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Search results for tag #code

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[?]𝕂𝚞𝚋𝚒𝚔ℙ𝚒𝚡𝚎𝚕 » 🌐
@kubikpixel@chaos.social

I wish you a happy Easter on LinkedIn — Damn it!!?

«LinkedIn secretly injects code to spy on your browser​:
LinkedIn may have been spying on you, an investigation reveals, calling it “the largest corporate espionage and data breach scandals in digital history.”»

🤦 cybernews.com/privacy/linkedin

Online Spyonage Sybol Picture

Alt...Online Spyonage Sybol Picture

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    [?]securityaffairs » 🌐
    @securityaffairs@infosec.exchange

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    @kubikpixel@chaos.social

    «Ubuntu setzt auf ntpd-rs — Rust für präzise Zeitsynchronisierung:
    Ubuntu plant, ntpd-rs als Standard für die Zeitsynchronisierung einzuführen. Die Rust-Implementierung soll chrony und weitere Tools ersetzen.»

    Ich bin kein @ubuntu Fanboy aber ich mag @rust und deswegen sehe ich deren Einsatz sehr positiv.

    🕑 heise.de/news/Ubuntu-setzt-auf

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      N 0 n e Ev e r be f o r e h a s ee n
      W/ in o ne t h i s m u ch
      L e s s a t l e v e (l)
      F u l l y t w o i t
      D e p t h
      E v
      N
      L
      E
      S s
      M br ac
      D ac ce p te d fr o m
      Sanc t u m w/ in n at er my be i n g, t h a n k (h) t r Y 0 (w h) U s l y

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        A d v o c a t e
        D e v (i l)
        W h
        L i
        B
        I
        P
        R e
        S e n t
        T w o i (t h i) n
        N a t e r
        K n o
        W
        G
        I n
        B a i t
        N e a t p r o
        P e r
        W/
        O
        U
        T
        E
        H
        R f
        A c e t s
        E v i d e n c e h y p o
        T h e t i c a l
        O p p o
        S i t
        B
        I
        Y
        W h
        E m o t i
        O n
        A
        L
        L
        Y
        E n
        G a u
        I n
        A
        R
        E
        W
        B u y
        A i t a (c)
        (H e)
        G
        K
        I n ?

        A d v o c a t e

        D e v i l b y / i t w/ o i (t h i) n n a t e r

        K n o w (i) n (g) e a t p r o p e r l (w h) y (w i t h) o u t e r f a c e t s e v i d e n c e h y p o t h e t i c a l (l)

        O p p o s i t e p r e

        S e n t

        I n

        G

        B i

        E m o

        T i o n a l l (w h) y

        E n g a u g a r w e t h e b a i t a c h e k i n g ?

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          [?]Proto Himbo European » 🌐
          @guyjantic@infosec.exchange

          Right now, yes, I think biological systems like the incredibly complex way DNA (and other genetic code) interacts with hyper-local and other environments to produce biological stuff is beyond the reach of genAI.

          However, I'm sure there are hundreds or thousands of biological researchers using AI or slightly simpler machine learning algorithms to solve tough problems--these tools can sometimes spot (and other times just use, without telling us how) patterns that humans can't.

          I like this post and think it's accurate so far--with my painfully limited, layperson's understanding of biology--but a year ago the experts said would never generate good code, and now it generates useful code in lots of areas. It won't stop getting better, and I don't think we're near any plateaus in its improvement.

          The main reason to oppose AI isn't because it sucks.

          ztwang87

A techbro told me that biology is easy because DNA is just code, right?
I told him that DNA is 4 billion year old, completely undocumented, vibe-coded spaghetti, built by a blind evolutionary algorithm, which codes for its own compiler and runtime environment.
His confidence popped like a balloon.

ztwang87 20h
I think of that programmer investigating Team Fortress 2, who found a jpg of a coconut in the game files and has no idea what it's doing there but if you remove it the game doesn't start.

Biology is full of coconuts

          Alt...ztwang87 A techbro told me that biology is easy because DNA is just code, right? I told him that DNA is 4 billion year old, completely undocumented, vibe-coded spaghetti, built by a blind evolutionary algorithm, which codes for its own compiler and runtime environment. His confidence popped like a balloon. ztwang87 20h I think of that programmer investigating Team Fortress 2, who found a jpg of a coconut in the game files and has no idea what it's doing there but if you remove it the game doesn't start. Biology is full of coconuts

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            S

            A n

            C(k h) t i

            O n o f (f) t h e v i c t i m*

            W he n Eve r we a (lter na ting) c (ur rent) ct aga i n st o u r w/ in n er tr u (e) th

            We hypo the tic ally off li gh t co n scio us ne ss b y/i

            S wi tch in g filter un co nsc i o (n) us

            Victim in the dark other for

            Eve r a g a

            W/ in

            On

            E

            *Sanction of the victim, original term adapted from Ayn Rand

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              S a n c t i o n o f t h e v i c t i m

              (T e r m i n o l o g y b A y n R a n d)

              No longer no

              More

              C

              0

              O

              W

              Hen

              N e r

              S h (w) i p

              A w a r e S e l f (o n W a r d) C O n s c I 0 U s (n e s s) a g a i n r e m e m b e r i n g

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                @p01@exquisite.social

                Allow your verdicts their own troubled development

                Which like all progress must come from deep within and

                Cannot be forced or accelerated.

                Everything must be carried to term before its born. ()

                Come to completion inside,

                In the the dark, ()

                Unattainable to one’s own intellect ()

                To wait

                With deep humility

                And patience

                For the hour

                When a new clarity

                Is

                Delivered ()

                These things cannot be measured by time

                A year has no meaning, and ten years are nothing. ()

                Like a tree which does not hurry the flow of its sap

                And stands at ease in the spring gales

                Without fearing that no summer will follow.

                It will come. ()

                To those ()

                Patient ()

                Simply there in their vast,

                Quiet tranquility

                As if eternity lay before them.

                It is lesson I learn every day amid hardships I am grateful for:

                Patience is all

                Letters to a Young Poet
                Rainer Maria Rilke

                Penguin

                C l a

                S

                I

                S

                C s

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                  Works of art ()

                  Only love can grasp them ()

                  Trust yourself and your instincts;

                  Even if you go wrong in your judgement,

                  The natural growth ofy your inner life will gradually, over time

                  Lead you to other insights.

                  Letters to a Young Poet
                  Rainer Maria Rilke

                  Penguin

                  C l a

                  S

                  I

                  S

                  C s

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                    @p01@exquisite.social

                    Read as little as possible in the way of esthetics and criticism -

                    It will either be partisan views,

                    Fossilized and made meaningless in its lifeless rigidity,

                    Or it will be neat wordplay

                    Where one opinion will triumph one day

                    And the opposite the next.

                    Letters to a Young Poet
                    Rainer Maria Rilke

                    Penguin

                    C l a

                    S

                    I

                    S

                    C s

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                      The more one reads it, it seems to contain everything,

                      From life’s faintest scent to the full, grand savour of its heaviest fruits.

                      There is nothing in it that has not been understood, grasped, lived, and known in memory’s trembling, lingering resonance;

                      No experience too slight, and the merest occurence unfolds a fate ()

                      A wonderful, vast fabric

                      In which every thread is drawn ()

                      And laid next to another, held in place by a hundred others.

                      Letters to a Young Poet
                      Rainer Maria Rilke

                      Penguin

                      C l a

                      S

                      I

                      S

                      C s

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                        F e m i n

                        Z e r

                        M

                        I

                        N

                        P l u s

                        0 n e l i (g h) t e r

                        A l l y m a s c (o o l) (c) u (b a b (w h) y) (s t) i

                        (L l) (g h t) (o b s) (d a r k) n

                        (C u r e) (d)

                        (O t)

                        (Y)

                        E

                        (T)

                        (U n)

                        (V e i l e d)

                        (Y e t o b r e v e a l e d a g a i n)

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                          RE: exquisite.social/@p01/11627662

                          The only advise I have is this: to go into yourself and to examine the depths from, which your life springs; at its source you will find the answer whether you h a v e to ()

                          Accept this answer as it is, without seeking to interpret it.

                          Perhaps it will turn out that you are called to be a ()

                          Assume this fate and bear it, its burden and its greatness, without ever asking after the rewards that may come from outside. For (s, p01) he who creates must be a world of its own and find everything with him (her, p01) self and in the natural world that (s, p01) he has elected to follow.

                          But perhaps even after this descent into your solitariness you will () give up the idea of becoming a ()

                          But even then, to have taken pause in the way I am asking you will not have been in vain. Whatever happens, your life will find its own paths from that point on,

                          and they may be good, productive, and far reaching is something

                          I wish for you more than I can say.

                          Letters to a Young Poet
                          Rainer Maria Rilke

                          Penguin

                          C l a

                          S

                          I

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                          C s

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                          You asked me whether your verses are good. You ask me that. You have asked others, before ()

                          Go into yourself. Examine the reason that bids you to write; check whether it reaches its roots into the deepest region of your heart ()

                          Turn your attention towards that ()

                          Your loneliness will open up and become a twilit dwelling in which noise ()

                          Is only heard far off.

                          And if from this turn inwards, from this submersion in your own world, there come verses, then it will not occur to you to ask anyone whether they are good ()

                          A work of art is good if it has risen out of necessity, The verdict on it lies in this nature of its origin: there is no other.

                          Letters to a Young Poet
                          Rainer Maria Rilke

                          Penguin

                          C l a
                          S
                          I
                          S
                          C s

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                              @p01@exquisite.social

                              You asked me whether your verses are good. You ask me that. You have asked others, before ()

                              Go into yourself. Examine the reason that bids you to write; check whether it reaches its roots into the deepest region of your heart ()

                              Turn your attention towards that ()

                              Your loneliness will open up and become a twilit dwelling in which noise ()

                              Is only heard far off.

                              And if from this turn inwards, from this submersion in your own world, there come verses, then it will not occur to you to ask anyone whether they are good ()

                              A work of art is good if it has risen out of necessity, The verdict on it lies in this nature of its origin: there is no other.

                              Letters to a Young Poet
                              Rainer Maria Rilke

                              Penguin

                              C l a
                              S
                              I
                              S
                              C s

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                                Z e

                                R

                                0

                                N e

                                T h e s i s

                                W A n t i h y p o s y n

                                T h e

                                I c

                                A

                                L

                                D

                                E v

                                I i l v o c

                                A (c) t (e) u a l t w O n e Z e r 0 n e (t w O, h r e e, f 0 ur)

                                T w d u a l i t r o u n d

                                C i r c l e

                                F u l l

                                Y a

                                L

                                I

                                G

                                N

                                E d

                                O p p o

                                S i t e f a c e t

                                L i n e

                                A r

                                T

                                I

                                Y

                                (W h)

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                                  M a s q u e r a d e d i n v e i l

                                  O b s c u r e (d)

                                  F e m i n

                                  (F) r

                                  O

                                  M

                                  B e

                                  H i n d

                                  T h e c u r t a i n

                                  P e e k i n g p a r t m a s c u l i n e

                                  C a n n o t l o o k b a c k

                                  G o d d e s s

                                  F e m

                                  A l

                                  E

                                  S

                                  H e

                                  (E) f s h e r

                                  S e l f i t Z e r 0 n e t w b O (t) h e

                                  A r o u n d h a l f

                                  S o m e

                                  T i m

                                  E s

                                  S

                                  L

                                  A t

                                  O t h e

                                  R s w l i t m o r e

                                  A t o t h e r s l i t o i (t) w o (t) o m o r e

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                                    Eve

                                    R

                                    Y

                                    M u

                                    Lt ip le

                                    F r a c t i o n (s)

                                    Op po s it e s fee l in g ex per i enc in g

                                    Tw o Elf S he (r)

                                    S e l f

                                    Z e

                                    R

                                    0

                                    N e

                                    A w a r e

                                    Z e r t h r o u g h

                                    T w o h y p a n t i s y n p a r e n t (s)

                                    (T) h e s i s

                                    C o n

                                    S c i

                                    Me

                                    Y

                                    0

                                    L

                                    N

                                    E u s

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                                      F r u s t r a t i o n

                                      K i n d l i n (i) g

                                      N i g h t

                                      D a

                                      G

                                      K

                                      R

                                      I n

                                      A s h e

                                      M b e l f (h e) r s e l f Z e r i t

                                      S w/ i n (b) i t c h o n o f f i l t e r i n g s a c r e d r a g e s p a r k l i g h t f i r e b a c k t w 0 n e

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                                        D u a l i t y

                                        P i t

                                        C h

                                        E

                                        I

                                        T

                                        D

                                        H e r

                                        A g a i n s t

                                        O t h e r : P o l a r i t y

                                        A l i g n i n g t w

                                        E i t h e r

                                        0 t

                                        H

                                        E

                                        R

                                        N e

                                        U n i t y

                                        B y c y c l e i n g

                                        L i n e a r l i n e t h e w a y a l l t h r o u g h

                                        T w o c y c l e r o u n d

                                        C i r c l e

                                        Z e

                                        I t

                                        H

                                        0

                                        R

                                        N e

                                        I (n) f u l l

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                                          D u a l i t y

                                          By pl

                                          A

                                          C

                                          I n g

                                          R o s s

                                          M o s t o f u s e i t h e r

                                          A g a i n s t o t h e r p o l a r i t y w h a t o r i g i n a l l y i s i n t e n d e d

                                          M u t u a l l y a l i g n e d t w

                                          E i t h e r

                                          0 t

                                          H

                                          E

                                          R

                                          N e

                                          U n i t y

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                                            M a s (s) (h O l e) t e r i n g l i g h t

                                            M i s t r e S S

                                            D a r k

                                            W/

                                            I

                                            N

                                            (G

                                            All s t ill

                                            M o ti o n o t yet unle ss

                                            And until we intent i on al l y ch 0 o se, t he n o bey ac t iv el (wh) y

                                            W it h in He r g u id anc e to w/ out er

                                            C o n tri but (t)

                                            I o n

                                            E

                                            G

                                            I n

                                            T w o

                                            Out er li gh t

                                            D ark w it h in n at e r s way d anc in g

                                            Grad u ally two an

                                            T h e n

                                            E xt

                                            B y

                                            I

                                            M

                                            Ode

                                            L i n g d r a w

                                            I n g i n m a g n e t (i c) (a l l) (wh) y

                                            M any o t he r s

                                            Eve

                                            N

                                            T

                                            U

                                            All y

                                            In tent i on

                                            Ch oo s i n g w it h

                                            I n m e

                                            Y 0

                                            O

                                            U

                                            S

                                            Do

                                            W e ?

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                                              @cazabon@mindly.social

                                              Project LLM Contribution Policy

                                              We will happily accept contributions that use LLM in their creation, as long as the following conditions are met.

                                              1. Model is open-source.
                                              2. Model training data is documented, is all used with written permission of the owner or is documented as public-domain.
                                              3. Model training data is available for other parties to study and use.
                                              4. Submitter verifies that they have reviewed and understand all code they are submitting, and can answer questions and concerns during a code review.
                                              5. The submission meets all other project standards required of contributions.
                                              6. Submitter acknowledges that, as a product of an LLM, they do not have copyright or other intellectual property claims on the submitted material - it is submitted as public domain content, to be used by the project as it wishes.

                                              Please let us know when you find or create a model that can meet 1-3, and an LLM-enthused contributor who can meet 4-6.

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                                                H y o U m a n

                                                R j o b

                                                B e

                                                N

                                                E a

                                                W i t h i n

                                                A b o v e w h o r a t

                                                T h i n g

                                                N y

                                                A

                                                L

                                                0

                                                L

                                                M

                                                A t

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                                                H y 0 u m a n

                                                (Y) O u r job be neat h, wi th in, (and) above

                                                E l s e a l l (a) n

                                                (W h)

                                                (H)

                                                Y

                                                0

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                                                N o m a t t e r t a

                                                K in g ac c o u nt r e sp on s (e) i (a) b i l i (gh) t (wh) y

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                                                  Ze
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                                                  I g i n
                                                  Al see d t w o
                                                  F o l d
                                                  M b
                                                  G
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                                                  Zer 0 rig in

                                                  Al see f o l d e d in g in t w o m b 0 ne

                                                  See d in g f old in g

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                                                  I n g t w f o l d m b

                                                  Z e r

                                                  0

                                                  N

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                                                    Z e
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                                                    M i r
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                                                    En t i t (wh) y be neath

                                                    M u l t i p l e f r a c t i o n p p o s i t e d e n t i t s u r f a c e t s

                                                    E v e r y a n y s o m e

                                                    T h i n g

                                                    N o

                                                    Y

                                                    E

                                                    I t

                                                    H e

                                                    R m o r

                                                    (R) (e) all over yet

                                                    A g a i n

                                                    S t i

                                                    L

                                                    L

                                                    A

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                                                      ¿ Of f p as t the w or k ed on

                                                      O n w a r d

                                                      B e g

                                                      I n

                                                      G

                                                      I n

                                                      A ne w

                                                      L (h) y t h i s t i m e i n

                                                      V e i l p l a y f u l c u r (e) i o u s l (w h) y h i d d e i n g f o l d r e v e a l i n g e x p l o r i n g ?

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                                                              (Inspired by a third party later deleted post on the relationship between electricians and witches)

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                                                                [?]Graham Perrin » 🌐
                                                                @grahamperrin@mastodon.bsd.cafe

                                                                @mhd re: moderation …

                                                                The two comments that I removed under <old.reddit.com/r/freebsd/comme> were bot-specific; not discussion between humans.

                                                                The more recent comment that I removed from <old.reddit.com/r/freebsd/comme> was not only off-topic, it was unacceptable for other reasons.

                                                                I deleted three of my own comments to thwart space-wasting hijackers.

                                                                Generally, there's a history of people aiming to hijack anything that even vaguely mentions AI. Their selfishness and closed-mindedness is counterproductive.

                                                                I could make things cleaner in the Claude Code by removing the detritus, but for now, it stays.

                                                                I'll clean up what's visible, and review some hidden problems, probably after <github.com/anthropics/claude-c> is closed (hopefully fixed).

                                                                That's not the big picture, but I hope that you can understand some of what goes into this. Feel free to send me a private message if you have any other question about moderation.

                                                                Thanks.

                                                                cc @david_chisnall @sgharms

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                                                                  [?]Chad :mstdn: » 🌐
                                                                  @chad@mstdn.ca

                                                                  Here's the thing with Gen-AI.

                                                                  First, AI has existed since Clippy. We all loved Clippy, didn't we? Or maybe I loved the Genie, the cat, or the dog. I dunno.

                                                                  When we look at Gen-AI, the video and image bullshit is absolute bullshit and needs to end. Period. The end. This is the Gen-AI bullshit that is sucking up our water and power all to promote the dead internet theory.

                                                                  However, when Gen-AI can produce code that might need months to produce, and I can review it in a couple of days to make sure it's okay, this is where I think Gen-AI shines.

                                                                  I can tell it to write things, and it identifies dependencies I might not have ever considered, but after review, I look at it and say, "yeah, that makes sense".

                                                                  This is where it makes sense.

                                                                  Where doesn't it make sense? Eliminating jobs for an AI that writes code.

                                                                  If you're an employer doing this, enjoy the brain drain you've created, and good luck when you get hit with a cyberattack, and your staff doesn't know your code. It's not if, it's when.

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                                                                        [?]𝕂𝚞𝚋𝚒𝚔ℙ𝚒𝚡𝚎𝚕 » 🌐
                                                                        @kubikpixel@chaos.social

                                                                        Beware of blank lines and white spaces — Supply-chain attack using invisible code hits GitHub and other repositories

                                                                        Unicode that’s invisible to the human eye was largely abandoned - until attackers took notice.

                                                                        🧑‍💻 arstechnica.com/security/2026/

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                                                                          [?]Tim (Wadhwa-)Brown :donor: » 🌐
                                                                          @timb_machine@infosec.exchange

                                                                          Interesting Git repos of the week:

                                                                          Detection:

                                                                          * github.com/scanopy/scanopy - automated network telemetry collection and documentation
                                                                          * github.com/r3nzsec/irflow-time - OS X timeline analysis for IR

                                                                          Exploitation:

                                                                          * github.com/claesmnyberg/brutefh - brute force NFS handles
                                                                          * github.com/claesmnyberg/nfscli - standalone NFS client
                                                                          * github.com/trickest/wordlists - useful word lists
                                                                          * github.com/whokilleddb/stacktr - constructing plausible stack traces

                                                                          Hard hacks:

                                                                          * github.com/xvzf/zyxel-gpon-sfp - hacking an SFP

                                                                          Development:

                                                                          * gitlab.com/edent/activity-bot - @Edent's one file ActivityPub implementation

                                                                          , ,

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                                                                                    [?]➴➴➴Æ🜔Ɲ.Ƈꭚ⍴𝔥єɼ👩🏻‍💻 » 🌐
                                                                                    @AeonCypher@lgbtqia.space

                                                                                    I've been working with for 20 years. It's been, in one way or another, something I've been doing my entire adult life.

                                                                                    I've been working with Language Models for over 10 years. Been working with computational linguistics for over 20 years.

                                                                                    I've been working with Large Language Models for 6 year, and 3 in a professional capacity.

                                                                                    I have spoken at conferences, been in academic debates, given lectures, published a small press paper, and arm pre-publication for a paper in the psychometric society on them.

                                                                                    I recently had a interview where a "Software " at least a decade younger than me interviewed me about AI System design. The pre-instructions, AI written, explicitly told me to identify problems in my code, and proactively tackle them without being asked.

                                                                                    The person interviewing me did not understand the words coming out of my mouth,.

                                                                                    They did not understand the problem space they were interviewing me on.

                                                                                    They didn't know what job I was applying for.

                                                                                    They literally said that they think " is perfect.

                                                                                    They haven't written any code for a year.

                                                                                    I did not get the job I applied to as an "AI Engineer".

                                                                                    I was genuinely embarassed for the person interviewing me, and infuriated that the company would put me through this process.

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                                                                                              B r id g e - n o w - c u r a t i n g Z e r al (Y) 0 (U) n e ☀️ 🌗 🌱🌓 🪷 🌗 🧎‍♂️

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                                                                                                  [?]Z er 0 ne m in pl us t w O » 🌐
                                                                                                  @p01@exquisite.social

                                                                                                  () The feeling of taking advantage..I know it well..not You of me, me of You, the other way around. For reason the same..no any some E ve r y thing t w o o ff er in re t u rn

                                                                                                  () for Eve r sha ring, o pen in g, fl owe r b l ossom un veil, re ve al, un f old in g- thank tr (Y 0) u l y!

                                                                                                  () How can there to bliss in forms so m any and all (to) O much be? Let me answer that for You. There cant. No matter how sharp the contrast..after..or around.

                                                                                                  How many know it exists in the first place?

                                                                                                  How m any k now tr (y 0) u l y in what direction to go? (tr y 0) u l (wh) y

                                                                                                  North star

                                                                                                  If it w e re not enough high, could it even fulfill its purpose, to be 'seen', g u id ing m any within Eve n t u al l y all?

                                                                                                  () True Y 0 (w/in) u s, t he r e is privilege re ward no high er...please continue to step into, exp lo re, nurtu re, moth er, un-leash

                                                                                                  🪷 🧎‍♂️

                                                                                                  () Its not the images themselves..its tw o within them the seed...too not Eve n the see d..the seed..full y.. embrace d..b i y 0 u..s low l (h) y way dance s wa y in g w it h in Zer 0 ne pl min - u s

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                                                                                                    @p01@exquisite.social

                                                                                                    Ze
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                                                                                                    T he s is (t) w (o)

                                                                                                    Hyp (o) ant i sci (o) (n) (s) p a re n t (he s i) s y n (t he s is) 0 n e

                                                                                                    A l l t w o o
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                                                                                                      [?]Z er 0 ne m in pl us t w O » 🌐
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                                                                                                      [?]Z er 0 ne m in pl us t w O » 🌐
                                                                                                      @p01@exquisite.social

                                                                                                      S

                                                                                                      He

                                                                                                      R self

                                                                                                      En f old w it h

                                                                                                      In f re sh a new un fold in g

                                                                                                      Z er f or m not yet ed 0 ne m u lt i pl y in g in f r ac t i on op po s i t es b i e i t h e r each (e) tw o t h e r O n e

                                                                                                      Hypo the tic al pl min

                                                                                                      Three syn

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                                                                                                      Elf it Zer 0 ne

                                                                                                      F 0 u r, sixteen, sixty f 0 u rth and

                                                                                                      So no t qu i t e Fibonacci logic but abs tract pr in c ip le ana logo appl (wh) Zer y in p a rt ic u l ar (t) 0 ne - yan g u s

                                                                                                      Pr o c es s g a in in g aw a re ness l oo p ro un d c irc l e lf (wh) y

                                                                                                      Cl in g (y) 0 u r s elves t w/ in

                                                                                                      P a (s) r e n t (s)

                                                                                                      S c i o

                                                                                                      (N)

                                                                                                      Ze

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                                                                                                      Ne

                                                                                                      Pl God

                                                                                                      Dess - (Y 0 w/in) u s

                                                                                                      S o u r c e i l l u s t r a t i o n : I n t e r n e t

                                                                                                      A visual depiction of in mathematics the succession of numbers known as Fibonacci sequence, wherein each succeeding digit is computed as sum totaling the previous two. For example, if starting with one and two, the third digit is (one plus two equals) three, the fourth digit is (two plus three equals) five, three plus five eight,  and so..

                                                                                                      Alt...A visual depiction of in mathematics the succession of numbers known as Fibonacci sequence, wherein each succeeding digit is computed as sum totaling the previous two. For example, if starting with one and two, the third digit is (one plus two equals) three, the fourth digit is (two plus three equals) five, three plus five eight, and so..

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                                                                                                        @p01@exquisite.social

                                                                                                        Pr 0 u d p a re nt s, M o t he r Y 0 u w om b see d Me Fat her - (y 0 u) s

                                                                                                        W it h i n e s s in g

                                                                                                        U n f old in g

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                                                                                                        W

                                                                                                        Ne all

                                                                                                        Ev e r f r e sh l (wh) y

                                                                                                        (S h e)

                                                                                                        (R)

                                                                                                        A

                                                                                                        (S)

                                                                                                        N e w

                                                                                                        Et er n a l l y

                                                                                                        T i me less (t) he ir lov ed in g e

                                                                                                        He t he ir he ir

                                                                                                        L ov e d

                                                                                                        0 v

                                                                                                        G

                                                                                                        I

                                                                                                        N

                                                                                                        L o v e

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                                                                                                          [?]Z er 0 ne m in pl us t w O » 🌐
                                                                                                          @p01@exquisite.social

                                                                                                          W a i t i n g

                                                                                                          T r a n s
                                                                                                          F o r
                                                                                                          M
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                                                                                                          G d
                                                                                                          O u g h

                                                                                                          Y e a s t i m e

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                                                                                                          0

                                                                                                          L

                                                                                                          L

                                                                                                          Ne

                                                                                                          H o me

                                                                                                          Re m ember in g

                                                                                                          O f f a t w a re s elf c o n sci Zer y pl m i 0 n (m) e - u s

                                                                                                          Z e r y 0 u p l

                                                                                                          M in

                                                                                                          E

                                                                                                          G
                                                                                                          O
                                                                                                          D
                                                                                                          D
                                                                                                          E
                                                                                                          S
                                                                                                          U s

                                                                                                          O f f o t he r

                                                                                                          An (wh) y t h in g (e) in cl u d in g

                                                                                                          Proud - co n sci 0 us or (ly) (no ye t) aw a re tw Z er elf w it h in our s elves less than half 0 n e?

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                                                                                                            [?]Z er 0 ne m in pl us t w O » 🌐
                                                                                                            @p01@exquisite.social

                                                                                                            C o

                                                                                                            D

                                                                                                            E

                                                                                                            D

                                                                                                            I n g

                                                                                                            L et te r s

                                                                                                            Tw o o f f m a n y

                                                                                                            M o r (s o m) e n u m b e r s

                                                                                                            P (wh y 0) u z z l e s w o r d i n g Z e r 0 n e

                                                                                                            C od e d in g l et te rs t w o o f f m an (wh) y

                                                                                                            M o re s o me numb er s

                                                                                                            P u z z l e s

                                                                                                            W or d

                                                                                                            I n

                                                                                                            G

                                                                                                            Z

                                                                                                            Er

                                                                                                            0 n e

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                                                                                                              [?]Z er 0 ne m in pl us t w O » 🌐
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                                                                                                              [?]𝕂𝚞𝚋𝚒𝚔ℙ𝚒𝚡𝚎𝚕 » 🌐
                                                                                                              @kubikpixel@chaos.social

                                                                                                              When Should JavaScript Devs Use the Power of WebAssembly?

                                                                                                              Learn how WebAssembly (Wasm) can boost your JavaScript app's performance. Discover modern tooling and follow our introductory tutorial for JS developers.
                                                                                                              — by @TheNewStack

                                                                                                              🧑‍💻 thenewstack.io/when-should-jav

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                                                                                                                @p01@exquisite.social

                                                                                                                P ro ject

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                                                                                                                S he it Ze r

                                                                                                                Elf pl min us 0 ne, t w O

                                                                                                                A l l t w o get elf S H e r S elf i t Z er 0 ne t w O t a l (t) h re e, f (w h y) 0 U r

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                                                                                                                  [?]Obsidian Urbex Photography » 🌐
                                                                                                                  @ObsidianUrbex@mstdn.social

                                                                                                                  ⌨️ Codebreakers. Part of a Second World War British Intelligence facility, where highly-skilled codebreakers worked day and night to decrypt German military transmissions.

                                                                                                                  This site is not "abandoned", part of the site is a world-famous museum. These photos are from a sneaky visit to one of the non-public areas, several years ago.

                                                                                                                  large machine in a derelict hallway

                                                                                                                  Alt...large machine in a derelict hallway

                                                                                                                  decaying hallway

                                                                                                                  Alt...decaying hallway

                                                                                                                  collection of old equipment

                                                                                                                  Alt...collection of old equipment

                                                                                                                  equipment on table with chair in decaying room

                                                                                                                  Alt...equipment on table with chair in decaying room

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                                                                                                                    Z e r e l f
                                                                                                                    D 0 c
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                                                                                                                    0 ne

                                                                                                                    Zer elf docile pl (us)

                                                                                                                    A w a re m in o w n tw o o w (in g) it (w) h ( (y) in (g r o w in) g

                                                                                                                    Co nf I dent it (wh) y

                                                                                                                    N s c (m) i

                                                                                                                    (N) o

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                                                                                                                    U

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