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Craft and Criticism
Literary Criticism
Craft and Advice
In Conversation
On Translation
Fiction and Poetry
Short Story
From the Novel
Poem
News and Culture
History
Science
Politics
Biography
Memoir
Food
Technology
Bookstores and Libraries
Film and TV
Travel
Music
Art and Photography
The Hub
Style
Design
Sports
Lit Hub Radio
The Lit Hub Podcast
Awakeners
Fiction/Non/Fiction
The Critic and Her Publics
Windham-Campbell Prizes Podcast
Memoir Nation
Beyond the Page
First Draft: A Dialogue on Writing
Thresholds
The Cosmic Library
Culture Schlock
Reading Lists
The Best of the Decade
Book Marks
Best Reviewed Books
CrimeReads
True Crime
The Daily Thrill
Log In
Merve Emre
Merve Emre on Gossip as Literary Form in Carmen Boullosa’s
Texas: The Great Theft
“Like a thief, gossip moves swiftly, undeterred by rivers or valleys, indifferent to borders and the hotheads who patrol them.”
By
Merve Emre
| December 9, 2024
Merve Emre: When Elena Ferrante is Your Editor
"Part of me wishes I had never pursued her."
By
Merve Emre
| January 14, 2020
What Kind of Personality Type Was Truman Capote?
Merve Emre on the Berkeley Researchers Determined to Unlock the Secrets of Creativity
By
Merve Emre
| September 5, 2018
How the US Leveraged the Love of Fulbright Scholars like Sylvia Plath
When Romance Becomes a Geopolitical Transaction
By
Merve Emre
| December 6, 2017
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