Their training is
sophisticated and modern, they are expert parachutists, they use all kinds of
modern weapons, they know how to ski, dive, climb, survive in extreme conditions,
provide first aid medicine, use explosives, hand-to-hand combat, etc.
Finally, we must clarify a misconception or misinterpretation... It is one thing to train
ninjutsu and quite another to be declared a ninja. He not only trained in the art of
war, it was his profession. More deeply, he thought, acted, and moved like a
ninja… His mentality and spirit kept alive the glorious past of his ancestors, who
live on, perpetuating the torch of the memory of the formidable shinobi warriors…

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 CHAPTER 26
IGA NINJUTSU AND KOGA RYU

The spirit of Nindo was born in Japan out of the need of those peasants who,
oppressed by the barbarism of the Shoguns of feudal Japan, decided to rearm
themselves in order to survive by adopting the tactics and philosophies of
Yamabushi monks, warrior monks from the mountains of Japan from neighboring
nations who, for political or cultural reasons, had to resort to survival, creativity,
hermeticism and the concealment of their personality. This origin is the mystery of
the gestation of Nindo and is what makes the Nindoist free with a sense of justice
and freedom. Shinobi masters used to retreat into the mountains in solitude to train
(Yamagomori). This period was considered absolutely essential to the life of a
Nindo warrior.

Nowadays, the Nindoist must adapt to being a warrior in the city, creating within
himself his own secluded place to live in hiding – Shinobi Da – and still continue
living. The Nindoist lives secretly in Nindo (Yamagakure) sharing his knowledge
when circumstances require it. Currently, the traditions of Iga Ryu have merged
with the traditions of the Fujiwara Koga Ryu of ninjutsu of Soke Yoshiaki Yamato
sama and the Yamada Iga ryu clan of the Yamada house of the current master
Sensei Yamada Tamashii son of the now deceased Soke Yamada Yoru no Kaze, a
lineage that lives in Nindo Haku Gun no Danketsu, a school directed by Soke Cives
from Argentina. Sensei Cives leads, as menkyo kaiden, the Fujiwara Koga ryu of
ninjutsu for western diffusion and is since October 15, 2008 Soke of the Yamada

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Ryu of ninjutsu, which together with the Cives Ryu form the three most important
pillars of nindo, since the two most traditional ryu, Iga and Koga, are unified
together with modern ninjutsu.

Nindo studies physical combat and psychological combat, you just have to know
when to use each of them, be it any of its 32 basic weapons or the 37 areas of
superior combat. From a simple self-defense technique to a tactical diagram of
troop movement, with knowledge of the three degrees of combat, that of the mind,
that of treaties and agreements, and the last, that of fighting and combat, to the
connection with the elements of nature as the primary axis of harmonization. The
art of hiding or remaining invisible to the enemy is an integral part of the Nindo
training system, with training camps where the stealth aspect comes to life through
our combat tactics, drills, sentry taking, camouflage, survival, logistics and obstacle
courses. The Nindoist masters time, space and speed, being indispensable
characteristics for a superlative warrior who knows first technically and then
instinctively how to make the most of all the variables of his movements in combat.
Among the most significant weapons of the Nindoist is the Ninjato, a straight,
single-edged sword, with its square nakao and secret compartments. Its origin
dates back to the first shortened katanas that were stolen from the samurai in
combat. These first leaves were curved and were called gatanas. As Sensei Cives
says, the ninjato represents our lineage and the gatana represents our freedom.
NINDO is time, understanding and evolution, to liberate the technique by escaping
from the basic or rigid forms of other disciplines. NINDO teaches the mastery of 32
weapons and Jutsus (methods) of combat, requiring many years of practice to
master them, once incorporated they become part of oneself. The Nindoist is
characterized by his strength, cunning, stealth and independence, trained to
operate alone, individually, until he achieves his goal. The right student will
undoubtedly be the one who can responsibly assimilate the teachings through the
practice of Nindo. DO as a path of internal and external enlightenment leads us to
seek balance, preparing ourselves for the unexpected, with an integral and
incorruptible heart that will lead us to higher knowledge. The Nindoist will master
the art of harmony and spirit, not only applied to combat but also to his own

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philosophy of life. Nindo teaches us to face situations believing in victory before
achieving it.

Nindo begins with the instruction of a martial discipline that fights with ourselves,
controls our fears and shows us that things that were previously impossible are
beginning to be possible. Nindo distances the person from what is known,
generating a loneliness that will be nourished with new knowledge, it pushes us to
be better and better, it perfects individual evolution, practicing, studying and
discovering new experiences with positive results for ourselves and for those
around us. For this reason, elevation on the path of Nindo is the recovery of the
essence in the elements, forging the temper, turning the spirit into the edge of a
sword, feeling only purity in all the movements and acts that are carried out. Nindo
is art at every moment and, like the eagle, it presents us with the opportunity to fly
above the mundane levels of life, or above the shadow of past realities.
The Nindo, guardian of the Nindoist temple, bases his foundations on beliefs and
ceremonies to develop that thought that makes the warrior free. Nindo officiates his
own ceremonies by elevating his Kujikiris (a union of mantras and mudras that
energetically activate the warrior to prepare for an objective). Nindo is living and
understanding different aspects of the path, beyond martial training, celebrating its
matsuris (festivities) such as the Dondoh Matsuri festival, the fire ceremony, during
the month of August, after the traditional Tanabata festival and before Bon Odori,
guiding our ancestors to their old homes, with the Shogatsu ceremony at the end of
the year being the culmination of a personal period.

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Nindo trains us in areas such as meditation, relaxation, mantras, teaching,
tempering a personality that is rediscovered and put to the test in any direction
regardless of the distance. Shidoshi Calvar left for Asia to do missionary work in
Southeast Asia, spreading Nindo and then reaching Japan, having already traveled
to Australia, New Zealand, Cambodia, Vietnam, Laos, Thailand and Singapore.
After gathering material for his book, the Shidoshi will continue his journey to
China, Nepal and Tibet. Nindo has been spreading its martial and dogmatic culture
in different cities of America since September, sharing experiences in Bogota,
Colombia with the Foundation of the great monk Master André Lemort, direct
disciple of the great Zen Master Taisen Deshimaru (1914-1982; Zen Buddhist
master whose knowledge was inherited before the Meiji revolution).
The Haku Gun no Danketsu no Nindo school strengthens its ties with those who
share its essence, incorporating teachers, instructors and disseminators who
organize events in their countries and localities for the future representation of
Nindo, including seminars where the Sensei and his Shidoshis exhibit the art of
Nindo, projecting Nindo beyond any border.
The Nindoist warrior order is practiced in the dojos of those masters and instructors
who make Nindo their way of life, creating art at every moment; Shidoshi E.
Palermo san – Shinobi da Yama Dojo - . Shidoshi F. Calvar - Rai Ten Ryu no
Nindo - , Shidoshi W. Godoy - Sei Jin Ryu no Nindo -, Shidoshi P. Godoy- .Kurai
Ryu. Hombu Dojo – Donato Alvarez 1588, Buenos Aires, Argentina.
The Nindoista is a prow in every sense since he will be at the forefront of martial
arts guarded by the greatest temper that the heart of a warrior can achieve.
Note: Posted by Paola Bellati http://paolabellati.blogspot.com/2010/03/el-ninjutsu-
de-iga-y-koga-ryu.html

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 CHAPTER 27
PANTHER WARRIORS SELF DEFENSE

The Panther Warriors Self-Defense System bases its training on ancient shinobi
combat techniques. Originating from Feudal Japan, fighting techniques are adapted
to the security needs of modern times. The creator of this Self-Defense method,
Instructor Genin Abel González, has trained since 1994 in different styles
(Taekwondo, Sipalki, Karate, Kung Fu, Kenpo, Taebo, Aerokickboxing, Self-
Defense, Kickboxing, Nindo: Japanese Ninja Art). In 2007 he received the title of
Shinobijutsu Instructor in Bs. Ace. – Argentina from Sensei Cives San and the
authorization to represent his school Nindo Ryu in Uruguay. Nindo is a stealth
martial art based on the training of ancient Iga Ryu and Koga Ryu clans fused
together, giving rise to the current Haku Gun no Danketsu Ninja School led by
Soke Cives of Argentina. My Training at Nindo Dojo Bs. Ace. – Argentina
http://www.nindo.com.ar/

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 PANTHER WARRIORS

Ninjutsu has little known or dated origins, but it is believed to be of Chinese origin,
brought to Japan by migrant warriors or monks who brought with them the
techniques and knowledge that would give rise to the future ninjas. Shinobijutsu is
the art of ancient Japanese espionage, also known as stealth art, the way of
silence, warriors trained for superhuman missions, elite commandos of feudal
Japan. Millenary culture whose origins are believed to have been Chinese, a
country where there was an advanced concept of espionage and war (writings of
Sun Tzu "The Art of War"). From this enormous wealth of knowledge was born the
Panther Warriors Self-Defense System, a current method of self-defense, adapted
to modern times of peace, but also of social insecurity. Panther in English
(panther), Warriors (warriors), symbolically alludes to the fearsome ninja warriors,
who, like the feline, acted by hiding during the day and were skilled in night
missions, to achieve their goals. As a method of defense, ancient techniques are
adapted to the

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self-defense needs of the present and is complemented by innovations in the
arsenal of martial combat. Everything evolves, everything changes, it is necessary
to be prepared for the unexpected, violence is news every day, and we should not
depend on luck or third parties, surely we could avoid something if we were well
trained and prepared to face the vicissitudes and dangers of life. The ninjas were
prepared, they were difficult times, of violence and constant wars, invasions, social
injustice, political oppression, crimes and loss of possessions... Today, in more
peaceful times, but not with less violence in society, it is necessary to prepare for
the challenges in favor of a peaceful and safe social life. Instructor Genin Abel has
trained since 1994 in different styles (karate, taekwondo, sipalki, kung fu, kempo,
taebo, self-defense, kickboxing and nindo). He was a police officer in his country
(Uruguay), and currently works in private security. In 2007 he received the title of
instructor and delegate to spread the Nindo system of Soke Cives, as a
representative of the style in Uruguay. He has never trained a defensive art as
complete and beautiful as nindo, nor has he had a martial master as wise as his
Sensei. "When the trunk is good, so are the branches." The disciple will be like his
teacher. Words from the master of masters, Jesus Christ.

THANK YOU FOR READING THIS BOOK AND SHARING IT. THE PURPOSE OF
DOING THIS IS SO THAT ALL THOSE INTERESTED IN KNOWING MORE
ABOUT THE ART OF SHINOBI CAN HAVE AT HIS/HER REACH SERIOUS AND
OBJECTIVE MATERIAL ABOUT THE BASIC TOPICS OF SHINOBIJUTSU, THE
NINJA MENTALITY, ITS TRAINING, THE ORIGINS, THE HISTORY AND
EVERYTHING THAT CONCERNS THE ART OF THE STEALTH WARRIORS,
THE NINJAS...

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IN CONCLUSION, THIS IS THE FOURTH AND LAST E-BOOK IN THE SERIES
ABOUT SHINOBIJUTSU. WE HOPE THAT IT HAS BEEN EDUCATIONAL AND
INSPIRATIONAL IN LEARN MORE ABOUT THE LEGENDARY WARRIORS-
SPIES OF FEUDAL JAPAN... NOW YES!! LET'S LOOK FOR A DOJO AND...
LET'S TRAIN!!
NINPO IKKAN
ABEL SHINOBI – SHIDOSHI HO (ACUN)

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