Report On Gioachino Rossini
Report On Gioachino Rossini
Rossini's vision of the new Italian opera is in consonance with the whole.
or behavior from the first half of his life. As a young musician, he shows how
an innovator can be, justifying the nickname given to him by one of his contemporaries
the Italians, "Il Tedeschino", meaning "The Little German".
The activity of composing occupies only the first part of his life. It is
marked by a series of successes that lead him from Northern Italy to Naples, where he
he marries a famous singer, Isabella Colbran, then abroad: in Vienna
where he meets Beethoven, in London and finally in Paris, where he settles,
1824, as director of the Italian theater. His works from these years, so appreciated
sunt: „Scara de mătase” (1812), „Tancred” si „Italianca în Alger” (1813), „Turcul
in Italy" (1814), "Elizabeth, Queen of England" (1815), then, in 1816, The Barber of
Seville and 'Otello'; 'Cinderella' (1817), 'Moses in Egypt' (1818), 'The Woman of
"Lago" (1819), "Semiramida" (1823), which is the last of the great works composed
for the Italian scenes. In Paris, he will create another opera-buffa in the Italian language,
then you will write in French, 'Siege of Corinth'. The last two works, a farce,
"Count Ory" (1828) and a historical drama, "William Tell" (1829) are composed
directly from French notebooks.
Sick, mentally and morally exhausted, he wanders through the cities of Italy; in 1855 he returns.
the Paris where he will stay until death and where he holds a salon through which artists pass,
musicians, writers, even Richard Wagner. Throughout all these years he composed very
little: a 'Stabat Mater' (1842), a small 'Missa solemnis', a few songs for
you and piano. He died on November 13, 1868, in Passy (now a district of Paris), in
after undergoing an abdominal operation, being initially buried in the Père-Lachaise cemetery in
Paris, and in 1887 it was moved to the basilica 'Santa Croce' in Florence (Italy).