Gideon The Ninth by Tamsyn Muir
Lesbian necromancers in space. That’s the usual pitch for Gideon The Ninth and it’s not wrong. Though there’s a lot more necromancy than space or lesbianism.
The book begins in an environment fairly dripping with death, all bones and darkness. It sounds like it should be grim, but thanks to the sarcastic attitude of the protagonist, the tone is actually quite fun.
Sassy goth; that’s how I would describe the general vibe. Once I settled into it, I found that tone thoroughly enjoyable.
The bulk of the action takes place in the planetary equivalent of a haunted mansion and the various characters are assembled like the cast of an Agatha Christie mystery.
I must admit that I struggled a bit to distinguish one space necromancer from another. I should’ve payed more attention to the dramatis personae at the front of the book.
The plot kept me intrigued and invested throughout, although it did sometimes feel a bit like a video game with puzzles to be solved in order to unlock the next level.
The driving force of Gideon The Ninth is its excellent world-building. Though you’re dropped into things in media res, the foundations of the world you’re in are revealed piece by piece, and it all adds up to a fascinating premise for this book and its sequels.
I’m already looking forward to reading the next book.