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Showing posts with label jack oudyn. Show all posts
Showing posts with label jack oudyn. Show all posts

Monday, January 16, 2023

"points of reference"

I am delighted that Points of Reference has been included in this years Manly Book Artists' Award 2023. It is always exciting to be amongst so many of the wonderful book artists this award always attracts. In this blog I will attempt to give some idea of the processes involved in getting just one of the three puzzle/game like books that make up the whole set into a final book from an original, related idea 10 years ago.








The original small unique work 16 century map was a  trial attempt  at juxtaposing the exterior old European map (showing Mesopotamia and the Euphrates, the Northern hemisphere’s cradle of civilization) with the interior Australian map of the Kakadu National Park to get at the concept of Tjukurpa, by which Australia’s Anangu refer to the creation period. This little book was acquired by Robert Bolick for his Books on Books Collection. a few years ago in 2020.



In discussions with Bob, he introduced me to  the work of a very early Danish astronomer Tycho Brahe and his amazing life.  Bob expressed interest should I ever revisit this early book in another context and design including references to Tycho Brahe later on. So recently, a documentary showing how Judy Dench was related to this astronomer reminded me of an earlier interest, I revisited my notes on Tycho and made plans to make a new series perhaps for an exhibition.
Luckily, I had blogged about the first book earlier on - (so much more reliable than my failing memory). The new artists' book is Points of Reference and consists of a series of three  related books boxed as one collection of which this is the first.

Each book has two puzzle like pages of contrasting sides or charts. Originally, I explored the possibility of contrasting one of Tycho Brahe's charts with a view of the night sky as seen from an indigenously significant location. However, I abandoned both because of difficulties with copyright issues and possible cultural sensitivities. 
Instead, I contrasted an image of Brahe 's constellation Stella Nova 1572 {with a reference to his golden nose piece, having lost his original nose in a duel} to a modern imaginary space map referring to some of our satellites and space stations , showing the increasingly crowded sky full of commercial and abandoned space junk around the Southern Cross which is a special constellation in our part of the world.
inside 




outside cover






insides


covers

This section is the most difficult to process (so many plans and areas to explore and research)but I will talk about the other two parts of this book later, one section at a time if I don't runout of steam.




Saturday, August 2, 2014

CHANCE

"chance" an artist book 
























You may remember a few months ago I blogged about an inspirational talk by two German artists. As a result, Helen Malone and I have been working collaboratively on a little book of drawings "Chance" which we have just completed. "Chance" was inspired by Ulrike Stoltz and Uta Schneider who work together extensively as USUS. 
Helen and I had already worked together on another artist book last year "Paper,Scissors Uluru" so knew we could work well together.
The drawings were the results of work done together, firstly by responding by drawing to 10 short phrases about chance which we took turns to emailing to each other. Each phrase was related to the previous and all linked to the ideas of chance. We responded to each phrase independently and had no idea what sort of work each other was making until we finished the 10 drawings each. We had decided to make reference in our drawings to the style of early 20th century German art. As we knew we would have more work added to the drawings, we made our drawings open enough to allow additional marks to be made. This took us several weeks but as there was no deadline, we just replied at our own pace as it suited our busy lives. 















We met to review each others work and were amazed and excited at the cohesiveness each little series of drawings had. The next stage was to exchange the booklets and work on each others pages. This was quite a difficult process, as letting go of ones private work with the possibility of it being lost was real. Again, we finished each booklet before meeting again. 

We were delighted with the drawn responses the other artist had made to our initial work. We were prepared to lose some drawings or perhaps need to revisit some for a final resolution but this was not necessary. We both felt that all the drawings were better with our combined efforts and different to what we would have done independently. 

Pencil,ink, gouache, collage and rubber stamps were used in the drawings on the pages of brown Kraft paper. I made a little linocut for the covers of our dos a dos format. 










































Needless to say Helen and I are working on our next collaborative project which we  started at the same time as Chance but in a different direction. For more images of our drawings feel free to check out my  microbooks.


Tuesday, February 11, 2014

more obedient

page 2











































page 8


















There are still a few more free copies left if you are interested in taking part in * Pay It Forward Art-making Project for 2014 * . Please see the last post for details. I've had a few questions regarding the content of this little zine so I hope this sketch will give you a rough idea. The work is quite open - ended and can be "read" in other ways.

"Obedience”  is a tiny zine, (70 x 100mm). 
A sweet fantasy about a mysterious couple who migrate from London to Sydney, Australia. They amuse themselves with music and drink and lose some clothing. A dark shadow of a man keeps score beneath a blue moon. 

This limited edition zine is laser printed on Clairefontaine 120gsm digital paper  numbered and signed by myself.

I look forward to sending you a copy but will need your mailing address which you can send me via my email jackoudyn@bigpond.com once I've replied to the comment box. 




Tuesday, July 31, 2012

transparent





My little artist book contribution "Transparent" has been completed and as winging its way across the world at this moment. I'll wait until my fellow collaborative artists in BAO have had a real look before I give you a glimpse inside and try to give you some idea about what it's about. The hawk eyes amongst you will have noticed a change in the cover design which resulted after a meeting with some of my valued book friends recently. Structurally, it works better but also the Ned Kelly inference and slightly more mysterious approach works well. Can't wait to see some of the other books from my colleagues !

Thursday, May 10, 2012

artist talk

Emma Bain introduction

Emma's talk in main gallery

"Bach'Coda" Artist book and bemused audience

interested booksters































































Some photos from the artist 's talk on Wednesday 9th May 2012 at the Redland Art Gallery. Emma Bain gave an interesting trip through some of the works in the main gallery followed by a talk and exploration of Mind Mapping in the smaller galleries by myself. I have some initial photos of the work on my flickr link but will try to improve these as they are not clear.

Monday, May 7, 2012

mind mapping

Caitlin Sheedy's beautiful work

















The main show "Life's Journey" was excellent with many outstanding books of all sorts. One of my favourites was Caitlin Sheedy's "The 199" on loan from the SLQ collection. Helen Cole has made a great selection from their vast collection (including two books by my new BAO friend Helen Malone) to which Noreen Grahame added work from Grahame Galleries + Editions. The range and display of the work was a credit to the curators Emma Bain from Redland Art Galleryand Anna Thurgood from Mackay Art Space.
 The "Mind Mapping" exhibition went well, lots of people showed interest in an aspect of my work hitherto kept hidden. I realise it's not necessarily everyone's cup of tea and I was a bit reticent to show at first, but now I'm glad I did. It was great catching up with lots of friends I hadn't seen for years but as usual didn't get much time to chat. There were  many expert bookmakers and printmakers who were all very supportive.But
it's always a relief when the "Opening" has passed and the show can hang  by itself  for us to visit and explore.
I promised some photos but haven't taken any yet much too crowded and not really possible or appropriate at the opening. I will go back and take some when it's quiet and make a little album in flickr. In the mean time, a friend contacted me and sent me some shots she took with her phone. She has given me permission to give you access to her blog at http://heyharriet.blogspot.com.au/ This might give you some little idea of the exhibition. The installation team under Emma Bain's expert direction have done an outstanding job. I feel so lucky to be part of it all.

Tuesday, February 14, 2012

tripping

what war brides are wearing

























Back from a great little trip to Sydney to suck up some inspiration from Picasso and coincidently, Love Lace at the PowerHouse.Came across this little work  which I did a few years back and thought I'd give it some air(it almost connects with thoughts of my week away). Found this great little luggage label which has a great sense of history, to go with the old newspaper heading although they don't quite match chronologically.
I've been working with wax again and also photos mixed with printmaking ,exploring for my little book. What a lovely mess and only little reward. Never mind even - finding out what doesn't work is just as useful as what does. I've had a bit of inspiration from a very good workshop with Glen Skein and working on some other little books as well.

drawing V
















My wax drawings inspired by crab tracks in the sand have a surface quality I hope I can use in my BOA book so the frying pan is smokin! again.

Tuesday, November 1, 2011

little books stranded


















All my remaining little "Fish Books" are now listed on micro , (my first attempt at setting up an online store) with some of my other little books.Give me some feedback for the chance to receive some complimentary copies (3 left).

Wednesday, September 28, 2011

zine finished

"black card cover with individualised print"
inside cover and Nepalese paper end-sheet

acid free centrefold


signed end page and Nepalese paper end-sheet

































































I have finally bound and completed a sample of my little booklet of poems "Persona: different hats". The poems were my response to an art exhibition for the Mind in Art group held a few years ago at Redland Art Gallery,Cleveland.
The edition will be limited to 30 signed copies and include a centrefold of 2 images of my works related to the poems. The booklet of 12 pages is hand sewn and printed on 120gsm paper, the centrefold is acid free. I have sewn in some handmade paper end sheets to finish off the booklet.
This replaces a little Japanese style stab-bound book I made for these poems earlier. That edition of 10 became exhausted and I've had some requests for the poems hence the new edition.
I plan to sell these online once I get a shop organised (not sure how to do this yet - let me know if you have any advice re Etsy etc). You can visit my store where this little zine will be on sale for Christmas.
I will send the first half dozen  to interested people who get in touch with me via my email jackoudyn@bigpond.com and will look forward to their feedback.

Friday, September 23, 2011

writing and publishing

"french client" cover of new zine






















i've been busy updating and republishing one of my first little books of poetry "persona- different hats". I had sold out of the original edition of 10 japanese bound booklets and am making a new version as a zine in an edition of 30. will post more news as i finish this little booklet.  I will be selling my little books at my store Micro so pay me a visit there to sell what tickles your fancy.

Wednesday, May 4, 2011

a cow

I wish I was a cow






















At least a cow has four compartments to her large stomach. That would give you much more room for adversity. My little crafted stomach is about the size of a pork sausage the gastro-surgeon tells me. I should have asked him "Fat or thin?" This image is out of one of my current diaries and is one of several I made to help me cope with my gastric cancer.

Monday, May 2, 2011

recovery back at home

 Although I have to be careful in managing my recovery, I have been able to do small works in my diaries again. All these new experiences most of which I will hopefully forget. Before I do they are very useful in changing the context of previous memories as I now have something new to compare them with. And so I change. You can see this change in "Margins" and how it  is linked to earlier diaries "No Thanks" and "Next Station"

"Perfectly Cured at 74"

Wednesday, April 13, 2011

"CODE" on the road

Doing a lot of driving today reminded me of some photos of little messages I'd recorded a while ago.
I've always wondered what these little coded messages mean but thought they might come in handy
in the collage of my artwork.


















































I feel sure the codes will be added to some of the many codes that appear in my work even though I haven't a clue what they mean. They have a certain design quality and mystery which is intriguing and could become the start of a investigation into another "little book."

Friday, April 8, 2011

Pumpkin

Back in the garden again. Pulled up my pumpkin vine and behold!
















I noticed what a beautiful vegetable we are going to eat.
















The Jap pumpkin was a more apt name than Kent (check the flag), what did we do before political correctness?















And what a delicious bottom you have my dear. Even the old-age spots look beautiful.

Monday, April 4, 2011

"Blind"

Just finished another tiny Japanese inspired artist book.















I have added interactive inserts which have little threads attached to help you get them out of the little Tokyo subway ticket envelopes.
 























BLIND

too easy
to close
your eyes
blinded to the facts

watch them
carefully
from the corner
of your eye

I’ll train my eyes
to see
when
my mind is blind

despite appearances
he has missed
the whole point

eyes open/shut
your eyelids
don’t change
mind is open/closed
































The inserts each contribute to the little poem "Blind".
There are only 3 copies in this edition.A tiny edition for a tiny book!
Hope you enjoy it.