The document presents a script for a play that unfolds in a pub and various locations, focusing on the character Dave Riley and his interactions with others, including ToNa Smith and Yeva Rastikovish. The narrative explores themes of loss, memory, and relationships, particularly Dave's struggle with the memory of his deceased sister Zoe and his connection with Yeva, who resembles her. The scenes depict comedic moments, emotional conflicts, and culminate in a reunion at an airport, highlighting the importance of family and acceptance.
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Script 3
The document presents a script for a play that unfolds in a pub and various locations, focusing on the character Dave Riley and his interactions with others, including ToNa Smith and Yeva Rastikovish. The narrative explores themes of loss, memory, and relationships, particularly Dave's struggle with the memory of his deceased sister Zoe and his connection with Yeva, who resembles her. The scenes depict comedic moments, emotional conflicts, and culminate in a reunion at an airport, highlighting the importance of family and acceptance.
We take content rights seriously. If you suspect this is your content, claim it here.
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Download as PDF or read online on Scribd
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ACT 1 SCENE 1
“TWo PEOPLE ARE SPOTLIGHTED IN A DARK PUB WITH A FEW
PEOPLE BEHIND THEM, AND ANOTHER COMES RUNNING IN, RED.
Dave RILEY: SORRY, MY BLOODY CAR BROKE DOWN, AND I
COULDN'T BLOODY GET ‘ERE!
ToNa SMITH: DON'T WORRY, HALF THE PEOPLE HAVEN'T SHOWN UP
‘YET. I WAS DOING JOKES, THEN REALISED I DIDN'T HAVE AN
AUDIENCE. ALSO, I THOUGHT YA WERE USING YA MUMS CAR? You
BROKE THAT TOO, MATE!
CAST MEMBER LAUGHS
Cast MEMBER: ALREADY? RECORD!
GIVEN A CLIPBOARD AND PEN
Cast: DAD CAR: 2pavs, COUSIN CAR: 5 %4 DAYS MUM CAR:
19mINs, 52 SECONDS.
Dave: On sHuT UP.
Yeva RASTIKOVISH: Dave! OM6, HOW ARE YOU? I'VE BEEN TRYING.
TO CALL You! How ARE YoU? OH, SORRY, I'VE ALREADY SAID
‘THAT, HAVEN'T L,Dave: Yeval UM... WHY ARE You HERE? ARE YoU A CAST
MEMBER?
ToNA SMITH: SHE'S THE HAIRSTYLIST. TALKING OF WHICH.. WHY
DID THE HAIRSTYLIST WIN AN AWARD? BECAUSE SHE WAS A CUT
ABOVE THE RESTI
Dave: OH. YEVA RAXGTIOWIEH, YOU LOOK LIKE... SOMEONE I USED TO
Know.
‘SILENCE FOR A WHILE
Toa: WOULD A JOKE LIGHTEN THE MOOD? OKAY, WHY D0
PROGRAMMERS PREFER CODING IN DARK MODE? BECAUSE THE
UGHT ATTRACTS BUGS. HAHAHAHA,
Dave: Iona. Twar's NOT FUNNY.
Cast MEMBER RUNS ONTO STAGE
Cast MEMBER: HAVE YOU SEEN THE BLOODY PRICE FOR A.
BLEEDING BEER! 7 BLOODY POUNDS FIFTY!
Dave: Say wHaT Now! YEAH, I'M OUTTA HERE. BUT YOU CAN STAY
HERE, Yeva, LF YOU WANT.
Yeva: No, I WANT To GO rr You!YOUNG Zoe RILEY WALKS IN. SHE LOOKS SIMILAR TO YEVA.
Zoe: Dave, Dave, I WANNA PLAY WITH You! I'LL GO WITH YOU TO
‘THE PARK! PLEASE DAVEY?
Dave: (To Yeva) NAH, STAY HERE LOVE. | DUNNO WHAT POLISH
PUBS ARE LIKE BUT £7.50 MIGHT ACTUALLY BE EXACTLY YOUR
BUDGET. SO STOP BEING IN THE WAY,
Yeva: RIGHT. THAT'S FINE, GREAT EVEN! DON'T WORRY ABOUT YOUR
OWN STEP-SIS. LL JUST STAY HERE, MINDING MY OWN BUSINESS.
DAVE WALKS OUT, WITH IONA FOLLOWING BEHIND, AND EVERYONE
ELSE.
Act 1 Scene 2
DAVE AND IONA ARE WALKING HOME
con tell seemg her g
Tona: You GOTTA GET OVER ZOE. SHE DIED 12 YEARS AGO. YOUVE
FINISHED THE CANCER WARD, YOU SPOKE TO HER FUNERAL. I
KNOW SHE WAS BLOODY YOUNG—
Dave: SHE WAS BLEEDING TEN. I WAS THIRTEEN. YEVA IS HER.
‘SAME BLOODY AGE, SPEAKS THE BLOODY SAME, LOOKS THE BLOODY
‘SAME, EVEN MORE THAN SHE USED TO.ToNa stops
Tona: YeVA IS NOT SOME REINCARNATED POLISH HAIR STYLIST
Zoe. YOU GET INTO THAT HEADSET AND YOULL BE FINE. JUST TALK
‘YO HER AND STOP ACTING LIKE A TODDLER WHO'S JUST LOST THEIR
FAVORITE TOY.
Dave: ONLY IF YoU STOP THE DAD JOKES.
ToNa: DEAL.
TONA'S FINGERS ARE CROSSED BEHIND HER BACK.
Act 1 Scene 3
ON A Ser, Witt DAVE PRACTICING LINES AND YEVA DOING
SOMEONE'S HAIR.Dave: Tonal CAN You HELP ME WITH My BLOODY LINES! I CANT
GET THIS BLOODY CHARACTER, AND DUNNO HOW TO DO THE BLOODY
LINES!
Yeva: TL po rr!
Dave: Iona!
ToNa: (FROM OFFSTAGE) Busy! Ask Izzy!
Dave: SHE'S sick!
Tona: RACHEL?
Dave: Sick.
ToNa: (TAKES A BREATH) OR MILA, OR POLLY, OR BETH, OR
AMELIE, OR AMELIA, OR VALERIE OR SARAH, OR... OR ZOE, OR
IMOGEN, OR THE OTHER MILA, OR MILLIE, OR SYBIL, OR MARK, OR.
Maruew?
Dave: Aut sick.
Yeva: TLL HELP! I KNOW ALL THE LINES!
Dave: (UNSURELY) ALRIGHT.DAVE WALKS OVER AND BEGINS TALKING TO HER, BUT STUMBLES
BACK AFTER A MINUTE.
‘Younss Zoe (WHO LOOKS SIMILAR TO YEVA) WALKS ON STAGE
Zor: HEY, DO YOU WANNA PLAY A GAME!Da.vels”
Zoe: HEY HOw ARE YOU?
Dave: I CANT po THis.
DAVE RUNS OFF STAGE, LEAVING YEVA ALONE.
Act 1 Scene 4
DAVE WALKS AROUND THE STAGE, PERFORMING SILENTLY, AND
DIFFERENT CAST MEMBERS WALK AND DO THINGS.
PHYSICAL THEATRE, ACTING, PERFORMING, DOING HAIRSTYLES ETC.
Dave: (WALKS OVER To YevA) Hey, HOW ARE YA? CAN'T BELIEVE
WEVE FINISHED THE FILM.
Yeva: Hil I'M 600p! ARE You Goon? THANK You! TiRED THOUGH!
‘THINK WE ALL ARE, AREN'T WE? I CERTAINLY AM!
ZOE WALKS ON STAGE BUT DOESN'T SAY ANYTHING.
Dave MUMBLES,
Tona: You GUYS ARE FRIENDS Now! Warr, BuT DAVE, YOU WERE
LITERALLY TELLING ME THE OTHER DAY~Dave: DON'T SAY ANOTHER WORD.
ToNa: YA TOOK YA TIME. I NEED A DRINK.
PEOPLE CHEER.
Acr 1 Scene 5
IN THE SAME PUB AS WAS BEFORE, ORDERING DRINKS AND.
TALKING.
Dave: Hey, Yeva. Step-sis.
Yeva: HELLo! IS EVERYTHING ALRIGHT? YOU SEEM TO BE TRYING TO
TELL ME SOMETHING, BUT NEVER QUITE GETTING THERE IN OUR
CONVERSATIONS. ARE MUM AND DAD ALRIGHT?
Dave: (murrers) Your DAD,
Yeva: War bib You SAY?
ToNA: (WALKS IN) HEY, MY FAVORITE TWO FILM PEOPLE, STUFF. MY
POOKIES.
My BESTIES, MY TWO SiBS
Dave: Sies?Tons: Steines. GeT WITH THE NEW SLANG.
Dave: Od, BLOODY HELL. THAT'S NoT- SHuT UP. Now. PLEASE.
TonA: BORING. Sigs.
Yeva: L Love rr
‘YOUNG ZOE WALKS ON STAGE:
Zoe: L Love You Davey! I Like YOUR T-SHIRT.
Dave: Go away, Zoe!
Yeva: Zoe? Dave, I THOUGHT YOU STOPPED SEEING HER. PLEASE,
TM Nor
Dave: I'M SORRY. I'M WORKING ON Fr.
‘Yeva: Goob. I oT SCARED FOR A SECOND. SORRY, DAVEY.
EVERYONE STOPS
Tona: Davey? WHY DID You CALL HIM THAT? Yeva! HeLL—
ZOE 1S WHEELED IN IN HOSPITAL GOWNS, AND WIRES.
Zoe: Don't FoRGeT ME, Davey. I Love You,Dave: SHuT UP! I DON'T NEED You! Go Away, You'RE NoT WHAT I
NEED, DISAPPEAR, YOU DON'T BELONG HERE IN MANCHESTER, YOU
DON'T BELONG ANYWHERE, SO JUST DIE LIKE YOU'RE SUPPOSED To!
YEVA RUNS OFF STAGE.
Tona: Dave! Loox WHAT YOUVE DONE!
TONA RUNS OFF.
Act 1 Scene 6
DAVE IS SITTING ON THE FLOOR.
TONA WALKS OVER.
ToNa: Dip You CATCH HER AT THE AIRPORT?
Dave: I DIDN'T Go. I COULDN'T. WE ARENT SUPPOSED TO BE IN
EACH OTHER'S LIVES, I REALISE THAT NOW.Tona: So YOU LeT HER GO? WHAT ABOUT THE REST OF US? I LIKED
YEVA, WE ALL DID, BUT YOU COULDN'T EVEN BE BOTHERED TO CATCH
HER? I WANTED HER TO BE IN MY BLOODY LiFE! COULD THAT NOT
HAVE HAPPENED? I LIKED HER. YOU COULD'VE BEEN MY
STEP-BROTHER-IN-LAW.
Dave: REALLY? You SHOULD'VE GONE THEN. WHY DID YOU SEND.
Me?
ToNa: I JUST IMAGINED A SIBLING EMBRACE AT THE SECURITY.
Like iN Love ACTUALLY AT THE END. I REGRET THAT NOW.
‘SILENCE
Dave: PLL 60.
Tona: HER PLANE'S HALFWAY TO POLAND, LOVE. YOUVE MISSED
HER, SMARTIE~PANTS,
Dave: PLL 60 To POLAND THEN. F'LL CATCH HER.
Act 1 Scene 7
AT AN AIRPORT
‘YEVA WALKS ON STAGEYevA sicus.
DAVE RUNS ON STAGE
Dave: Yeva! I'M SORRY, IT'S ALL My FAULT, [ WANT A SISTER! L
WANT You. Is IT TOO LATE?
Yeva: Dave!
Tuey Hue!
Yeva: How ARE YOU HERE? My PLANE JUST LANDED? WERE YoU
on in?
Dave: Privare eT!
Yeva: BUT YOUR BANK ACCOUNT HAS ALL THE ZEROS IN THE
ENTIRE WORLD.
Dave: THANKS. WELL, NOW IT DOES. BUT OUR MOVIE IS THROUGH
‘THE ROOF!
Yeva: How bo You THINK I AFFORDED THE PLANE TICKETS?
TONA RUNS IN
Tona: Yeva! (PANTING)Dave: Lona? WHAT ARE YOU DOING HERE?
ToNA: MAKING SURE YOU HADN'T CHICKENED OUT OF ALL OF THiS. I
KNOW YOU, AND THE PERCENTAGE OF ALL OF US ENDING IN THE:
SAME AIRPORT IS IN-THENEGATIVES. [ike
Au Hus
‘ZOE WALKS IN.
Zoe: I Love You Dave. I's TIME FOR ME TO LEAVE. BYE.
ZOE WALKS OFFSTAGE.
(CAST MEMBERS ALL WALK ON AND JOIN THE HUG.