Review: John Standon of Texas - Johnston McCulley

Johnston McCulley is mostly remembered, and rightly so, as the creator of Zorro, but he wrote all sorts of pulp yarns, including a five-part serial called “John Standon of Texas” which appeared in WESTERN STORY MAGAZINE in September and October 1920. It was reprinted in a hardcover of the same title by Chelsea House, Street & Smith’s book publishing arm, in 1924. There was also a British edition from Hutchison in 1934. I have the Chelsea House edition and read it recently. Since my copy is coverless and is just a very plain-looking brown hardcover, I’ve used images I’ve found on-line of both covers.

John Standon, the hero of this one, is an American adventurer who has been prospecting in the mountains of Mexico for several years. As the story opens, he’s on his way back to Texas, having given up on finding gold. Before he can cross the border, though, he finds himself caught up in a revolution as he helps rescue some aristocrats from a gang of bandits led by a self-styled revolutionary who’s really just after loot and power.

Standon’s efforts to help these people escape from the bandits is really all this books amounts to. The plot is very simple. But there’s a ton of action, the characters are colorful and interesting, the bandit leader and his second-in-command, an American gunslinger, are suitably villainous, and McCulley plays out the whole thing in exciting, fast-paced prose. While the style is slightly old-fashioned now and then, for the most part you wouldn’t guess that this novel was written and published more than a hundred years ago.

Also, while it was published originally in WESTERN STORY MAGAZINE and the hardcover edition even says “A Western Story” on the title page, it’s not a traditional Western but rather is set in the early 20th Century. Standon packs an automatic pistol and there are mentions of airplanes. I like this setting and am always glad to come across a story that makes use of it.

My copy also has the names of a couple of previous owners written in it. So I have to thank Howard D. Lindamood of Atkins, Virginia, and Slaylin M. Kittredge, address unknown, for passing along this book until it finally wound up in my hands. Because I really enjoyed JOHN STANDON OF TEXAS. If you’re a Johnston McCulley fan or just enjoy good adventure novels, it’s worth reading.

Sunday Morning Bonus Pulp: Argosy, August 27, 1938

I'm not a big fan of giant floating head covers, but this one by Emmett Watson isn't bad. Rather atmospheric, in fact. As always with ARGOSY, this issue has some good authors inside: Donald Barr Chidsey, Bennett Foster, Richard Howells Watkins, Howard Rigsby (best remembered for paperbacks written under that name and as by Vechel Howard), and Robert E. Pinkerton, as well as the lesser-known Frances Shelley Wees, C.F. Kearns, and John Randolph Phillips. The stories by Chidsey, Foster, and Wees are serial installments, also common in ARGOSY. "Lost House" by Wees was published in hardcover by Macrae in 1938. "Cut Loose Your Wolf" by Foster was published in hardcover as TURN LOOSE YOUR WOLF by Jefferson House in 1938. I think the original title is better. And Chidsey's "Midas of the Mountains" was only a three-parter, probably closer to a novella than an actual novel, and as far as I know, it's never been reprinted. 

A Rough Edges Rerun Review: Gentlemen of the Road - Michael Chabon

I was prepared to like GENTLEMEN OF THE ROAD for a couple of reasons: it looked like the sort of historical adventure novel that I usually enjoy, and I knew that author Michael Chabon has an appreciation of and fondness for genre fiction despite being known as a literary author. And with a couple of quibbles, I did like it, quite a bit.

Despite the fact that he’s working with a historical setting here, rather than a fantasy one, what GENTLEMEN OF THE ROAD most resembles are the stories of Fafhrd and the Gray Mouser by Fritz Leiber. Zelikmann and Amram are a couple of traveling adventurers, mercenaries, and con artists. Zelikmann is an angst-ridden Frank with medical training (and in his description he bears a certain resemblance to Robert E. Howard’s Solomon Kane), while Amram is a massive Abyssinian who wields a Viking axe. They find themselves in the Caucasus Mountains near the Caspian Sea, in what would be modern-day Azerbaijan, helping a young nobleman who’s a fugitive from the usurper who murdered the rest of the young man’s family. But of course, not all is as it seems to be, and after a series of picaresque adventures, several massacres, an attempted coup, and encounters with assorted elephants, Zelikmann and Amram finally get everything straightened out satisfactorily.

While I thought this novel was a lot of fun, a couple of things about it bothered me. Chabon’s colorful but long-winded style worked pretty well for the first seventy or eighty pages but began to get a little tiresome after that. If he had cut back on it and picked up the pace just a little, I think I would have enjoyed the book even more. The other thing is a curious lack of action. There are several big battles, but they occur off-screen with Zelikmann and Amram showing up after all the fighting is over. The few action scenes that actually take place are described in such a restrained manner that it’s hard to get excited about them. Maybe reading and rereading Howard for forty years has spoiled me, but in a story like this I want swords to flash, heads to roll, and blood to flow in rivers. But that’s just me, I suppose.

Overall, GENTLEMEN OF THE ROAD is pretty entertaining, and if Chabon decides to write another novel with these characters, I wouldn’t hesitate to read it.

(In the 17+ years since this post originally appeared on April 13, 2008, I haven't read anything else by Michael Chabon, and as far as I know, he hasn't written anything else about these characters. I haven't really looked into it, though, so I could be wrong about that. This is one still available in e-book and paperback editions.)

A Rough Edges Rerun Review: The Ship of Shadows - H. Bedford-Jones

THE SHIP OF SHADOWS is a Black Dog Books chapbook reprint of a vintage pulp adventure yarn by H. Bedford-Jones. This one was originally published as a complete novel in the February 1920 issue of BLUE BOOK, one of the classiest of the pulps.

Eric Venable is a minister who finds himself beset by tragedy and winds up a drug addict. That’s not a spoiler, because it’s the situation as the story opens. Venable loses his church and sinks far into the depths of degradation, only to wind up being shanghaied onto a tramp steamer bound for China. That proves to be his salvation, of course, because he’s forced to get over his opium habit and the hard work as part of the ship’s black gang builds up his body and returns his strength to him.

That’s still just prologue to the main story, which finds Venable and the ship’s engineer who has befriended him signing on as part of the crew on a mysterious ship sailing from China back to America. What Venable and his friend Garrity don’t know until it’s too late is that the ship’s passengers are all Russians, a volatile mixture of aristocrats and Bolsheviks. Each group wants to kill the other and wind up with their hands on a fortune in gems and religious artifacts which were smuggled out of Russia by a group of nobles on the run from the Reds. And there’s intrigue going on among the groups, too, as double-crosses abound.

Throw in storms at sea, a few gun battles, knife-wielding Chinamen, some far-fetched coincidences, and a little romance and you’ve got a fine example of a blood-and-thunder adventure yarn. Being decidedly old-fashioned (it was written nearly ninety years ago) [105 years ago now] and somewhat politically incorrect, it won’t be to everyone’s taste these days, of course, but I thoroughly enjoyed it.

(This post originally appeared in a somewhat different form on April 3, 2008. I love those Black Dog Books chapbooks Tom Roberts published, own most of them, and have read many of them. Great stuff all around. I don't believe this one is available directly from the publisher anymore, but affordable used copies can be found on-line. I still highly recommend it for any fans of pulp adventure yarns.)

Sunday Morning Bonus Pulp: Blue Book, May 1938

Herbert Morton Stoops painted all different sorts of covers for BLUE BOOK, including action-packed scenes like this one. While some are better than others, of course, he was a great cover artist and I've never seen one I didn't like. The fiction in BLUE BOOK was just as consistent as the covers. Of course, it helps when you have three stories by H. Bedford-Jones in an issue. In this case, there's one under his own name, one with his fictional collaborator Captain L.B. Williams, and one as Gordon Keyne. Also on hand are adventure pulp stalwarts Fulton Grant, Leland Jamieson, Warren Hastings Miller, William J. Makin (with a Red Wolf of Arabia story), William L. Chester (with an installment of a Kioga serial), and lesser-known writers Carl Cole and C.M. Chapin. This is the only story by Carl Cole listed in the Fictionmags Index. Who knows, maybe he was H. Bedford-Jones, too. You can't rule it out.

Sunday Morning Bonus Pulp: Short Stories, December 10, 1943

This issue of SHORT STORIES is a bit of an oddity in that the cover by A.R. Tilburne doesn't feature a red sun, although there is a blob of red just above the muzzle of that nice-looking 1911. I like the cover quite a bit, even without a red sun. The line-up of authors inside this issue is really strong: H. Bedford-Jones, E. Hoffmann Price, Frank Richardson Pierce, James B. Hendryx, H.S.M. Kemp, and lesser-known Berton F. Cook and Harry Bridge. Hard to go wrong with any issue that includes HB-J, Price, Pierce, and Hendryx.

UPDATE: Yes, I suppose that could be the sun on the left, partially obscured by the foliage, but I didn't take that darker area to be a leaf. I think maybe Tilburne should have made that a little clearer. On the other hand, maybe if I was holding the actual pulp in my hands, it would be obvious. I don't mind admitting when I've missed something. I figured adding this mea culpa might be better than rewriting the whole post.
 

A Rough Edges Rerun Review: Malay Woman - A.S. Fleischman

A.S. Fleischman doesn’t waste any time dropping the reader right into the middle of the action in this novel, published originally by Gold Medal in 1954. The narrator, Jock Hamilton, is an American running a rubber plantation in Sumatra, and as the book opens, he’s already on the run for the murder of his wife, who he appears to have killed in a drunken black-out because of her habit of cheating on him. Jock himself doesn’t know whether or not he’s guilty, but he’s trying to avoid the cops anyway. He heads for the plantation of an old friend of his who has a rubber plantation in Malaya. On the boat heading upriver, he becomes involved with a beautiful Australian widow who has a couple of professional killers after her. She claims to have no idea who could want her dead, but she accepts Jock’s help in getting away from them. Then, arriving at the plantation, Jock finds his old friend married, and the friend’s beautiful wife has a straying eye that lands solidly on Jock. There’s also the matter of Communists insurgents who have targeted the foreign-owned plantations.

Well, with all these complications, you know Fleischman is going to keep the action perking along nicely, and MALAY WOMAN doesn’t disappoint in that respect or any other. The writing is fast and hardboiled, and the local color is handled very nicely. There are plenty of details, but the book never gets bogged down in them and they don’t get in the way of the action. Jock is one of a long line of Gold Medal heroes who are likable but not always the sharpest knife in the drawer, and even though he’s a little dense about what’s really going on, you can’t help but root for him. All of it leads up to an action-packed and very satisfying ending.

Not long after this post originally appeared in a somewhat different form on July 23, 2010, MALAY WOMAN was reprinted by Stark House in a double volume with DANGER IN PARADISE, which I really need to get around to reading. If you like hardboiled mystery/adventure novels, do yourself a favor and pick up this book, which also includes the usual excellent introduction by David Laurence Wilson and a brief intro by A.S. Fleischman himself. It's still available in e-book and paperback editions on Amazon.

Review: Celtic Adventures - D.M. Ritzlin, ed.

My ancestry is mostly British (which I assume includes some Scots, too) and Irish, so I’ve always had a fondness for Celtic heroes. The latest collection from DMR Books, CELTIC ADVENTURES, offers a fine assortment of such heroes, too.

After an informative and entertaining introduction by Deuce Richardson, the book opens with the poem “The Druids” by Kenneth Morris, an author whose name is familiar to me, but I don’t believe I’ve ever read anything by him until now. It’s an atmospheric poem that does a good job of setting the stage.

“The Devil’s Dagger” by the well-regarded writing team of Arthur Gilchrist Brodeur and Farnham Bishop is set in 13^th Century Scotland and finds a young soldier trying to solve the seemingly impossible murder of one of the King’s officials. If he doesn’t, the father of the girl he’s fallen in love with will be executed for the crime. There’s some great action in this one including a lengthy swordfight that covers a lot of ground in the castle where the majority of the story takes place. I really like the way Brodeur and Bishop wrote. This is the first thing I’ve read by them, although I have a copy of their acclaimed novel IN THE GRIP OF THE MINOTAUR and need to get around to reading it. “The Devil’s Dagger” first appeared in the September 3, 1918 issue of ADVENTURE.

One of Robert E. Howard’s many Celtic heroes was Conan the Reaver, an Irish pirate who shared the same name as a certain Cimmerian. “People of the Dark”, from the June 1932 issue of STRANGE TALES OF MYSTERY AND TERROR, is actually one of Howard’s “past lives” yarns, in which a modern-day man bent on murder takes a fall in a cave, knocks himself out, and winds up reliving a break-neck adventure that happened to one of his ancestors (the above-mentioned Conan the Reaver). It’s a great story, too, full of action as Conan and a couple of companions battle a genuinely creepy race of little people who live underground (another common element in Howard’s work). I had read this one several times before, but it had been a while so I thoroughly enjoyed it all over again.

“The Harping of Cravetheen” is by-lined Fiona MacLeod, which was actually a pseudonym for William Sharp, another author unfamiliar to me. It appeared originally in a collection called THE SIN-EATER, published in 1895. It’s a very well-written tale about romance, a young woman forced to marry a man she doesn’t want to, feuding families, infidelity, and violent death, along with a supernatural element and some harp music. I think. To be honest, half the time I wasn’t sure what was going on in this one. It’s worth reading for the sheer beauty of the language, but it wasn’t really to my taste, either.

“A Claymore for the Clan” is by Donald Barr Chidsey, one of my favorite pulp authors, and appeared originally in the July 1948 issue of ADVENTURE. Told from the point of view of a ten-year-old boy, it’s another tale of blood feuds and desperate sword battles. Chidsey, equally at home with hardboiled contemporary crime yarns and fast-paced swashbucklers like this one, is always worth reading, and this story barrels along in very entertaining fashion.

Clyde Irvine’s story “The Horror in the Glen” first appeared in the April 1940 issue of WEIRD TALES. A Scottish warrior avenges the murder of his family by a rival clan, but not before being banished for seven years to a supernatural realm and acquiring eldritch powers. This is another well-written story that I thoroughly enjoyed. Irvine’s name wasn’t familiar to me, so I looked him up and found that he published 18 stories during the early Forties, most of them adventure yarns in JUNGLE STORIES. I’ll have to keep an eye out for his work.

The highlight of this collection (other than REH) is “Grana, Queen of Battle” by John Barnett. This was published as a complete novel in the October 11, 1913 issue of THE CAVALIER, but it’s actually a series of six linked short stories about a beautiful female pirate in Ireland during the Elizabethan era. Grana can handle a sword when she needs to, but she usually outwits her opponents. After inheriting a castle and ships from her father, a famous pirate, she deals with mutinies, English tax collectors, treacherous Spaniards, and rival pirates. Finally, she’s captured by the English and sentenced to hang. This leads to a smashing climax that manages to be very satisfying while still hitting a slightly bittersweet note. I don’t know anything about John Barnett, but this is a terrific yarn.

This volume concludes with a poem by Robert E. Howard, “Feach Air Muir Lionadhi Gealach Buidhi Mar Or”. I don’t know what that translates to, but the poem itself is dramatic and strikes an excellent ending note to this collection.

CELTIC ADVENTURES is available in paperback and e-book editions on Amazon, with an excellent cover by Jim FitzPatrick, and I give it a high recommendation if you’re a fan of fine adventure stories. Up above, I mentioned that my ancestry is mostly British, but the part that’s not? That’s Scandinavian, so naturally, I like Viking tales, too! And DMR Books just happens to have published a book called VIKING ADVENTURES, as well as a four-volume collection of Arthur D. Howden-Smith’s famous pulp series about Swain the Viking, so I have a pretty good idea about some of the books I’m going to be reading in the reasonably near future . . .

Sunday Morning Bonus Pulp: Foreign Legion Adventures, October 1940

FOREIGN LEGION ADVENTURES was a short-lived reprint pulp from Munsey. This is the second and final issue. I don't know who did the cover art. Obviously, these stories are all Foreign Legion yarns, and some of the big names in the genre are here: Theodore Roscoe, F. Van Wyck Mason, and J.D. Newsom. There's also a story by Houston Day, a fairly prolific pulpster I'm not familiar with. All the stories in this issue originally appeared in various 1930s issues of ARGOSY. I don't know whether ARGOSY or ADVENTURE published more Foreign Legion stories. The number of them in each magazine is probably pretty close. And all the ones I've read have been very good.

A Rough Edges Rerun Review: Tongking! - Dan Cushman

Dan Cushman wrote extensively for the Western pulps and in fact was responsible for creating the last Western hero pulp, THE PECOS KID. Cushman wrote five Pecos Kid novellas for the magazine, all of which were reprinted by Leisure in paperback. He also wrote original paperbacks for Gold Medal and Dell and was still turning out hardback Western novels for Walker during the Eighties. But he's equally well-remembered for adventure novels set in Africa, the South Seas, and the Far East, including this one.

TONGKING! was published in 1954 as half of an Ace Double (with a great cover by Rafael deSoto) and is very much of its time. The protagonist is down-on-his-luck American soldier of fortune Rocky Forbes, who finds himself broke in Bangkok, not a good situation. He falls in with an old ally/enemy, the smuggler Fatto Kolski (who seems to be modeled pretty blatantly on Sydney Greenstreet). Kolski has a plan to smuggle some guns to anti-communist guerrillas in China, but in order to pull off the scheme, he needs Forbes to pretend to be a dead man.

This is just the beginning of a very twisty plot that involves American spies, British spies, Chinese spies, a beautiful Spanish torch singer, a beautiful American missionary, double crosses, triple crosses, murder, tramp steamers, and shootouts with Thompson submachine guns. If all those plot elements don’t perk your interest, I don’t know what would. The pace never lets up for very long, the local color is very well-done, and Rocky Forbes manages to be a likable hero while at the same time remaining an unrepentant heel. TONGKING! is an updated version of the sort of pulpish international intrigue and adventure stories that were published in BLUE BOOK during the Thirties.

In an interview with George Tuttle that was first published in PAPERBACK PARADE and recently reprinted in SEEKERS OF THE GLITTERING FETISH, the first collection of Cushman’s Armless O’Neil stories that originally appeared in the pulps JUNGLE STORIES and ACTION STORIES, Cushman himself offers a fairly low opinion of TONGKING! I hate to disagree with the author, but I found this novel very entertaining, definitely enough so to make me want to read more of Cushman’s adventure novels. If you have it on your shelves but have never read it, you should take it down and give it a try. If you run across a copy of the Ace Double for a reasonable price, as I did, grab it. That great cover alone is worth something.

(This post originally appeared on July 9, 2010, in a somewhat different form. TONGKING! doesn't appear to be in print, but used copies are out there on the Internet and are only moderately expensive. As for some of the other Cushman yarns mentioned above, all five of the Pecos Kid pulp novels are available on Amazon in three volumes: THE PECOS KID (e-book, paperback), THE PECOS KID RETURNS (e-book, paperback), and NO GOLD ON BOOTHILL (e-book, paperback). Altus Press published a second volume of Cushman's Armless O'Neill pulp stories, completing the series. It's called SWAMP FETISH, you can pick it up on Amazon, and the introduction is by none other than yours truly. The first Armless O'Neill collection, SEEKERS OF THE GLITTERING FETISH, is still available as well. Cushman continues to be one of my favorite authors, and I need to read something else by him soon.)

(UPDATE: Actually, TONGKING! has been reprinted in a trade paperback edition that's available on Amazon. Many thanks to the reader who pointed this out!)

Review: Swords of the Crags - Fred Blosser

After reading Fred Blosser’s sword and sorcery novella SWORDS OF PLUNDER recently, I was in the mood to dive back into more of his work. I picked his collection SWORDS OF THE CRAGS.

This volume collects six stories that might have been the sort of thing Robert E. Howard wrote for the Spicy pulps in the mid-Thirties. The title story, “Swords of the Crags”, is set in Peshawar, India, and in the Khyber Hills. The protagonist is Pike Braxton, an American adventurer and former gunfighter from Texas who functions as a sort of unofficial secret agent for the British. When a beautiful young American heiress gets caught up in the schemes of a sinister Russian agent, Pike has to rescue her and recover some vital information. Seems fairly straightforward, if dangerous, but then Pike and the beautiful blonde find themselves confronting an otherworldly menace. This fast-moving tale is like placing Howard’s El Borak in a SPICY ADVENTURE STORIES plot, with a dash of Lovecraft thrown in. It’s well-written, works very well, and races along to a satisfactory conclusion. I really enjoyed it. (And it puts me in mind of Howard’s comments in a letter to Lovecraft where he suggested that Lovecraft should try to crack the Spicy market. He could use a pseudonym, Howard says, and just write up a fictionalization of one of his own “sex adventures”. Just the thought of Lovecraft’s reaction when he read that suggestion always makes me chuckle.)

In “Alleys of Terror”, the scene shifts to Shanghai and the protagonist is Ridge Braxton, Pike’s younger brother who’s just as fast with his guns and fists. The beautiful Eurasian pirate and smuggler Olga Zukor is framed for murder. The victim held the key to a deadly conspiracy Ridge is investigating, so he and Olga have to team up to untangle the mess even though they dislike and distrust each other at first.

Ridge Braxton returns to his West Texas stomping grounds in “Witch of Snakebit Creek”, a creepy contemporary Western that reminds me a bit of Howard’s “Old Garfield’s Heart” and “For the Love of Barbara Allen” although it turns out to be a very different kind of story. This is actually more of a mystery yarn with a nice late twist.

“The Girl From Hell’s Half Acre” finds another two-fisted, fast-shooting Texan adventurer, Esau Reynolds (a very Howardian name) turning detective as he tries to find a wealthy man’s missing daughter, who’s a beautiful blonde, of course. The trail leads Reynolds to the waterfront area of an unnamed city, where he clashes with—and beds—the beautiful queenpin of the area’s criminal underworld. This story, reminiscent of some of Howard’s Steve Harrison yarns, moves like the proverbial wind and is very entertaining.

“Sin’s Sanctuary” is another El Borak-like tale, with a heaping helping of Talbot Mundy influence, as an American adventurer infiltrates a hidden monastery in Tibet in search of a missing Englishman. He’s helped by a beautiful woman, of course, and they encounter unexpected danger inside the walls of the monastery. This is a really well-written and exciting story.

“Scarlet Lust” is a direct sequel to SWORDS OF PLUNDER and finds Cronn, the northern barbarian, out to steal a fabulous gem which he hopes will help him win the throne of one of the countries in his world. He gets some help, of course, from a beautiful woman. These are Conan pastiches, in a way, there’s no denying that, and they’re also better than most of the official Conan pastiches that have been published in the past few years. Like John C. Hocking, Scott Oden, and Chuck Dixon, Blosser understands the character and the setting. I don’t know if there are more of these Cronn stories, but if there are, I definitely want to read them. And if there aren’t, well, maybe Blosser will write some.

Blosser rounds out this collection with five articles about Howard’s efforts to crack the Spicy and Weird Menace markets, the spicier Conan yarns, and the influence of Harold Lamb and Talbot Mundy on Howard’s work. As always with Blosser’s work, these essays are informative, entertaining, and well worth a Howard fan’s time.

Overall, SWORDS OF THE CRAGS is an excellent volume and a lot of fun to read. While it’s true that the main influence on these stories is Robert E.Howard, I found them reminiscent of E. Hoffmann Price, Edgar Rice Burroughs, and Talbot Mundy, as well. Also, in Blosser’s stories the spicy bits are considerably spicier than what authors could get away with in the Thirties. They’re not overly graphic, but those scenes don’t fade out as quickly as the ones in the pulps did. So while they’re definitely Howardian, don’t mistake these tales for pale imitations. They stand on their own, and they’re well worth reading. SWORDS OF THE CRAGS is available on Amazon in a paperback edition, and an e-book edition containing the first three stories and the first two articles is available as well.

Sunday Morning Bonus Pulp: Thrilling Adventures, December 1932

Pith helmet alert! Seeing bullets whizzing through Stetsons was common on Western pulp covers, but I don't recall ever seeing any Injury to a Hat covers involving pith helmets. Surely, there must have been some. Allan K. Echols, author of the cover story in this issue of THRILLING ADVENTURES, was best known for his Westerns, but obviously he wrote some jungle yarns, too. Something about this one seems to me like the cover painting might have existed first and Echols wrote the story to fit it, but that's pure speculation on my part and could be entirely wrong. The other authors in this issue make it a pretty strong lineup: Malcolm Wheeler-Nicholson, Arthur J. Burks, Anthony M. Rud, Wayne Rogers, Perley Poore Sheehan (with a Captain Trouble story--I have a collection of those and need to get around to reading them!), and Thomson Burtis. Those guys were all popular, prolific pulpsters who knew how to spin a yarn.

Sunday Morning Bonus Pulp: Railroad Stories, May 1935

Emmett Watson provides a dramatic cover for this issue of RAILROAD STORIES. Inside are stories by E.S. Dellinger, the star author of RAILROAD STORIES, as well as John A. Thompson (who wrote as The Engine Picture Kid), Earle Davis, and Searle B. Faires, who got the cover story. Faires is a mystery to me. He published half a dozen stories in 1933-35, all of them in RAILROAD STORIES, and that's the extent of his career. I'm always curious about writers like that who appear to be on the verge of success but then disappear. It's possible that he died, of course, or just stopped writing for some other reason. But the mystery always intrigues me.

Review: The Albino Ogre - Anthony M. Rud (Argosy All-Story Weekly, November 3, 1928)

Pulp author and editor Anthony M. Rud is almost forgotten today, other than maybe for the fact that his novella “Ooze” was the cover-featured story on the very first issue of WEIRD TALES. I admire him because he worked in a number of different genres and was a pretty solid author in all of them.

His novella “The Albino Ogre” is the cover story on the November 3, 1928 issue of ARGOSY ALL-STORY WEEKLY, said cover being painted by Howard Brown. It’s a South Seas adventure, all right, just as the cover copy claims. The tale is narrated by an American named Spark Starke (terrible name), a former boxer who is on the run from a murder charge because he killed a guy (unintentionally) in the ring. He falls in with Denmark Ordway Treleaven, a British secret agent of some sort who is in love with Jessie Seagrue, the beautiful owner of a copra plantation whose beautiful redheaded niece Pat O’Hearn also lives with her. Got all that? Den Treleaven wants to save Jessie from the clutches of Pappas the Pink, a giant albino pirate/slaver who has his sights set on not only Jessie but also the plantation she owns. He enlists Spark to help him in this battle against Pappas, and Spark is more than happy to throw in with him, especially after some of Pappas’s minions try to wipe them out in a machine gun attack. Treleaven’s romance with Jessie is complicated by the fact that she’s married, and Pappas has kidnapped her husband and young son to use as leverage against her.

The whole thing is complicated and, yes, a little silly and melodramatic. But that’s in keeping with the times in which it was written, and Rud makes it work by giving the reader interesting characters and almost non-stop action. Chattering machine guns, savage natives with spears, captures, escapes, rescues, sneaking around the jungle, taking over ships, he throws all that stuff in, and as a long-time pulp adventure reader, I thoroughly enjoyed it. Pappas even gets more character development than most despicable villains, and I kind of wish we’d learned more about him.

Speaking of the times in which it was written, “The Albino Ogre” might well offend some readers with modern sensibilities, so consider yourself warned. I’ve never had any trouble accepting fiction for what it is and when it was written, so it didn’t bother me. There’s an inexpensive e-book edition of this available on Amazon, and you can find it for free on-line as well, if you know where to look. It’s the sort of story that H. Bedford-Jones did so well (although HB-J was a considerably better writer than Rud, if I’m being honest) and I had a good time reading it.

Sunday Morning Bonus Pulp: Adventure, October 1948

A pegleg, a pith helmet, a pistol, a dagger, and a dead body! You don't get much more adventure pulp than this cover by Peter Stevens on, what else, ADVENTURE. This issue is also of interest because it contains the novella "Jewel of the Java Sea" by Dan Cushman, which I assume he expanded into the novel of the same title that Gold Medal published a few years later. Also on hand are Georges Surdez, Jim Kjelgaard, Max Kesler, and William Fuller, along with lesser-known authors Robinson McLean, Ian Lasry, and Richard S. Porteous, who wrote under the odd pseudonym "Standby". I don't own this issue, but if I did, Cushman and Surdez would be enough to prompt me to read it.

Review: Sharpe's Tiger - Bernard Cornwell

My history with Bernard Cornwell’s fiction has been odd. I read THE ARCHER’S TALE, the first book in his Grail Quest series, loved it, and never read any more of them. I read REBEL, the first of his Nathaniel Starbuck series, loved it, and never read any more of them. For a long time, I’ve been wanting to try what’s arguably his best-known series about British soldier Richard Sharpe, but I worried I’d read one and never get back to them. But you never know without trying, and since I own almost all of the series in one form or another, I decided I might as well go ahead and read the first one, SHARPE’S TIGER.

Actually, this is the first Sharpe book chronologically but not the first one published. After the series was well-established, Cornwell went back and wrote several books filling in the character’s early history in the army, beginning with Sharpe being a private during the British forces siege of the Indian city of Seringapatam in 1799. Sharpe, who was a thief before joining the army, is pretty much of a rogue, but he’s a great fighting man and has a core of decency to him. He runs afoul of a truly despicable villain, a brutal sergeant named Obadiah Hakeswill, and is tricked into committing a crime that gets him sentenced to a flogging of two thousand lashes, an extreme punishment that will probably kill him.

However, before the sentence can be carried out fully, Sharpe is picked for a vital espionage mission. He has to pretend to be a deserter, get into the besieged city, and rescue a captured British officer who has some vital intelligence that may mean all the difference between victory and defeat. Failing a rescue, Sharpe is supposed to obtain the information from the officer and then escape.

That’s the basic plot, but while it’s fairly simple, Cornwell layers in some twists and turns that are very clever and still sticks pretty close to the actual history while at the same time giving the fictional Richard Sharpe plenty of important stuff to do. I was really impressed by the way Cornwell manipulated his plot and characters in this novel. To be honest, I thought this book started on the slow side and I was beginning to wonder about the series’ sterling reputation, but when things kicked into gear about a quarter of the way in, I was really hooked and dragged along. I mean, Sharpe fights giant warriors, has to escape from a vicious tiger, and blows a bunch of stuff up. I was really flipping the pages to see what was going to happen next.

There are also epic, very well-written battle scenes, vividly drawn historical characters, effective touches of humor and pathos, good supporting characters, and a top-notch protagonist in Richard Sharpe himself. SHARPE’S TIGER is a terrific book, and I thoroughly enjoyed reading it. If you’re a fan of historical adventure novels, I give it a very high recommendation. It's available on Amazon in e-book, audio, hardcover, and paperback editions.

And now the question remains . . . will I read more of the series? I’m pretty sure I will, but as always, we’ll have to wait and see.

Sunday Morning Bonus Pulp: Dime Adventure Magazine, December 1935

Popular Publications had big successes with DIME DETECTIVE and DIME WESTERN, but DIME ADVENTURE MAGAZINE doesn't seem to have done nearly as well. Maybe the competition from ADVENTURE, ARGOSY, BLUE BOOK, and SHORT STORIES was just too much. But DIME ADVENTURE had some good covers, like this one (pith helmet alert!) by Hubert Rogers, and good authors, as well, such as Luke Short, Carl Jacobi, Samuel W. Taylor, and L. Ron Hubbard in this issue. Also on hand were lesser-known authors Alexander Key, John Amid, Donald S. Aitken, Gerald V. Stamm, and Arnold Jeffers. Admittedly, out of those last five guys I only vaguely remember seeing the names of Key and Aitken on pulp TOCs, and I don't think I've read anything by them. Looking at the listings of the other issues in the Fictionmags Index, that seems to be a trend: two or three well-known authors and half a dozen from the lower ranks of pulpsters. That may well explain why DIME ADVENTURE MAGAZINE didn't run as long as its fellow magazines from Popular Publications.

Sunday Morning Bonus Pulp: Adventure, July 1936

I'm not that familiar with the work of Charles De Feo, but he did a pretty good job on this cover. ADVENTURE always featured good authors and this issue is no exception. Inside are stories by Malcolm Wheeler-Nicholson, Donald Barr Chidsey, William E. Barrett, Henry Herbert Knibbs, Commander Edward Ellsberg, Andrew A. Caffrey, and William S. Wells. Chidsey is one of my favorites, Wheeler-Nicholson and Barrett were always top-notch, and Knibbs is well-regarded although I don't recall ever reading any of his stories. The others I'm not familiar with but I'm sure they're well worth reading.

Sunday Morning Bonus Pulp: All Fiction Stories, June 1931

Frank McAleer's cover on this issue of ALL FICTION STORIES features a pith helmet, a Tommy gun, a spear, and a canteen. As far as props go, you can't get much more adventure pulp fiction than that! The lead story is by F.V.W. Mason, too, one of the giants of the genre. Also on hand are Harold F. Cruickshank, Jay J. Kalez, and lesser-known authors James Stevens, E.L. Marks, and Polan Banks. ALL FICTION STORIES was one of the Dell pulps, and while I haven't read much published by Dell, it was all good, and this one looks like it probably is, too.

A Rough Edges Rerun Review: Spartan Gold - Clive Cussler and Grant Blackwood

Every so often I get in the mood for a big, globe-trotting thriller with a lot of historical background. SPARTAN GOLD, the first book in a new series by Clive Cussler and Grant Blackwood, fits the bill quite nicely.

Almost like a Harry Stephen Keeler novel, this one starts out with a lot of seemingly unconnected elements – Napolean making a startling discovery in an ice cave in 1800; a German mini-sub sunk for sixty years in a Delaware river; a Ukrainian gangster originally from Turkmenistan who believes himself to be a direct descendant of the ancient Persian emperor Xerxes the Great – and weaves them all together into a coherent story. The protagonists responsible for untangling all of this and staying alive through an assortment of dangers are husband-and-wife scientists and treasure hunters Sam and Remi Fargo.

If you’re thinking this sounds a little like a Gabriel Hunt novel, you’re not far wrong in some respects, that is, if Gabriel were married. Sam and Remi are even independently wealthy and have the Fargo Foundation to finance their adventures. SPARTAN GOLD is much longer than a Gabriel Hunt novel, though, and lacks the breakneck pace. Which is not to say that it doesn’t have considerable appeal of its own.

Whoever did the bulk of the writing in this book (I suspect Blackwood, although I should stress that I have absolutely no knowledge of whether that’s correct) does a good job of making Sam and Remi very likeable characters who are easy to root for. Likewise, the frequent infodumps are easy to follow and not obtrusive. The plot is complex but winds up making perfect sense, at least as far as I could tell. My biggest complaint is that the ending doesn’t quite reach the dramatic heights I would have preferred. Anybody who’s read very many of my books knows my motto: If you’re going over the top anyway, you might as well go ’way over.

I get bored easily with long books, but I didn’t have any trouble staying with SPARTAN GOLD. It’s worth reading, and I won’t hesitate to pick up the next one in the series when it comes out.

(Good intentions, road to hell, etc., etc. When this post originally appeared on May 18, 2010, I had every intention of reading the next Fargo novel from Clive Cussler and Grant Blackwood. But you guessed it, I never did. And when I looked it up, I was surprised to see that the series is still going on, with the 13th book due to be released next winter. Blackwood wrote a couple more after this, then Thomas Perry took over for two books, Russell Blake wrote two, and Robin Burcell has done all of them since then, including the one in the pipeline. I'm tempted to read the two that Thomas Perry wrote since I know his work is pretty good. But good intentions . . .)