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Craft and Criticism
Literary Criticism
Craft and Advice
In Conversation
On Translation
Fiction and Poetry
Short Story
From the Novel
Poem
News and Culture
History
Science
Politics
Biography
Memoir
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Technology
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Film and TV
Travel
Music
Art and Photography
The Hub
Style
Design
Sports
Lit Hub Radio
The Lit Hub Podcast
Awakeners
Fiction/Non/Fiction
The Critic and Her Publics
Windham-Campbell Prizes Podcast
Memoir Nation
Beyond the Page
First Draft: A Dialogue on Writing
Thresholds
The Cosmic Library
Culture Schlock
Reading Lists
The Best of the Decade
Book Marks
Best Reviewed Books
CrimeReads
True Crime
The Daily Thrill
Log In
Hannah Bonner
What
Hedda
Reveals About the Timelessness of Feminine Rage
Hannah Bonner Talks to Director Nia DaCosta About Her Cinematic Adaptation of Henrik Ibsen’s Play
By
Hannah Bonner
| October 10, 2025
Feminine Appetites in Todd Haynes’s
May December
Hannah Bonner on the Aesthetics of Tabloid Culture
By
Hannah Bonner
| December 1, 2023
Sweet Nothings: On the Emptiness of Sofia Coppola’s
Priscilla
Hannah Bonner on the Director’s Latest “Waiting Woman”
By
Hannah Bonner
| November 10, 2023
How Iowa City, Hub of Literature, Became a Landmark for Cinephiles
Hannah Bonner Formally Introduces the Refocus Film Festival
By
Hannah Bonner
| September 29, 2023
Becoming Others: Enacting the Transness of Virginia Woolf’s
Orlando
Hannah Bonner on the Utopian Future of Paul B. Preciado’s
Orlando, My Political Biography
By
Hannah Bonner
| August 3, 2023
Best Reviewed
Books of the Week
7 Novels That Explore Motherhood's Complexities
November 4, 2025
by
Donna Freitas
To Break Up with Friends, or to Murder Them: 5 Novels Featuring Fatal Friendship Failings
November 4, 2025
by
Jenna Satterthwaite
The Trauma Behind the "Good Old Days": Christina Henry on the Dark Trap of Nostalgia in Fiction
November 4, 2025
by
Christina Henry
The Best Reviewed Books of the Week
"Not much happens In fact there is much in the text that is not made…"