Showing posts with label Delicatessen. Show all posts
Showing posts with label Delicatessen. Show all posts

22 January 2020

LODGER A Walk In The Park 1998

 
 

AllMusic Review by

One of Brit-pop's foremost "superbands," Lodger was created from the ashes of indie also-rans Powder and Delicatessen, both of which disbanded on the back of their genre's diminishing popularity by the late '90s. Not to be carried with the ebbing tide, vocalist Pearl Lowe and husband Danny Goffey of Supergrass, in a rare side project, joined forces with singer Neil Carlill and guitarist Will Foster (both with Delicatessen while the album was being made) to make a record worthy of a lot more than a final flourish to brief respective recording careers. With more than a passing similarity to Suede, there is more to Lodger than the obvious collation with Lush or Sleeper that accompanies any female-fronted British group. In fact, this release would sit alongside anything in a Supergrass fan's collection. The folky direction can be held up to that of Gorky's Zygotic Mynci, while the frequent brass and string arrangements and rousing choruses of "Bones" and "Love Is the Game" allude to Blur. Distinctive though is the diversity channelled via difficult tempo and key changes, guitar twists, and haunting piano parts. From this period in British songwriting comes instantly identifiable four-minute pop songs on the downbeat subjects of heartache and headaches, drug use, and the complexities of society. Interspersed with dark folk-ballads, A Walk in the Park is high in content of vocal duets between Lowe and Carlill, which provide quirky diversions from the slow momentum of the album as a whole and its subject matter. Opening track "I'm Leaving" is the highlight, equally as a bright singalong and also as a creepy piano-laden ballad, as Carlill's distinctive straining vocal style is unlike anything you've ever heard of someone attempting emotional melodies. Its theme of a seething argument between lovers made it a British single-chart hit as audiences could relate to its updated trashy lyrics albeit in the traditional mould of Lee Hazlewood and Nancy Sinatra. From an important decade in British music in terms of originality and inventive prose, this is an important release, although not commercially successful. Dedicated historians and fans of the bands involved need to seek this out and be pleasantly surprised by its unexpected original content.

Tracklist

1 I'm Leaving 3:27
2 Always Round Here 2:57
3 This Girl's In Love With Me 3:47
4 Bones 4:44
5 Love Is The Game 3:02
6 Old Ways 2:59
7 Cold Breeze 3:48
8 Top Gear Luv 3:28
9 Small Change 2:47
10 Stepped On 3:51
11 Ciao 2:33
12 Safe 4:54


07 May 2016

DELICATESSEN

Hustle Into Bed
1996
 
There's No Confusing Some People
1998
 
 by request

 
Hustle Into Bed

Tracklist 

1 Dear Boss Letter 5:34
2 Ezra 3:52
3 Hustle Into Bed 3:55
4 Monkey Suit 3:57
5 Buy A Chance To Breathe 3:23
6 Full - Tilt In Paris 3:02
7 I'd Love To Shut Up 4:22
8 My Lungs Into 3:33
9 Vanilla Folders 4:12
10 Doc Prof 3:03
11 8 Pills 2:54
12 Bentine 2:29
13 Bad Dog 4:10   

There's No Confusing Some People

Tracklist

1 Another Meal Turns Up 1:17
2 Lightbulbs And Moths 5:40
3 Various Pets 2:58
4 Psycho 3:20
5 He Killed Himself In 1980 4:15
6 Boy Dough 3:23
7 Cruel Country 2:49
8 A Priest In Half 2:48
9 Sweet 3:17
 
 

12 March 2016

DELICATESSEN Skin Touching Water 1995

by request
 
 

AllMusic Review by

Delicatessen's attention -- gained via sections of the U.K. press -- may well have been one of contrast in the end, a band emerging in the triumphant days of mid-'90s Brit-pop that eschewed that approach for something rougher and angrier. It wasn't grunge or anything, more a slashing grime that made sense when one considers that the band recorded its debut at Toerag Studios, haunt of such characters as Billy Childish and the Earls of Suave. In terms of atmosphere, if not exact sound, Gallon Drunk and the Tindersticks both define some of the mindset of the quartet, as did American acts like Girls Against Boys. Certainly song titles like "You Cut My Throat, I'll Cut Yours" -- actually one of the prettiest, if still creepy, songs on the album -- and "Smiling You're Stupid" aren't "I'm OK You're OK" by any stretch of the imagination. However, bandleader Neil Carlill brought some of his own individual flair and charisma, with a sometimes-restrained and sometimes-creeped-out delivery bolstered by solid performances from the band as a whole. Indeed, it's arrangement that really brings out the band's strengths, switching between unnervingly pretty string/percussion crawls on "Red, Blue and Green" to wracked, intentionally boxy-sounding white noise overload that doesn't drown out everything so much as add to it. Carlill's abilities with keyboards are in ways the foursome's secret weapon -- check out the rhythmic growl of the organ on the opening track, "I'm Just Alive." There's an agreeable air of going beyond the obvious lyrically as well -- if bluntly naming one song "Chomsky" is a touch clunky, the invocation of a legendary film character with "C.F. Kane" is handled in an intriguing fashion. Some of the best highlights are the unexpected numbers, like the beautiful loser epic "Classic Adventure" with its aspirational air set against Carlill's heavily treated, almost drowning vocals, or the brief piano/vocal-only "Advice." 

Tracklist

1 I'm Just Alive 3:41
2 C.F.Kane 3:46
3 Zebra/Monkey/Liar 3:27
4 Red, Blue & Green 2:49
5 Watercress 2:20
6 Classic Adventure 3:38
7 Appeased 0:54
8 Chomsky 3:59
9 You Cut My Throat, I'll Cut Yours 2:28
10 Sick Of Flying Saucers 3:10
11 Smiling You're Stupid 2:58
12 Inviting Both Sisters To Dinner 4:30
13 Advice 1:15
14 Love's Liquid 3:40
15 Froth 3:18
16 If She Was Anybody Else 4:05